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McGill shows resilience, claims U SPORTS men’s hockey bronze  

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Brandon Frattaroli’s late game-winner leads the McGill Redbirds to a 3-2 win over the TMU Bold, claiming the national bronze for their first U SPORTS podium finish since the 2013-14 season. 

With under a minute and a half left in regulation, Scott Walford’s cross-seam pass found a charging Frattaroli who deked around Bold goaltender Kai Edmonds, scoring the bronze medal winning goal. 

“So happy for a bronze medal this year,” said Frattaroli in a postgame interview with The Brock Press. “[Walford] saw me back door and he makes great plays every game. I expect him to make that pass to me … I found a way to put it in.” 

Frattaroli’s game-winner was the second of two goals the Pierrefonds, Quebec-native scored in the game, both assisted by Walford, the OUA East first-team all-star. 

After Jackson Doherty’s one-time slap shot rifled through Redbirds’ goalie Alexis Shank giving TMU a 2-1 lead in the third, Frattaroli pounced on a loose puck in the crease, kickstarting the McGill comeback – something they’ve done all tournament long. 

In the quarterfinals against UBC, the Redbirds came back from one down to win, while in the semifinals versus UQTR, McGill scored three consecutive goals after being down two, before losing 5-4. 

“Resilience in the group is something that’s grown over time,” said McGill head coach and OUA East Coach of the Year, David Urquhart. “Maybe last year or a couple years ago we weren’t able to rebound from those situations. This year and specifically today, they were able to do it. And I’m incredibly proud of the guys. They showed character, resilience and were rewarded.” 

Stephane Huard scored McGill’s first goal of the game with under five seconds left in the first period, levelling the game at one after TMU’s Elijah Roberts scored the game’s opening goal early in the first period. 

“We were looking for a spark. I got the chance and I put it in,” said Huard postgame. 

“It feels good [to get a medal]. We can be proud of ourselves. We play as a family and I’m very proud of the group I’ve been part of this year.” 

The win marks the Redbirds’ seventh podium finish in tournament history – one gold, one silver and five bronze – and their second bronze medal of the season after beating the Brock Badgers in the OUA bronze medal game. 

McGill will be looking to add to their U SPORTS medal count next season when the tournament heads to Ottawa in 2025. 

For more information on U SPORTS men’s hockey, head to usports.ca. 

What does the home-town boy bring to the Blue Jays? 

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Among Fergie Jenkins and Larry Walker stands Joey Votto as one of the greatest Canadian baseball players of all time.  

Votto was born in Toronto, Ontario and grew up in Etobicoke, where he played for the Etobicoke Rangers baseball club. The Cincinnati Reds drafted Votto straight out of high school in 2002 with their second-round draft choice.  

After playing a combined five seasons of college and minor league ball, Joey made his MLB debut in 2007 with the Reds and played the next 17 seasons with the team. He was an all-star in six of those seasons, hitting over .300 in eight of them and over 25 home runs in seven seasons, one of which was in 2021 at 37 years old.  

But in the 2022 and 2023 seasons, Votto’s play fell off significantly for the Reds and with a young star-studded team in Cincinnati, it was time for the team and Votto to part ways.  

On Nov. 4th, 2023, Cincinnati declined Votto’s club option and released a farewell statement to the Reds legend. For the first time in his career, Votto was a free agent.    

After a long offseason of remaining unsigned, Votto took to Instagram where he posted a photo of himself in distress on a park bench with the caption “missing ball”. Former Blue Jays star Jose Bautista commented on the post “Hometown team?” and many sports media companies noticed and started rumouring Votto would join the Blue Jays.  

A couple of days later, Votto was invited to the Blue Jays spring training facility to train and on March 10th he signed a minor league contract with the Blue Jays. Whether Votto makes the team out of spring training is still up in the air, but to have a Canadian player of his stature sign a minor league contract shows his love for Toronto and his dedication to the game. He could have signed a major league contract with a few other teams that were reportedly interested.  

The second DH spot is currently up in the air as Votto and newly signed Daniel Vogelbach battle it out for the presumed last spot on the team. Vogelbach has been his usual self, hitting below the Mendoza line but crushing the ball when he makes contact. In 25 at-bats he has four hits, two of which have been home runs and an on-base percentage of .250. These numbers are not major league numbers, to say the least.  

Votto has only made one appearance in spring training so far with his late arrival to the team. In his first at-bat, on the first pitch, he hit a home run to left center field, a display of his power and a great welcome home moment for Votto. Votto also brings a veteran presence for young Blue Jays players such as Bo Bichette and Vladimir Guerrero Jr. 

Votto is still a serviceable MLB bat that brings a lot of experience to the Blue Jays roster. Whether he makes the roster out of spring training is still yet to be decided, but it seems increasingly likely that Votto will be a Blue Jay at some point this season.  

NFL free agency a running back carousal 

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The NFL free agent frenzy has come and gone over the last week with star players bouncing around to new teams like a Madden franchise mode. Let’s look at where some of the biggest stars ended up over the past week.  

RB Saquon Barkley: Philadelphia Eagles 3 years, 37.75M  

Some would describe Saquon Barkley’s last year with the New York Giants as a ticking time bomb, which is why it came as no surprise that he decided to leave in free agency. The biggest surprise is that New York did not even offer him a contract extension despite being one of the most dynamic backs in the league. Barkley’s arrival in Philadelphia makes their offence somehow scarier than it was last season. Upgrading from De’Andre Swift to Barkley puts them amongst the top in the league on paper offensively. They are definitely the favourite to win the NFC East over the Dallas Cowboys.  

RB Tony Pollard: Tennessee Titans 3 years, 21M  

The former Cowboys RB decided to sign with the Titans giving them a much-needed back. Pollard had a breakout season last year rushing for over 1,000 yards and becoming a staple of a very good Dallas Cowboys team. The Titans replace RB Derrick Henry with a more elusive runner and a player who is effective in the passing game as well. He’ll most likely become the number one player on offence in front of wide receivers Calvin Ridley and De’Andre Hopkins.  

RB Derrick Henry: Baltimore Ravens 2 years, 16M  

The Baltimore Ravens had a top-three offence last season with the MVP play of QB Lamar Jackson and the breakout season from Gus Edwards and Zay Flowers. Adding a top-three running back in Derick Henry to the mix keeps them in the talk of Super Bowl favourites. Lamar Jackson, Derrick Henry, Zay Flowers, Mark Andrews… there’s not much more to say. This team will undoubtedly be back in the AFC championship game.  

RB Josh Jacobs: Green Bay Packers 4 years, 48M  

This one was strange and had many Packers fans upset – not because the team signed Jacobs, but because it was followed by the Packers cutting Aaron Jones. Jones did have a down year last year but that was due to injury and a growth year with rookie QB Jordan Love. Jones seemed to be the glue between the veteran players on the Packers and the new wave of young guys, which is why the signing of Jacobs rubbed Packers fans the wrong way.  

Jacobs is an excellent running back. Last season he was subpar to his standards, but he has previously shown that he can be a go-to guy. In his first five seasons with the Raiders, he rushed over 1,000 yards in three of those seasons, with 2022 being his most productive season. He rushed for over 1600 yards as the main staple of the Raiders’ offence. Although Packers fans may not be happy with the switch, Jacobs is an elite RB and fits in better age-wise with the core of this team, being 26.  

RB Aaron Jones: Minnesota Vikings 1 year, 7M 

After being cut by the Packers, Jones signed with arguably their biggest rival: the Minnesota Vikings. The Packers and Vikings both play in the NFC North, which is possibly the most competitive division in football heading into the 2024 season. Jones will look to gain his 2022 form in Minnesota and add to the already-loaded offence with Justin Jefferson, Calen Addison and T.J Hockenson. 

QB Kirk Cousins: Atlanta Falcons 4 years, 180M 

Kirk Cousins signed a four-year deal with the Atlanta Falcons leaving the Minnesota Vikings, which he called home for the six prior seasons. Cousins was nearly a top 10 QB last year and has proven when surrounded with talent he can be a great player, making a young Atlanta team the perfect fit. Alongside wide receivers Drake London, tight-end Kyle Pitts, running back Bijan Robinson and another offensive threat that they will most likely select with the 8th overall pick in this year’s draft, Atlanta’s offence is shaping up to be dangerous with Cousins calling the shots. 

Honourable Mentions:  

Joe Mixon was traded from the Cincinnati Bengals to the Houston Texans providing the Texans with a top 15 RB.  

Calvin Ridley signed with the Tennessee Titans adding a deep threat to help young QB Will Levis.  

WR Gabe Davis signed with the Jacksonville Jaguars to replace Calvin Ridley. 

Marquise “Hollywood” Brown signed with the Kansas City Chiefs giving Mahomes another underrated playmaker.  

Russel Wilson signed a one-year deal with the Pittsburgh Steelers. Wilson has struggled in recent years in Denver but with a more competent coaching staff and a solid O-line, Wilson may be able to regain some of his Seahawks form.  

Offensive lineman Robert Hunt signed a four-year, $100 million deal with the Carolina Panthers. The Panthers O-line ranked amongst the worst in the league last year, so Hunt will help protect young QB Bryce Young.  

Safety Xavier McKinney signed with Green Bay, adding to their solid secondary.  

Badgers goaltender Connor Ungar signs with Edmonton Oilers  

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First-year goaltender Connor Ungar has signed an entry level contract (ELC) with the Edmonton Oilers where he will be assigned to the AHL affiliate Bakersfield Condors, per CBC Sports’ Ben Steiner.  

Ungar is coming off a record-breaking season for the Badgers where he registered a program-high 20 wins, which was also the most in U Sports this season.  

Ungar was named U Sports Rookie of the Year, awarded the Clarke Drake Trophy for best first-year player in the country and named to the U Sports all-Canadian second team.   

Ungar also boasted an impressive .932 SV% and 2.15 GAA, which was second amongst all goalies in the OUA who played 20 or more games.  

Ungar is the second goalie in six seasons to sign with an NHL team after posting unbelievable numbers in their rookie season at Brock. In the 2018-19 season with the Badgers, Logan Thompson did the same after an incredible rookie year, signing with the Vegas Golden Knights.  

Ungar also joins former Badgers Adam Berg and goaltender Roman Basran who both signed pro contracts after the 2022-23 season. Both players signed with the East Coast Hockey League (ECHL), the affiliate league to the AHL and the same league Logan Thompson started his professional career.   

For the official report on the Ungar signing, visit NHL.com.  

UNB caps perfect season, wins second consecutive U Cup title 

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The UNB Reds (38-0) complete their undefeated season, beating the UQTR Patriotes 4-0 to be crowned back-to-back U SPORTS gold medalists, winning their fifth championship in the last seven tournaments. 

Brady Gilmour, the 2024 U SPORTS Men’s Hockey Championship MVP, opened the scoring for the Reds eight minutes into the game on the breakaway, sliding the puck past the outstretched pad of Patriotes’ netminder Alexis Gravel to give the Atlantic University Sport (AUS) Champions the one-goal lead. 

“We wanted to come out and have a great game and an impact on it,” said Gilmour in a postgame interview with The Brock Press. “[Austen Keating] made a great pass; lucky enough it went in.” 

Shortly after Gilmour’s go-ahead goal, his line added another after a picture-perfect tic-tac-toe passing play found the back of the net of Cody Morgan’s stick to give the number-one seed the 2-0 advantage after the first period. 

In the second, Reds goaltender Samuel Richard came up clutch making a flurry of key saves, including a trifecta of sprawling stops while shorthanded, to preserve the two-goal lead.  

Richard, the 2023 U SPORTS Rookie of the Year, stopped all 23 shots he faced in the game, extending UNB’s team shutout streak to 298 minutes – nearly five games long. The Reds have not allowed a goal since game one of the AUS Championship against Moncton, while shutting out all three opponents (Brock, TMU and UQTR) they faced in the tournament.

“We always talk about offence, but defence wins championships,” said head coach and AUS Coach of the Year, Gardiner MacDougall. “If you don’t give up any, you’re going to have a chance to have success every night. This group did it three nights in a row.” 

Richard’s dominant second period kept momentum in UNB’s favour, leading to Keating scoring a third Reds goal just under five minutes into the third period, to record his third point of the night – one goal and two assists – to extend UNB’s lead. 

“Our whole line was clicking,” said Keating postgame. “Brady Gilmour has had a great year … [Morgan] is built for these moments, last year he scored big goal after big goal and this tournament he’s scored so many big goals. It was just fun to get the win.” 

Isaac Nurse sealed the gold medal victory with an empty-net goal, marking UNB’s ninth national championship – 2007, 2009, 2011, 2013, 2016, 2017, 2019, 2023 and 2024 –under the reigns of MacDougall, and 10th overall. 

“I don’t think a person would dream this up in their wildest dreams,” said MacDougall. “[We] set new standards not only for our program but for U SPORTS.”  

The Reds will look to set their standards even higher next season when they compete for their third consecutive U Cup title and 11th men’s hockey national championship in school history. 

For more information on U SPORTS men’s hockey, head to usports.ca. 

Season ends for Brock men’s hockey in U Sports quarter-finals 

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Brock’s men’s hockey team was shut out in the first round of the U Sports National Championship, bringing their strong season to an unfortunate end.  

Due to their OUA bronze medal game loss to McGill, the Badgers drew the eighth and final seed in the U Sports playoffs, landing them in a first-round matchup against the top-seeded University of New Brunswick (UNB) Reds, the most dominant team in Canadian university hockey.  

Heading into the match, UNB was riding a season-long winning streak, going a perfect 30-0 in the regular season and 5-0 in the Atlantic University Sports (AUS) playoffs. However, the Reds have not only been finding success recently. In addition to claiming their sixth straight AUS title on March 5th, they are also looking to defend their 2023 national title. If successful this year, UNB will have won five of the last seven U Sports national championships.  

Having lost three straight games and faced with a juggernaut, Brock was bound for a tough go right from the puck drop.  

As promised, the Reds immediately put the Badgers to work. Though Brock had been known for their hot starts all season, this time it was their turn to feel the full brunt of the Reds’ force from the opening whistle.  

UNB descended on Brock with relentless pressure, peppering goalie Connor Ungar with plenty of early chances. Despite looking strong early, Ungar was beaten by a shot six minutes in when UNB’s Austen Keating—the second leading scorer in the nation during the regular season—made a slick backhand feed off the half-wall to teammate Cody Morgan in the slot who ripped the puck over Ungar’s blocker. 

The Reds maintained their heavy offensive pressure throughout the first and, late in the period, found an opening to add to their one-goal lead.  

Falling victim to old habits, Brock took a penalty when Ryan Stepien was called for boarding, a situation made worse when Christophe Cote took a slashing minor while killing the penalty, subjecting the Badgers to a first-period 5-on-3.  

Nearly a minute into the two-man advantage, the Reds hemmed the exhausted Badgers group deep into their defensive zone with excellent passing. UNB’s Brady Gilmore received the puck in the right corner, wound up into the high in the slot and sent the puck to Benjamin Corbeil at the left dot who had to settle it down before dishing it to Kade Landry for a wide-open one-timer from the top of the right circle. Ungar had no chance to slide across as the Reds made it 2-0 on the powerplay.  

Brock managed to avoid a third goal against through the entire second period, but that had more to do with Ungar’s miraculous play than anything else. After two periods of play, Brock sat behind by an astounding 30-8 in shots, still two goals in the hole.  

Throughout most of the third period, the game progressed in much the same fashion. While still only down 2-0, the Badgers generated only four shots on goal while continuing to rely on Ungar who faced 15 shots in the period, three more than Brock would end up with in the entire contest.  

UNB eventually found their third goal of the night with three minutes left to play in the third thanks to a goal from Corbeil. Corbeil would collect his second goal of the night barely over a minute later, firing the puck into the empty net for an insurance marker at 18:07 in the third. That goal would just about wrap it up for the Badgers, losing 4-0 in the U Sports quarter finals.  

Despite the dispiriting loss, there were still plenty of positives for the Badgers this week.  

Ungar—Brock’s player of the game against UNB after stopping 41 of 44 shots—was named the U Sports Rookie of the Year on March 13th. The award adds to what has already been a fantastic year for Ungar. Ungar already won several awards in the OUA for Rookie of the Year, Goaltender of the Year and First-Team All-Star. Ungar also set a new program record for wins with 20, a record previously held by Vegas Golden Knights goalie Logan Thompson when he played at Brock in 2019. Additionally, Ungar finished third in U Sports in saves (767), fifth in save percentage (.932) and ninth in goals against average (2.15).  

Ungar was not the only Badger to receive national accolades. Brock’s regular season leading scorer Jacob Roach was named to the U Sports All-Canadian Second Team where he joined Ungar. Sophomore Badger defenceman Jonah Boria was named to the U Sports All-Rookie Team, also joining Ungar in that recognition.  

Though this unfortunately marks the end of Badgers hockey for the year, Brock had an excellent season to build off and have many pieces in place to continue growing as one of the top hockey programs in Canada.  

To continue to follow along with the U Sports National Championships, visit usports.ca or go to CBC to watch live. 

Brock women’s volleyball lose five-set heartbreaker in national quarter-finals 

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One of the best seasons in program history came to an unfortunate but unforgettable end as Brock’s women’s volleyball team lost to the Acadia Axewomen on March 15th. Despite losing the first two sets to put them behind the eight ball early, the Badgers battled back to win sets three and four before ultimately losing in the playoff set.  

Brock was a little slow to start, giving Acadia an opportunity that they pounced on. The Axewomen kicked the game off with a 6-2 run, with all of their points coming off assists from second-team All-Canadian setter Charlie Dean. Despite the early setback, the Badgers responded with a 7-2 run of their own, taking a 9-8 lead. With more scoring runs down the stretch, Brock pushed their lead to three, an advantage they maintained throughout most of the set.  

However, a missed serve by Emily Foest up 20-17 gave Acadia an opening, sparking a four-point run that put them back in the driver’s seat, now up 20-21. As the Badgers and Axewomen traded points, a powerful kill from Gigi Markotic seemed as though it might shift the momentum in Brock’s favour, now facing match point. However, they would find no such luck as Acadia held on, winning set one 23-25.  

While set two was even closer than the first, the Axewomen continued to show a fearsome presence on the defensive side of the net, something the Badgers struggled to work around.  

Brock opened with a 4-2 lead but soon surrendered it on a 10-5 run, falling behind 9-12. Just as quickly however they turned it around, going on a 7-1 run to restore their two-point lead, up 16-13. After pushing that lead further to 19-15, Brock seemed poised to take over the set.  

It would not last.  

Acadia came out with three straight points, trimming their deficit to only one. From there, the Axewomen repeatedly forced Badger side-outs, keeping the score within reach before eventually tying the game at 24. Brock had two chances to close out the set, but again Acadia forced two consecutive side-outs before scoring three straight, winning set two 26-28. 

Despite facing elimination after two sets, the Badgers showed no signs of feeling the pressure. In fact, it was the Axewomen who seemed to have the jitters walking into set three.  

Brock stormed out to a 10-1 run to open the set, powered by four kills from Sadie Dick as well as three blocks and a kill from Laurin Ainsworth. Acadia had no answers for Brock the rest of the way either. While the Axewomen had been the dominant blocking side in the first half, the tide had begun to shift in Brock’s favour.  

Not only were the Badgers getting up to challenge Acadia at the net more aggressively, but they were also doing an excellent job of manipulating the Axewomen’s block attempts, putting lots of balls off their opponent’s hands and forcing errors. The Badgers capped off a gutsy third set with a 7-4 run, winning by a convincing 25-15.  

Acadia mostly shook off whatever was holding them back in set three and jumped out to a 3-5 lead in the fourth, led by two blocks from middle Erica Fisher. As Brock added three straight points to jump ahead 6-5, they set the table for a return to the tightly fought, white-knuckled sets we’d seen in one and two.  

As the set progressed, Brock continued to force one-point side outs while going on short two-point runs, slowly building their lead. Up 13-10, Brock started to go on longer runs to grow their advantage. First, a four-point run, punctuated by back-to-back aces from Madison Chimienti, pushed Brock to a 17-11 lead. After giving up two straight points, a kill from Ainsworth and two Axewoman errors allowed the Badgers to follow that up with a three-point run, making them the first side to get over the 20-point hump.  

Though Acadia threatened to get back into the game with a three-point run of their own, an error and two more kills from Ainsworth gave the Badgers a set-point opportunity and, off a block by Dick, made good on their chance, winning 25-19 and forcing a playoff set.  

Going into the fifth set, all the momentum seemed to be at the Badgers’ backs. Brock grabbed the first point of the set, but the lead would prove a tough one to maintain. The Badgers and Axewomen traded short runs, seeing the lead change hands five times before the set reached its halfway point. On the fifth change, Brock went on a three-point run to go up 7-5, giving them their largest lead of the set and forcing Acadia to take a timeout.  

The Axewomen emerged from the pause with renewed energy, immediately going on a five-point run to claim a five-point lead. The Badgers, playing for their lives and only five points shy of elimination, wouldn’t be counted out and countered with a three-point run to tie the score at 10. 

From there, Brock’s magic seemed to run out. Chimienti went up hard to the net force Acadia’s Erica Fisher to commit an error but injured herself on the play. After flubbing the serve, she limped to the sideline where she spent the rest of the match. 

Afterwards, two questionable calls—one for a net violation and a dubious decision at the right sideline—put the Badgers behind late. Acadia closed the match out with two kills, winning the final set 12-15 and the match 3-2.  

The loss will certainly be a tough pill to swallow for Brock. Though they dropped the first two sets, both were by very slim margins and the Badgers looked like the superior team for much of the game, outscoring Acadia 86-69 overall as well as finishing with 20 more kills.  

While all Brock hitters reached double-digit kills, Dick was leaned on heavily by the Badgers’ offence, leading the match with 17 kills and only five errors on a massive 51 attempts. Foest and Chimienti also had a high-volume workload with each having 44 attempts, contributing 14 kills with 10 errors and 10 kills with nine errors respectively.   

