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Pitchfork’s absorption into GQ is a tragedy for music journalism

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The future of music journalism appears to be headed down a jagged slope. 

On Jan. 17, chief content officer of Condé Nast, Anna Wintour, announced that the music publication titan Pitchfork would be folded into men’s lifestyle and fashion magazine GQ. This entails that all publications and reviews formerly made on Pitchfork will only be accessible through GQ. 

Founded in 1996, Pitchfork was the cornerstone of the late 1990s indie music scene, documenting the evolution of music into the 2000s as well as the shift in music publication from print media into the digital format of the information age. 

In the early days, what set Pitchfork apart from other major music publications was their recognition of smaller, more independent artists. In the reviews section, albums are scored out of ten, with albums of 8.2 or higher being decorated with the lucrative “Best New Music” title. This crowning would often make or break an artist’s popularity following a release. This aside, it’s common to find highly acclaimed albums from lesser-known artists, introducing readers to small artists. 

Pitchfork has also earned a reputation for the pretentious nature of their reviews, balancing playful colloquialisms and cultural references with thorough and often abstract analyses. Some negative criticisms surrounding the publication had to do with their occasionally harsh reviews, frequently reading as something a late 2000s hipster would churn out. 

In one instance, Pitchfork published a review of Jet’s Shine On, giving it a zero out of ten and only leaving a video of a monkey urinating into its own mouth in the content section. 

While their ostentatious reputation has been subject to mockery and criticism, the influence of Pitchfork’s inception on digital music publications cannot be ignored. 

Leading into the 2010s however, Pitchfork began to muddy the waters and lose sight of who their target audience was. Pitchfork became a beacon of music discourse, ranging from reviews about artists with only a few thousand listeners to publishing numerous articles and reviews about popular artists, increasing their reader base among the masses but losing their influence as a niche music publication. 

Unfortunately, the power they have has been swiftly and silently quenched by the union-busting clutches of Condé Nast, who are responsible for numerous layoffs including Pitchfork’s former editor-in-chief, Puja Patel. 

Regardless of Pitchfork’s folding, music criticism will continue, as with any discourse over media texts. As long as the texts themselves are being created, criticism will be present. 

However, the weight of Pitchfork’s influence will likely scatter into smaller spaces from here onward. Centralizing content as niche as music critique into a generalized men’s magazine will weed out readers who sought out Pitchfork solely for music. By merging with GQ, it could be speculated that content and reviews may be moderated by GQ’s general target audience, a gut-punch that would make the early Pitchfork do flips in its grave. 

Ultimately, there is tragedy in the loss of Pitchfork’s independent platform. Their website is orderly but always active, constantly shuffling the latest articles and reviews. The site is also not paywalled or plagued by tedious ads, sparing readers from the eyesore of pop-ups. 

Pitchfork’s descent into uncertainty has subsequently dragged the very nature of digital music journalism down with it, but the issue prompts bigger questions about the future of content creation. If independent publications cannot stay afloat with their current business models, others may follow suit with Pitchfork, promptly being consumed by the greed of massive publications.

Why Jo Koy’s Golden Globes monologue flopped so hard 

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Jo Koy’s monologue at the 81st Annual Golden Globes was a painful display of attempted humour sullied by low-quality jokes with abysmal execution. 

Since Koy hosted the Golden Globes on Jan. 7, the Internet has gone into a frenzy over several less-than-spectacular moments, with some criticising his Barbie joke for misogyny while others focused on Taylor Swift’s “deadly stare” toward the comedian after he made a joke about the NFL’s apparent obsession with her. 

There’s a lot to be said about moments like these, but from a purely comedic perspective, there’s no denying that Koy absolutely bombed. Many of the jokes didn’t land with the audience, leading to several awkward silences, and it’s not hard to see why.  

Feel free to watch the monologue in full, but be warned: the second-hand embarrassment from watching Koy “comedically” fumble his way around the stage might not be worth the watch. 

Koy starts his monologue by pointing out some notable members of the audience, and he begins doling out compliments. We spend a moment hearing about how his mother would always assume Meryl Streep would win, and that she was always right. He reaffirms this before moving on about why he’s excited to host the Globes. 

There’s nothing inherently wrong with complimenting audience members, but something’s off when Koy does it. It feels less professional; he sounds more like a fanboy oozing with excitement to meet his favourite actors at Comic-Con than a professional comedian hosting a huge awards show. He beams with excitement as he addresses his favourite actors and filmmakers, but this comes across as awkward, a sentiment echoed by a slightly uncomfortable-looking Meryl Streep as he comments on how wonderful she is. 

After some decent quips about Oppenheimer’s length, Koy doles out his infamous Barbie joke. Again, while there’s a lot to discuss from a feminist perspective, the purely comedic perspective isn’t a lot better.  
 
Koy’s joke comes across as a bit creepy – despite his assurance that he “doesn’t want [us] to think [he’s] a creep” – and even though he ends on a decent joke about Ryan Gosling’s attractive Ken, the joke just keeps going from there as he throws in follow-up quips after the punchline, likely to save the joke in front of a largely disapproving audience. 

The monologue officially became irredeemable once Koy blamed a flopped joke on his writers, telling us “some I wrote, some other people wrote.” 

Yikes. 

Besides throwing his writers under the bus, Koy blaming a joke on his writing team shows cowardice onstage and makes him look unconfident. Compare this to former Golden Globes host Ricky Gervais, who unapologetically bashed his audience through controversial jokes that often define the Golden Globes today. By assuming a villainous role on the stage, Gervais took the power in the room and asserted dominance over his audience, making it clear that he would continue to joke at their expense regardless of their response. Koy, on the other hand, cowered down and allowed his audience to take control of the situation. 

Things got even uglier when, in a moment of apparent frustration, Koy then says he “got the gig 10 days ago; you want a perfect monologue?,” before telling his audience to “shut up.” 

Note that this isn’t taking a villainous role in the same way Gervais did. Gervais became the antagonist by evidently not caring what the audience thought of him, while Koy did the opposite: he cared about the audience’s reaction so deeply that he let it get to him, causing him to lash out in embarrassing and unprofessional fashion. 

After reminding us that he didn’t write all of his jokes, Koy proceeds to express his excitement over Robert De Niro’s presence in the room. This is just more of what we heard earlier about Meryl Streep, but this time it goes on for 40 seconds. Koy acts like a fan that ran into De Niro on the street, and as a viewer, his giddy excitement quickly becomes uncomfortable. I can only imagine how De Niro himself might have felt. 

