High school students across Canada are preparing for Brock University’s upcoming DART Invitationals.
DART, an acronym that refers to the Dramatic Arts program at Brock University, recently held their first annual invitational of the year on March 1. Students who received a conditional offer of admission to the Bachelor of Arts (Honours) Dramatic Arts or Bachelor of Arts (Honours)/Dramatic Arts Concurrent Education programs were invited to attend the invitational, held at the Marilyn I. Walker School of Fine & Performing Arts (MIWSFPA), as a part of their admissions process.
Unlike other, more traditional auditions, students who attended the invitational participated in a series of workshops that allowed them to develop introductory skills in performance, creation, design and production. The day gave students an opportunity to use what they learned to work together and create a piece of theatre with their peers.
In preparation for the second invitational on May 3, The Brock Press spoke to DART student Adia Buckle — who participated in the process in May 2024 — about her experience being a part of the event.
Buckle said while she got nervous driving herself from her hometown of Hamilton, she was “so excited to create.”
The day started with a series of activities that allowed Buckle and her fellow classmates to get comfortable in the space they would be working in. The attendees, having been asked to read Sophocles’ play Antigone, all came with an essay they had prepared about the work. Their reading and writing helped guide them, inspiring many of the pieces they worked on throughout the day.
This work was facilitated by upper-year student volunteers, professors and other Brock staff, allowing students like Buckle the opportunity to meet some of their future DART peers. David Vivian, a professor in the Dramatic Arts department at Brock, said he thinks professors and the current students are the heart of the DART invitational experience.
“The Chair of the Department, Jennifer Roberts Smith, and the Invitational team of faculty and students, begin the day with presentations to the applicants and their parents and guardians about the program […] and then about the ideas that circulate in and inform our understanding of the play that we have asked our applicants to come prepared to investigate and explore during the day [of the invitational],” said Vivian.
By allowing students to work with their prospective instructors, Vivian believes DART places all their applicants on a path to success for when they arrive in September. The process also allows students to get acquainted with the campus.
“I had an opportunity to meet some of my future classmates,” said Buckle, an experience that gave her and her peers something to talk about when classes started in the fall. “Even figuring out where the bathrooms were prior to the first week of school was a comfort to me in those first days of university where everything was a little scary.”
But most meaningful to Buckle was the experience she had working with her group to create a piece of theatre. “The moment where all of us were excitedly brainstorming, our passion at an all-time high,” said Buckle, “that is my favourite part of theatre creation.”
While Buckle has spent much of her life working in the theatre world, she said the adrenaline of that moment is what draws her back to the work time after time. Getting to work alongside fellow artists and creatives helped cement her choice to pursue studies in dramatic arts at Brock University.
Creating this feeling is the goal for Vivian and the other event organizers, as Vivian said participants often report that the experience helped them make sure they were making the right choice.
“[Students] often remark that our methods and the context of learning at the MIWSFPA are different than what they’ve experienced when applying for other programs,” said Vivian, “and that by participating in the Invitational, they’ve discovered something that is unique and attractive to them.”
Vivian, much like the students who attend the invitational, has found that his favourite part of the process is getting to learn about applicants’ dreams and hopes for the future, as well as what matters most in their lives.
“Our applicants never fail to impress us with the depth and breadth of their passion for making theatre,” said Vivian, “whether by teaching theatre to youth in their future careers as teachers, as theatre artists, content generators, scholars and researchers, [or] as entrepreneurs and community leaders who want to make change in our world.”
The work that Vivian and his colleagues are doing is important and timely, shaping young artistic minds to ensure the future of dramatic arts is in exceptionally good hands.