Continuing her run as one of the most efficient hitters in the country, Markotic also added 12 kills on 27 attempts without committing a single error. In addition to tying Chimienti for the team lead in blocks with three, Ainsworth also had a strong outing, chipping in 11 kills on 22 attempts.  

Sara Rohr and Aleiah Torres also led the match in their respective categories. Recently anointed All-Canadian first-teamer Rohr came out on top in a matchup between two of the country’s top setters, finishing with 56 assists. Torres’ 26 digs led all players in the five-set match.  

While Brock played again on March 16th in a consolation match against McMaster, they could be forgiven for not having given it their all after the heartbreaking loss. In what proved to be a short game, Brock lost 0-3 to McMaster, ending their season on a somewhat sour note.  

After such a successful season full of personal achievements and massive team victories, this weekend was certainly a disappointing end to the Badgers’ year. However, considering all they accomplished this year, fans have plenty to be thankful for and lots to look forward to next season. 

Everything you need to know about the Twenty One Pilots lore: “Scaled and Icy” era 

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Click here to read the first part of this series, which focuses on the lore associated with Twenty One Pilots’ album “Trench.” 

Twenty One Pilots is known for the in-depth lore attached to their albums. Here is everything you need to know about the lore attached to Scaled and Icy before the release of their new album Clancy.  

Following the termination of the DMAORG website on April 2, 2021, live.twentyonepilots.com became available to the public. This site led to a control room which provided fans with various experiences in the lead-up to the release of their sixth studio album Scaled and Icy.  

While outside of the lore, the band explains that the title Scaled and Icy is meant to be a play on the phrase “scaled back and isolated,” words frontman Tyler Joseph used to describe his experience during the COVID-19 lockdown. It is also an anagram for “Clancy is dead.” While it was later revealed that the character Joseph plays during the Scaled and Icy era is in fact Clancy, he is repeatedly referred to as Tyler.  

The website was also the platform for Dema’s first-ever live experience, an event disguised as a way to entertain the VIPs of Dema when it was really meant to indoctrinate them. While he is referred to as Tyler throughout the stream, it is still Clancy, being called by a different name, who is the star.  

Starting as a 70s-inspired morning show called “Good Day Dema,” the live stream is hosted by characters called Dan Lisden and Sally Sacarver (who aren’t alive, just Glorious Gone is possessed by the bishops using psychokinesis). The stream opened with Clancy looking completely miserable, sitting in between the two hosts who continuously mock him and Josh Dun (also known as the Torchbearer). 

Throughout the stream, Josh and Tyler played a variety of songs from Scaled and Icy, as well as songs from past albums, but were often interrupted during songs that contained lyrics about rebellion. Throughout the stream, an infomercial segment promoted the album, but every time the hosts reappeared, they looked progressively more beat up, slowly decaying as their bodies were used by the bishops.  

The stream continued, and with every passing moment, it became more and more chaotic. Toward the end, the band played their song “Car Radio,” during which alarms started to blare and the location switched, Clancy (Tyler) and the Torchbearer (Josh) playing on a street with burning cars and people who appeared to be running from something. 

Following the end of “Never Take It,” Clancy (Tyler) returns to the set, where he is greeted by the hosts—who look completely normal again—and a clapping crowd.  

Following the success of the live stream, the bishops hosted a party on a submarine with Clancy and the Torchbearer as their main performers. But halfway through the “Saturday” music video, Trash the Dragon (the album’s mascot) attacked the submarine, filling the ship with water and nearly drowning everyone. Clancy and the Torchbearer are shown to have survived with 19 other people from the ship. These are the events of the “Saturday” music video. 

Following a year of silence, DMAORG updated, showcasing a brand-new map. This map of the continent of Trench introduced an island that had never been seen before, called Voldsøy.  

A Norwegian word that roughly translates to “violence island,” Voldsøy is located just off the shore of Trench, separated by a small strip of ocean called the “Paladin Strait.” The island also plays home to a large population of small creatures called Ned whose name is an acronym for Neuro Expansion Device. As a reminder, their antlers provide the nine bishops with the power of psychokinesis, a ritual that allows them to possess the dead bodies of the Glorious Gone.  

Soon after “The Outside” music video was released, where it was revealed that Keons, one of the nine bishops, had used psychokinesis to possess Trash the Dragon, making him the culprit of the attack against the submarine. Keons is killed by the other bishops for this deed. 

Following the death of Keons, Clancy and the Torchbearer wash up on Voldsøy and meet a group of Neds who provide Clancy with the ability to use psychokinesis. Clancy uses this newfound power to possess the dead body of Keons and start a fire in Dema. Awaiting rescue on the island, Clancy and the Torchbearer spot the lights from the torches from the rest of the Banditos across the Paladin Strait.  

While Scaled and Icy was not received particularly well by the band’s fan base, with many thinking it strayed too far from Twenty One Pilots’ typical sound, the music videos associated with the record expertly expanded on the story the band had set up in Trench. This era added so much to the lore that it would be incredibly difficult to simply skip over it before moving on to the world of the upcoming record Clancy.  

This article is part of an ongoing in-depth look at the lore associated with the albums “Trench” and “Scaled and Icy” in the run-up to Twenty One Pilots’ newest album. The next article in this series will cover the lore associated with the brand-new music video “Overcompensate,” a single from the upcoming album “Clancy.” To remain updated on this series, stay tuned to The Brock Press.  

Brock Musical Theatre’s fantastic version of “Carrie” teaches its audiences an important lesson about what it means to be kind 

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Brock Musical Theatre’s take on the cult-classic Carrie is an impressive feat with their opening night show completely blowing away the audience.  

Upon entrance to the theatre, audience members are fully immersed in the small New England town of Chamberlain, Maine. The simple yet effective set design successfully builds the world, avoiding overcrowding the playing area, a mistake often made by other semi-amateur stage productions.  

Featuring two white wooden bleachers, a grimy wall with two prison-style windows and a couple of benches littered with backpacks, the set is versatile with each piece being able to function in a variety of different ways. Above the wall is a painted scoreboard that reads “Days till Prom: 15.” Throughout the show, the number counts down, effectively showing the audience that time is passing rather than outright saying it, a dramatic move that elevates the production.  

Tommy Ross, played by Cameron Playter, and Sue Snell, played by Emily Moore, are the first to enter onto the stage. Playter and Moore were spectacular, both together and alone, drawing eyes in scenes when they were the main focus as well as scenes when they were simply filling space.  

Following the opening scene with Sue and Tommy, the rest of the cast flooded the stage in a well-organized and crisp mob of bustling energy. Both named and unnamed ensemble members maintained the same impressive commitment to the show. Their vocal harmony was well-practiced and their dancing in-sync.  

Most admirable was the ensemble’s believability as high schoolers, portrayed most effectively in their body language. Even those members who did not have lines came to life on the stage, filling the space and maintaining an unbreakable dedication to their characters.  

The audience is quickly introduced to the world of Bates High School following the metaphorical, nightmare-state opening number “In” when they meet Carrie, played by Paige Hergott, the show’s titular character and an absolute stand-out star.  

Hergott’s vocal ability was incredible, showcased expertly in every song she sang. Somehow, her acting chops surpassed the impressive nature of her voice, using her very effective physical acting skills to showcase just how terrified Carrie was after getting her first period. Furthermore, when Carrie loses it during “Prom Climax,” it is difficult not to be terrified of Hergott, who very subtly shifted from her regular portrayal of Carrie to a version of the character that had gone crazy.  

The connection between Carrie and her mother, Margaret, truly made the show spectacular. While every scene shared by the two characters was stirring, the final scene between Carrie and Margaret, played by Zoe Hunnersen, was by far the best of the show. The two actresses played off each other incredibly well, completely sucking the air out of the room.  

Hunnersen was so believable in the role of Margaret that it was difficult to believe that she was only in her first year, her physical acting suggesting that she was someone who had far surpassed the role of the student.  

Other elements of the show such as sound and light design were good, but not particularly impressive. The costuming was well done, although considering the show is supposed to be set in the early 2000s, the show’s wardrobe felt very 2024, taking the audience out of the world of the musical. Opening night jitters led to a few mishaps with microphones, but in the end, the cast’s stellar commitment to both the show and its characters made all these minor complaints seem small.  

In his director’s note, Kian Diab summed up the message of the show: 

“No one in this show is a good or bad person … [but] the scariest thing is seeing how people can be influenced, be destroyed by their own mind, or destroy the minds of others. We have to be conscious of the people around us and think about what consequences our actions, or choice not to act—whether for our own well-being or others—can do.” 

While Brock Musical Theatre’s take on the hit musical Carrie was incredibly well done, the underlying message of kindness and compassion was even more impactful.  

Mt. Joy’s new single “Highway Queen” takes its listener to a raring journey start to finish 

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Overall rating: 5/5 

Mt. Joy’s folk hit “Highway Queen” has been long-awaited by many fans of the band. Now that it is finally here, fans and non-fans alike can’t get enough of this gorgeous new dance beat. 

Released on March 8, “Highway Queen” first debuted live on one of Mt. Joy’s past tours. Since then, the band has continued to play this previously unreleased track on multiple occasions while on the road, teasing their audience with the possibility of a polished version of this fan favourite.  

Matt Quinn, the writer of the song, said in a BroadwayWorld interview that the track “is about being in love with someone you see a bit of yourself in.” He elaborated on this, speaking about his wife having left her home country, Brazil, when she was only 15 to chase her dreams. “Living away from home corrals your demons in a specific way; you feel like the only way to outrun them is to keep moving,” Quinn said. “It’s something I personally struggle with, so I know it when I see it in someone else, especially someone I love.” 

For Quinn, “Highway Queen” is a reminder that he and his wife will have each other for the rest of their lives, figuring everything out at whatever pace they need.  

A rocking folk anthem, “Highway Queen” is made to be played on a warm and breezy summer day. Laced with uncontainable feelings, Mt. Joy’s newest single is undeniably one of the band’s most beautiful love songs.  

With the lyrics “We could slow it down honey, let it find you / And I want you to know nobody’s leaving, no, I ain’t scared of your demons / That’s just what makes you a real thing,” it is clear that Quinn understands love and what it means to be a real walking talking human being. It’s not perfect, but it is his.  

Blaring right out of the gate, “Highway Queen” opens with a catchy folk guitar riff and the bang of a kick drum. Setting the stage for the rest of the song, the musical introduction feels uniquely Mt. Joy, upholding the band’s sonically cohesive sound.  

As the track progresses, the introduction of a resonant bass line and a dancing percussive beat keeps the energy of the song high. Quinn’s soaring vocals are warm and crisp, drawing the listener into the song’s loving embrace.  

This track’s status as such a fan favourite at live shows makes sense, it’s whirling sound perfect for singing and dancing amongst a group of like-minded people who happen to be complete strangers.  

A perfect folk sound, “Highway Queen” takes the listener on a highspeed chase that doesn’t give them a moment to stop and catch their breath until the song finally takes its bow.  

“Dune: Part Two” is monumental for science fiction cinema 

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Warning: Minor spoilers ahead 

Score: 5/5 

The future of sci-fi is in good hands. 

In the late ‘70s, George Lucas pulled audiences from their seats into a galaxy far, far away. Where he led them was the cinematic universe of Star Wars that continued to expand rapidly with every subsequent film and other canonical media addition. 

At the turn of the century, Peter Jackson brought J.R.R. Tolkien’s Middle Earth to life with his adaptation of The Lord of the Rings. With a story traversing three films – including the Academy Award winner for Best Picture The Return of the King The Lord of the Rings trilogy is a beacon in cinematic worldbuilding and storytelling, spearheading a new standard for sci-fi and fantasy filmmaking into the new century. 

What was witnessed with the magnificent scale of the Star Wars universe and The Lord of the Rings world is unfurling before all of us with Denis Villeneuve’s adaptation of Frank Herbert’s book series, Dune. With two films in the trilogy down so far, the story is expected to conclude with an adaptation of the second novel in Herbert’s series Dune: Messiah
 

Set in the distant future, Dune follows Paul Atreides (Timothée Chalamet) on the bleak desert world of Arrakis. Gifted with powers not fully understood by him, he embarks on an odyssey through the desert inhabited by gargantuan sandworms and the mysterious natives of Arrakis, the Fremen, who speak of a prophecy in which Paul finds himself in the centre of. 

 
Released on March 1, Dune: Part Two is even more monumental than its predecessor, Dune: Part One or simply Dune. Villeneuve and the entire crew are all working on overdrive in their respective departments to bring the colossal Dune universe to the cinematic medium at a level unseen before in sci-fi cinema.  

It’s almost impossible to comment on one film only of the two currently released, as they feel like a seamless transition from one to the other. Where Part Two diverges from Part One is the striking role intimacy plays in the story and the maximization of nearly every worldbuilding element. 

Compared to its successor, Part One feels like merely dipping your feet into the cold universe of Dune. It hardly makes a splash unlike other sci-fi universes such as Star Wars which feels larger than life, flexing on-the-nose worldbuilding details like space battles, hyperspace and lightsabers.  

By contrast, Dune’s universe feels almost uncomfortably quiet. The architecture is harsh and brutalist, made to appear strictly mechanical and not for show. The lack of explanation or insight into the universe’s externally sleek and simple design feels both oddly familiar and profoundly distant from humanity.  

Although Part Two works in tandem with the first film to conserve a certain level of secrecy to the universe, it banks far more heavily on utilizing every scene to forward the worldbuilding and lay more breadcrumbs for the audience to follow. The consistency of this technique along with the astonishing scale of the visual effects and shot composition keep audiences constantly engaged.  

 
It’s safe to say now that Villeneuve is solidifying a prominent authorship within his films, notably in the polarity between emotional nuance and sheer scale of worldbuilding. To some, a filmmaker cultivating their authorship may signify a dangerous road towards overly formulaic, creatively bankrupt habits, but this is certainly not always the case, especially not with Villeneuve. From Blade Runner 2049 and Arrival to the Dune trilogy, he has expressed a consistent devotion to fully realizing his creative vision which seeks to depict the immense scale of a story through cinematography. 

Part Two further deepens the emotional core of the story, beating its heart faster to generate delicate conflicts between Paul and the characters themselves, adding an intimate depth less present in the first film. The result of this is an additional layer of humanity to the characters, even those left previously underdeveloped in the first film.  

The somber desolation of Arrakis foregrounds the film’s most human moments between characters, making the consequences of battle sequences feel exceedingly heavy. Part Two is a large improvement over this area whereas the first film occasionally created distance between the audience and the story’s emotional stakes. 

It’s evident that Chalamet is stretching his acting range, and in doing so he deepens the impact of Paul’s character arc. He keeps Paul an engaging protagonist to root for while introducing enigmatic development in his behaviour that makes audiences question his authority over conflicts.  

 
Alongside Chalamet’s formidable lead performance is Zendaya’s role as Chani, a Fremen woman and Fedaykin, meaning she is part of the guerrilla warrior order of the Fremen. Zendaya flexes her acting chops in a way that expresses the vigour of a warrior hellbent on being responsible for her people’s freedom this time around. 

 
While her role in the first film was rather minor, it was made clear she would play a pivotal role in Part Two as she strikes up a romantic relationship with Paul in the first act of the film.  

Because of their newfound romance, Chani constantly acts as an obstacle to Paul’s morally questionable arc in the film, serving as the reference point of an important perspective against the Fremen’s fanaticism towards him.  
 

The austerity of Dune as a cautionary tale is never sidestepped by its technical grandeur. While without a doubt a spectacle for the senses, at its core the story is a dark commentary on corruption and the path towards it. The slow evolution of Paul as a protagonist to someone more fitting of an anti-hero title challenges the audiences to recognize and question who truly has power, and if that power is ultimately eating at them to feed a more sinister monster.  

The tonal shift between films is further clarified by their respective original scores, both composed by Hans Zimmer. A living legend in his craft and revered for his various iconic scores in films like Inception and Interstellar, Zimmer ups his game in Part Two’s score to perfectly reflect the nature of the film.  

Where Part One’s score is noticeably less warm or even melodic, Part Two’s uses the warmth of a larger woodwind section to create an intimacy reflective of Paul’s relationship with Chani even in the seemingly endless sea of sand dunes. This musical shift represents the added layers of humanity and emotional weight, as opposed to placing the physical characteristics of the Dune universe at the forefront. 

As it stands, Dune: Part Two has surpassed over $300 million in the global box office, landing its spot as one of the year’s first true blockbusters. A story with this level of grandeur and intensity is served the best justice being witnessed on the biggest screen possible.  

The immense scale of the story is handled with the utmost care from Villeneuve and the entire crew, making the final result feel like something fully realized firing on all cylinders. It’s a refreshing reflection on the power filmmakers have to create meaningful stories of this magnitude when executives do not breathe down their neck, quenching authorship and exploration. Dune: Part Two reassures us the sci-fi film is in trustworthy hands. 

Brock is in the coming eclipse’s path of totality: here’s how students can experience the event to its full extent 

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A total solar eclipse is coming, and Brock students can get front-row seats. 

Some may remember the eclipse that occurred in 2017, which was total in the United States and partial for many Canadians. This was nicknamed the “Great American Eclipse” for its totality in America, which had not been seen since 1918. 

Brock students can consider themselves very lucky, as another total eclipse is coming, in which the moon will completely blot out the sun, making it potentially dark enough to see stars in the middle of the day. But this time, Niagara residents will be able to see the event in its full magnitude. 

Eclipse on the Escarpment: Celestial viewings and educational exhibits will run on April 8 from 12 to 4 p.m., providing Brock students the chance to learn about this spectacle and view it safely. 

Participants should consider arriving early, as from 11 a.m to 2 p.m. Certified solar eclipse glasses will be provided for free at the following locations, only on the day of the event and only while supplies last: Brock University Students’ Union desk, Cairns Complex welcome desk, Hungry Badger in Walker Sports Complex, Rankin Family Pavilion welcome desk, Thistle Hall, across from the Brock Card service desk at the top of the stairs leading down to Market Hall and Walker Sports Complex welcome desk. 

Students who don’t have their own glasses will be able to view the eclipse through provided pinhole projectors and Sun Spotter solar telescopes. Alternatively, they can craft their own pinhole viewers with the help of attending faculty if they bring a cardboard box – cereal box, shoebox, etcetera – while crafting materials last. 

The event itself begins at noon in the Ian Beddis Gym. There will be many educational booths to visit, each explaining different elements of eclipses from scientific, literary and even historical perspectives. 

To name a few, the Mathematics and Statistics Department will have a booth on whether the sun really bends space and time, the Earth Science Department will have a booth on the history of the moon and the Classics and Archaeology Department will have a booth on eclipses in the ancient Mediterranean world, exploring superstition versus science.  

Other organizations will also have booths: the SETI Institute, Niagara College, Space Place Canada and Niagara Geopark. 

The true purpose of the event, the maximum eclipse, will occur at 3:19 p.m. The community will be gathered on Alumni Field – the artificial turf field beside the Walker Complex – to watch the sky. 

Brock is just one of many venues where people can experience the total eclipse. Niagara Parks is hosting eclipse viewings at the Niagara Parks Power Station + Tunnel, the Table Rock Centre, the Niagara Parks Butterfly Conservatory and Old Fort Erie. A Free Total Solar Eclipse Concert is also being held at Queen Victoria Park. 

Each of these events promises interesting features, like discussions with representatives from the Canadian Space Agency or NASA scientists; interested parties should check out the full event listings here

Of course, no event is needed to witness the eclipse itself. However, being careless in how one goes about viewing the eclipse can lead to potentially life-altering effects, including permanent damage to the eyes and blindness.  

Be sure to get a pair of ISO 12312-2 certified eclipse glasses, such as those handed out at Brock on the day of, to be safe. During full totality – which lasts about three minutes, from 3:18 to 3:21 p.m. – it will be safe to remove one’s glasses and marvel at the darkness and the eclipse itself. At Eclipse on the Escarpment, experts will be advising the group when participants should remove and replace their glasses. 

Such a spectacle will not be seen in Ontario again until 2099. This is potentially a once-in-a-lifetime experience, but those who choose to watch the eclipse must remember to be cautious in how they go about it. 

The Game Boys dissect the Nintendo Direct: Partner Showcase 

By: Christian Roethling and Andrew Hawlitzky 

On Feb. 21, Nintendo aired its first Direct presentation of the year as a Nintendo Direct: Partner Showcase. The Partner Showcase aired during an interesting moment in the Nintendo Switch’s life as the future of the console is more unclear than ever. As always, The Brock Press’ resident Nintendo fans, the Game Boys, are on the case. 

Christian— 

It’s no secret that we’re coming out of one of the Nintendo Switch’s best years on the market. 2023 saw the release of major titles such as Pikmin 4, Super Mario Bros. Wonder, and The Legend of Zelda: Tears of the Kingdom. As the year drew to a close, things became much less clear for the future of Nintendo Switch, and while February’s Nintendo Direct: Partner Showcase had some exciting announcements, it didn’t feel like enough to detail what to expect from the console in 2024. 

The fact that we would be getting a Partner Showcase leaked earlier in the month thanks to reputable industry insiders, and many fans were quickly disappointed. Prior to the Partner Showcase, the Nintendo Switch’s slate of confirmed releases was fairly low-profile, mainly consisting of a few undated Mario remakes and remasters, the mysterious Princess Peach: Showtime!, and the ever-elusive Metroid Prime 4.  

A regular Nintendo Direct in February would have been perfect to fill out the release schedule. At the time, rumours abounded that an announcement for the Nintendo Switch successor would be quickly following in March, so missing a general Nintendo Direct in February wasn’t too much of a concern – but with the recent rumours regarding the successor being delayed into 2025 and the announcement likely being delayed with it, we’re once again left without much to look forward to. 

I would have preferred to get a Nintendo Direct Mini, which could have still left the lineup relatively light – something that makes sense in the Switch’s final full year – but could still have given fans more to look forward to. 