After some elongated jokes about how “White people stole everything” and Barry Keoghan’s penis, we get more callouts to members of the audience. This segment begins to feel less like an award show with clever jokes and roasts, and more like Koy is playing a game of I Spy in which he tries to spot all of his favourite actors in the audience. 

Koy’s monologue painfully moves forward, and he continues to make quips after punchlines in an attempt to resuscitate his failed jokes. All the while, he keeps pausing to visually scan the audience, possibly in an attempt to locate any semblance of someone enjoying themselves. These pauses, mixed with Koy’s half-baked quips, come across as desperate.  

It was hard to not feel a bit sorry for Koy at this point in the monologue – being trapped on a stage with an audience who’s already decided they don’t like you, with three minutes remaining in your set must be a stressful feeling – but that doesn’t do anything to reduce the cringe factor. 

The remainder of the monologue is filled with Koy defending himself and continuing to idolise Meryl Streep. Since the first time was apparently not enough, he continues going on about his love for her and has her cross her arms in a joke about “Wakanda Forever.” If Koy’s first set of Meryl Streep jokes hadn’t flopped, this might have been a fun callback to earlier in the monologue, but instead, we’re just reminded of the nonstop barrage of cringe that Koy is subjecting us to. 

Finally, the monologue ends, and the audience can sigh in relief. 

Koy’s monologue wasn’t just a “bad speech,” it was an embarrassment to comedy as a whole. His poor jokes, incessant fanboying over his favourite actors, defensiveness when jokes flopped and reminders that he didn’t write his own jokes made for one of the most painful comedy sets of all time. 

If there’s anything we should take away from this year’s Golden Globes monologue, it’s that the host should probably have more than 10 days to put it together, and they should have more say over the jokes they tell onstage. Just ask Jo Koy: if he’s anything like he was at the Golden Globes, I’m sure he’d be happy to tell you all about it. 

The best second-hand shops in downtown St. Catharines

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Sick of sifting through racks of bland clothes at the thrift store in search of the perfect find? This list of perfectly curated second-hand stores is for you. 

Each shop in the following list is in or around downtown St. Catharines, making them easily accessible for Brock students looking for a new winter wardrobe. 

Out of the Past: 

Located at 340 St. Paul Street, Out of the Past is a colourful and quirky shop that has a diverse vintage collection. While the store’s main export is clothing, Out of the Past also sells jewellery, books, music and home décor. Known for its eccentric colour pallet and fun eclectic theme, Out of the Past is for the most fashionable friend. The store has a variety of hours this winter, open 11 a.m to 5 p.m Monday to Thursday, 11 a.m to 6 p.m on Friday, 10 a.m to 5 p.m on Saturday and 12 p.m to 5 p.m on Sunday. 

While the storefront isn’t open all the time, Out of the Past ships worldwide. Their products can be found on their website. More information about the store, their hours and the items they are selling can be found on their Instagram

Roly Poly Records & Vintage: 

Located at 314 St. Paul Street, Roly Poly Records & Vintage is a mixed bag of records, vintage ware, accessories and other eccentric objects. Unlike the other shops on this list, Roly Poly Records & Vintage has a diverse collection of records, ranging from 1940s big band to modern sounds such as The Weeknd and Taylor Swift. The store is open 11 a.m to 6 p.m Wednesday to Sunday and 12 a.m to 6 p.m on Monday. They are closed on Tuesdays. 

Roly Poly Records ships worldwide from their Instagram, where they also post pictures of their wares. 

Studio Shop: 

Located at 433 St. Paul Street, The Studio Shop hosts a curated selection of vintage fashion, jewellery, home décor and art from multiple local artists. Unlike other vintage shops, clothes don’t go there to die. The Studio Shop is constantly changing with the season, always bringing in new vintage items that are always on-trend. The store is open from 11 a.m to 6 p.m Thursday to Saturday and 11 a.m to 4 p.m on Sunday. 

The business is connected to the Niagara Artists Centre, which can also be found in downtown St. Catharines. More information about The Studio Shop and its mission can be found on their Instagram

Pink Bubblegum Vintage Boutique: 

Located at 148 St. Paul Street, Pink Bubblegum Vintage is one of the prettiest vintage stores in the Niagara Region. With most of its collection coming from the 50s, 60s and 70s, Pink Bubblegum Vintage sells clothing, jewellery and a variety of home goods that are all curated to create the store’s dreamy atmosphere. The store is open 11 a.m to 5 p.m Tuesday to Thursday and 12 p.m to 6 p.m on Friday and Saturday. The store is closed on Mondays and Sundays. 

With new items arriving every day, it would be difficult not to find something to like at Pink Bubblegum Vintage. More information about the store can be found on their Instagram

Grandma’s Basement: 

While it used to have a storefront on St. Paul Street, Grandma’s Basement moved completely online in 2022. But the thrift scene in downtown St. Catharines still holds Grandma’s Basement as one of their own, so it still has a place on this list. A unique shop with perfectly cultivated fashion finds, Grandma’s Basement holds semi-regular drops of clothes, shoes, accessories and home goods. 

The business thrives on upcycling, with the owner finding a variety of pieces from thrift stores all over and selling them. This method helps a low-key thrifter find some quality pieces without having to sift through the stacks for too long. 

More information about Grandma’s Basement can be found on their Instagram. Their latest drop is now live on their website

In a world of fast fashion, shopping second-hand is a great way to be sustainable and fiscally responsible all while looking super cool this new year.

Local art is blooming in downtown St. Catharines cafés

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Since the addition of the Performing Arts Centre, downtown St. Catharines has become a hub for local artists to meet, network and showcase their talents. A variety of cafés have provided spaces for these artists to find traction and share their art with the world. Here is a list of the top three cafés in downtown for creatives and coffee lovers alike. 

Mahtay Café & Lounge 

With a blast of cold air, the front door swings open and a tall man in a long coat saunters in. The guitar case on his back is covered in a multitude of vinyl stickers and he’s carrying a small amp in his left hand. He fits in perfectly with the café’s eclectic crowd. The floors are hard cement and upon further inspection, the walls, which originally appeared bare, are covered in a diverse profile of local art. Music pours out of another room and the smell of freshly brewed coffee permeates the air. 

