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Tuesday, March 25, 2025
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LATEST ARTICLES
Arts
“The Substance” aims straight for the jugular of beauty standards
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September 25, 2024
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FKA twigs melts into sensation on “Eusexua”
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September 20, 2024
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“Beetlejuice Beetlejuice” is an entertaining nostalgia trip with a few bumps in the road
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September 20, 2024
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The metamorphic journey of Magdalena Bay’s “Imaginal Disk”
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September 20, 2024
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Charli XCX’s “BRAT” is a timely vision of pop music’s future
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September 11, 2024
Feature
“Cowboy Carter:” Beyoncé’s Odyssey of American Genre
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April 10, 2024
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“Dune: Part Two” is monumental for science fiction cinema
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March 18, 2024
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Charli XCX kicks off new era with “Von Dutch”
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March 6, 2024
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The Brock University Moving Image Society creates new beginnings for film and TV lovers on campus
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February 28, 2024
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“Passages” is the most attractive kind of hot mess
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February 28, 2024
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“Anatomy of a Fall” is more than just a courtroom drama
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February 28, 2024
Opinion
Nicki Minaj doesn’t deserve the title “queen of rap”
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February 7, 2024
Arts
“The Zone of Interest” is a claustrophobic nightmare
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February 7, 2024
Arts
“Poor Things” is a surreal masterpiece
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January 31, 2024
Opinion
Pitchfork’s absorption into GQ is a tragedy for music journalism
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January 31, 2024
Arts
“May December” depicts the harrowing consequences of twisted truths
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January 24, 2024
Arts
The Vertigo Music Festival brings live music back to campus this winter
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January 24, 2024
Arts
What’s on at the FirstOntario Performing Arts Centre this winter
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January 16, 2024
Arts
Jo Koy’s Golden Globes debacle reminds us why Barbie was made
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January 16, 2024
Arts
The Top Ten Albums of 2023
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January 11, 2024
Arts
Scott Pilgrim Takes Off is a complete hit
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January 9, 2024
Opinion
The Mean Girls reboot is a marketing disaster
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January 9, 2024
Arts
“Renaissance: A Film by Beyoncé” is an opulent tour de force
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December 11, 2023
Arts
Behind its lavish curtain, “Saltburn” has little to share
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November 29, 2023
Arts
Drake’s “For All The Dogs Scary Hours Edition” adds little to an already bloated project
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November 29, 2023
Arts
Local band Shingen shares insight into Niagara’s hardcore music scene
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November 29, 2023
Arts
Key takeaways from the 2024 Grammy nominations
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November 22, 2023
Arts
“Priscilla” is a lesson in how to successfully craft a biopic
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November 22, 2023
Arts
As the fall semester ends, music at Brock comes to life with Music@Noon
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November 22, 2023
Arts
Brock Film Society hosts a viewing of “The Killer”
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November 15, 2023
Arts
PinkPantheress continues her upward artistic trajectory on “Heaven knows”
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November 15, 2023
Arts
‘Killers of the Flower Moon’ is a devastating descent into the roots of evil
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November 8, 2023
Arts
“Concern” for Madonna’s face is often cleverly disguised sexism and ageism
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November 8, 2023
Arts
A last-minute guide to The Film House of Horrors
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October 25, 2023
Arts
The bittersweet brilliance of “Over the Garden Wall”
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October 25, 2023
Arts
Brock’s studio art program under the first-year lens
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October 25, 2023
Arts
The dark history of plagiarism in HBO’s “Euphoria”
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October 17, 2023
Arts
“Strange Way of Life” and “The Human Voice”: A delightfully eclectic double feature
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October 17, 2023
Arts
Troye Sivan embraces sexuality through dance on “Something To Give Each Other”
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October 17, 2023
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Revisiting The Blair Witch Project: Where found footage begins and ends
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October 3, 2023
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POPULAR
Arts
“The Substance” aims straight for the jugular of beauty standards
Arts
FKA twigs melts into sensation on “Eusexua”
Arts
“Beetlejuice Beetlejuice” is an entertaining nostalgia trip with a few bumps in the road
Arts
The metamorphic journey of Magdalena Bay’s “Imaginal Disk”
Arts
Charli XCX’s “BRAT” is a timely vision of pop music’s future
Feature
“Cowboy Carter:” Beyoncé’s Odyssey of American Genre
Arts
“Dune: Part Two” is monumental for science fiction cinema
Arts
Charli XCX kicks off new era with “Von Dutch”
Arts
The Brock University Moving Image Society creates new beginnings for film and TV lovers on campus
Arts
“Passages” is the most attractive kind of hot mess
Arts
“Anatomy of a Fall” is more than just a courtroom drama
Opinion
Nicki Minaj doesn’t deserve the title “queen of rap”
Arts
“The Zone of Interest” is a claustrophobic nightmare
Arts
“Poor Things” is a surreal masterpiece
Opinion
Pitchfork’s absorption into GQ is a tragedy for music journalism
Arts
“May December” depicts the harrowing consequences of twisted truths
Arts
The Vertigo Music Festival brings live music back to campus this winter
Arts
What’s on at the FirstOntario Performing Arts Centre this winter
Arts
Jo Koy’s Golden Globes debacle reminds us why Barbie was made
Arts
The Top Ten Albums of 2023
Arts
Scott Pilgrim Takes Off is a complete hit
Opinion
The Mean Girls reboot is a marketing disaster
Arts
“Renaissance: A Film by Beyoncé” is an opulent tour de force
Arts
Behind its lavish curtain, “Saltburn” has little to share
Arts
Drake’s “For All The Dogs Scary Hours Edition” adds little to an already bloated project
Arts
Local band Shingen shares insight into Niagara’s hardcore music scene
Arts
Key takeaways from the 2024 Grammy nominations
Arts
“Priscilla” is a lesson in how to successfully craft a biopic
Arts
As the fall semester ends, music at Brock comes to life with Music@Noon
Arts
Brock Film Society hosts a viewing of “The Killer”
Arts
PinkPantheress continues her upward artistic trajectory on “Heaven knows”
Arts
‘Killers of the Flower Moon’ is a devastating descent into the roots of evil
Arts
“Concern” for Madonna’s face is often cleverly disguised sexism and ageism
Arts
A last-minute guide to The Film House of Horrors
Arts
The bittersweet brilliance of “Over the Garden Wall”
Arts
Brock’s studio art program under the first-year lens
Arts
The dark history of plagiarism in HBO’s “Euphoria”
Arts
“Strange Way of Life” and “The Human Voice”: A delightfully eclectic double feature
Arts
Troye Sivan embraces sexuality through dance on “Something To Give Each Other”
Arts
Revisiting The Blair Witch Project: Where found footage begins and ends
1
2
3
Page 2 of 3