A Nintendo Direct Mini could have given us everything shown in the Partner Showcase as well as a bit more first-party content. We could have seen the release date for the upcoming Paper Mario: The Thousand-Year Door remake, or finally gotten a look at the leaked remake of Fire Emblem: Genealogy of the Holy War. Throw in a GameCube remaster shadow-drop a la Pikmin 1 + 2, and you’ve got an excellent Nintendo Direct Mini to keep fans satisfied while keeping a lowkey-release schedule. 

For what the Partner Showcase was, though, it was still excellent. It was great to have the anticipated platformer Penny’s Big Breakaway surprise-released during the presentation, and it was fun to see Game Freak’s Pocket Card Jockey get a renewed lease on life on Nintendo Switch. 

Plus, as a huge sucker for the Super Monkey Ball franchise, the announcement of Banana Rumble was simply delightful. This is the series’ first fully original release since 2012, and it will be a blast to play new stages for the first time in over a decade. 

Endless Ocean Luminous was another exciting announcement and one that felt as though it could have been a headliner in a larger Nintendo Direct. The game looks gorgeous, and while I’ve never played the Wii originals, I am excited to dive into this franchise for the first time. 

All in all, the Nintendo Direct: Partner Showcase was a fun watch, but it felt like fans could have used more during such an empty period of the Switch’s life. With the next Nintendo Direct rumoured to take place in April, however, fans can likely rest easy knowing they won’t have to wait much longer. 

Andrew— 

After nearly half a year of anticipation, a new Nintendo Direct just dropped and it’s a bit of a doozy. 

Disney’s Epic Mickey: Rebrushed is a remake of the 2010 Wii classic starring Mickey and his battle against Disney’s forgotten and now public domain characters. This remake comes as a bit of a surprise. While there has been considerable fan outcry to turn the Epic Mickey franchise into a trilogy, this complete remake brings the 14-year-old franchise back to its roots.  

That being said, I highly doubt that the price of this game will reflect its age. Charging $60 or more for simple remakes or even remasters has become the norm for so many franchises. Though many fans are hyped by rereleases of classic games from their childhood on modern systems, a price equal to or inflated from the game’s first release cost is difficult to justify. 

Star Wars Battlefront Collection is a rerelease of the first games in the Battlefront franchise and they suffer from an even greater justification problem. Unlike Epic Mickey, the Battlefront Collection is not a remake, it is not even a remaster, it is only a port of the game to Switch with some slight optimization improvements. 
 

The graphics of both Battlefront games in the “collection” have had no noticeable improvements whatsoever and still suffer from the same low-quality textures and low-poly models present in the original release. On Steam, the Battlefront Collection starts at $45.52. This price is difficult to justify for a 20-year-old game that looks its age, especially when you consider that both Battlefront 1 and 2 on Steam are individually only $12.99. 

Several other behind-their-time partnership games entered the roster during this Direct. South Park: Snow Day releases later this month, though to be honest, I had to research if this too was a port because the N64-style graphics made me believe this game was over 20 years old. 
 
Suika Game, made popular by several Twitch VTubers, is coming to the Switch though it could have just as easily been a Nintendo DS game.  

Pocket Card Jockey: Ride On! needs no justification; you race cartoon horses by playing solitaire.  

Fantasy Life i: The Girl Who Steals Time is a noteworthy rip-off of Animal Crossing’s art and design with an integrated Warcraftian hack-and-slash gameplay element.  
 
A few shovelware games were added to NSO’s retro game emulators such as the less-than-iconic Battletoads or Snake Rattle ‘n’ Roll
 
Despite the many underwhelming titles in this year’s Direct, several standout games saved this Direct for me.  
 
Snufkin: Melody of Moominvalley is a 2D art-centric adventure game starring the characters and setting of the popular 1945 Finnish children’s book series. The art direction of the game seems to be a faithful and modern rendition of a classic, heartwarming, and somewhat obscure franchise yet given only a few seconds of attention in the Direct.  
 
Kingdom Come: Deliverance – Royal Edition is a port of popular 2018 action RPG featuring period-accurate designs and plots centred in the 15th-century Kingdom of Bohemia.  
 

Another Crab’s Treasure is a fun and cartoony loot-based action game where you apparently “harness powerful umami magic” and fight giant enemy crabs in this undersea-scape adventure. 

Only one game truly brought this Direct back from the depths of obscurity for me, and it came right out of left field and really hit me where I live. Endless Ocean Luminous is the third installment of the majestic underwater exploration series featuring breathtaking aquatic scenery, over 500 species of marine life and an awe-inspiring soundtrack that brings out the serenity of ocean diving.  

After Endless Ocean: Blue World was released on the Wii back in 2010, I never thought I would see one of my favourite third-party series again. Luminous will also be compatible with online multiplayer so up to 30 friends can dive with you in the many underwater settings present in-game.  

Luminous is a new start for the Endless Ocean series while keeping the same beautiful energy that made the original games so nostalgic.   

I had my doubts about this Direct at the start, but by the end, I couldn’t deny that this was some of the best gaming news to come from Nintendo in months. 

… 

Overall, the Nintendo Direct: Partner Showcase left much to be desired and many questions about the future of Switch software – but the exciting lineup of third-party games makes this one of the best Partner Showcases of all time.   

It’s time for Toronto to finally have an NFL team of their own 

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19 million Canadians watched some (if not all) of Super Bowl LVIII, making it the most-watched Super Bowl in Canada, and the most-watched broadcast of the year. Clearly, the appetite for NFL football is alive in Canada which is why Canadians deserve to have an NFL team of their own. 

For over 100 years, Canadians have been forced to support American NFL teams like the Buffalo Bills, Seattle Seahawks, Green Bay Packers among others. While die-hard fans have developed fandom for their team down south, many Canadians would adore a team of their own, and Toronto would be the perfect place. 

The Greater Toronto Area (GTA) houses over 6 million people, making it the largest market in the U.S. or Canada that does not have an NFL franchise. 

Furthermore, the Toronto sports scene has been one that’s excelled for decades with both the Maple Leafs (NHL) and Raptors (NBA) selling out on a nightly basis, proving the admiration for professional sports in the city, which has gained the attention of many NFL owners. 

“It’s a great market and a great sports city,” said Arthur Black, the owner of the Atlanta Falcons, in 2019. “I know that everybody (among owners) is interested in that market, the Toronto market,” said Robert McNair, then-Houston Texans owner in 2013. 

And it’s a market that the NFL has had success in before. 

The Bills Toronto Series at Rogers Centre – the home of the Blue Jays (MLB) – hosted six regular season games and two preseason games from 2008 to 2013. The first four regular season games drew a near capacity crowd of over 50,000 people, which shows Torontonians devotion to football. 

Jerry Jones, the owner of the Dallas Cowboys, recognized Torontonians’ admiration for the sport, saying, “football is, and can be even more so, a very enthusiastically followed sport in Toronto.”  

A 2014 study done by a blog owned by ABC News which analyzed Google trends, affirmed Jones’ claim by estimating that there are 990,000 NFL fans in the GTA, which according to the study, is more fans than 19 current NFL teams including the Seattle Seahawks who won Super Bowl XLVIII in 2014. 

Clearly Toronto has the football fanatics needed in an expansion franchise, and there are many commercial opportunities too. Toronto is the corporate capital of Canada which presents opportunities to establish partnerships with the many large corporations that reside in Toronto and countrywide. 

For the league itself it’s the perfect opportunity to branch into Canada by developing relationships with corporate partners up north, making Toronto a perfect blend of business opportunities and football enthusiasts. 

However, the major pitfall of a team in Toronto is where they would play?  

When asked about Toronto being a future NFL market, Commissioner Roger Goodell said that “a stadium up to NFL standards is going to be an important element.” 

Both the Rogers Centre, which is now solely a baseball stadium after undergoing a $300 million renovation, and BMO Field, which has a capacity of 31,000 – well under the average 70,000 capacity among all 30 NFL stadiums – leaves Toronto in an infrastructure crisis, plaguing their hopes of housing an NFL team in the near future. 

But with BMO Field being expanded when Toronto hosts the 2026 FIFA World Cup, it presents the perfect opportunity for the NFL and prospective owner(s) of the Toronto NFL team to jump on board and assist in the development of BMO Field from a field to a stadium. 

Once the stadium situation is sorted out and with the NFL repeatedly hinting at expansion, there should be no reason why a team isn’t added in Toronto in the near future. 

For more information on the NFL, head to nfl.com. 

NHL trade deadline: winners and losers   

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By: Tomas Morgan & Luke Sweeney 

In an event that’s usually a bit of a snooze-fest, this year’s NHL trade deadline was packed with big trades and acquisitions—even if they were mostly for one team. 

After an interesting deadline, Tomas and Luke will break down some of this year’s biggest moves as well as the winners and losers of the trade deadline. 

February 28th: Chris Tanev to the Stars 

With the deadline still over a week away, the Stars got to work early picking up defenceman Chris Tanev from the Calgary Flames, widely expected to be one of this year’s hottest commodities. The Flames received prospect Artem Grushnikov, a second-round pick this year and a conditional third-round pick in 2026. The New Jersey Devils also picked up a fourth-round pick from the stars in order to retain a portion of Tanev’s salary. 

Luke: Stars defenceman Thomas Harley has been a revelation since moving to the top pairing alongside Miro Heiskanen, and while the two form a formidable duo, it left the Stars’ bottom pairs weakened. Tanev has for quite some time been among the best defensive players in the NHL, though at 35-years-old and with injury issues in recent years, it’s worth questioning how well he’ll hold up in a long playoff run. Nevertheless, the acquisition cost is fairly low for the quality of play he can provide when healthy. 

Tomas: The Dallas Stars were easily a top five team in the league before the acquisition of Tanev. Adding Tanev to their D-core gives LHD Essa Lindel a veteran stay at home defenseman to play with and allows for, almost 40-year-old, Ryan Suter to move down to the bottom pairing alongside Jani Hakanpaa. At a low cost this trade allowed Dallas to balance out their weakest part of the line up in hopes of a long playoff run.  

March. 5th: Anthony Mantha to Vegas 

The Vegas Golden Knights made their first move of what would prove to be a busy trade deadline, picking up forward for a second-round pick this year and a fourth in 2026. 

Luke: Though Mantha’s play has been up-and-down in recent years, he should be able to offer significant value insulated in a bottom-six role for a Vegas forward corps that is shaping up to be very deep. Mantha’s performed well in such a role with Washington this year and fits the profile of players Vegas seems to covet. Though not super physical, Mantha’s big, fast, has a capable scoring touch, and could conceivably play higher in the lineup in the event of injuries.  

Tomas: Mantha is not the flashiest of players and will often go many games in a row where you don’t even think he’s playing. But as Luke mentioned, he has performed well in Washington this year and when he gets hot, he has a lethal shot that any team would want to play in their bottom 6. This addition by Vegas signaled to all in the organization and around the NHL that they would be all-in again. It will be interesting to see how Mantha’s game adjusts in playoffs – if Vegas gets in – but with someone of his stature, if he wants to, he should have no trouble with the extra physicality come playoff time.  

March 6th: Vladimir Tarasenko to the Panthers 

After Ottawa Senators fans whined all season about Tarasenko being able to fetch a first-round pick at the deadline, the former 40-goal scorer was shipped off to Florida for a modest acquisition cost of a fourth and a fifth-round pick.  

Luke: Long gone are the days of stardom for Tarasenko, but in the right situation, he can still easily offer value as a low-calorie goal scorer, despite being one of the worst defensive players in the league. Florida certainly seems to fit the bill. They play a fast, heavy forechecking game that should give Tarasenko plenty of opportunities to use his skill to find looks as the third forward. Florida also has a plethora of defensively-sound, workmanlike forwards who can shelter the team from his gaffs.  

Tomas: Tarasenko did not live up to expectations in Ottawa just like the rest of the team this season. A lot of fans were hoping he would return to prime Tarasenko from playing a full year on a young, fast, Senators team but that did not happen. He managed 41 points in 57 games with Senators playing in a middle six role. When he was given the chance to waive his no-move clause (NMC) to go to Florida, he did not hesitate, as that is where his wife and kids are located. Florida is arguably the scariest team in the league and adding a pure goal scorer in Tarasenko to the bottom 6 makes them even more of a threat.  

March 6th: Sean Walker to the Avalanche: 

The Avs made their first trade of the day by acquiring defenceman Sean Walker and a fifth-round pick from the Philadelphia Flyers in exchange for Ryan Johansen and a 2025 first-round pick. 

Luke: Walker has played exceptionally well in Philly this year, meshing perfectly into coach John Tortorella’s aggressive rush tactics. He should fit in equally well into Colorado’s system (especially in a smaller role), provide a more defensive lean to their D-corps, and make other players expendable. The cost was expensive, but also market-value for a top-four defenceman. More than that, the deal is massive for the Flyers. Walker was acquired a year ago as a smaller piece in a deal along with a second-round pick, Cal Peterson and Helge Grans, making the initial trade all the sweeter.  

Tomas: Walker is not the flashiest name but at this year’s trade deadline he was highly coveted which is why Philly was able to fetch a first-round pick. Walker, like Tanev, balances out Colorado’s blueline allowing for Josh Manson to play on the third pair and giving Samuel Girard a better puck mover to play with. This will allow Colorado to attack its opposition with its second defensive pair like how they deploy Toews and Makar.  

March 6th: Edmonton Acquires Adam Henrique and Sam Carrick 

The Oilers trade for Adam Henrique, Sam Carrick, Ty Taylor and a 7th-round draft pick, sending a first-round pick and a conditional fifth to Anaheim. The Oilers also sent a fourth to Tampa Bay to retain a portion of Henrique salary. 

Luke: For the cost, this was a poor trade for the Oilers. Henrique is a capable middle-six forward, but based on the market this year, the players available, and how much other, arguably superior players went for, this makes little sense.  

Tomas: I agree with Luke on this. Adam Henrique is having a career year – on pace for 57 points – at age 34 and it’s obvious why. Playing on the Anaheim Ducks, he was deployed in almost every situation and played 17:32 a night, his second most on average since 2017-18. His production will likely drop off as he is projected to play in the bottom 6 in Edmonton. The Oilers would’ve been better off acquiring Anthony Mantha for a lesser price.  

March 6th: Colorado exchange Bowen Byram and Casey Mittlestadt 

Luke: One-for-one trades are always interesting. I definitely like this trade for Colorado. Mittlestadt has quietly been one of the NHL’s premier playmakers over the past two years and led the Sabers in scoring upon his departure. The Avalanche have desperately lacked secondary scoring since Kadri’s departure and Landeskog’s injury. Mittlestadt should provide some security here as well as possibly help raise Val Nichushkin’s game, who has been prolific on the powerplay but had less scoring success at even strength.  

In my view, things are much less certain for the Sabers. Byram was a highly touted defence prospect, but his development has stagnated in Colorado, in part due to finding himself stuck behind Cale Makar, Devon Toews and—to an extent—Sam Girard in the depth chart, but also largely due to extensive concussion issues. While Buffalo offers a fresh start and perhaps more opportunity, I worry that some of the issues may persist. Byram has played quite poorly recently and, if injury related, that’s not an issue that can totally be fixed. As well, Buffalo also has a depth chart crowded with young, talented defencemen in Rasmus Dahlin and Owen Power, who also, like Byram, both shoot left. While he’s entering a lower-stakes situation with more leeway, there’s the unfortunate possibility that he may not have much room to grow.  

Tomas: In my eyes this is a fair trade for both sides. Colorado have been looking for a second line center ever since the start of the season when Ryan Johansson did not work out in that role. Byram, as Luke mentioned, has been stuck playing limited minutes for the Avalanche and a change of scenery could help him blossom into the player he was projected to be, when picked 4th overall in 2019. Byram is also friends with many of Buffalo’s young players including Devon Levi, Peyton Krebs, Dylan Cozens and Jack Quinn as they played together at the 2020 and 2021 world junior championship. Adding Byram to a familiar core of young players that have all played together could be a recipe for success, which the Sabers have been lacking for the past 20 years.  

March 6th: Vegas Lands Hanifin from Calgary 

Vegas netted another big fish sending a first-round pick in 2025, defenseman Daniil Miromanov, and a conditional third-round pick 2025 to Calgary for defenceman Noah Hanifin. Philadelphia also picked up a fifth-round pick to retain some of Hanifin’s salary. 

Luke: Hanifin was the biggest name moved to this point and bolsters an already impressive Vegas blueline. With rumors of an extension looming, it also seems unlikely that they’ll have to make another move here for the foreseeable future. Though Hanifin is solid-not-spectacular and likely out of his depth as a No.1 in Calgary, it feels like that Flames should have been able to bring in more for one of the top players on the market. Vegas is one of the top teams in the league, making their first not very valuable. Daniil Miromanov—only sixth months younger than Hanifin—is not really a prospect either.  

Tomas: The price for Noah Hanifin before this trade was made was rumored to be astronomical. It was also rumored that Tampa Bay was going to be the team getting him as he wanted to go south to Florida. When he was traded to Vegas and at the price it ended up being, it honestly shook the hockey world. How could Vegas add another all-star defenseman to an already stacked blueline and not send one of Nicholas Hague or Brayden McNabb the other way? Noah Hanifin is Vegas’ 3rd or 4th defenseman behind Alex Pietrangelo, Shea Theordore and maybe Alec Martinez, depending on how much Bruce Cassidy trusts Hanifin. If they make playoffs, Vegas has the best team on paper by far.  

March 7th: Toronto Acquires Joel Edmundson from Washington  

Tomas: When you think Joel Edmundson, you think big, tough, cross checks and there is a reason for that. That is all he has going for him. Edmundson was playing on the bottom pairing of a struggling Washington Capitals team before being acquired by the Toronto Maple Leafs for a 3rd and 5th round pick. Edmundson is not the player he once was in St. Louis or Montreal and has little to no positive impact on the game when it is played beyond the front of his net. A questionable move by first year general manager Brad Treliving, to say the least.  

Luke: Edmunson is good at being a thug, not so much at being a hockey player. The acquisition price is laughably high for a 30-year-old player of his caliber. 

March 7th: Yakov Trenin to Colorado for prospects and pick 

Tomas: Yakov Trenin is your stereotypical trade deadline add. It seems like a handful of players like Trenin get dealt at each deadline. Trenin is a bottom six forward who is solid defensively but if put in the right situation can thrive in the offensive zone. Trenin was one of the many bright spots on the Nashville Predators this season, scoring ten goals and adding four assists while getting no powerplay time and playing 15 minutes a night in a checking role. Trenin will slide into Colorado’s line up nicely on the right wing playing with Ross Colton and Miles Wood in a checking role. Solid addition to an already great Avalanche squad.  

Luke: While Trenin’s numbers don’t jump off the page, he’s performed well in a depth role in Nashville, and should continue to do so (or even elevate his play) with a better team around him in Colorado. Among players who have played above 400 minutes at five-on-five, Trenin averages 6.85 shots per 60 minutes (slightly ahead of stars like Tim Stuetzle, Sam Reinhart, Brayden Point and Quentin Byfield) while generating a very solid 0.84 ixG/60 on those attempts. Trenin is also 41st in the league in Hits/60. In short, Trenin’s demonstrated his ability to generate lots of high-quality shots and play physically in limited ice-time, a perfect fit for Colorado’s bottom-six.  

March 7th: Carolina wins the Jake Guentzel sweepstakes  

The Carolina Hurricanes acquired forward Jake Guentzel and defenseman Ty Smith from the Pittsburgh Penguins in exchange for Michael Bunting, prospects Vasily Ponomarev, Ville Koivunen, Cruz Lucius, a conditional first-round pick in 2024 and a conditional fifth-round pick in 2024.  

Luke: Guentzel was probably the best player available at this year’s deadline and the Canes did well to snap him up without giving up any of their top prospects. Carolina has been looking to add a high-end scoring forward through the trade market for a long time and that’s exactly what Guentzel brings. He creates shots and scoring chances at some of the highest rates in the league and is 23rd in the league in goals over the last three years. On Pittsburgh’s end, this is a little disappointing though not a total failure. Bunting was a poor fit in Carolina but could conceivably play very well next to Crosby should they decide to slot him there, softening the initial blow. The Penguins opted for more of a “quantity-over-quality” approach with the other returning assets. Ponomarev is a solid prospect who could factor into their lineup as soon as this year, though likely in a bottom-six role long term. Koivunen is another solid prospect—playing at a near point-per-game pace in Finland’s top league—but again projects as complimentary middle-six winger with skill and smarts. Lucius is the most interesting as a highly skilled player who will likely struggle to find a role or production in the NHL.  

Tomas: I agree with Luke’s analysis on this trade as well. Guentzel has been a top goal scorer in the league for many years now playing alongside Sidney Crosby. The one question that I still ask myself is “will Guentzel produce as much away from Sidney Crosby”? Crosby is one of the greatest players of all time and arguably the second best playmaker of all time. Guentzel benefited from playing on his line for many years and I wonder if the transition to playing in Carolina’s system will be a bit of a bumpy one.   

March 8th: Winnipeg Jets acquire Tyler Toffoli  

The Jets netted Tyler Toffoli from the New Jersey Devils, giving up a third this year and a second in 2025. 

Luke: Despite curious lineup decisions playing a large role in this, the Jets have been searching for another top-six forward and found a low-risk option in Toffoli for a modest price. Toffoli has bounced around from team to team over the last few years with varying levels of success. More of a cerebral, position scorer than a burner and a sniper, Toffoli struggled in New Jersey’s high-pace, rush-heavy offence but is a good bet to bounce back in Rick Bowness’ system in Winnipeg.  

Tomas: Toffoli is a great addition for the Jets. At the cost of just a 2nd and 3rd round pick he will most likely slot onto Winnipeg’s second line alongside Nikolaj Ehlers and Sean Monahan. Toffoli is familiar with Monahan’s play as they played alongside each other in Calgary back in 2021-22. The Jets are hoping that chemistry can be reignited as when on a line together, Toffoli scored at nearly a point per game pace.  