Located at 241 St Paul St., Mahtay Café & Lounge is great for caffeine connoisseurs and creatives alike. 

A hub for the St. Catharines art scene, this coffee shop is a great place for local artisans to find traction within the community and showcase what they have been working on. Mahtay holds a variety of new and reoccurring events, most notably their Poetry Slams and Open Mic Nights. These events provide an opportunity for various types of creatives to showcase their talents. Known for its handcrafted beverages and array of inclusive food options, Mahtay Café & Lounge is the perfect place to unwind with a good book or shop for your home’s newest piece of art. 

More information about their hours, menu and upcoming events can be located on the café’s website or on their Instagram

The Brazen Café 

The walls are lined with antique mirrors. A teardrop-shaped chandelier drapes from the ceiling. Sun streams in from a window, making contact with the glass beads on the light fixture and scattering patterns of dancing illumination all across the café’s wooden floors. Stepping through the front door is like jumping backwards through time, leaving modernity. The Brazen Café, located at 19 King Street, is the closest you might ever get to finding yourself in a 1920s speakeasy… unless you are a time traveller, of course. 

Known for its delicious coffee as well as its menu of perfectly cultivated cocktails, The Brazen Café appears at first glance to be another unassuming little café. But that is hardly the case. During the week, it’s a great place to study. But on the weekends, it opens its doors to a variety of upcoming singers and songwriters, authors and other local artisans. An integral part of the art scene in downtown St. Catharines, The Brazen Café is a great place to kick back, relax and be introduced to the Niagara Region’s upcoming stars. 

More information about their hours, menu and upcoming events can be located on their website or on their Instagram

Fine Grind Café 

Nestled amongst various other restaurants and eateries sits a greenery-infused window display that stands out in the busy street. The wooden front door creaks as it swings open. Plants hang from the walls and sit interwoven between cabinets and splayed on top of bookshelves. The air inside the café smells of fresh soil and ground coffee beans. 

People putter around small wooden tables, chattering amongst themselves and working on laptops. They drink tea out of vintage cups. 

The Fine Grind Café, located at 37 James St., is the perfect place for a coffee lover who also fancies themselves having a green thumb. 

Known for its reasonable pricing and vast menu, this little café has a quaint sweetness to it that could attract just about anyone. Heavily involved in the art scene in the Niagara region, the Fine Grind Café hosts a variety of pop-up events, allowing local artisans to sell their wares and provide their services. A small but happy little gathering spot, the Fine Grind Café is one of downtown St. Catharines’ best-kept secrets.

More information on their hours, menu and upcoming events can be found on their Instagram.

Eliza McLamb displays the many facets of girlhood on her debut album

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Breaking back into the music scene after a year away, Eliza McLamb has captured the perfect picture of girlhood with her brand-new album. 

Going Through It, which came out on Jan. 19, is Eliza McLamb’s debut record. Known for her pandemic-era hits “Porn Star T*ts” (which has now been deleted from streaming services) and “Debt,” McLamb is making strides to shrug off the title of “TikTok musician” and cultivate a new image for herself. With the release of her first album, the singer is worried less about the number of streams and more about writing emotionally intelligent and heady tracks. 

“As we have become an increasingly infantilized society, entertained by lights that flash the brightest and narratives that conclude in under 30 seconds, I worry that we are making music for babies,” said McLamb. Gone are the days of deciding if a song is for you. Instead, musicians will tell you “this is a song for girls with abandonment issues,” or “this is a song for people with gifted kid burnout.” McLamb argues that no one has to investigate anymore, quickly “categoriz[ing] yourself, the song, your likelihood of enjoyment, and the opportunity to assess the entire piece in a matter of moments.” 

During the production of her new album, McLamb tried her best to avoid this. On her blog “Words from Eliza,” the singer wrote “the truth is that audiences are not babies and they resent being treated as such… the best artists hold a necessary tension with their audience whereby the artist maintains creative control and the fan is given a license to choose how to engage.” 

It’s clear that on her debut, McLamb has certainly achieved the tension she valorizes. 

Setting the stage for the rest of the album, “Glitter” is about both the beauty and the profound sadness that comes with growing through girlhood with a best friend. “Glitter” opens with a delicate piano melody which is underscored by the incessant strumming of one anxiety-inducing electric guitar chord. At the 35-second mark, the song launches into a more robust sound which is upheld by a clear and unfailing bass line which acts as a throughline for the rest of the track. 

As the song progresses, the sweet piano, which remains consistent throughout the entirety of the song, starts to feel out of place. Restless and agitated, “Glitter” pits the beauty of girlhood against the anxiety and uncertainty that is characteristic of getting older as a woman. 

The third track, “Mythologize Me,” is a carefully intertwined cross-examination of the different ways in which adolescent women ascertain the kind of person they are going to be when they grow up. Built around a steady, thumping bassline and a tumultuous guitar melody, the musicality of the track supports McLamb’s raspy vocals. “[Even] at its snarliest, it’s still pretty,” said Exclaim’s Megan LaPierre about the singer’s voice. “There’s something sublime about it, a romantic awe—like the Gothic literary archetype, it makes for the ultimate foil to the fear of death.” 

Lyrically, the track sounds like something a young Taylor Swift might’ve written if she’d read Judith Butler’s “Gender Trouble” during the Speak Now era. McLamb, tired of trying to figure out who she is on her own, turns to the boy in her backseat, hoping he will tell her exactly who to be. An introspective look at what makes the “perfect image of a girl”, “Mythologize Me” is an uncomfortable reminder of what our patriarchal society expects the final product of girlhood to be. 

“16” is an intense trauma dump that takes the form of Going Through It’s eerie sixth track. Quiet and distorted, McLamb’s vocals are almost lifeless as she unpacks a story of deep familial turmoil. Behind the twinkling sound of the ambient synthesizer lives a simple beat. Constant and unchanging, the beat induces the uneasy feeling associated with a clock ticking down to zero. 

“16” sounds like floating through space, completely alone and surrounded by a vast abyss of nothing. The track infects the listener with an inescapable feeling of emptiness, reminiscent of snakes slithering over skin, lulling the body into a comfortable state of numbness before strangling it to death. As the song progresses, McLamb descends further into complicity as she bears witness to the destruction of every single thing her parents had promised her. The ticking beat a constant reminder that time is passing, and her childhood is slipping away. 

