Monday, October 13, 2025
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada

Gigi Perez stirs up some controversy with new single “Sailor Song” 

|
|

Gigi Perez’s new single “Sailor Song” became a Billboard hit overnight, but not without some controversy from religious individuals.  

After a stripped back, acoustic clip of her track “Sailor Song” went viral this past spring, Gigi Perez, a musician who has mostly found acclaim through her following on TikTok, saw overnight fame.  

Perez isn’t new to the music game, having released the popular track “Sometimes (Backwoods)” in 2021 as well as singles “Normalcy” and “Please Be Rude” in March and May respectively. After the great success of “Sometimes (Backwoods),” Perez found herself signed to music label Interscope Records, but this pairing didn’t last very long as she was later dropped for not producing music at a rapid enough rate.  

“I was stuck inside of a machine that didn’t work for me and I was unhappy,” Perez said about her time under her former label.  

“Normalcy” and “Please Be Rude” were then released independently, but following the success of the recent release of her track “Sailor Song,” Perez has signed a new deal with Island Records. 

One of the original few clips released of “Sailor Song,” uploaded to TikTok on July 5, has nearly 4 million views and over 480,000 likes. Furthermore, while there are various TikTok audios attached to the song, the top five attributed to Perez herself have a combined 500,000 plus videos posted underneath them. Within a day of its July 26 release date, the song had skyrocketed to Spotify’s Top 100 Trending tracks list. 

But following the introduction of the full track to the rest of the world, some listeners were quick to denounce Perez for one lyric in particular. The line “I don’t believe in God, but I believe that you’re my saviour,” a lyric that is referencing Perez’s lover, has caused a stir of upset among a few religious communities.  

“When I accidently read the part ‘I don’t believe in God but I believe that your my saviour’ either I [go] quiet or [sing] ‘I do believe in God and I believe that your my saviour,” one commenter said under a TikTok posted about the song.  

Another person responded to the video asking, “What if I still sing the song but I just say, ‘I do believe in God and I believe that he’s my saviour’ instead of the real version?”  

Fans of Perez pointed out how disrespectful this was to the creator of the song as she had written the track around themes of religious trauma and queer female relationships. This furthered the controversy around the song, with some people saying that because of this line, Perez must worship the devil.  

Perez recently responded to this public dispute by uploading a clip of a new song she had written which fans have taken to calling “Love was the Law.” The name comes from the very few lyrics Perez has posted, which read: “Capital loss / Love was the law / And religion was taught.” This song seems to hit back at those who have treated “Sailor Song” as being a devotional to Satan, and not what it really is, a song about absolute, all-consuming love.  

More by this author

RELATED ARTICLES

Breaking the wall: Pink Floyd’s radical contribution to music 

In an era of three-minute rock singles, Pink Floyd dared to stretch their ideas into radiating, hour-long odysseys. Their concerts weren’t just performances — they were journeys that featured floating pigs, collapsing walls and soundscapes that blurred the lines between music and theatre.

A night to remember: Brock Swift Society rings in Taylor’s latest release  

As the clock struck midnight, Spotify predictably crashed on everyone’s phones while gasps rang out as the Brock Swift Society hit play on Taylor Swift’s 12th studio album, The Life of a Showgirl. 

Quiet but beautiful: “My First House” explores the grief of growing up 

3.5/5  Although Olivia Barton’s newest track, “My First House,” is quiet, it still deserves a listen.

Breaking the glass: Virgin’s vulnerability echoes through Toronto 

From the moment the lights dimmed at the Scotiabank Arena, it was clear that Lorde wasn’t interested in giving a typical pop spectacle. Her Ultrasound tour, now deep into its run, arrived in Toronto as a daring blend of vulnerability, theatricality and pure communal release.

“Midnight Sun” proves Zara Larsson is the pop princess we all knew she could be 

4.5/5  Coming in at just over 30 minutes, Zara Larsson wastes no time in crafting a Barbie-dream world that feels cohesive, confident and uncompromising.

Everything you need to know about the Twenty One Pilots lore: “Breach” era 

This is the conclusion to an ongoing series that focuses on the lore associated with the music produced by the band Twenty One Pilots. Click here to read the first part of this series, which focuses on the lore associated with the album “Trench.” Click here to read the second part, which focuses on the lore associated with the album “Scaled and Icy.” Click here to read the third part, which focuses on the lore associated with the “Overcompensate” music video. Click here to read the fourth part, which focuses on the lore associated with the album “Clancy.” 

What to binge next: An Emmy awards recap 

Television’s biggest night saw some of the top shows of the year go head-to-head for the industry’s most sought-after prize. 

Ethel Cain delivers a hauntingly memorable performance at Toronto’s Queen Elizabeth Theater 

Bringing life to the quiet Queen Elizabeth Theatre at Exhibition Place, Ethel Cain returned to Toronto, delivering her signature heart-wrenching cinematic tracks.