March 8th: Vegas lands Tomas Hertl via San Jose  

The Knights picked up Tomas Hertl along with two third-round picks from the Sharks for prospect David Edstrom and a first in 2025. The Sharks also retained 17% of Hertl’s salary for the next seven years. 

Luke: This is a coup for Vegas and a catastrophic failure for the Sharks. The Sharks had the option to trade Hertl at 2022’s deadline as a pending UFA garnering a ton of interest around the league. Instead, they signed him to an expensive eight-year deal. Hertl’s large contract undoubtedly lowered the price the Sharks could ask for realistically the only valuable trade chip remaining on their otherwise pathetic roster. Even so, the price was much too low. Edstrom is a solid prospect, but projects more as a two-way middle-six player rather than a key piece of San Jose’s rebuild. Barring an unprecedented failure, Vegas should expect to be a contender next year as well, making the first-round pick a less valuable asset. They also gave up two third-round picks which is simply non-sensical given how much of a sweetheart deal this already is for Vegas. The Sharks have also now used all three of their salary retention spots for the next three years making future trades more difficult and third-party retention impossible. On a personal level, the Sharks locker-room is apparently devastated by the loss. The Sharks’ Mike Grier is quickly making an impression as one of the worst GMs in the NHL. 

Tomas: Tomas Hertl, being dealt minutes before the trade deadline was set to be over on March 8, is one of the craziest trades many of us have seen as fans. Not only was it a suprise that a player with that much term got dealt with but it was to the Vegas Golden Knights. Vegas had already acquired two of the biggest players up this time and adding a third, who to all media members accounts, was not even available, is a tidy job by Vegas general manager Kelly McCrimmon. Hertl will most likely return day one of playoffs alongside star winger Mark Stone, putting Vegas over the salary cap for the third consecutive year in playoffs. If this Vegas team is ever fully healthy, it may be the best team we have seen – on paper – in quite some time. They will be a force to be wrecking with in playoffs.  

Trade Deadline Winners: 

Vegas Golden Knights: Luke: In Hanifin and Hertl, Vegas added likely two of the four best players at the deadline and traded for a solid piece in Mantha as well. Considering the low acquisition cost, this deadline was huge for the Knights and their Cup chances. 

Colorado Avalanche: Luke: Similar to Vegas, the Avs added two very functional pieces this deadline. While the price was arguably higher, Mittlestadt and Walker addressed two important needs and gave away Byram, a struggling young player in need of a change of scenery.  

Carolina Hurricanes: Tomas: The Carolina Hurricanes have struggled to get over the hump the last three years making the Eastern Conference finals in all three and getting swept in all three years. The addition of Jake Guentzel finally moves away from the old philosophies of management that would only acquire players with term left on their contracts and shows the Hurricane players and fans that they are committed to winning now. They also managed to keep all their top prospects while acquiring Guentzel who inserts himself into the lineup as arguably their number one option offensively. The Hurricanes also managed to pick up Kuznetsov for just a third-round pick which is quite the low risk, high reward trade.  

Trade Deadline Losers: 

San Jose Sharks: The Sharks parted with one of the deadline’s top players (in addition to mysteriously tacking on two third-round picks) while only acquiring two low-ceiling assets, a future first and Edstrom, who projects more as a middle-of-the-lineup forward. More importantly, retaining Hertl’s salary leaves them without a salary retention slot for three years, a critical blow for a rebuilding team with little hope on the horizon.  

Edmonton Oilers: Tomas: Ken Holland continues to prove that he is not good at his job by adding Adam Henrique, Sam Carrick and Troy Stetcher to the Oilers line up. The assets traded for these three players could have been pooled and traded for one great offensive player to round out the Oilers top 6. Instead the Oilers are now relying on Adam Henrique to be the offensive juggernaut that he is not. Sam Carrick and Troy Stetcher are also replacement level players and thus do not move the needle on the blueline. 

Toronto Maple Leafs: Tomas: Like Edmonton’s General Manager, Toronto’s is not much better, if not he is probably worse. In a record-breaking year for Auston Matthews and William Nylander, Treliving added a fourth line centre, and two 7th defensemen. None of the players brought in are upgrades from what the Maple Leafs already have and instead players such as Joel Edmundson and Ilya Lyubushkin, may end up taking Timothy Liljegren and Simon Benoit spot in the lineup, who both have been the leafs most reliable defenseman this year.  

Get to know the teams competing in the U SPORTS Men’s Volleyball Championship 

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The U SPORTS Men’s Volleyball Championship will be taking place this weekend from March 14th to 17th in Kingston, as the country’s eight best teams will be competing for national glory. 

(8) Guelph Gryphons 

The Guelph Gryphons (15-5) are the eighth seed, qualifying for the tournament as the OUA Bronze Medalist after defeating the Brock Badgers in a five-set thriller. 

Offensively, the Gryphons are led by left-side hitter Jonathan Pickett who tallied the third-most kills (266) and kills per set (3.75) in the OUA during the regular season, a big reason why the Gryphons rank first in the province in team kills per set (11.74). 

On defence, Guelph is strong at the net, registering the most blocks (184) and blocks per set (2.48) in Ontario and will look to use their length at the net to nullify teams’ attacking opportunities and go on a Cinderella run.  

(7) Laval Rouge et Or 

The Laval Rouge et Or (10-6) finished as runners-up in RSEQ, losing to the Sherbrooke Vert et Or in five sets. 

The Rouge et Or are a well-rounded team with numerous weapons on both offence and defence.  

Nicolas Fortin leads the offence in kills with 286 – 55 more than the second-highest player in Quebec – while teammate Charles St-Aubin ranks first in RSEQ in assists (648) and assists per set (10.29). 

Defensively, Jonathan Girard finished first in the league in blocks (93) as William Bergeron ranks first in digs (160) and digs per set (2.54). 

These players will be relied upon as Laval looks for their first U SPORTS title since the 2013 season. 

(6) UBC Thunderbirds 

The UBC Thunderbirds (16-8) won the Canada West Bronze after a five-set comeback victory against the Winnipeg Wesmen. 

Leading the Thunderbirds is libero Logan Greves who ranks first in the league in digs (242) and digs per set (2.55) as UBC leads Canada West in both those categories. 

In net play, the Thunderbirds are second in kills per set (12.11) and will look for their strong play at the net and superb defence to lead them to their fifth National Championship in school history. 

(5) Trinity Western Spartans 

Last season’s national champions (16-8) are looking to win their eighth national championship and be the first team to go back-to-back since they won consecutive championships in 2016 and 2017. 

The Canada West runners-up are a dominant team in the service game, registering the second-most aces in their conference this season with 180 and the most aces per set (1.91). 

Henry Rempel leads Canada West in kills per set (4.23) and ranks second in kills with 398, as his experience after being a focal point of the 2023 National Championship, tallying five kills and two blocks in the title game will be invaluable as the Spartans are looking to repeat as winners. 

(4) Queen’s Gaels 

The Queen’s Gaels (15-5) are the OUA finalist, losing a five-set nail-biter to the McMaster Marauders in the Forsyth Cup. 

Queen’s are the OUA leaders in aces (171) and aces per set (2.48) as Erik Siksna leads the province in both of those categories. The fifth-year outside hitter is also dominant at the net, ranking sixth in kills per set (3.50) and third in hitting percentage (.339) in the OUA. 

The Gaels, who are hosting this year’s tournament, are looking to ace their way to their first-ever Men’s Volleyball National Championship title and there would be no better place to do it than on their home court. 

(3) McMaster Marauders 

The OUA Champion McMaster Marauders (16-4) also have unfinished business after losing in the semifinals of last year’s tournament to Trinity Western and being forced to settle for bronze. 

The Forsyth Cup Champions are dominant in all three phases of the game: offence, defence and the service game. 

The Marauders sit third in both kills (875) and kills per set (11.67) in the OUA, while ranking second in aces (122), aces per set (1.63), blocks (167) and blocks per set (2.23) during the regular season. 

Outside hitter Brendan Mills is the focal point of the McMaster attack, ranking second in the province in kills (281) and kills per set (3.85) as Mills’ offensive prowess will be necessary as the Marauders seek their first title in school history. 

(2) Alberta Golden Bears 

The Alberta Golden Bears (18-6) won the Canada West Championship after defeating the 2023 National Champion Trinity Western Spartans in four sets. 

Isaac Heslinga leads the Golden Bears attack, ranking first in the conference in hitting percentage (.380), second in kills per set (4.14) and fourth in kills (373). 

On defence, Alberta is authoritative at the net, placing fourth in blocks (219) and third in blocks per set (2.43), complementing their strong net attack. 

The nine-time U SPORTS Champions are also superior in the service game, tallying the fourth-most aces (153) and aces per set (1.70) as they seek their country-leading 10th Men’s Volleyball National Championship. 

(1) Sherbrooke Vert et Or 

The Sherbrooke Vert et Or (16-0) are the top seed in the tournament, but head to Kingston with unfinished business after losing last season’s National Championship title game to Trinity Western in a three-set sweep. 

The RSEQ Champions rank first or second in Quebec in nearly every team statistical category, finishing the regular season with the highest assists per set (11.54), hitting percentage (.286) and blocks per set (2.75), while ranking second in kills per set (11.98) and aces per set (1.36) in the province. 

Sherbrooke’s Julien Vanier is the centrepiece of the Vert et Or’s success, ranking fourth in hitting percentage (.329), second in aces (21), third in blocks (70) and eighth in points (149) in the RSEQ conference. 

Vanier’s leadership will be vital if the Vert et Or want to finish atop the podium and win their first national title since 1975. 

For more information about the U SPORTS Men’s Volleyball National Championship, head to usports.ca. 

Badgers’ men’s volleyball fall in Bronze Medal Match ending their season 

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The Brock Badgers’ men’s volleyball team lost 3-2 in heartbreaking fashion to the Guelph Gryphons, finishing fourth in the OUA and one win shy of advancing to the U SPORTS National Championships. 

Devin Cooney, OUA Second-Team All-Star, led the team with 18 kills while Grant Reddon – the OUA’s regular season leader in assists per set – recorded a team-high 51 assists in the match. 

Reddon was influential early, registering kills on six of Brock’s first eight points leading to the 8-7 lead. However, the Gryphons, led by Jonathan Pickett’s seven kills in the set and a superb attacking percentage of .625, responded by going on an 18-7 run to win the first set 25-15. 

In the second set, the Badgers were on the front foot jumping to a 9-5 advantage after a trio of Guelph attacking errors forced the visitors to call their first timeout. After the Badgers extended their lead to six, 15-9, the visitors went on a 5-1 run to cut Brock’s lead to two, forcing a Badgers’ timeout. 

After the timeout, the teams traded points until the Gryphons took the lead, 24-22. 

Facing a pair of set points, kills by Kylar Code and Eric Scott levelled the set at 24 before a Guelph attacking error – one of their nine in the set – gave the Badgers set point of their own. 

However on set point, Pickett smashed a kill, negating the set point which started a marathon back-and-forth end to the set. With the set tied at 33, Guelph’s Alexander Odle and Pickett registered two of Guelph’s 26 kills in the set – the most of either team in any set – to win set two 35-33 and take a commanding 2-0 lead, one set away from booking their ticket to Kingston for the National Championships. 

With their sights set on nationals, the Gryphons jumped to a 4-1 and 12-9 lead in the third, but the Badgers swiftly responded in authoritative fashion. The Badgers scored 16 of the next 18 points, including nine points in a row, to win the set 25-14, jubilating the Bob Davis Gymnasium. 

The Badgers continued their momentum in the fourth going on a 5-1 run early to take the lead and gain control of the set. The Badgers extended their lead to 22-14, three points away from forcing a fifth set, but the Gryphons had other ideas. 

A pair of Guelph kills and two of Brock’s eight attacking errors in the set, cut the lead to four, forcing a timeout from Brock coach Ian Eibbitt. 

Eibbitt’s timeout was beneficial as the Badgers reclaimed control and won the set 25-18, after a Cooney kill and back-to-back Guelph attacking errors levelled the match at two sets apiece. 

In the fifth and decisive set, the Gryphons once again were on fire early, going up 4-1 and 6-2. A Guelph attacking error and a kill by Jacob Ferland cut the deficit in half before the Gryphons rallied for three consecutive points, taking a 9-4 lead. 

The Gryphons remained in control for the duration of the set, winning 15-11, eliminating the Badgers from advancing to the National Championships. 

For more information on the Brock Badgers’ men’s volleyball team, head to gobadgers.ca. 

Potential NCAA x CHL merger would be detrimental for U-Sports 

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The NCAA and CHL have operated as two completely separate entities for many years now. But a rumour is swirling that the NCAA and CHL may be in discussion about a potential merger to allow CHL players to go play NCAA hockey after they age out of the league.  

Currently, the rules are very simple. As soon as you play a single game for a CHL team you are unable to go play in the NCAA. With the rise of the NCAA and USA hockey in the past ten years, many more Canadians have been opting out of the CHL at sixteen years old and are playing major junior instead (junior A, junior B, etc) allowing them to go play in the NCAA. 

So after decades of operating separately, why merge now?  

Well, the recent NIL rule that has been reached, which allows players in the NCAA to make money off their name, image, and likeness can be a big recruiting aspect for all schools across the USA now. Instead of starting to play in the CHL at 16 years old, why wait a couple of years, go play in the States and make money off of your NIL?  

The CHL may see this as a threat to their talent pool and thus they would like to work out a deal with the NCAA.  

For the NCAA, a merger would benefit them because they would be able to recruit players after they have played a few seasons in the CHL. It would expand their recruitment pool and lead to high competition.  

But in the case a merger does occur U Sports would get the short end of the stick. Currently, USports is where many former CHL players come to play if they do not have any intriguing pro offers. They come to further their education and playing abilities in hopes of going pro after or moving into the workforce. If the NCAA were able to recruit CHL players as well, it would diminish the level of hockey in U Sports.  

U Sports would most likely lose many of their players to the NCAA because they have better programs than Canadian universities. This would be detrimental to U Sports as programs across Canada have started to produce professional talent with many players each year moving on to play in the ECHL (East Coast Hockey League).  

If the NCAA and CHL were to merge and form an agreement that would allow players to play in both leagues, it would likely set back U-Sports in terms of the level of competition and individual talent.  

Men’s basketball: Badgers fall at U-Sports Nationals  

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The Brock men’s basketball team made the trip to Quebec City to participate in the U-Sports nationals. Their quarter-final matchup took place on March 8 as they faced up against Dalhousie University.  

Dalhousie finished with just one more win than Brock in the regular season and went on to win the Atlantic University Sport Championship beating STFX 100-79 in the finals. Thus, Brock was set for a tough matchup against the Tigers and tough it was.  

Dalhousie got off to a great offensive start scoring 21 in the first quarter and holding Brock to just seven. It did not get much better for the Badgers in the second quarter as they scored just six points in the quarter to Dalhousie’s 19.  

The score after the first half of play was 40-15, making for Brock’s worst-scoring first half all season long. Brock would have to turn it to another gear if they were going to find a way to win the game.  

The Badgers outscored Dalhousie in both the third and fourth quarter but it was not enough to erase the deficit of the first half. They lost 68-51 in their quarter-final matchup thus bumping them to the consultation bracket.  

In the consultation semi-finals, Brock drew the University of Victoria. Victoria had won their third consecutive finals against the Winnipeg Westmen in the Canadian West Conference Championship game. Brock had another tough matchup to try and make the third-place game. 

Once again Brock got off to a slow start being outscored in the first two quarters and trailed 43-31 at halftime. Isaiah Bujdoso was their leading scorer through the first half registering five points, three rebounds, one assist and one steal.  

Victoria came out with the same amount of intensity for the third quarter and outscored the Badgers 18-12 extending the lead. The Badgers finally found their game in the fourth but it was too little too late. They outscored the Vikes 18-10 in the final frame but lost 71-61.  

Brock ended their season 0-2 at U-Sports nationals but that does not take away from the amazing run they had this season in making it to the OUA final as the 10th seed.  

For more information on the team, visit gobadgers.ca 

Ontario gov’t pours $1.2B into post-secondary education, freezes tuition hikes amid Brock’s $37M debt crisis 

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The Ontario government’s recent announcement to freeze student tuition costs and invest over $1.2 billion into the province’s colleges and universities might seem like a beacon of hope, yet questions linger about its adequacy. 
 
On Feb. 26, the Ontario government introduced the largest investment in post-secondary education in over a decade encompassing several measures to stabilize the funding and deficit problems faced by the province’s colleges and universities. 
 
The Ontario government is also introducing legislation aiming to address students’ mental health and wellness, combat racism and discrimination on campuses and increase transparency around fees for everything from courses to textbooks. 
 
“This is a broad range of measures that will offer much-needed stability to the post-secondary sector and help keep costs down for students and their families,” said Minister of Colleges and Universities Jill Dunlop at a news conference
 
Tuition fees will remain frozen for 3 years 
 
The freeze on tuition fees will be extended for Ontario students until at least 2026-2027, the year of the next provincial election. However, institutions will be allowed to increase tuition by up to five per cent for domestic, out-of-province students starting 2024-2025. 
 
The funding increase comprises about $900 million for a three-year post-secondary education sustainability fund, with $200 million earmarked for institutions with the most urgent requirements. Additionally, $167.4 million will be allocated to capital repairs and equipment, $100 million to STEM programs, $65 million to research and innovation, $23 million to mental health support and $15 million to audits aimed at identifying long-term cost reductions. 
 
“It’s never been more important to keep costs down for students and parents,” said Dunlop. 
 
What initiated this reinvestment in post-secondary? 
 
In 2019, Ontario’s Progressive Conservative government under Doug Ford introduced a 10 per cent tuition cut and has frozen tuition fees at that level since. This move was made by the Tories to reduce a multibillion-dollar deficit in direct response to the previous Liberal government’s expansion of OSAP grants. 
 
Under Premier Kathleen Wynne, over 210,000 students were eligible to receive free tuition for their post-secondary education in 2017. The New Ontario grant led to an influx of low- and middle-income domestic students applying to Ontario colleges and universities.  
 
“The recent changes that we saw in September 2017 related to OSAP actually ensured that one in four students could access enough grants to cover all of their tuition fees,” said Nour Alideeb, chairperson of the Canadian Federation of Students Ontario, in a 2019 interview
 
The next year, Canada was recognized by the OECD as the most educated country in the world with over 56 per cent of all adults having some education after high school.  
 
“We need education to enable people to learn, think, and adapt,” said Prime Minister Justin Trudeau. “Our natural resources are important, and they always will be. But Canadians know that what it takes to grow and prosper isn’t just what’s under our feet, it’s what’s between our ears.” 
 
The Tories’ severe changes to OSAP reduced the number of students eligible and converted a large fraction of low-income student funding from grants into loans. Any grants low-income students could qualify for under the Liberals which would cover the cost of tuition are now gone.  
 
The 10 per cent cut and freeze in tuition was intended by Ford to balance out the reduction of grants while still helping students and eliminating the heavy deficit incurred by the province.  
 
Post-secondary institutions were burdened with absorbing the loss of revenue and were forced to increase their dependence on international student tuition. 
 
In 2020, average university fees were $7,938 for domestic undergraduate students and $40,525 for international undergraduate students, the auditor general said in a 2022 report. Ontario universities nearly doubled international student enrolment between 2015 and 2022, and colleges more than tripled.  
 
The situation is becoming “increasingly untenable” 
 
In 2023, a government-commissioned report recommended that additional financial aid for students must be provided based on need, and the institutions’ dependence on international students, especially the province’s colleges, needs to be recognized as a “financial risk.” 
 
“Data shared with the panel confirm that colleges and universities have come to rely more and more on international student tuition fees to the point where the revenue from this source is fundamental to the sector’s financial sustainability,” the report states. 
 
Earlier this year, the federal government announced a cap on international student acceptance in an attempt to combat the housing crisis, though it is a complex issue
 
Dunlop describes the international student cap as being done “without consultation, without warning.” Both Colleges Ontario and the Council of Ontario Universities have asked the federal government to cancel or delay implementing the international student visa cap. 
 
Starting this year, Ontario’s allotment of visas for international undergraduate students will be cut in half. Ontario colleges and universities have demanded a long-term solution from the province to the financial mess.  
 
“The situation is becoming increasingly untenable, as universities can no longer continue to absorb cuts and freezes amidst rising inflation and costs, and many are facing deficits, with the growing risk of insolvencies,” Steve Orsini, president of the Council of Ontario Universities, wrote in a statement. 
 
The $1.2 billion funding top-up comes after the government-commissioned report highlighted that funding for full-time domestic students in publicly assisted colleges is lower than in any other province. Additionally, the Council of Ontario Universities has noted at least 10 universities are grappling with operating deficits. 
 
Brock’s is no exception 
 
For the 2024-25 fiscal year, Brock is facing an unprecedented $37 million operating deficit, representing roughly 10 per cent of the institution’s budget. The Board of Trustees will be struggling for the next few months to keep Brock financially sustainable. 
 
Student retention has also become increasingly challenging in recent years and has contributed to reduced tuition revenues for 2024-25 at the level of $5 million. 
 
In Nov. 2023, Brock University President, Lesley Rigg, released a community update on Brock’s struggling financial situation.  
 
“Brock has faced increasing financial pressures for many years. Those pressures have now reached historic levels due to a number of factors,” said President Rigg. 
 
President Rigg voiced her concern over the declining base operating grants from the province. In 2004-05, these grants represented 42 per cent of Brock’s revenue but have dwindled to a mere 25.5 per cent today. The freeze on operating grants since 2006-07 has exacerbated the situation, resulting in a decline of 31 per cent when adjusted for inflation. 
 
The province’s decision in 2019 to slash tuition rates by 10% and maintain the freeze has further strained Brock’s finances, echoing similar challenges faced by other universities such as Queen’s, Guelph, Wilfrid Laurier and Waterloo which are all experiencing historic budget shortfalls.  
 
The extent to which Ontario’s $1.2 billion investment will contribute to balancing Brock’s deficit has yet to be determined. 
 