Taking a turn for a brighter, breezier sound, “Anything You Want” asks the age-old question of whether it’s better to be truly known or remain a beautiful mystery forever. The song’s leading guitar rhythm is supported by a synth-distorted piano line that persists to the very end of the track, even when the rest of the instruments have given way to chaos. McLamb’s vocals are warm and tender, a stark contrast to the undeniable lifelessness in “16”. 

“Anything You Want” moves deftly between graceful beauty and screeching pandemonium before finally deciding that the answer to the question of being understood doesn’t matter. McLamb could sculpt herself into anything her partner wanted her to be and that would be better than anything she could be on her own, so why does it matter anyway? 

Concluding with the final single and the album’s 10th track, “Modern Woman” interrogates the contemporary woman’s identity crisis. With a pop-punk guitar sound and a snare-heavy rhythmic section, the singer dances between melodic vocalizations and guttural screaming. This jumble of sounds highlights the variety of different “women” McLamb is balancing inside of her head, each intermingling with one another as they wait for their time in the sun. 

“Modern Woman” lets the listener know that it’s okay not to know what kind of girl you want to be yet. Even McLamb doesn’t know, still influenced by social media personalities and the forcefully imposed feminine stereotypes created by patriarchal society. And in the meantime, McLamb insists it’s okay to become as many different women as you want to be. 

A clear distinction from other modern artists, McLamb and her debut album ask its listeners questions instead of simply giving them the answer. Examining the many different facets of being a woman, Going Through It knows girlhood intimately, in both its beauty and its horror.

Housing Accelerator Fund provides $25 million to St. Catharines

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St. Catharines has just received $25.7 million in an effort to combat the local housing crisis. 

St. Catharines MP Chris Bittle announced on Jan. 17 that the city was the latest of 22 municipalities to have received the Canada Mortgage and Housing Corporation’s (CMHC) Housing Accelerator Fund (HAF). 

The HAF is a $4 billion program that the CMHC describes as “encouraging initiatives that increase housing supply and promote the development of affordable, inclusive and diverse communities that are low-carbon and climate-resilient.” 

In St. Catharines, this money is projected to accelerate the construction of 700 homes in the next three years, and more than 12,000 homes over the next decade.

“This is fantastic news for the City of St. Catharines,” said Mayor Mat Siscoe. “The Housing Accelerator Fund is set to support the City in implementing a range of fresh initiatives aimed at boosting the approval of housing units, ensuring that more individuals have a place to call home.” 

According to Storeys, St. Catharines’ agreement for the HAF includes a commitment to seven local initiatives producing houses of differing forms and densities. 

It also includes the permission of four units as-of-right, meaning owners of these properties have the right to develop them as they see fit, so long as that development complies with all zoning regulations. 

Specific programs are planned to be created to “incentivize the construction of multi-family homes downtown and on transit corridors, provide infrastructure support to increase the number of residential builds, and speed up and digitize development and permit approvals.” 

The creation of a land enhancement office and a municipal development corporation are also included in the city’s agreement. 

“The reality is there’s not a city who signed a deal with us who hasn’t more or less ended exclusionary zoning in Canada. Cities should know that if you’re not willing to be amongst the most ambitious cities in the country when it comes to zoning reform permitting processes, you won’t be successful,” said Canada’s Housing Minister, Sean Fraser, at an Empire Club of Canada luncheon in Toronto. 

Exclusionary housing involves policies that prohibit affordable and social housing in low-density residential areas. Municipalities that have been accepted for the HAF, like St. Catharines, have been open to allowing high-density housing solutions in locations along transit routes and close to urban centres. 

“I want to thank the federal government for working collaboratively with municipalities to tackle the housing crisis,” said Siscoe. “Clearly, we are capable of conquering greater challenges when we all work together.” 

Hopefully, this move will be a step in the right direction for St. Catharines that allows the city and its residents to see substantial changes in the coming years. Brock students experiencing the full weight of the housing crisis may not see any immediate benefit, but it speaks to a more affordable future for young and prospective Brock students.

The Brock Outdoors Club hosts its first event; and looks toward a hopeful, exciting future for nature lovers

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Students can explore nature and new experiences with the recently founded Brock Outdoors Club. 

The Brock Outdoors Club may be new, being ratified in November 2023, but club president Bryn Smiley, vice-president Hudson Trask and treasurer Matt Hogan have monumental visions for its future. The club has already hosted its first event, a Bruce Trail Hike and Social at 10 a.m on Jan. 20. 

Despite the snow, which was untouched on some of the trails, the club trekked over four kilometres of the forest paths behind the school. The club planned two separate exit points for those who wanted to end early, but everybody completed the entire hike. The event was an absolute success. Smiley and a few others at the front of the pack even spotted a deer. 

Smiley, a second-year Recreation and Leisure Studies student specializing in Outdoor Recreation, was astounded that Brock didn’t have any outdoor clubs. He wanted to be able to do outdoor activities separate from those in his studies, with a group of people who wanted the same, leading to the creation of the club. 

The team noted how some people don’t have access to outdoor activities such as camping or canoeing, which they hope to do in the future. Sometimes these activities are too expensive for students to do independently, or they’ve simply never been introduced to them. The Brock Outdoors Club executives hope to share their passion for being outside with as many others as possible. 

Camping or backpacking can be challenging for a student to get into on their own. Buying all the necessary equipment – backpacks, tents, cooking supplies and more – is not always possible. The Brock Outdoors Club hopes to make activities like this more accessible. Partnering with the Outdoor Recreation faculty, for example, could provide club members with a more affordable way to achieve their dreams. 

For students with disabilities, some of the activities the Brock Outdoors Club has planned may not be easily realized. However, the executives want to accommodate as many people as they can. The club executives said that if anybody reaches out expressing an interest in participating, but who required specific accommodations, the club would plan certain events such as traversing a flatter trail or hosting an outdoor-themed movie night. 

Of course, not every event they run will be possible for every student. Exertion-heavy or difficult activities, like 20-kilometre hikes or rock climbing, are not suited for beginners. But the club isn’t going to surprise anyone: they’ll advertise if events require certain experience levels. For the most part, they’ll focus on events that aren’t too easy for those who want a challenge, and that aren’t too difficult for those simply looking to get outside with like-minded people. 