In the announcement of the investment, Dunlop mentions other measures allowing colleges to offer applied master’s degrees “in areas of study that will help students graduate with in-demand skills, expertise and credentials” such as in advanced manufacturing, artificial intelligence and animation. 
 
Dunlop’s list of applied master’s degrees notably excludes any humanities programs, the exact graduate studies Brock University is currently defunding. This decision has left numerous prospective students feeling confused and disappointed, as they now face the reality of being unable to pursue their graduate studies at Brock. 
 
Critics say funding is not a long-term solution 
 
A government-commissioned panel recommended a spending increase of $2.3 billion in Ontario colleges and universities.    
 
“Altogether, between inflation and the loss of international students, the sector was in for a hit of over $2 billion this year,” said Higher Education Strategy Associates President, Alex Usher. 
 
“This package maybe covers 20 per cent of that. It is not a serious attempt to put Ontario’s colleges and universities on solid footing. It is, rather, the act of a government that prefers the appearance of solving problems to actually solving them.” 
 
The Council of Ontario Universities acknowledged the funding with appreciation but emphasized that the “short-term relief,” comes short of what is necessary to maintain the institutions’ sustainability. 
 
“Ontario’s universities now face an eight-year long tuition freeze without adequate multi-year base funding, which continues to undermine the financial sustainability of the sector,” the statement said. 
 
“Our universities are at a breaking point.” 
 
Colleges Ontario, which represents the province’s 24 public colleges, released a similar statement that the government’s funding is insufficient and puts their programs at risk. 
 
“We recognize Ontarians are very concerned about affordability and the high cost of living,” said Colleges Ontario president Marketa Evans.  
 
“At the same time, it’s essential for Ontario to invest in its public college students.” 
 
The Opposition NDP also criticized the provincial government’s announcement: 
 
“It’s clear that this Conservative government does not in any way understand the severity of the crisis,” said London-West MPP Peggy Sattler, the Ontario NDP’s post-secondary critic. 
 
“Decades of chronic underfunding by both Liberal and Conservative governments, plus five years of Ford cuts have pushed our post-secondary institutions to the brink,” said Sattler. 
 
With the international student cap in full effect and the prospects of free tuition for students in the rearview mirror, Ontario’s $1.2 billion reinvestment comes at a time of great struggle for Canadian colleges and universities. How the initiative will ultimately help post-secondary students remains to be seen. 

Editorial: Brian Mulroney is not worth celebrating

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As many Canadians mourn the death of former prime minister Brian Mulroney, it’s worth remembering his administration undertook a full-fledged attack on Canada’s poorest and most vulnerable while enriching the elite and powerful.  

On Feb. 29, Canada’s 18th prime minister Brian Mulroney passed away. Expectedly, much of Canada’s political class came out to express their condolences. Chief among them was Prime Minister Justin Trudeau, who issued a statement shortly after the news of the former prime minister and Conservative leader’s passing: “[Mulroney] never stopped working for Canada. He was a champion of values that unite us as Canadians and will forever be remembered as a force for the common good.”  

Mulroney is often remembered as a charismatic politician and having grown up in the eastern hinterland of Quebec, he was fancied as something of an outsider to the ivory tower of the Ottawa establishment.  

The opposite couldn’t be truer. 

Brian Mulroney’s administration lasted from 1984 to 1993 and saw the final blow at Canada’s already dwindling social security net with the undertaking of disastrous trade deals (NAFTA), as well as the lowering of taxes, selling public assets to the private sector and deregulating the economy.  

The idea driving his policies was that freeing up the market from red tape and robust taxation on capital would lead to the wealth “trickling down” on the lowest earners; this never happened.  

Canada’s lowest-earning families have been devastated by Mulroney’s policies. 

The wealth of Canadian families from 1984 to 2005 for those composing the second to eighth deciles of wealth distribution have stagnated up until the fifth decile where there’s a gradual increase in the remaining three deciles. Those families who make up the bottom 10 per cent of the distribution of wealth has even seen their median net worth slightly decline during the same period.  

However, the top decile of Canadian families in terms of wealth has seen their median net worth more than double from 1984 to 2005, going from — after adjusting for inflation — a median net worth of around $550,000 in 1984 to just over $1,200,000 in 2005 (Source: Lars Osberg, “A Quarter Century of Economic Inequality in Canada: 1981-2006,” Fig. 9).  

As the above-cited figures show, the wealth never trickled down. Instead, it trickled up in a kind of reverse-wealth osmosis. This is because the economic rationale behind Mulroney’s and other neoliberal politicians’ free-market policies are based on a false premise.  

When neoliberalism swept the major Western economies in the late ‘70s and through the ‘80s, a key part of the argument for stripping away social safety nets was arguing that public social welfare spending was the cause of such large public deficit spending. 
 
This view conveniently leaves out other factors like military spending and unrepatriated profits from private enterprises who used major breakthroughs in public sector research and development (including the Internet, pharmaceuticals, nanotech and the basic search engine technology behind Google) to develop highly profitable corporate empires by adding their own spin to the basic innovation done by the state.  

But in the case of the “cumbersome social programs” rationale behind chipping away at Canada’s social safety net in the Mulroney era, this made even less sense. Then as now, Canada ranks in the lower end of OECD countries in terms of social welfare spending as a percentage of GDP, sitting at 24th place in 2019 with a percentage of 17.3.  

Though maybe the shoddy math wasn’t all that surprising. 

The writing was already on the wall that Mulroney would become the Canadian Margaret Thatcher. Before becoming a full-time politician, he was the president of the Iron Ore Company of Canada, an American-based firm that exported its commodities to the US. Mulroney was very likely steeped in a rhetoric of free-trade capitalist exceptionalism by this fact alone. 

Ironically though, having worked in the metal industry, and specifically at a firm which was transporting to the American Midwest, Mulroney would have been aware of the issues of capital flight for cheaper wages in Mexico when it came to manufacturing. Yet he still negotiated NAFTA, which further incentivized this behaviour and continued to gut or at least hinder the industrial heartlands of the US and Canada.  
 
His home province of Quebec, for example, saw a 10 per cent decrease in employment for manufacturing as an effect of the treaty. 

Mulroney’s policies of social-fiscal austerity were always based on half-baked premises that hurt the majority of Canadians, yet he was ruthless in implementing these policies: he cut the number of income brackets for personal income taxes from 10 to three; engaged in trade deals that weakened domestic environmental and labour protections (the investor dispute mechanism in chapter 11 of NAFTA); privatized 9 crown corporations; and reduced federal transfers to provinces to help with their specific social welfare needs.  

On top of that, after Mulroney’s time in office concluded, the ideology he touted spread like wildfire in subsequent administrations.  

After Kim Campbell’s brief period of holding office following Mulroney’s resignation in 1993, the Conservatives were decimated by the Liberal Party in the next federal election. The Chrétien Liberals, however, continued a policy of fiscal austerity, in some respects going further than Mulroney did.  

Emblematic of the Chrétien Liberals following suit were the infamous budget cuts from finance minister Paul Martin which saw even further reductions in federal transfer to provinces. On top of this, the budget changes amalgamated once-separate post-secondary, healthcare and welfare funds to the provinces into one big fund. This led to welfare competing with healthcare and post-secondary funds in provincial spending decisions, making it immensely regressive.  

After Mulroney’s office, even the Liberal Party which — once the party that implemented a universal healthcare system and the nation-wide Canada Pension Plan — had no problem further weakening the vestiges of social democracy in Canada.  

The late Ed Broadbent, who served the longest as the leader of the New Democratic Party, put it best when he referred to former Conservative prime minister John Turner and Mulroney as the “Bobbsey Twins of Bay Street.”  

Broadbent’s stinging nickname for the former prime minister is accurate. After browbeating an impending economic recession which could only be remedied by fiscal restraint on social programs, Mulroney’s prescriptive policies followed a free-market fundamentalism which saw a consolidation of corporate-elite power in Canada unlike ever before. As a result, wealth and income gaps have been the highest in the last 20 years than ever before in the Country’s history.  

When it’s all said and done, Mulroney’s passing deserves to be remembered not in celebration of his political career, but in condemnation of it considering all the avoidable human suffering made possible by his administration.  

Hasan Piker’s controversial statements on the difficulties of streaming were taken out of context 

The recent outrage toward Hasan Piker is misguided and based on information that was unfairly used out of context. 

Piker, known online as HasanAbi, is a well-known left-wing Twitch streamer. On his channel, he often discusses modern news and politics from a socialist lens. He has also become one of the most-viewed creators on the platform. 

Many people likely envy Piker’s position: at his job, he gets to sit at home, discuss whatever he feels like talking about to a passionate audience and occasionally play video games, all while making a killing, mind you.  

Again, Piker is incredibly fortunate to not be required to complete mundane tasks in a 9-5 workplace context. It’s a privilege to have a career in which one gets paid to remain in the comfort of their own home and simply be themself. 

Piker’s thoughts on the matter, however, are a bit more complicated. 

On Feb. 24, a clip of HasanAbi went viral on X (formerly Twitter) in which the creator describes how working a “real job” is supposedly less gruelling than the day-to-day streaming he’s apparently forced to endure. 

“Yes, a real job can be gruesome. A real job can make you very tired. But a real job doesn’t suck the soul out of you – you know what I mean? – in the same way that nine hours of streaming absolutely will,” Piker says in the clip, which was pulled from one of his Twitch streams. 

All of Twitter – sorry, “X” – quickly jumped on the HasanAbi hate bandwagon. How could he possibly suggest that his work is more difficult than the gruelling labour completed by 9-5 workers? Many quickly bashed Piker for his comments after viewing the viral clip. After all, Piker is clearly incredibly fortunate; how could he be so ignorant of his position of privilege? 

And it really would have been ignorant – if that’s what he had actually been saying. 

Piker quickly responded with the full clip, which reveals the original video was used out of context. In reality, Piker wasn’t likening every aspect of his work to “real jobs”; rather, he was commenting on the effect long streams can have on his social battery. 

“It is wild how this completely out of context clip made its way to Twitter [X] so fast,” Piker wrote in his response. “I was talking about how a 9-hour stream eats away at my social battery & how I can’t socialize after, comparing it to my sales job before. I recognize how fortunate I am every day!” 

And despite what most of X will probably tell you, the truth is that he’s probably right. 

While sitting in a comfy room playing Elden Ring for hours certainly doesn’t compare to many of the exhausting facets of regular jobs, there’s something to be said about how streaming requires a person to stay “on” for hours at a time. This is a sentiment shared by other entertainers, and it is an often unheard-of challenge that comes with work in entertainment. In other words, they have to be constantly entertaining and engaged with their audience for hours without much personal rest. 

In the full clip, Piker acknowledges that certain “real jobs” are similar in this aspect. “People-pleasing jobs” such as retail or customer service, he says, are other examples of jobs that can drain one’s social battery. Despite what the shortened clip would have you believe, he’s not making himself out to be the biggest victim; he’s simply providing commentary on a difficult aspect of streaming. 

In many factors, there’s not even a comparison between streaming and more traditional work. Piker is incredibly fortunate to have a luxurious job in which he simply gets paid to be himself, yet it’s totally reasonable to assume that he doesn’t have much energy to go out with friends or engage in personal conversations after a day of streaming. 

Obviously, when the streaming job is observed as a whole, it’s still a largely comfortable, luxurious experience. As a whole, I believe it’s fair to say that the entirety of his job is much easier than the vast majority of “regular jobs,” and to suggest that Piker is somehow disadvantaged or less privileged because of his streaming job would reek of ignorance. 

With that said, it’s also fair to point out the parts of streaming that especially weigh on an individual. It’s also completely immoral to use his statement out of context as a way of getting people to rally against him. 

There’s no denying that Piker is incredibly fortunate, and this is something he recognized in his response to the situation. It’s okay to disagree with a person or dislike their views, but once you use their words out of context in hopes of incriminating them, you’ve revealed yourself to be more interested in blind hatred than legitimately critical conversation. 

Losing the McRib is a modern-day tragedy 

McDonald’s has removed the McRib yet again, and this is nothing less than a modern-day tragedy. 

On Jan. 30, after 10 long years of silence, McDonald’s finally gave fast food connoisseurs what they’d only ever dreamt was possible: the return of the legendary McRib. 

The McRib is far more than your average fast-food junk. The sandwich has attained legendary status as a cult classic edible icon, unrivalled in its ability to strike joy into the hearts of fast-food fans every time it makes a return. 

The return of the McRib was, of course, noted by the dedicated fan-run McRib Locator website, through which users can report local “sightings” of the McRib for fellow fans to keep track of its availability. 

This was big news for McDonald’s Canada, something the brand obviously recognized through its intense Instagram “McRib Mania” promotion. The caption of the post announcing the McRib’s return notes that the company is “[preparing] for chaos” with the announcement and acknowledges the decade-long wait for the sandwich. 

So then, if the company is aware of the McRib’s acclaim, the question remains: why are they taking the McRib away from us yet again? 

Having only ever heard the legend of the McRib, I had never actually tried one until this promotion, and I can finally see what I’ve been missing out on. The McRib is truly something special; it is a phenomenon that should be experienced by everyone who enjoys fast food, McDonald’s and pork ribs. 

Well, okay, maybe that’s not entirely true. The meat in McRibs isn’t actually sourced from the bony parts of a pig; according to McDonald’s, they’re pork shoulder patties with a mixture of spices moulded to look like a boneless rib. I suppose that sounds a bit less appetizing. 

Regardless of the McRib’s not-actually-rib nature, its cultural impact speaks for itself. Fans have been yearning for the meal’s comeback for a decade, and to strip that away after a mere month on the market is unfair and cruel. 

And even if the McRib isn’t actually made of pork rib, the flavour is practically indiscernible. If you turn off your Internet search browser, close your eyes and pretend you’re biting into an authentic pork rib, it feels as though you truly are. 

But let’s not forget that there’s more to the McRib than this mysterious slab of meat. 

Each McRib comes slathered with a tangy barbeque sauce that perfectly complements the “rib.” While McDonald’s can be somewhat stingy with the amount of sauce they put on each McRib, the actual sauce itself is still incredible.  

Plus, I discovered that ordering a McRib with an extra meat patty tends to yield substantially more sauce than its single-patty counterpart – so keep that in mind when the sandwich inevitably returns in another 10 years. 

The onions on the McRib add a nice crunch to the otherwise soft sandwich, giving it some much-needed texture. As for the pickles, I usually take those off since I can’t stand them – but if you’re into that sort of thing, the McRib’s got you covered. 

Combine all these elements and slap them together in a soft, flaky bun, and you’ve got a sandwich fit for a king. As if that wasn’t good enough, the easy availability and cost-effective pricing makes the McRib’s status as a cultural phenomenon easy to understand. 

At this point in time, it’s unclear why McDonald’s has decided to kill the McRib yet again. It seems like the company wants the McRib to remain an elusive legend that only reappears every few years, but the sandwich’s never-ending fanfare should be more than enough reason to make it a permanent addition to their menu. 

It could be argued that the McRib wouldn’t be quite as popular if it were a permanent menu item. Maybe McDonald’s wants the sandwich to be a mainstream event every time it comes around, which is understandable albeit still painful. Even still, forcing fans to wait a decade to enjoy their beloved sandwich just seems cruel. If they’re able to order the products necessary to create a McRib anytime they please, there shouldn’t be much of a problem from a manufacturing standpoint – so what’s the deal? 

Alas, McDonald’s seems insistent on stripping the McRib out of the public’s grasp. Whatever the reason may be, and no matter how cruel McDonald’s corporate overlords are for doing so, it seems that there is not much for fans to do but mourn the loss of the McRib yet again. 

Losing the McRib is a modern-day tragedy and no amount of Big Macs will ever fill the void it is leaving behind. 

Editorial: Dissecting the conservative culture-first argument against inequality 

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The conservative rhetorical framing of inequality as born of bad culture is convenient in too many ways. 

When darling of the online far-right, Ben Shapiro, was pushed in a recent debate with liberal commentator Destiny (Steven Bonnell) to answer for how to solve issues of structural inequality, the cool kid’s philosopher repeats that re-instilling the values of the traditional nuclear family will act as a panacea for all of society’s socio-economic disparities. 

Here are a few important snippets from early in the debate:  

Destiny: Here’s the conservative merry-go-round… I would say that like there is a minimum funding for schools that I think would help children. And then we go, ‘well, the thing that would help them the most is two-parent households.’ Then I go, okay, well two-parent households actually aren’t the problem. The issue is access to things like birth controls, [so] that people don’t have children early on.  

And it’s like, but the issue isn’t actually birth control. The issue is you need a certain amount of money to move out early and get married and then to have a two-parent household. So it’s actually like economic opportunity. 

Shapiro: No. No. Just two-parent households, that’s it. Don’t f*ck people before you’re married and have babies. Done.  

…  

Destiny: People don’t tend to wanna get married at 22 when they’ve just finished college, when they don’t have the money to move out and they can’t afford a house- 

Shapiro: [interrupts] Because we have changed the moral status of marriage in the culture, meaning that everyone, poor, rich and in between used to get married. 

Shapiro — who famously coined the slogan “facts don’t care about your feelings” — is caught in a contradiction on his last point based on, believe it or not: the facts.  

According to data from 2011 by Canada’s Survey of Labour and Income Dynamics, as Canadian families move from high to middle income, the percentage of Canadian families led by either a married or common-law partnership goes from 86.3 per cent at the high-earners end, to 48.8 per cent at the middle end. Then, from the middle end to the low end there’s a disparity of 36.7 points, with only 12.1 per cent of lower-earning families being led by a married or common-law couple.  

Shapiro taking the culture-needing-change first stance, of course, would look at said data and say that the high-earning families are high earners because they are led by married or common-law couples. However, as Ben Burgis of Jacobin points out in his polemic against Shapiro’s confused cultural arguments:  

“A survey published by the New York Times four years ago found that, among people who had or expected to have fewer kids than they wanted, by far the most common reason was ‘child care is too expensive.’ In fact, six of the top seven reasons — respondents were allowed to select multiple reasons — were straightforwardly economic. 

  • ‘Child care is too expensive’ (64 percent) 
  • ‘Want more time for the children I have’ (54 percent) 
  • ‘Worried about the economy’ (49 percent) 
  • ‘Can’t afford more children’ (44 percent) 
  • ‘Waited because of financial instability’ (43 percent) 
  • ‘Not enough paid family leave’ (39 percent) 
  • ‘No paid family leave’ (38 percent)  

                                                                                                                 ” 

This data reveals that there is a desire for people to start families and have children, but economic constraints are what stops them.  

But what about just getting married in general? 

A survey from the Thriving Center of Psychology which looked at views of marriage among Millennials and Generation Z found that “the cost and current economy appears to be a barrier for young adults, with 73 percent stating they felt it’s too expensive to get married.”    

What this suggests altogether, is that Shapiro overplays the Judeo-Christian ideal that married couples set for their communities. In his mind, this ideal leads to financial security in society. Likewise, he underplays the extent to which people can or want to start families, and desire and remain in successful marriages because of financial stability. In other words, he’s put the cart before the horse.  

The question to be asked then is: Why do conservatives make this culture-first argument? 

There’s a preliminary reason that seems fairly obvious. The more you believe Shapiro’s perspective on culture, the more you feel superior to people who are in less fortunate situations than you are. Whatever someone’s situation, whether they’re in a broken family or are unable to get married due to the unaffordability of housing, they are both products of their own choices. They just have bad values, which is their fault, or, more generously, their degenerate community’s fault.  

Another reason why this is an enticing worldview is because it doesn’t require much research or empathy. Shapiro’s advice to “not f*ck people before you’re married and have babies” requires far less emotional and intellectual labour than understanding the complexities of the issues of poverty and family structure. 

Shapiro also doesn’t contend with how policies that were crafted on the idea of restoring the nuclear family ideal to combat poverty-related issues in the past have failed. Take the famous Moynihan Report, drafted by an American scholar serving as Assistant Secretary of Labor under President Lyndon B. Johnson, which made the same calculation mistake when it comes to ideals over material needs.  

The Report’s misunderstanding of the driving force behind the dissolution of family structures in Black communities in the States became the impetus for later cuts and outright removals of single-parent assistance programs for paternal reinstatement policy, as was the story of Bill Clinton’s attack on welfare programs like the AFDC in the ‘90s.  

Decades later, the issue of low-income single-parent households persists in Black communities in the States despite policies aimed at incentivising two-parent structures. 

Ironically, the Moynihan Report lends some acknowledgement to more systemic-material issues, such as discriminatory policies like redlining, as contributing to the issue of low-income single-family Black households. But even still, the Report concludes that the prevalence of single-family homes in the Black community was due to a “tangle of pathology… capable of perpetuating itself without assistance from the White world,” and that “at the heart of the deterioration of Negro society is the deterioration of the Negro family.” 

“Needless to say, there is a longstanding history on the right of deflecting arguments about material inequalities of wealth and power to the ‘idealist’ level of culture and values where they are less threatening. You’ve seen that since at least Burke’s insistence that the main causes of the French Revolution are agitation by nebbish radical intellectuals, rather than genuine dissatisfaction with the Ancien Régime on the part of the poor and dispossessed,” said author of The Political Right and Equality and Lecturer at the University of Michigan, Matt McManus. 

If one were to try to pinpoint something of an origin to the conservative rhetorical framing of cultural-social over material-redistributive policy, Professor McManus is right to point to perhaps the father of conservative intellectualism, Edmund Burke.  

Burke famously wrote a scathing critique of the French Revolution, Reflection On The Revolution In France, wherein he cites intellectuals, whom he sometimes referred to as  “literary caballers,” as working with financial powers to sway the revolution. Little is mentioned or given explanatory power to the over taxation on the poor or the population boom which didn’t match the food supply at the time on the eve of the explosive civil unrest leading to the Third Estate.  

Again, we see cultural ideas and important social actors having a force superior to urgent material pressures.  