Having started later, the club is actively fundraising so they can host events beyond what’s local. Distance is a challenge, though. Closer locations, like Mono Cliffs Provincial Park, could provide the club with opportunities for day trips, but anything much further and the scope changes to overnight or even a few days long. 

While such a trip doesn’t currently seem feasible, Smiley hopes that within a year or two, the club could host a multi-day camping trip over the reading week. In the meantime, they’ll stick to local trails and events, which the Jan. 20 event proved can be just as fun and rewarding. 

Time spent outside is directly linked to positive mental health, something that the executives want to promote. Especially for students, stressors can pile up and make regular tasks seem monumental. The Brock Outdoors Club wants to create opportunities for students to relieve their stress by breathing fresh air and being active. 

With such a vast collection of trails to be explored in Brock’s backyard, and even more in St. Catharines and across the Niagara region, it makes perfect sense that a group of like-minded individuals should be the ones to explore them. 

The Brock Outdoors Club will be a welcome addition to the school community, acting as a guide to local, regional, and even provincial natural sites. For more information on the Brock Outdoors Club or to give recommendations on upcoming events, students can visit their ExperienceBU and Instagram pages or email them at brocku.outdoorsclub@gmail.com.

Looking back on Pascal Siakam’s memorable tenure in Toronto after being traded to the Pacers

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On Jan. 17th, Pascal Siakam was traded to the Indiana Pacers in exchange for Bruce Brown, Jordan Nwora, Kira Lewis Jr. and three first-round picks, but his legacy in Toronto and impact on the community will be cherished for many years to come. 

Siakam was drafted by the Raptors with the 27th overall pick in the 2016 NBA Draft after playing two seasons in college basketball with New Mexico State. But, when Siakam’s name was called on draft night, it surprised everyone at the Barclays Center – except for the Raptors’ front office who believed in the Cameroonian from the start. 

“We trust him,” said assistant general manager Dan Tolzman. “He brings what we want. The energy, his length, it would be good for what we need. So, we pulled the trigger.” 

Siakam’s energy and length was exactly what he brought to the organization during his seven-and-a-half seasons in Toronto. 

In his first professional season, Siakam led the Raptors 905 of the NBA D-League, now called the G-League, to the D-League title while also earning Finals MVP. 

That impressive rookie campaign kickstarted what has been a memorable journey with the big club. 

Siakam began catching the eyes of many in the NBA community during the 2018-19 season. Paired with Kawhi Leonard and Kyle Lowry, Siakam slotted in beautifully as the third option, earning the NBA’s Most Improved Player award that season given he averaged 16.9 points per game, 6.9 rebounds per game and shot 54.9 per cent – a dramatic increase from his 7.3 points per game, 4.5 rebounds per game and 50.8 shooting percentage the season prior. 

Not stopping there, Siakam continued to soar as the season progressed, taking his skills up a notch when it mattered most: playoff time. 

In the 2019 playoffs, Siakam averaged 19 points per game and 7.1 rebounds per game while starting all 24 playoff games that year.

In his playoff debut, Siakam nearly got a double-double, scoring 24 points – his first of 11 20-point games that postseason – and grabbed nine rebounds. 

But Siakam’s most memorable playoff moment came in game six of the NBA Finals. 

With the Raptors up one, Siakam hit a clutch floater over the head of Draymond Green to give the Raptors the three-point lead with half a minute left, and the rest is history. 

The Raptors went on to dethrone the Golden State Warriors and claim the franchise’s first NBA Championship – and Siakam had a large part in accomplishing that. 

While the same playoff success has been lacking since the championship season, Siakam has put together very impressive regular seasons. 

In 2019-20, Siakam was named an all-star for the first time while also earning his first of two All-NBA selections. Siakam was selected to the All-NBA Second-Team before being selected to the All-NBA Third-Team in 2021-22, tying Vince Carter and Demar DeRozan for the most All-NBA Selections in franchise history. 

In 2022-23 Siakam added another all-star selection to his list of accolades as he averaged career-highs in points per game (24.2) and assists per game (5.8) while securing 7.8 rebounds per game. 

The two-time NBA All-Star leaves the Raptors ranking amongst the top in nearly every statistical category. He ranks fifth in Raptors franchise history in points with 8,875; third in rebounds with 3,324; fifth in assists with 1,846 and fifth in games played with 510 games total. 

However, his legacy extends far beyond the basketball court. 

Off the court, PS43 – Siakam’s foundation – has made an impact on the lives of children across the city, including regular visits to Toronto’s Holland Bloorview Kids Rehabilitation Hospital. Through his foundation, kids are taught financial literacy, sports and life skills aimed at empowering youth to “Dream Big.”

“[Toronto is] where my PS43 Foundation is and will continue to be. Man, I’m so excited to continue that work,” wrote Siakam in his post-trade article in The Players’ Tribune. Even though Siakam is no longer in Toronto, his legacy and impact will continue to positively change the lives of many in the community. Siakam will make his highly anticipated return to Toronto when the Raptors host the Indiana Pacers on Feb. 14th. 

For more information on the NBA, head to nba.com.

Badgers’ men’s volleyball team split weekend series in Windsor

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The Brock Badgers’ men’s volleyball team split their weekend set against the Windsor Lancers, losing the opening game in a five-set thriller before getting revenge the following day, winning 3-1. 

Game 1: L 3-2 (25-18, 23-25, 21-25, 27-25, 13-15) 

The weekend opener got off to a hot start for the Badgers, as they got the first set lead early and never looked back. 

Brock’s three opening points were courtesy of Windsor’s attacking errors, as the Lancers committed 10 attacking errors in the set – the most by either team in any set all weekend – leading to a 6-2 advantage before the Badgers stretched that to a 25-18 opening set win. 

However, set two was a different story as the Lancers cleaned up their sloppy first set mistakes, staying neck-and-neck with the Badgers throughout the set. Windsor gained separation when Darian Koskie hit two of the Lancers’ 13 second set kills in quick succession, including one on set point, edging out the Badgers 25-23 to level the game at one set apiece. 

In the third and fourth sets, kills were once again the theme as both teams hit extremely well. The Lancers hit 14 kills in the third compared to the Badgers’ 12, with each team only making five attacking errors. 

Windsor pulled away with the third after going on a 5-0 run midway through the set, extending their lead from 15-14 to 20-14. The Badgers clawed back but the Lancers regained control of the set late to win 25-21 and go up 2-1. 

In the fourth, Kersey Robinson smashed three straight kills – three of Brock’s 17 fourth set kills – to give the Badgers the lead, but the Lancers responded, securing six of the next seven points to go up 19-16. 

Fortunately for the Badgers, the Lancers committed attacking errors on the next three points levelling the set at 19. 

With the Badgers on the verge of defeat facing match point, Robinson hit his fourth kill of the set before Jacob Ferland and Grant Reddon added kills of their own to tie the set at 24. 

Windsor quickly regained the lead as they forced their second match point, but a pair of Devin Cooney kills – two of his team-high 16 – swiftly erased the deficit, leading the Badgers to a dramatic 27-25 set four win to force a fifth and deciding set. 

In the fifth, nerves got the best of both teams as both Brock and Windsor struggled to capitalize on attacking opportunities. The teams combined for seven attacking errors in the set, four for Brock and three for Windsor, as they both hit below .200 per cent in the set. The Badgers’ errors were extremely costly as their 12-8 lead was quickly nullified after errors gave the Lancers the advantage. Windsor maximized on Brock’s miscues leading them to the 15-13 set win to take the match 3-2. 

Game 2: W 3-1 (25-22, 25-23, 18-25, 25-17) 

Eager to avenge their heart-breaking loss, the Badgers, like they’ve done all season, showed their resilience through their fight and hustle right from the onset of game two. 

In the first set, the Badgers had a balanced attack as five of the seven Badgers registered a kill, as Brock recorded 16 kills in the set leading to the 25-22 set victory. 

In the second, the teams traded points as neither team held a lead larger than two points until the tail-end of the set, which was when the Badgers capitalized. Cooney came up clutch with two of his 16 kills in the match, one down 23-22 and one on set point, to win the set 25-23 and give the Badgers the stranglehold of the match. 

However, the Lancers, who were in desperation mode, showed their own resilience in the third by winning points in bunches. 

After being down early in the third set, the Lancers managed to string together four straight points to take the lead 6-3. Windsor then had another four-point stretch midway through the set allowing them to re-take the lead, 14-10, as they remained on the front foot, winning 25-18. 

The Lancers carried that positive momentum into the fourth until Brock’s KJ Robinson smashed a kill with the Badgers down 11-9, which seemingly shifted the tide completely. The Badgers went on a 16-5 run to close the set, winning the fourth 25-17 and taking game two in Windsor 3-1. Next up for the Badgers (11-3) is a pair of home games next weekend against the Western Mustangs (9-3). For more information on the Brock Badgers men’s volleyball team, head to gobadgers.ca.

Orquídeas by Kali Uchis: Album Review

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Rating: 5/5 

Kali Uchis’ take on it-girl pop music on Orquídeas moves through an ever-expanding catalogue of music genres that advance her status as an idol in Latin music and popular culture. 

Orquídeas, released on Jan. 12, is the fourth LP installment in her discography, and the second to be recorded in Spanish. The album’s title, Orquídeas (Orchids) was carefully selected by the Colombian singer-songwriter to represent the mystical and seductive elements that permeate the album, all while embracing Colombian heritage. 

“The orchid is the national flower of Colombia, and we have more species of orchid than anywhere on earth. I always felt distinctly intrigued and magnetized by the flower. This album is inspired by the timeless, eerie, mystic, striking, graceful and sensual allure of the orchid. With this vast scope of fresh energy, I wish to re-define the way we look at Latinas in music,” said Uchis in a Pitchfork interview. 

The entirety of Orquídeas feels like an authentic and seamless integration of genres syncing in unison to push Uchis’ discography to new heights. “¿Cómo Así?” opens the album as a sultry pop-house experience tasked with highlighting Uchis’ ability to charm and make others wrapped around her finger. 

Moving further down the track list, songs like “Igual Que Un Angel (with Peso Pluma)” pick up a slightly dreamier soulful disco-inspired pop beat, with collaborator Peso Pluma adapting to Uchis’ dreamy singing style and departing from his usual trap-corrido style. In the addition of various unique genres to paint the mosaic of sound in Orquídeas, Uchis drew from traditional Colombian genres like Bolero in “Te Mata” and oldie merengue in “Dame Beso // Muévete”. 

As the song progresses, the album’s latter half transforms into a high-energy take on old-school and modern reggaeton. Out of the bunch, “Muñekita” plays tribute to the kind of reggaeton that many Latinos grew up with, yet, spinning the narrative into an empowered baddie anthem. The song also benefits greatly from the collaborators that Uchis selected in terms of variety in sound and charm in lyrics, as El Alfa and JT from City Girls effortlessly add a flare to “Muñekita”.

Another instance of reggaeton perfection in the album was Uchis’ collaboration with Colombian singer, KAROL G in “Labios Mordidos”. Though the song takes a more modern approach to reggaeton, it perfectly merges the sound and style of both artists, while introducing a sapphic theme in the album. Interestingly, Kali Uchis and KAROL G both wanted the song to be in their albums, but Uchis convinced KAROL G that the song was meant to be in Orquídeas. Kali Uchis’ artistic vision and growth are undeniable in Orquídeas. 

The album proves itself as a melting pot of genres and styles, all masterfully fitted to Uchis’ style and dreamy vocal range. Every second of sound throughout the album sounds intentionally crafted, and it always succeeds in showing love for traditional Latin genres and themes.

Brock’s men’s hockey team remains top-ten in the nation after two more wins

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Brock’s men’s hockey team continued their excellent run this season, tacking on two more wins this past week. Brock has now won five straight since their four-game losing streak spanning from November to January. 

The Badgers first locked horns with the Western Mustangs on Jan. 18th at home.

Brock found themselves behind the eight-ball early with team scoring leader Jacob Roach incurring a tripping penalty 1:54 into the match. However, Roach redeemed himself in prime fashion, slamming the go-ahead goal behind the Western goalie off a Tyler Burnie pass for Roach’s 16th of the year. 

Brock fired 13 shots on goal in the first period and, now holding the upper hand, they brought that same energy into a frenetic second period. 

Brock again scored early in the second period, this time on a net-front scrum that landed on the stick of AJ Cook. Jared Marino dangled around the Western defenders to create the initial chance, netting him his 15th assist of the season.