However, the Zizekian/Hegelian in me feels the need to reinforce an important caveat, which is that human beings still rely on a symbolic fiction to uphold notions of equality and fairness. Outside symbolic fiction is what Parisian psychoanalyst Jacques Lacan called the meta-psychological register of the Real: that which can’t be symbolized. The Real, therefore, has no political direction then.  

Sometimes Marxists claim the distinction between use-values (heterogeneous concrete needs) and exchange-values (abstract homogenous virtual entities) found in Capital Vol. 1 suggests that we can create a world of just use-values politically. Zizek’s reply, going back to his doctoral dissertation in the ‘80s, is that the cut of exchange-value, introduced by language and thereby symbolization, is undoable; it’s objectless just like human desires that are always moving from one object to another.  

According to Zizek, it’s our unique ability to communicate myths which function as realities making social life navigable.  

Therefore, leftists should stress the importance of weaving real material disparities into the symbolic register, offering a countervailing political imagination to achieve their goals of equality and redistribution. The symbolic-imaginary axis is the only way one can go beyond just meeting needs in a kind of white-flag Keynesian nostalgia.  

Empowering the public and especially workers to desire economic democracy through structures like worker cooperatives will take more than an emphasis on material disparities.  

The post-Depression era shows that capital is willing, on occasion, to supply material comfort so long as it staves off an actualization of counter-myths to those of the technocratic genius concentrated in a joint-stock company’s board room, or the risk-taking C-suite leaders deserving the main share of the value created by labour. 

This strategy of the left might sound quite Machiavellian. Being steadfast in the need to upkeep symbolic-imaginary visions of material equality with the understanding that nothing naturally points to left politics — not math, common sense or use-value — beyond a rhetoric that regular people deserve more control over their political and working lives sounds like a kind of necessary trickery.  

This was the opinion of the late socialist Michael Brooks. In fact, Brooks gave an excellent example of this approach at a speaking engagement at Lafayette College on the eve of the COVID-19 pandemic, where he suggested that if Bernie Sanders was elected in the 2020 general election, he should institute single-payer healthcare through martial law and then when the pandemic’s over put it to a referendum of: “Do you want to lose your healthcare or keep it?”  

That’s the Machiavellian left we need in the face of a choice between conservative culture-first arguments and historical-materialist arguments: Both please! 

Small group of screaming protesters interrupt Drag Queen Storytime at St. Catharines library 

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An event teaching acceptance and inclusivity to children took an unexpected turn when a small group of protesters stormed into the St. Catharines Public Library, unleashing a torrent of hateful rhetoric.  
 
On Saturday, fewer than 10 protesters made a scene in the downtown library branch during a scheduled Drag Queen Storytime. The protesters abruptly entered the program room during the morning event, screaming and shouting profanities in front of the young children and accusing attending adults of pedophilia and grooming. 
 
There were about a dozen children in the room accompanied by parents or guardians, along with library staff and storytime presenters.  
 
According to a parent in attendance, one of the protesters attempted to speak with their child directly, saying to the child that the event’s presenter was a “sexual predator” and a “rapist.”  
 
The protesters were immediately met by event security and police responded quickly after being called. The protestors left the library about 10 minutes after law enforcement arrived. After the protesters were removed from the library’s premises, the program continued without further interruption.  
 
The Drag Queen Storytime event was led by Pride Niagara Ambassadors Ophelia Queen and Kamin. Both drag performers have experience and training in child & youth care and have hosted several drag storytime events before.  
 
Ophelia Queen described the protestors’ actions in the public library as “nothing a child should have to encounter.” 
 
“There was a small group of people, grown men and women, yelling profanities in front of young children, filming them on livestream, and trying to impose fear in a room that was meant to be a safe space for children to engage in a fun event that promotes literacy development,” said Orphelia Queen. 
 
“For me, this was my first time being up close and personal with this and it shakes you to your core,” said St. Catharines St. Patrick’s Ward Councillor, Robin McPherson, who attended the event. 
 
“There is a lot of misinformation, a lot of homophobia, transphobia, in the community and you have some loud voices putting information out that is completely inaccurate and completely wrong,” said McPherson. 
 
McPherson said there is a misconception that children are being indoctrinated when they are just being taught to be accepting of everyone regardless of differences. 
 
McPherson said the backlash to events like Saturday’s is born of misunderstanding, fear and unwillingness to accept people for who they are. 
 
“I remained calm and Pride Niagara folks did an amazing job keeping everybody calm, but that kind of hatred, it shakes you and I don’t understand where it comes from,” said McPherson. 
 
Among the protesters were some high-profile alt-right conservative members of the St. Catharines area. Some of the protesters were photographed wearing red “MAGA” hats and other American accoutrements. 
 
One online commenter who attended the event said: “I went with my kids to this event, and walked right past them [protestors], and had a good talk with my kids about how we ignore bullies. Even grown-up ones.”  
 
“It was nice to see that the event had a relatively large turnout of parents and children wearing rainbow colours in support. The performers did a wonderful job.” 
 
Orphelia Queen said the swift and collected police response allowed for the event to continue as expected.  
 
“The library staff dealt with the situation with grace and courage and made sure we could start the storytime on a positive note by having a dance break to ‘Banana Phone’ by Raffi,” said Orphelia Queen. 
 
Orphelia Queen and Kamin went on to read three children’s picture books: “What if…”, “Be Who You Are” and “Be A Bridge”. This was followed by some singing, dancing and a Q&A session. The books read are about acceptance, caring, kindness and the power of imagination. 
 
Orphelia Queen said that not all the books read are “inherently queer.” 
 
“[Be A Bridge] for instance doesn’t mention LGBTQIA2S+ literature, but demonstrates what it looks like to be welcoming to all [your] peers,” said Orphelia Queen. 
 
St. Catharines Public Library has held similar events in the past, but nothing like what happened Saturday has occurred before, said Holly Jones, manager of programming and promotions. 
 
“In 2022, we hosted a drag storytime in partnership with Pride Niagara, it was a great event… There were a few people in the community who showed up, but they peacefully protested on the street, and it went off well,” said Jones. 
 
“I’ve been proud of how other community members have stepped up to defend and speak in favour of this program.” 
 
Orphelia Queen expressed their pride in the parents, describing them as “the pillar of love and community in Niagara.” 
 
“No one should have to experience that level of hate. Their courage to stay and stand up for what is right is extremely admirable, so thank you to the parents,” said Orphelia Queen. 
 
The St. Catharines Public Library’s website describes Saturday’s storytime event as “a family event for ages 10 and under and their caregivers that teaches deeper lessons on diversity, self-love and an appreciation of others.” 
 
Regarding the children’s reaction to being read to by a drag performer, Orphelia said, “the children don’t really care if you have on a dress or a wig, they usually are just excited to tell you about their new shoes, or their cats or dogs.” 
 
McPherson said she hopes to speak with the library board and council about implementing future changes to prevent disruptions like Saturday’s. 
 
“Some lessons have been learned today and it’s incumbent on the council to push for those policies to make sure we’re not just ticking boxes… but we’re able to manage policies,” said McPherson. 
 
“The idea of people screaming and yelling and saying awful things in front of kids just wanting to go to storytime… we must do better when it comes to that and the staff at the library did a great job.” 
 
Orphelia Queen said the protesters’ goal “isn’t to protect children,” rather it is to impose fear and express anger towards what they don’t like. Ultimately, the protest didn’t succeed. 
 
“They didn’t rain on our parade. We had an amazing storytime with Pride Niagara and the St. Catharines Public Library, the kids all had a blast, and the parents got an opportunity to show their kids what it looks like to be loving and accepting.” 
 
“Drag Queen Storytime is about embracing the childhood imagination and giving children (big and small) glamorous, positive and queer role models without shame,” reads the library’s website.  
 
For more information on fun and inclusive library events in St. Catharines, go to myscpl.ca. More information about the protest can be found here: The Standard. 

Free, drop-in STI and STD testing available for Brock students at the Wellness HUB 

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Brock students can get free, confidential STI and STD testing from the security of their campus. 

Contracting a sexually transmitted infection or disease (STI/STD) is often an uncomfortable and awkward affair. Those who are sexually active, especially those active with more than one partner, are always at risk of catching something. 

According to Planned Parenthood, unexplained sores or bumps around the genitals, strange discharge, burning when you urinate, having to urinate a lot, flu-like symptoms like fever, body aches and swollen glands, and itchiness, pain, irritation and/or swelling of the genitals can all be signs of an STD and warrant getting tested. 

Luckily for Brock students, getting tested for STDs is as easy as dropping in at the Wellness HUB and giving samples via the Student Wellness and Accessibility Centre (SWAC). Complete privacy is ensured while students interact with Niagara Public Health Nursing staff. This is a completely free service, and students have the option to give urine, blood or both depending on what they want to be tested for. 

Most STDs don’t have accompanying symptoms yet can cause serious health problems or make it easier for you to contract other STDs like HIV if left untreated. STDs are also incredibly easy to transmit to other sexual partners, meaning not getting tested can put not only yourself but others at risk. 

HIV is one of the deadliest STDs, lowering your immunity and opening you to other infections like pneumonia and tuberculosis. In its worst stages, it can also lead to AIDS, an auto-immune disease in which ordinary infections can be life-threatening. AIDS can cause neurological complications including numbness and dementia. 

Syphilis is another STD that evolves the longer it goes untreated, with the capability to kill you or change your way of life forever.  

Neurosyphilis, for example, occurs when the bacterium causing the disease infects the brain; cardiovascular syphilis can cause inflammation of the blood vessels, leading to aortic aneurysms and aortic regurgitation, which can lead to heart failure or aortic rupture. 

Hepatitis is an STD characterized by its effects on your liver, with the most extreme cases leading to liver cirrhosis, liver failure and liver cancer. 

However, even the worst STDs can be cured or mitigated if caught early on. Many STDs are easily treatable with medicine, and those that can’t be cured can be managed using treatments that reduce symptoms and lower your chances of passing it on.  

In all circumstances, the sooner you know you have an STD, the better, and definitively knowing you don’t have an STD is important if you’re sexually active. Engaging in unprotected sexual activity or learning that your partner or someone you’ve previously engaged with has tested positive are also good times to get tested. 

Getting tested for STDs doesn’t have to be a monumental task, nor does it need to be a source of discomfort and stigmatization. Ensuring your sexual safety should be the same as having regular checkups with the doctor or dentist, and the Wellness HUB makes this process as easy as taking 15 minutes out of your day between classes. 

The Wellness HUB can be found at TH134 via Market Hall, and drop-ins run every Wednesday from 11 a.m to 3 p.m. 

Kacy Hill’s “You Know I Love You Still” is a bright and beautiful ballad dedicated to the music she loves so much 

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Overall rating: 4.5/5 

Kacy Hill’s ethereal and breezy new single wonders about the implications of wearing your heart on your sleeve for a living, even when it’s who you know you are supposed to be.  

“You Know I Love You Still,” released on March 1, is a single attached to Hill’s upcoming fourth album Bug. Expected to be released on May 3, Hill said that “Bug was made over the course of two years and became an outlet to say what [she] had been silently feeling in [her] relationship and life as a whole.” Noting that the album marked a distinct change in her mindset, shifting away from specific expectations inflicted upon her and her art, Hill said that instead, Bug is an expression of the curiosity and joy she felt while making music. 

Hill describes “You Know I Love You Still” as a love song to music. In an interview with Rolling Stone, she said that she has “spent a number of years in this industry now and in [her] most vulnerable moments, [she wishes that she] could just let go and move away and start a new, simpler life.” But in the end, Hill knows that wherever she ends up, music will always follow her. “I can try to start new, but I will always come back to it one way or another.”  

“You Know I Love You Still” is a breezy ballad, glittery and shimmering in the sunlight. Laced with something sweet, Hill’s newest single asks both herself and her audience important questions about what it means to be vulnerable for a living, especially when you know that being an artist is who you were meant to be. 

Opening with a catchy electronic beat, “You Know I Love You Still” quickly launches into the track’s bright yet twangy sound. Mingling with a mellow bass line to create dynamic harmony, Hill’s flowery electric guitar line rounds out the atmosphere of the song expertly, permeating every nook and cranny of the sonic space it inhabits.  

While musically, “You Know I Love You Still” is catchy, Hill’s vocals are what make the song so special. Almost floating over the rest of the track, the singer’s voice is ethereal, bright and beautifully feminine. A gorgeous soprano, Hill sounds like a songbird on a late spring afternoon, “You Know I Love You Still” taking on the glorious feelings of rebirth, renewal and electric, exuberant excitement for the warm days to come.  

While sometimes the lyrics feel out of place against the catchy and dynamic musical background they have been placed on, the track takes on a universal quality. Allowing those who are not artists grappling with the same worries as Hill to still feel incredibly connected to the message she is sharing.  

It’s a quality the singer seems to imbed in all her work, making her music accessible for anyone who cares to listen.  

Everything you need to know about the Twenty One Pilots lore: “Trench” era 

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Twenty One Pilots is known for the in-depth lore attached to their albums. Here is everything you need to know about the lore attached to Trench before the release of their new album Clancy.  

The lore starts following almost a year of silence after the end of the Blurryface-era, when Twenty One Pilots teased their fans with a glitched-out URL that appeared on the top of the Vessel store page. The URL brought them to a site with cryptic messages strange images and letters signed-off on by a “Clancy”.  

On July 2, 2018, members of the band’s mailing list received an email titled “ARE YOU STILL SLEEPING?” which was accompanied by a GIF of a vulture with a half-closed yellow eye. The eye would open on July 10, 2018, when the band released “Jumpsuit” and “Nico and the Niners” singles from the band’s fifth album Trench.  

The website that appeared on the top of the Vessel store page would be referred to as DMAORG, which was used as a conceptual teaser for the lore associated with the album. While the website is populated with a variety of things now, when it was first discovered, the link led to a “404 ER_ROR” page which read: 

“you are in violation. thEy mustn’t know you were here. no one should ever find out About this. you can never tell anyone about thiS — for The sake of the others’ survIval, you muSt keep this silent. we mUst keeP silent. no one can know. no one can know. no o ne c an kn ow_ 

(Violation Code. 15398642_14)                                                                            ” 

A variety of capital letters were spread out throughout the entirely lowercase message which led fans to quickly realize that the band was providing them with a secret code. The code read “EASTISUP,” which is a lyric from their song “Nico and the Niners.”   

When pasted into the correct location in the existing URL, the violation code listed in the message would lead to another page that contained journals and images that detailed the story of Clancy, played by Tyler Joseph.  

Clancy, the story’s main character, lives within the walls of a theocratic city that is ruled by an organization made up of nine bishops called the Sacred Municipality of Dema. The people of Dema live under an autocratic religion called Vialism which requires its citizens to take their own lives to get into their so-called Paradise. The bishops’ names are Andre, Lisden, Keons, Nico, Reisdro, Sacarver, Nills, Vetomo and Listo.  

After being trapped inside the walls of Dema for nine years, Clancy begins to question Vialism and the rule of the bishops, attempting to escape the fortified city on multiple occasions. But Nico, the head bishop (also known as Blurryface), always tracks him down and drags him back to Dema.  

On one occasion, Clancy convinces Nico to leave the city and, in an attempt to escape, he destroys the car they were travelling in (the events of the “Heavydirtysoul” music video) and gets lost in the wilderness of the world surrounding Dema called Trench. 

Within 5 days, Nico has found Clancy again and attempts to take him back to Dema. Using a tactic called smearing, Nico captures Clancy, black marks appearing on his neck and hands. But during his time out in Trench, Clancy encounters the Banditos, a legendary rebel group that resides in Trench. This all takes place in the “Jumpsuit” music video.  

After being returned to Dema, Clancy attempts to escape again, being met by the Banditos and their leader, the torch bearer, who is played by Josh Dun. The Banditos help Clancy escape during the Annual Assemblage of the Glorified, a horrifying ritual that ends in the death of the most upstanding citizens of Dema (events of “Nico and the Niners” music video). While they make it back to the Banditos camp, Clancy is captured by Nico again and brought back to Dema.  

While that is the last we hear from Clancy in the Trench-era music videos, there is the introduction of Ned in the “Chlorine” music video. Ned is a small creature whose species grows antlers that can be removed to give the person who has them the power of psychokinesis, a ritual the bishops use to possess the dead bodies of the Glorious Gone. The Glorious Gone are those who have committed to killing themselves in the name of Vialism.  

On April 2, 2021, DMAORG changed, letting the viewer know that the site would be terminated and on April 5, 2021, everything was deleted. The website listed a message about account termination which read: 

“The page you are looking for has been removed from our servers. The account violated terms established by The Sacred Municipality of Dema and was deemed contraband material. Disciplinary action has been taken, and the offender no longer has access to this account. Further actions have been taken to ensure these violations will not occur again. Anyone attempting to access or share any contraband material will be prosecuted to the fullest extent of the laws set forth by DMA ORG and The Sacred Municipality of Dema.  

Infraction No. 3.12.1.14.3.25.9.19.4.5.1.4.                                                         ” 

Following this message, a year of silence ensued which led into the Scaled and Icy era, a heavily debated season throughout the Twenty One Pilots fan base.  

This article is part of an ongoing in-depth look at the lore associated with the albums “Trench” and “Scaled and Icy” in the run-up to Twenty One Pilots’ newest album.  The next article in this series will cover the lore associated with “Scaled and Icy.”  To remain updated on this series, stay tuned to The Brock Press. 

A look at the top three songs on my Apple Music Replay 

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This year’s Apple Music Replay has finally been released to the public, so let’s look at my top three songs from this week.  

“Black and Blue” – Gregory Alan Isakov 

“Black and Blue,” written by Gregory Alan Isakov, currently has the top spot on my Apple Music Replay. While the playlist in question updates every Sunday, this track has been lingering near the top for quite some time, finally taking its rightful place in the number-one slot this past Sunday.  

Although “Black and Blue” is known widely for being the third track on Isakov’s 2007 album That Sea, the Gambler, my favourite version of the song must be the version released two years earlier on his debut album Songs for October. This version of “Black and Blue” is completely stripped back, featuring only Isakov’s gentle guitar licks and the emotion-inducing drone of a scratchy fiddle.  

In contrast to the studio-recorded re-release of That Sea, the Gambler, the 2005 version of “Black and Blue” is sonically imperfect, yet so much better for it.  

Reminiscent of long summer afternoons spent strumming guitars on back porches with friends, this track expertly conveys nostalgia in all its forms. While the studio version is beautifully mixed without any flaws, this original take on “Black and Blue” is far superior, making it the top song on my Apple Music Replay.  

“Red Wine Supernova” – Chappell Roan 

 
Massively contrasting “Black and Blue,” the second song on my Apple Music Replay is Chappell Roan’s “Red Wine Supernova.” This is a relatively new addition to the list, but the song’s fun, upbeat and catchy nature quickly shot it to the very top. 

Released on Oct. 28, 2022, in the lead-up to the singer’s debut album The Rise and Fall of a Midwest Princess, “Red Wine Supernova” is a raunchy and playful take on being young, queer and in love. One of the first songs of Roan’s that I heard, “Red Wine Supernova” has been like a gateway drug, pulling me into the colourful world of Chappell Roan head over feet.  

While “Red Wine Supernova” is a favourite, “HOT TO GO!” and “Pink Pony Club” have also made their way into the top 20 ranking with a likelihood that they will reach a higher slot by the end of the week.  

“The Secret Life of Daydreams” – Jean-Yves Thibaudet 

Finally, in the third slot is “The Secret Life of Daydreams,” composed by Jean-Yves Thibaudet. Widely different than either of its predecessors, “The Secret Life of Daydreams” is a part of the Pride & Prejudice (Music from the Motion Picture) album.   

Released in 2005, this song is by far my favourite from the movie’s soundtrack, easily becoming my go-to track to listen to while studying. The quiet hum of a stand-up bass is layered with the delicate dancing notes of a piano and a graceful waltz of violin, coming together to produce one of the most beautiful tracks in a motion picture soundtrack.  

Perfect for reading classics and writing intellectual literature reviews, “The Secret Life of Daydreams” is on the roster every day of the week, easily allowing it to live permanently in my top three tracks on Apple Music Replay.  

Badgers secure third consecutive Quigley Cup with win over Marauders 

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Brock’s women’s volleyball completed the three-peat on March 8th, taking home the 2024 Quigley Cup on International Women’s Day.  

After losing the first set, the Badgers took down the third-ranked McMaster Marauders 3-1 in front of 700 fans at the Bob Davis Gymnasium.  

Despite a few lead changes, set one was dead even with both sides performing well from the outset. A kill by Emily Foest opened the scoring for the Badgers who held that slim lead throughout the first half of the set. However, the Marauders’ determination was on full display, tying the score 12 times before going on a run to take a more secure lead. Capitalizing on three Badger errors, McMaster went on a critical 4-0 run to put them ahead 20-17. Brock was soon able to trim that advantage to only one, but the Marauders again pulled away, winning set one 22-25.  

In set two, it was McMaster’s turn to break the ice, but two errors and two aces from Badger Laurin Ainsworth put Brock right back in the driver’s seat, up 4-1. Again demonstrating their poise, the Marauders never let the Badgers build on their three-point advantage and eventually churned out a four-point run of their own, taking a 13-14 lead over Brock.  

The Badgers would make sure McMaster’s reversal was short-lived.  

Brock immediately responded with a 2-0 run to restore their lead and, shortly after, followed that up with a three-point run, extending their lead to 20-17 and forcing the Marauders into an uphill battle. Another three-point run by the Badgers only a few points later only cemented their advantage. Now up 24-20, Brock closed out the set with a block from Gigi Markotic to level the game 1-1.  

While the first two sets had seen two evenly matched opponents duking it out, in set three, McMaster did a lot of Brock’s work for them. The Badgers jumped out to an 8-2 lead, four points coming off kills from Ainsworth, Sadie Dick and Madison Chimienti while the other four all came off Marauder errors.  

McMaster managed to clean up their play a degree and were able to work their way back into a much more manageable two-point deficit. However, the Marauders just as quickly succumbed to a crippling seven-point run by the Badgers. Several Badgers were instrumental in the scoring surge, with Markotic recording two blocks and a kill and Chimienti and Dick each putting up two kills and a block over that span.  