Following the goal, both squads began a parade to the penalty box, taking eight penalties in the period, including a ten-minute game misconduct given to Ryan Thompson. Despite the wealth of powerplay opportunities, neither side found the back of the net again in the second. 

The third continued in much the same way. Both sides took a number of penalties (Brock finished with 10 and Western with seven), but neither ended up with much to write home about. With three minutes left in the game, the Badgers finally broke through for the game’s first powerplay goal, a one-timer courtesy of Marino, assisted by Roach and Zach Taylor. 

Marino’s goal stood as the final one in the contest, delivering the Badgers a 3-0 victory. Two days later on Jan. 20th, the Badgers stayed home to play the Waterloo Warriors. Brock’s Ryan Stepien opened the scoring just over eight minutes in, but Waterloo wouldn’t be counted out, scoring a goal of their own a minute later, setting up what would be a frantic first period. 

Three minutes after the Warriors’ goal, forward Justin Kyle secured his first goal of the season, assisted by Jordan Stock and Ethan Sims. Four minutes later, Waterloo again tied the game at two. 

Brock poured on the offence in the second period, generating a ton of shots on net. Rewarded for their dedication, the Badgers added two goals in the second, first from Burnie eight minutes in, and a second from Cole Tymkin four minutes after that. Just one minute after that though, Waterloo trimmed Brock’s lead to one, setting the score at 4-3. 

For all the scoring in the first two periods, both teams’ offences dried up in the third. With Brock unable to extend their lead and Waterloo failing to close the gap, the Warriors were forced to pull their goalie late in the game. Despite having the goalie pulled for a full two minutes, neither team could capitalize. Thanks to a scoreless second period, Brock walked away with a 4-3 victory, their 19th of the year. 

Thanks to the win against the Warriors, the Badgers remain undefeated at home, boasting a 13-0 record at Canada Games Park. Nationally, Brock remains ranked ninth in Canada, though they are likely to rise in the next update. Despite their ranking, there are only three teams in U Sports with a better record, University of British Columbia (20-4-0), Calgary University (19-4-1) and University of New Brunswick (24-0-0). 

With two assists against Waterloo and a goal and an assist against Western, Jacob Roach is also climbing national rankings, in this case, in points; Roach’s 38 points are tied for third in U Sports while in goals he’s tied for seventh. 

Tyler Burnie is also continuing an impressive season with a goal and three points over the past week. Burnie is 12th in U Sports in points and goals. With two more under his belt, Badger goalie Connor Ungar also now leads U Sports with 18 wins, in addition to being fifth in save percentage and 11th in goals against average. The Badgers have only one game next week: a Saturday game against University of Windsor on Jan. 27th. For more information, visit gobadgers.ca.

The Game Boys predict Nintendo’s next console

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By: Christian Roethling & Andrew Hawlitzky 

With rumours of Nintendo’s next console on the horizon, there have been plenty of discussions on what might be next for the company. As The Brock Press’ two resident Nintendo fans, what do The Game Boys predict for the future of the Japanese giant’s console business? 

Christian—

If you ask me, the answer to this question is all too obvious: Nintendo’s next console is going to be a successor to the highly popular Nintendo Switch. I realize that this isn’t the most exciting answer, and it’s what most people already seem to predict. There’s a reason, though, why this theory is so widely accepted: simply put, it just makes the most sense. 

It goes without saying that the Switch has been a massive success for Nintendo, selling over 132 million units as of Sept. 30, 2023. The hybrid concept has clearly resonated with many consumers, and Nintendo would be foolish to abandon this idea with their next console.  

The hybrid model of the Switch might be a console “gimmick” in the same way as the Wii’s motion controls or the 3DS’ glasses-free 3D, but the difference is that the Switch’s hybrid gimmick is timeless and doesn’t really feel like a gimmick. While motion controls and glasses-free 3D are fun to play around with for a while, after some time passes, they mostly serve as basic gameplay additions rather than gaming revolutions.  Hybrid gaming, on the other hand, makes gaming feel much more free, untethering gamers from the living room couch but also allowing handheld experiences to be played on a big TV screen. Hybrid gaming might be a gimmick at its core, but it’s a revolutionary gimmick that unlocks tons of gaming freedom. Nintendo is aware of this, and they’re not going to take that freedom away in their next console. 

I think it’s safe to predict that the Switch 2 – or Super Switch, Switch Advance, Switch U (okay, that one was a joke) or whatever else they end up calling it – will be fairly simple in concept, but it will do exactly what it needs to: it’ll be a Switch that’s significantly more powerful than its predecessor. While the original Switch is amazing in concept, it’s quite lacking in the technical department compared to its competitors, leading to graphical compromises and several high-profile third-party games skipping the platform. 

A more powerful Switch would allow developers more freedom to create their games, and they wouldn’t have to make as many compromises just to get a game running on the hardware. Forbes recently reported that The Legend of Zelda: Tears of the Kingdom, one of the Switch’s biggest releases of 2023, “runs rough” on the hardware and said it’s a “miracle this game runs on Switch at all.” While the game is certainly incredible, more powerful hardware would have allowed developers to achieve better performance in the title and perhaps implement even more features with ease. 

So, that’s my prediction for Nintendo’s next console, which I am confident will be released by the end of the year. This may not be the most exciting or creative prediction, but it’s the most realistic one, and it’s what I think Nintendo fans should expect as we move further into 2024.

Andrew— 

The Switch 2 has become much like the Half-Life 3 of video game consoles: it will never and can never happen, yet such a sentiment burns the ears of their retrospective fanbases. Despite all the wait and hype, there are very clear reasons why the Switch 2 is not coming. 

With the release of the Steam Deck only two years ago, the hardware present in handheld consoles has not advanced to such an extent as to warrant a new generation. Until there is a serious hardware upgrade to what technology can fit inside a handheld console, a Switch 2 from Nintendo would not meet the standards for a new generation of gaming. 

That said, I think the time for a revision to Nintendo’s Switch brand is on its way. A console with an HD-resolution screen, with explicit handheld gaming in mind, is exactly what Nintendo needs to continue its brand on handheld console gaming. I speak, of course, about the legendary Switch Pro: a console that has pilfered the trending section of X (formally Twitter) for years.  

A new revision to Nintendo’s most successful handheld console would only make sense if it were released alongside a true home console. 