Now down 20-11 and not willing to be counted out, the Marauders put together an impressive scoring stretch, outscoring Brock 9-2 and cutting their lead down to only 22-20. Nevertheless, the Badgers managed to halt McMaster’s momentum in its tracks. Brock scored three of the final four points to win 25-21 in a set that suddenly became a nailbiter out of nowhere.  

After struggling to maintain their discipline at the net through three sets, the Badgers put everything together in a dominant fourth set. 

Brock fell into an early 1-3 hole but, following that, had an answer for everything the Marauders threw their way, instantly responding with a cataclysmic 9-0 run. Though there were chances for McMaster to get back into the set, they were again their own worst enemy. For the second set in a row, the Marauders committed nine errors while Brock was perfect at the net with 11 kills and zero errors on 24 attempts. Down 22-15, McMaster fizzled out at the finish, committing three more errors and losing 25-16, delivering Brock the provincial championship. 

All of Brock’s big guns came to play in their final OUA game of the year. Dick led the team with 15 kills and also had six blocks.  

While Chimienti was the only other Badger to hit double-digits in kills (10), Markotic fell just shy with nine while converting on a third of her attempts. Markotic also led the game with an impressive nine blocks.  

As per usual, Sara Rohr did an excellent job on both sides of the ball, dictating the offence with a game-high 42 assists while also leading the way with a game-high 15 digs.  

This caps off a tremendous week for many Badgers, especially Rohr. On March 4th, Rohr was named the OUA’s Player of the Year, sharing the award with Queens’ Hannah Duchesneau.  

Rohr, Foest and Markotic (who also finished fourth in the country in hitting percentage) were all named to the OUA’s First All-Star Team while Dick was selected to the Second Team. Freshman middle Emma Baruchelli was also named to the OUA All-Rookie Team.  

This star-studded cast heads to Hamilton next weekend for the U-Sports quarter-final on March 15th with their opponent yet to be determined.  

For updates and the teams’ full schedule, visit gobadgers.ca. 

Badgers leave empty-handed in OUA Bronze Medal match 

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After being eliminated from the OUA semi-finals by the TMU Bold last week, Brock’s men’s hockey team lost their third game in a row, falling to the McGill Redbirds on March. 9th by a score of 2-5.  

The Badgers opened the game by conceding an early interference penalty to the Redbirds, bringing them up to a playoff-leading 21st time playing shorthanded. McGill’s Charles-Antoine Dumont scored on the Redbirds’ first shot of the man advantage, putting the Badgers behind 0-1 five minutes into the first period.  

Less than a minute and a half later, the Badgers surrendered another goal when the OUA playoff-leading scorer Eric Uba buried McGill’s 0-2 goal in tight to the Badgers’ crease.  

Giving up goals in bunches has been a struggle for the Badgers thus far in the postseason. Uba’s goal marked the fourth time in six games that they have given up consecutive goals less than five minutes apart and the third time they had given up back-to-back goals less than three minutes apart. 

Now finding themselves in a significant hole with over five-sixths of the match remaining, Brock had to force the issue against the Redbirds to try and even the score. Despite managing to bring the shot total back to an even 12-12 after one, the Badgers were unable to solve opposing goaltender Alexis Shank and remained down by two going into the next period.  

In a game that had already featured several classic Badger patterns, Brock found the back of the net one minute and 50 seconds into the second, to this point the fifth time in six postseason games the team had been able to score less than three-and-a-half minutes into a period. Captain Jared Marino collected the assist as Ryan Stepien scored his team-leading third goal of the playoffs as the Badgers brought the score to 1-2.  

It was not long afterwards that McGill re-asserted their two-goal cushion. Brock seemed to take their foot off the gas after coming within one and ended up surrendering 20 shots in the second alone, more than goalie Connor Ungar could stave off single-handedly. The Redbirds went up 1-3 just past the six-minute mark in the second period and, with less than five to pay in the middle frame, stretched their lead to 1-4.  

Just like the previous period, after giving up two unanswered goals, Brock came out firing to begin the third and again scored almost immediately to make it 2-4. Defenceman Ryan Thompson carried the puck deep into the Redbirds’ zone before finding Justin Brack in the slot at 1:25, now the sixth time in as many games that they’d scored less than three-and-a-half minutes into a period.  

Despite making the score close, upping the ante, and limiting McGill to only six shots, the Badgers couldn’t cut further into the lead. Brock pulled the goalie with plenty of time still on the clock and unfortunately gave up an empty netter to Uba for his second of the game, losing 5-2.  

Despite the loss, Brock could still have plenty of hockey to play this season. The Badgers will travel to Toronto for two quarter-final games next week, first on Thursday, March. 14th and again the following day.  

For their full schedule and updates on their opponents, go to gobadgers.ca. 

Brock men’s hockey move on to OUA semi-finals, clinch nationals berth in overtime thriller 

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The Badgers wrapped up their best-of-three quarter-final against the Windsor Lancers on Feb. 24th with a 4-3 game two double-overtime victory. The win also solidified Brock’s slot in the U Sports national championship in March.  

Brock opened the series on Feb. 22nd, lining up for game one on the road, travelling to Windsor’s Capri Pizzeria Recreation Complex for the initial match. 

Early on, it seemed like Brock’s regular season struggles away from home might bleed into the playoffs. Cole Tymkin put the Badgers behind the eight ball right off the bat with an undisciplined slashing minor, sending the Lancers to the powerplay just four minutes in. Windsor’s Grant Spence got the offence going from there, putting the Lancers up 1-0 with a goal just over five minutes into the first frame.  

Less than a minute later, the Badgers came back with a vengeance.  

Zach Taylor grabbed Brock’s first goal of the playoffs to tie the game at one and, thanks to a powerplay opportunity two minutes after Taylor’s goal, found themselves in prime position to wrestle back the lead.  

Badger freshman Ryan Stepien made no mistake on the man advantage, delivering Brock a 2-1 lead less than 10 minutes into the contest.  

Stepien’s powerplay marker lit a fire under the Badgers and from that point on, there was little that the Lancers could do. 

Jordan Stock stretched the lead to two with 11 minutes elapsed in the first, but Brock wouldn’t stop there. Repaying his team for the early penalty, Tymkin added two more goals to close the frame, both times the assists coming from regular season scoring leaders Jacob Roach and Tyler Burnie. Thanks to 14 first-period shots and an avalanche of goals, the Badgers went into the second, already blowing out Windsor 5-1.  

Not keen to let the momentum falter, Brock got right back on their horse.  

David Jesus of the Lancers took a hooking penalty shortly after the second-period puck drop, putting Windsor down a man yet again. On the ensuing powerplay, an assist from captain Jared Marino allowed Roach to put one past Lancer goalie, Nathan Torchia, giving Roach his fourth primary point of the night less than three minutes into the second period.  

Though the scoring dried up there for both sides, the rest of game one was no cakewalk for the Badgers. 

As had become commonplace for the fifth most penalized team in the province during the regular season, Brock sent themselves to the penalty box frequently throughout the game, particularly in the second period.  

Brock took a total of five penalties in the second as Rylan Thiessen, Roach and Marino all earned single trips to the sin bin while Justin Brack took two. This included an unsuccessful one-minute and 33-second 5-on-3 for Windsor midway through the period, though goaltender Connor Ungar and the Badgers were able to hold on to maintain the five-goal lead.  

Brock’s final penalty came halfway through the third when Ryan Stepien had two minutes and a game misconduct for a check from behind on a Lancer. Despite the ejection, the third ended with little fanfare as Brock walked away with a 6-1 victory.  

While game two on Feb. 24th featured the same number of total goals, the match could not have been more different than game one in the Badgers’ return to Canada Games Park.  

Staying hot, Tymkin found the back of the net again to open the scoring in the first period, depositing a rebound goal off a shot from Stepien, giving Brock the 1-0 lead four and a half minutes into the game.  

Though there were prime chances from both sides, Brock held that slim lead until the very start of the second until, only 40 seconds in, Stepien took advantage of a takeaway and found time and space to score, giving him his second point of the afternoon and the Badgers a 2-0 lead.  

Though Brock had built a nice lead a third of the way through the match, Windsor wouldn’t go down so easily.  

The Lancers had their first bid for goal waved off when the Badgers’ net came loose from its moorings, but unwilling to be discouraged, Windsor’s Mason Kohn scored soon after, the Lancers’ first goal in over 76 minutes of play against the Badgers. 

In what soon proved to be a torrential second period of scoring, Windsor’s Jake Durham and Holden Wale added goals four minutes apart, flipping the game on its head and putting Brock behind 2-3. 

After letting the lead out of their grasp, the Badgers shelled Windsor in the third, outshooting them 17-9 in the period. With only 11 minutes remaining in the tilt, Brock was rewarded for their dominance. Defenceman Brandon Caruso received a pass at the point and ripped one home, tying the game at three and giving the grad student his second career goal as a Badger.  

Caruso’s late goal would force Brock and Windsor to head to overtime. Both sides came close to sealing the game, peppering both goalies with plenty of shots. A late high sticking penalty by Brock’s Justin Kyle put the Badgers on a poorly timed penalty kill with four minutes left in the first overtime. Nevertheless, Brock was able to avoid a late-game backbreaker, pushing the game to a second overtime.  

It would take a little over twelve minutes into the fifth period, but the Badgers and Lancers would finally get their game-winner. Zach Taylor threw a puck toward the Lancers’ net and, thanks to a deflection by Matt Duarte, Brock put the puck past Torchia, delivering them the 4-3, double-overtime victory. 

Now having closed out the series against Windsor, Brock moves on to a semi-final matchup against the TMU Bold who were second in the OUA West behind the Badgers. The Bold—who finished two games behind the Badgers—had a very similar regular season to the Badgers. TMU had the second-most goals in the West (103 to Brock’s 107) and the second-fewest goals against (70 to Brock’s 67). Like the Badgers, the Bold were also exceptional at home (12-2 home record compared to Brock’s 13-1) while struggling on the road (Brock was 8-6 in away games while TMU was 7-7). After a two-game sweep of the Laurier Golden Hawks where they outscored them 9-2 cumulatively, the TMU Bold promises to be a difficult matchup for Brock.  

Game one of the semi-finals will take place on Feb. 29th at Canada Games Park. For a full schedule and more information, visit gobadgers.ca.    

Brock men’s hockey lose in OUA semi-finals in three games 

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After winning game one, the Badgers dropped games two and three against the Toronto Metropolitan University (TMU) Bold, eliminating them from the OUA playoffs on March 3rd. Brock will play in the bronze medal game on March 9th against the McGill Redbirds. 

The Badgers opened the scoring early on Feb. 29th getting the game’s first goal only five minutes into the start of the three-game series. Goal scorer Christophe Cote would be the beneficiary of a fortuitous bounce after a Ryan Thompson point shot rebounded right onto his stick, giving him a great look at the open net.   

Though Cote’s goal remained the lone marker in the first period, Brock kept the run of play in the Bold’s end and looked as if they had scored early in the second period. However, Badger Justin Brack was called for goalie interference on the would-be goal, keeping the score at 1-0 and sending TMU to the powerplay.  

Again, Brock’s opening goal continued to stand as the game’s only goal until the last minutes of the second period. At 16:40 in the period, a pass from Arizona Coyotes prospect Atryom Duda found Bold forward Daniil Grigoryev, who scored to tie the game. 

Just like the first and second periods, the Badgers came out gunning for more and scored under two minutes into the frame. Jacob Roach carried the puck up the ice on a 2-on-1 rush and slipped a pass over to Tyler Burnie who fired it through the goalie to regain the lead.  

The Badgers managed to hold the lead for the rest of the period before forcing the Bold to turn the puck over with their goalie pulled. Jordan Stock deposited the empty netter, securing the 3-1 game one win for Brock.  

Though game two got off to a familiar start, the conclusion was not as fulfilling.  

As had been the case in each of the periods in game one, Brock got on the attack early and were rewarded with a goal. Brack scored on the first shot of the game after receiving a pass from Riley Gannon right in front of the Bold crease, putting the Badgers up 1-0 just over three minutes into the first. 

The lead would be short-lived however, as TMU would even the score a little over a minute later.  

The early tie seemed to suck a lot of the wind out of the Badgers’ sails. Brock was outshot 5-12 in the first, and though they were able to escape the period without surrendering another goal, the levee soon broke in the second period.  

Right off the bat, TMU’s Elijah Roberts scored to break the tie, and only seven seconds later, the Bold’s leading scorer Kyle Bollers added another, putting TMU up 3-1 with less than four minutes gone by in the second. 

Midway through the third period, Bollers potted his second of the game, stretching TMU’s lead to three. Now down 4-1, Brock pulled their goalie with considerable time still on the clock. The Badgers were unable to close the gap and gave up an empty net goal at 17:48, sealing the deal on a 5-1 game two loss.  

With their playoff hopes on the line, and both teams perhaps sensing the gravity of the situation, game three got started without any of the early-period goal scoring. Though Brack and TMU’s Kevin Gursoy put the teams on an early 4-on-4, neither side could break through on the scoreboard. Burnie and Roach would each take a penalty as well, though the Badgers were able to keep the puck out of their net despite being outshot 10-14.  

Brock was awarded their first powerplay opportunity of the game early in the second and were able to make short work of it. Roach’s goal—his second strike of the playoffs—moved him into a tie for second in powerplay goals. Duda is among the four players tied with Roach and is also the leading scorer among OUA defencemen in the playoffs with six points in five games.  

Just under 10 minutes into the second period, TMU’s Connor Bowie, the recipient of the high sticking call that sent Brock to the powerplay earlier, found the back of the net, tying the game again at one.  

The tie game carried over throughout much of the rest of the game. The Bold took another high sticking penalty six minutes into the third, this time a double minor, yet the Badgers didn’t find the same luck this time around. With only two minutes remaining in a 1-1 game, Grigoryev’s shot snuck its way through heavy traffic in front of the Brock goal and past Badger goalie Connor Ungar who had thus far saved 33 of 34 shots. Unfortunately, the 35th would be the nail in the coffin, ending the Badgers’ playoffs in heartbreaking fashion.  

On March 9th, Brock will play host to the McGill Redbirds in their final OUA game of the year. Though TMU vs. UQTR will undoubtedly be a thrilling Queen’s Cup final, Brock and McGill were the top seeds in the East and West respectively, setting up a high-stakes bronze medal game. As the top seeds, they’ll also both have a chance to compete in the U Sports national championship, which begins on March 14th

For their full schedule and results, please visit gobadgers.ca. 

Hana Eid’s debut EP is a heart-wrenching examination of the human process of grief 

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Breaking into the music scene, Hana Eid unpacks the five stages of grief in her debut EP. 

I Exist Because You Say So, released on Feb. 23, is Hana Eid’s first EP. Known for her hits “Dancing to The Smiths,” “Let Down” and “Shrapnel,” this release is a big milestone for the Nashville-based singer who has been playing the guitar since she was eight years old.  

 
In an interview with Atwood Magazine, Eid described the album as an “accumulation of songs I wrote as a true young adult.” She went on to say that I Exist Because You Say So “feels very coming-of-age and indicative of a very finite and precious time in my life. While the project isn’t conceptual per se, it’s all tied together by the same longing that seems characteristic of entering adulthood.”  

Hailing what Kelly Carrazone said is an “unmatched uniqueness in sincerity, both in her lyrics and her spoken words,” listeners can’t help but be drawn in by Eid’s ability to write lyrics that make others feel completely see-through.  

In her atmospheric debut EP, fans can rest easy knowing that for Eid, this ability is a renewable resource.  

Upon undertaking a deep analysis of both the musicality and lyricism of this EP, I discovered that I Exist Because You Say So could be read as an examination of the progression through the five stages of grief. While it is unclear whether the EP was intentionally written this way, each song represents one of the five stages very clearly.  

The five stages of grief are denial, anger, bargaining, depression and acceptance, but I Exist Because You Say So completely undermines the unilinear progression of the stages. Although many people want this process to be linear, with one stage being completed before moving on to another, this simply isn’t the case in reality.  

The need for a digestible, clearly outlined timeline for recovery is simply another facet of loss. For many people, grief can feel like being lost in the ocean with no idea where to go and no one to bring you back to shore. Drifting slowly through a sea of absolute nothingness, these five stages act like an anchor for those experiencing grief, allowing them to tether themselves to something that makes sense when nothing else does.  

In I Exist Because You Say So, Eid moves through the grief caused by unrequited love.  

Starting with the muddy opening track “Weird,” Eid sets up the story for her listeners.  Suffering from the debilitating diagnosis of a chronic crush, Eid wants nothing more than to be happy with the person she loves. The lyrics “screaming for the love of God / I want it so bad” highlight this need, which currently seems unfulfilled.  

Lyrically, the track reads like notes app poetry written at 2 a.m.; raw, unfiltered and purely authentic. A disorderly culmination of electric guitar, pulsing bass and relentless drumbeat, “Weird,” in all of its perfect chaos, expertly nails the inner conflict that comes with the territory of an unrequited lover.  

The second track, “Taller Than Me,” is an excellent representation of bargaining. Built around dark, relentless electric guitar and a thumping bassline, the track’s gritty tone is for every kid who fell in love with their older brother’s best friend. 

With lyrics like “I f***ing want you / With conviction / Swear you’ll hear it if / You just stop and listen,” “Taller Than You” understands what it’s like to get down on your knees and beg to be loved. Eid would do anything to show this person that if they just tried hard enough, they could love her just as much as she loves them. The line “I would have given whatever you wanted / For only an hour inside of your closet” is a perfect example of the “if only” or “what if” questions associated with the bargaining stage.  

Meant to be screamed in a beat-up, early 2000s Subaru, “Taller Than You” expertly unpacks the things you’d do when you desperately want someone who doesn’t even see you.  

The ultimate take on the depressive stage, “Between Your Teeth,” the album’s third song, is a sucker punch to the stomach. Examining the act of loving someone so hard that it ruins you, the track is heavily marked by Eid’s brutally honest lyricism and signature swampy electric guitar.  

Heavier than the EP’s first two songs, listening to “Between Your Teeth” feels like poking an old bruise over and over again until it’s a darker shade of purple than it was to begin with.  

The lyrics “You don’t care if I get home safe / And suddenly I don’t either” showcase the singer’s descent into complete self-destruction at the hands of her all-consuming passion. Eid’s expression of her depressive state is clarified further in the line “Gonna wash my body like a chore,” highlighting that even the act of caring for her own body has become difficult.  

Hopeless and without a reason to go on, “Between Your Teeth” understands the practice of hyper-romanticizing every brief and insignificant interaction in the hopes that you won’t have to face the fact that your love won’t ever be returned.  

The album’s fourth track, “Pitbull,” is very clearly a representation of the anger associated with grief. Unpacking the uncontainable rage produced by the “will we, won’t we?” associated with an unclear partnership, the track’s snarling electric guitar and aggressive drum beat mimic the animal the song is aptly named after. 

The lyrics “I feel like a pitbull chained up outside / Foaming at the mouth / ‘Cause I said you could reach out / And you didn’t” describe the trapped, violent energy Eid is feeling.  

The lines “I wanted to bite my tongue off when I heard / That you think I talk too much about him” highlight the self-destructive, unpredictable nature produced by this energy, like that of an untrained pitbull. The pitbull metaphor serves as a very clear indication of Eid’s anger.  

Endlessly frustrated and increasingly violent, “Pitbull” encapsulates what it means when someone says they’re angry enough to kill someone.  

Continuing with “Avoid the News,” this fifth track details Eid’s desperate attempt to deny her existence as a self-inflicted prisoner in a relationship the other party wants no part in.  

A masterwork in musical tension, Eid opens with a stripped-down opening verse before allowing the track to build rapidly, sprawling across the sonic landscape as the singer moves through her denial before adopting a burning sense of rage.  

By far one of the EP’s rawest tracks, “Avoid the News” allows its audience to live through Eid’s turmoil alongside her through her lyricism. Starting with the lyrics “Someone tells me you hold a grudge / And I laugh, ‘cause I’m outliving this,” Eid is clearly in a state of denial. Even though others haven’t, she is completely certain that she’ll be the one to get through to the one she loves.  

But the line “I can’t escape anything that never wanted me” signifies a change in Eid’s mindset. She is starting to see that the person in question has never really wanted her, no matter how much she has denied it to herself.  

The final lyric, “When did you realize you couldn’t love me,” is a complete departure from Eid’s initial attitude as she finally uncovers the truth, letting all the feelings she had been denying come to the surface. 

The EP concludes with “Austin Song,” its sixth and final track. Simultaneously the sweetest and most devastating of the six, “Austin Song” is the hope of new love after a cataclysmic heartbreak. It is as close to acceptance as Eid is going to get. A perfect conclusion to an EP that lives and breathes the agony of not having love reciprocated, this track’s quiet musical demeanour dreams of a future that didn’t seem possible before.  

The opening lyric “I’m gonna love you when we’re older” sees an existence past just what Eid is living right now, suggesting that there is something for her to look forward to.  

Although the lyrics suggest things aren’t fully healed, such as “the cancer inside me won’t turn to remission / Unless you look at me like I am everything,” Eid knows that this isn’t the be-all end-all of her life. She is no longer denying her feelings, instead choosing to listen, to move, to change, to grow and to evolve. Things will get better, even if they are still hard right now.  

Whether or not Eid intended it to be, I Exist Because You Say So is both a heart-wrenching and beautiful examination of the human process of grief. It depicts its intimate understanding of loss through its candid and confessional lyrics, building vast and visceral worlds out of Eid’s deepest, most vivid emotions.  

In an interview with Atwood Magazine, Eid said that she “remembers vividly what it was like to be 14 years old and on the school bus, plugging [her] headphones in and, momentarily, feeling understood.”  

With her exceptional debut EP, Eid has provided other people with the opportunity to feel like someone understands them, even if they think they are completely lost at sea.  

Editorial: Aaron Bushnell’s message must be kept alive 

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WARNING: The following article deals with extremely graphic subjects. Additionally, this article in no way condones or supports self-harm as a form of protest or for any other purpose

Aaron Bushnell may have died from his extreme act of self-immolation in protest against U.S. support of the Israeli genocide against Palestinians in Gaza, but the message his protest created must be kept alive.  

On Feb. 15, nearly an hour after noon, 25-year-old United States Air Force member Aaron Bushnell started a livestream as he approached the Embassy of Israel building in Washington, D.C. 

“I am about to engage in an extreme act of protest but compared to what people have been experiencing in Palestine at the hands of their colonizers, it’s not extreme at all. This is what our ruling class has decided will be normal,” he says to the camera as he approaches the front gate of the embassy. 

Bushnell then positions the camera on the ground facing the gate which he proceeds towards. In full military fatigues, he positions himself to face the camera, takes off his fatigues cap, douses his body with fuel and snappily places his cap back on his head in a formal fashion. Bushnell then lights the fuel on fire by his feet. When the fuel finally catches fire, the flame engulfs his body. He shouts “Free Palestine” several times until he physically can’t, likely due to a mixture of smoke inhalation and extreme pain.  

First responders and embassy agents surrounded Bushnell nearly a minute after he self-immolated, putting out the fire nearly half a minute later.  

Bushnell succumbed to his injuries in the hospital a few hours later that day. 

While Bushnell was burning, one of the Israeli embassy agents in the video responded by pointing a gun at his flame-covered body. A first responder next to the agent can be heard telling him: “I don’t need guns… I need fire extinguishers.”  

The embassy agent’s actions have since become a focus of discussion by commentators, with many pointing out the symbolic nature of the response considering that Bushnell was protesting unjustified, excessive military action against innocent civilians.  

Bushnell’s act of protest had gone viral around the world by the next day.  

But with widespread attention, partisan-hack commentators immediately tried to downplay the gravity of Bushnell’s actions with many in liberal and conservative camps asserting that Bushnell was mentally ill.  

Conservative pundit Ben Shapiro of The Daily Wire writes in Creator Syndicate that “this week, a mentally disturbed anarchist and active-duty Air Force member named Aaron Bushnell lit himself on fire and proceeded to burn himself to death while shouting ‘Free Palestine’ in front of the Israeli Embassy in Washington, D.C.” 

However, a multitude of factors suggest Bushnell was of a clear mind at the time: his speech was coherent in his preambulatory statements in the livestream video; just before the act, he created a will that donated his personal savings to the Palestinian Children’s Relief Fund and he surrendered his cat to his neighbour; messages from online forums that Bushnell was actively engaged in have been dug up and they show he had a complex and nuanced understanding of the conflict alongside a clear personal position of being anti-colonial and anti-apartheid; and a friend of Bushnell in an Al Jazeera interview indicated that she did not think he was mentally ill. 

Bushnell was clear about why he was undertaking such extreme and tragic actions: “Many of us like to ask ourselves, ‘What would I do if I was alive during slavery? Or the Jim Crow South? Or apartheid? What would I do if my country was committing genocide?’ The answer is, you’re doing it. Right now,” he said in a Facebook post earlier on the same day. 

The death count of Palestinians in Gaza has likely surpassed 30,000 with most of the deaths being civilians and two-thirds of the deaths being women and children. 

Bushnell couldn’t stand that we are seeing the greatest human rights violation of the century so far; a genocide, in fact, which is aided and abetted by the Canadian and US governments as they continue to provide financial and military support to Israel.  

While done in a tragic and horrendous way, Bushnell’s message of standing firmly against genocide must and will live on.  

Anyone claiming to be a decent human being must stand against Israel’s actions.  

Mitski stuns Toronto crowd with her brand-new live show 

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Overall rating: 4.5/5 

Mitski took the stage on Feb. 10 to engage her audience in a meaningful conversation about the complexities of human emotion.  

A limb-numbing breeze sweeps up Victoria St. as a large crowd huddles outside the doors of Massey Hall bathed in the red glow of the venue’s neon signage. Long lacy skirts ripple in the wind as girls wearing dark tights pull their leather jackets closer to their bodies, hoping to retain some body heat. While it might be mild for an evening in February, no one waiting in this line is dressed appropriately for the weather.  

The façade of the historic venue looms overhead, the stained-glass windows that line the brick exterior peering down like watchful eyes. The whistling of the agitated wind sounds like voices from the past, whispering to one another in tongues. Even from the street below, there is little doubt that the 130-year-old hall has a story to tell.  

Yet, modern-day life hustles on.  

Ticket re-sellers shout prices while a man with a backpack slung over his shoulder hawks’ unofficial merchandise to unsuspecting fans. The line, which has now made its way around the corner of the building, is growing restless.  

When the doors finally open, the crowd lurches forward with fervour. Heat seeps out of the entrance and onto the street, once numb limbs are quickly warmed back to sensation by the six-floor climb to the upper balcony.  

Despite the size of the line outside, concertgoers fill the venue slowly, gazing up in awe at the building’s beautiful architecture. A floor-to-ceiling red curtain hangs in a circular shape on the stage, concealing any important set pieces Mitski may be hiding.  Surrounding the red curtain is an abundant assortment of different instruments, ranging from electric guitars and keyboards to a large arrangement of timpani. To the untrained eye, Mitski’s band could easily pass off as a full orchestra. It is astounding.  

All of this is quickly forgotten when the show’s opener, Tamino, makes his way onto the stage. Accompanied by only an acoustic guitar, an electric guitar and a lyre, Tamino forgoes the usual showmanship expected of a starting act and lets his haunting vocals take the lead.  

His set leaves the audience – who were all vastly underprepared for what they had just witnessed – stunned. Roaring applause follows the young Belgian-Egyptian singer as he quietly makes his way off stage, allowing an admiration-filled murmur to permeate the room. The name ‘Tamino’ is on everyone’s lips as the lights come up, his social media following swiftly increasing by the hundreds.  

Mitski takes the stage at exactly 9:05, Massey Hall packed with fans cheering her name. One of her first shows back after an extended break from touring, Mitski wanders out from the wings sporting a boyish new haircut, a pair of jazz slippers and a set of knee pads. With her is a slew of other musicians, all taking their places behind the variety of instruments lined up along the perimeter of the stage.  

Throughout the night, Mitski plays a variety of tracks. While the setlist is densely populated by songs from her most recent album The Land is Inhospitable and So Are We, the artist also shares hits such as “I Bet on Losing Dogs,” “First Love/Late Spring” and “Working for the Knife.”  

Working with two chairs and a mic stand, Mitski performs the entire two-hour show without interacting with the audience more than three times. Focused more on the choreography that has become the singer’s signature, Mitski treats her shows less like a concert and more like an art show. A stunning representation of humanity, Mitski’s hyper-controlled movements and exaggerated facial expressions leave the audience borderline uncomfortable, forced to digest the singer’s emotional intensity.  

As Mitski and her band exit the stage, the audience is slow to move from their seats, processing what they have just witnessed. As people finally make their way down the stairs and back into the frozen world outside of the theatre, the building’s stained-glass eyes keep watch. They know that this night, like many that have come before it, will never be forgotten by those in attendance.  

Charli XCX kicks off new era with “Von Dutch” 

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The first single of Charli XCX’s sixth album exemplifies the frantic vitality of club culture. 

Released on Feb. 29 after being teased for a month on social media, the British artist Charli XCX delivered the anthemic “Von Dutch” with an accompanying music video. The single is in support of her upcoming studio album brat set to release in the summer of this year.  

Both the single and further information about brat have been teased through cryptic social media posts and a Boiler Room set hosted on Feb. 22 in New York City titled “Party Girl.” 

From what information has been provided through the cover artwork and Charli’s social media posts brat will be the antithesis to its predecessor Crash, which adopted a less experimental approach to pop music than other releases in her catalogue.  

Crash was self-aware of how adaptive it was to the pop landscape. It flaunted sticky pop hooks and in-your-face synthesizers plucked straight from the ‘80s on tracks like “Lightning” and “New Shapes”. The album managed to check every box of pop-perfection criteria while still feeling left-field and subversive to the genuine mainstream. 

The grandiosity of Crash is further displayed in its cover artwork, where Charli is bloody on the hood of a speeding car, cracking the windshield while also ensuring she looks good amidst the chaos of it all. In contrast, brat‘s cover could not be more hilariously divergent. 
 
Whereas Crash depicted an encompassing scene representative of its title, Brat’s cover displays only its name on the backdrop of a striking chartreuse, but the real icing on the cake is the comically blurry font. Its casual messiness is borderline ridiculous, but interestingly conjures an evocative image of the album’s aesthetic. 

The all-lowercase title is straight to the point, representing of a true veteran party girl who knows that time spent preparing a flashy presentation could be better spent under the flashing lights of a dancefloor. Through the night she crawls from the club to a rave and back to another club, claiming to know the DJ at every spot and miraculously being let in every time. 

As Charli said on X (formerly Twitter) that “[Brat] is a club record,” and “the album she has always wanted to make.” 

“Von Dutch” exemplifies the addictive, throbbing rhythms of classic club tracks. Its heavy drums are simple but persistent in their ability to move listeners’ feet. They’re understated, but imperative to completing a track with only a handful of sounds. 

“Von Dutch” begins with a swift kick from Charli’s distorted, abrasive vocals. Only a few seconds in, she has made it clear her musical focus has shifted from the glittery synthpop of Crash to a more dissonant, underground sound. When the disjointed sounds begin to click together, a swelling synthesizer opens the pre-chorus like a trash compactor turning on, preparing to devour its next meal. 

Charli doesn’t hold back from calling out gossip in the lyrics, delighting in the thought of being the number one topic of conversation through the repetition of the phrase, “I’m your number one.” 

 
Accompanying the driving bass and bratty lyrics into the chorus are two revving synths, repeatedly rising and falling together to create an industrial sound that can be likened to placing one hundred forks in a giant microwave. 

The repeated chorus and pre-chorus make for a noticeably repetitive structure, but that’s precisely the crux of what makes the single exciting. The few industrial sounds and shameless lyrical content make “Von Dutch” feel like a powder keg waiting to explode and inaugurating the Brat era. 

For such a bombastic lead single, “Von Dutch” is minimalistic in the sounds it uses. Prior to teasing a new album, Charli voiced her opinions on the direction of pop music on X (formerly Twitter), predicting that songs will begin to incorporate only “3 or 4 sounds.” 

The success formula to Charli’s long-lasting ability to transform pop music lies in her ability to always keep her fans – dubbed “the Angels” – and the public guessing. 

In 2014, she skyrocketed into the mainstream with the pop punk album Sucker featuring her breakout single “Boom Clap.” After amassing widespread success on the charts but lukewarm success among fans and critics, Charli changed gears with her Vroom Vroom EP. This sudden artistic shift commenced her journey into hyperpop, a pop sub-genre identifiable by its maximalist, exaggerated approach to conventional pop sounds and sugary futuristic visuals. 

With Crash, Charli began to lay her cards on the table, retreating from obscure sounds to demonstrate her knowledge of the accessible mainstream formula while still carving a lane that feels uniquely satirical at times.  

The opposite has been done with “Von Dutch,” as Charli has begun to distance herself from mainstream trends once again. By doing this, she is flexing a gusto in her ability to move freely between musical styles and trends, keeping listeners on their toes and using her influence to further pioneer experimental pop. As she confirms on the single’s chorus, she can deliver a modern cult classic, but still keep things exceptionally pop.  

Online child safety, deep fakes and hate speech: uncovering the scope of the Online Harms Bill  

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Years deep in development, the Liberals’ Online Harms Bill will be tabled at the House of Commons this following week.  

While the details of the bill will be revealed in the House of Commons, it is expected to tackle several kinds of harmful online content, with an emphasis on protecting minors. In particular, the bill’s framing indicates a concern for addressing cyberbullying, content that may lead to child self-harm and child sexual exploitation content. 

Since 2019, there have been multiple recorded attempts at creating legislative frameworks for social media platforms and the illegal content within. Under the direction of then-Minister of Heritage Steven Guilbeault, Bill C-36 was introduced to tackle hate speech but ultimately was unsuccessful and will never to be revisited as is. 

In 2021, the Liberals announced a technical discussion paper on harmful online content, which was phased out because of pushback during the election campaigns in 2021. The Liberals promised to introduce an online harms bill within 100 days of the election yet failed to deliver on time. 

As 2024 unfolds, the reimagination of previous proposed legislation over online harms, now the Online Harms Bill, will be tabled at the House of Commons, bringing forth amendments to the Criminal Code and the Human Rights Act. 

The scope of the bill, while largely unknown, is expected to draw from previously proposed regulations over five kinds of harmful content, including child exploitation, terrorist content, hate speech, incitement to violence, the sharing of non-consensual images and child exploitation.  

As for amendments to previous iterations of the bill, greater concern for children’s safety online and larger measures for tackling non-consensual sharing of sexually explicit “deepfakes” are expected to make it into the new bill. 

In anticipation of the bill’s tabling at the House of Commons, the Conservative Party has found an issue with possible encroachments on freedom of speech. Though Prime Minister Trudeau has stated that the legislation aims to protect children rather than censoring the internet. The Opposition does not perceive the bill as such.  

The leader of the Progressive Conservatives, Pierre Poilievre, has called the bill an “attack on freedom of expression” in that it will legislate online speech. 

Although Poilievre and his caucus have positioned themselves as greatly opposed to the bill, it is worth noting that the contents of the legislation have yet to be revealed. In line with the opposition’s lack of support for the Online Harms Bill, both Poilievre and Singh are looking to support a separate piece of legislation, Bill S-210. This piece of legislation, which is in the House of Commons for consideration, aims to restrict minors’ access to sexually explicit content through age verification across websites like Pornhub. 

As Members of Parliament prepare to discuss the Online Harms Bill at the House of Commons this coming week, and the details of the legislation are revealed, a balancing act between online freedoms and child safety awaits.  

BUSU now hiring for full- and part-time jobs in the 2024-2025 school year 

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A big part of most students’ post-secondary experience is not limited to the bounds of lecture rooms. For many, acquiring hands-on job experience is not only needed to further career prospects but also for economic independence. For that reason, students need to know the available opportunities that exist on campus to gain valuable job experience while contributing to the community at large at Brock. 

Until March 3rd, applications will be open for student jobs at BUSU, with positions offered on a full-time and part-time basis. The following are the current openings for full-time and part-time employment at BUSU, the application requirements and the fields of employment that they are relevant to. 

Full-Time Student Executive Positions 

Students who are interested in student advocacy and leadership will be able to apply for the four BUSU Student Executive Positions: President, Vice President External Affairs (VPEA), Vice President Student Services (VPSS), Vice President University Affairs (VPUA). 

These positions run full-time (35 hours/week) from May 1st to April 30th, 2025 and candidates must have certain qualifications to be considered. These qualifications include being registered as an undergraduate student, having taken a minimum of one-half credit during the academic year of appointment, and one year experience in supervisory roles. Additionally, students must be at least 18 years of age and possess strong leadership, communication and project management skills.  

Students interested in applying for any of the student executive roles must analyze the corresponding job descriptions and fill out the application form linked at the bottom of the documents. The application for executive roles entails a detailed description of education, volunteering and work experience, as well as position-specific questions of motivation for each role. 

Part-time Student Positions 

As for part-time positions, BUSU has openings for fourteen student roles, ranging across communications, advocacy, events and client service. In particular, these student job terms begin in August 2024 and end in March, 2025. As for the application process, each job posting outlines who the applications will be accepted by, which is relevant to keep in mind to ensure applications are received by the right personnel. 

The job categories and roles available are as follows: 

Customer Service and Food Service: 

  • General Brock Cashier 
  • Harvey’s Team Member 
  • Isaac’s Line Cook 
  • Isaac’s Service Staff 
  • Subway Sandwich Artist 
  • Extra Assistance Staff 

Advocacy and Events: 

  • Street Team Member 
  • Food First Advocacy Coordinator 
  • Clubs Coordinator 
  • Policy Writer 

Communications and Administration: 

  • BrockTV Producer 
  • Communications Coordinator 
  • Front Desk Coordinator 
  • Promotions Coordinator 

To check application requirements, salary and hours of work, students must refer to the job descriptions for each individual position, as these factors vary depending on the role.  

Whether you have years of work experience under your belt or not, on-campus employment can help prepare students for the workforce and future career aspirations, all while earning an income. Students who are interested in either part-time or full-time employment with BUSU should consider the available roles and apply before the deadline. 

Events to look out for during BUSU’s Wellness Week 

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If you’re still feeling mid-term stress after the reding-week, BUSU’s Wellness Week has got you covered. 

The post-reading week time of the semester rapidly becomes hectic, bringing forth an increased desire to engage in recreational activities to balance out the stress of the semester. Preserving one’s mental health as deadlines quickly approach is essential, and caring for one’s body and spirit should not be undervalued. 

In the week of March 4 to 8, students will have the opportunity to partake in BUSU’s Wellness Week, which will host events meant to boost well-being and decrease stress. These events touch on different aspects of wellness, from physical activity sessions to free food on campus and recreational activities. 

Monday, March 4 :  

  • Crochet and Chill 

For students looking for a crafty evening accompanied by free snacks, BUSU will host three crochet learning sessions. Hosted by “Shay” from CrochetsbyShay, the sessions will serve as an introductory crochet learning experience, where students will learn to make either a whale, flower or strawberry charm by hand. Those attending will receive free snacks and pop while learning new crochet skills.  

The charm design being taught depends on the session that students sign up for. The first session of the evening will run from 5 to 6:30 p.m., and Shay will guide students on making a crochet whale.  

The next session will show students how to create a strawberry charm and will run from 6:45 to 7:30 p.m. Last, those attending the final session of the evening will learn to craft a flower from 8:30 to 10 p.m. The Crochet and Chill sessions will take place at Union Station. 

Those interested in attending must sign up on the BUSU website and obtain their free ticket to the session they are looking to go to. Also, students are directed to sign up for only one session to accommodate a wide range of students across all sessions. 

Tuesday, March 5: 

  • BUSU Executive Office Hours 

From 3 to 4 p.m., students will have a chance to talk to BUSU Executives about questions, concerns or ideas related to their student experience.  

In particular, students can talk to the Vice-President, External Affairs (VPEA), Alyssa Hall, regarding student advocacy, government relations and BUSU’s policies. Likewise, if students are looking to ask questions about student services or student advocacy at large, they will be able to table a conversation with Carleigh Charlton, Vice-President, University Affairs (VPUA).  

For this event, students can join on a drop-in basis at Isaac’s Lounge. While the event is listed as part of BUSU Wellness Week, it is important to note that the BUSU Executive Office Hours run weekly on Tuesdays at 3 p.m. 

  • Mindful Folding: Wellness Week Origami 

The Wellness Week Origami will take place from 3 to 4 p.m. at the Learning Commons Classroom B (ST230). The session is meant to be an introductory origami learning experience to offer students a break from studies by engaging in a mindful activity.  

Although the event is sold out on ExperienceBU, students can still RSVP yes to the event to be added to the waitlist. 

  • Tuesday Trivia 

From 5 to 7 p.m., Tuesday Trivia Night at Isaac’s invites students to enjoy an evening of trivia and prizes. By the end of the night, three prizes are given out to deserving participants: 1st place ($50 Walmart gift card), 2nd place ($30 Uber Eats gift card) and 3rd place ($20 Isaac’s gift card). 

To participate, students can directly drop in at Isaac’s with a well-charged electronic device to play trivia with. 

Wednesday, March 6: 

  • Free Grab & Go Breakfast 

As part of BUSU’s Food First program to counter food insecurity, a Free Grab & Go Breakfast station will run from 8:30 to 10:30 a.m. at Union Station. 

Students passing by will be able to grab a variety of breakfast snacks like granola, fruit and other to-go foods, while supplies last. 

  • Unwind Wednesday 

The Unwind Wednesday event will offer Badgers a variety of video games to play, along with free pizza and pop. 

As for console games available, students will get a chance to play: Just Dance, Mario Kart, Street Fighter 6, Mortal Kombat and all 2024 sports games. 

Though the event goes from 3 to 10 p.m., pizza and pop will be served after 7 p.m. As an additional perk, the first 50 students to show up at Union Station for the event will receive a BUSU Nike Beanie. 

Thursday, March 7: 

  • Hot Breakfast 

Running from 7:30 to 10:30 a.m. at Union Station, BUSU will run free breakfast for students, offering various kinds of hot and cold food options. 

The food options served include eggs, hashbrowns, fruit, turkey sausage, pancakes, coffee and more. 

  • Sip & Scent: Mindful Studying with Coffee and Essential Oils 

The Sip & Scent session will educate students on the benefits of essential oil and coffee aromatherapy for focus and study purposes. The event, hosted by Teaching and Learning librarians Vanja and Justine will take place from 9:30 to 10:30 a.m. at the Learning Commons Classroom B (ST230). 

Those looking to attend must RSVP on ExperienceBU

  • Wellness Week Library Yoga with Justine 

This beginner-friendly yoga session, hosted by instructor Justine Cotton, will promote relaxation and mindfulness through physical activity and breathing exercises. 

The yoga session will occur from 12 to 1 p.m., and yoga mats will be provided for students to participate. 

To secure a spot in the yoga session, students must RSVP through ExperienceBU.  

  • Music Bingo 

To close a week filled with mindfulness events, BUSU will organize a Music Bingo night at Union Station from 8 to 9:30 p.m. 

Not only will those attending be able to enjoy free pizza, but students will also have a chance to win over $500 worth of prizes. 

Some of the prizes to be won include JBL headphones, a Landmark Cinemas gift card, a Polaroid Camera Pack, a phone charger and keyboard, and an ultimate dining gift card. 

To participate, students must secure their free tickets on the BUSU website to be able to join the bingo. 

… 

With the importance of mental health, wellness, and rest at a time filled with stress, students will have the opportunity to access different activities and food options to ease their minds and relax throughout BUSU’s Wellness Week.