Now is the perfect time for Nintendo to launch their first true home console since the Wii U (unless you count the Super NES Classic Edition). A home console would have the necessary power and graphical capabilities to launch Nintendo IPs into the modern age. Cross-platform titles could also find a secure place on a home console without the need for significant graphical compromises or cloud servers that prevent you from truly owning the games you pay for. 

Though it is true Nintendo has adopted a Blue Ocean strategy to their company since 2006, which typically makes competition irrelevant to their business practices and has led to Nintendo underpowering their consoles, that does not negate the company from making future graphical innovations to their product line to a degree equal to their rivals.  

The illusive Switch Pro should still remain a hybrid console with docking capabilities for gamers who enjoy home console Nintendo gaming on a budget, but like the OLED Switch, the Switch Pro should be marketed primarily for handheld gaming. 

Returning to a two-console model similar to the Wii/DS era would be the best option for Nintendo right now to get the most out of both a home console and handheld release.  

I think it is quite probable we see the Switch-exclusive era from Nintendo be followed up by the unnamed home console/Switch Pro era sometime this year.  

The physical releases of both consoles would remain as cartridges for easy cross-platform gaming. In all likelihood, all past and future Switch games would be compatible with the Nintendo home console for smooth framerates and HD (or even 4K) graphics. However, there would also be home console-exclusive digital and physical releases for games that require the graphical intensity and/or storage space that a home console can provide. 

Though my love of hybrid console gaming knows no bounds, the technological limitations are currently too steep in the modern gaming ecosphere for me to humour the idea of a next-generation Switch 2 releasing on its lonesome.  

As the original Switch nears its seventh anniversary since its release, I look forward with great pragmatism to the next line of Nintendo consoles.  

… 

Though our predictions may differ, the hype for Nintendo’s next generation of gaming has never been stronger. The Game Boys are hopeful that this year will be a turning point in Nintendo’s gaming lineup and impatiently await their next announcement. 

Snow is good, and we need to stop pretending it isn’t

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Snow is good, and no amount of cynicism will ever change that. 

As I became an adult, I watched friends who would once frolic around in the snow slowly transform into bitter complainers who detest any sort of snowy sight. The joyful moment of every student in my elementary school class excitedly running to the window on the day of the season’s first snowfall now exists only in my memory. Since then, that memory has been replaced by a faint communal grumbling sound as my university classmates reach for their car keys before taking a snowy drive home. 

As someone who never lost their wintry joy, observing this collective regression into winter-bashing is certainly painful to see, but it’s not surprising. As reported by CNN, a 2010 poll from Nestle reveals that people often grow tired of snow as they get older, with “those older than 35 [being] 58 percent less likely to look forward to snow days as much as they did when they were younger.” 

Snow does indeed come with downsides, especially once driving comes into the picture. Snowfall comes with many driving hindrances, including a greater risk of accidents, increased stress and anxiety for drivers, and the potential for delays on the road. 

These are all genuine concerns that shouldn’t be invalidated. It’s entirely understandable to dread driving on a snowy day, and it would be silly to argue otherwise. The point here is that there are other defining factors of snow, and basing your entire opinion of snow around the driving situation fails to take into consideration its many benefits. 

Many of the snow’s benefits can be found while interacting with it. Building snowmen, having snowball fights, making snow angels, crafting snow cones and making snow forts are just a few examples of fun ways to interact with the wintry weather. Snow doesn’t have to be considered negative just because it’s cold and wet; rather, snow should be considered an endless array of fun-making opportunities that fall from the clouds that just so happen to be cold and wet. 

Of course, these are all acts that are commonly associated with children, but other than potential societal expectations, there’s no reason why adults shouldn’t be able to freely frolic in the snow. It’s not considered “weird” for adults to go outside and run around a field kicking a soccer ball around, so it doesn’t make any sense to judge them for having a snowball fight. 

Perhaps this negativity towards snow simply comes from an individual’s natural decrease in childlike wonder over time, but this adult cynicism hardly seems like a reason to ignore all the joyful moments that snow can continue to create. 

Even for those who still don’t want to play in the snow, its beauty shouldn’t be forgotten. It’s worth appreciating the feeling when intricate, unique snowflakes begin to descend from the sky, and it’s even better when it covers the landscape in a fluffy, shiny, white blanket. This might be a great opportunity to open the blinds and enjoy a hot drink and a book while appreciating the beauty of the snow outside your window. While snow comes with its downsides, there is still so much to appreciate about it. Rather than observing a snowy day with cynicism, focus on the joy and beauty it creates. Children might have the greatest feelings of magic when snow begins to fall, but there’s no reason why adults should stop themselves from running to the window on the day of the first snowfall, too. 

The snow may be cold and bitter, but don’t allow that to spread to your heart.

“You have to take the belt from the champion”: Dana White disagrees with Strickland v. Du Plessis decision

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For the first time in five years, UFC was back in Toronto and it was a week to remember. From the Wednesday media day to the last fight on Saturday, the week was filled with everything from non-stop quotes to great fights in the octagon. 

The main event was Sean Strickland v. Dricus Du Plessis. Strickland, the UFC’s anti-hero, set to defend the middleweight belt for the first time against Du Plessis who is the no. 2 contender, being a formidable opponent with great knockout power Du Plessis. 

In the month leading up to the fight, Strickland and Du Plessis had a few brutal verbal exchanges, with Du Plessis taking shots at Strickland’s hard childhood. The verbal exchanges led to a physical encounter in the crowd at UFC 298 where both are seen boasting on camera before Strickland jumps over two rows of chairs and starts punching Du Plessis. The physical encounter only lasted a few seconds before it was quickly broken up by their peers.

Despite the verbal and physical exchanges between the two, they buried the hatchet heading into fight week and were quite respectful towards each other. “We were being respectful towards each other… I do respect [Strickland] a lot but I am not going to let you bully me,” said Du Plessis during his media availability on Jan. 17 when referring to the banter leading up to fight week. 

“Dricus likes to fight and he is a hell of a fighter… It was never personal,” said Strickland at the pre-fight press conference on Jan. 18. The two were even seen on “UFC Embedded” having a civil conversation in the lobby of their hotel; both fighters were focused on Saturday night and no longer felt the need to play the mental games. 

The fight played out exactly as all fans hoped and expected. Both Strickland and Du Plessis exchanged blows in the middle of the ring for much of the fight. Strickland got the better of Du Plessis in round one with a couple of jabs that ended up swelling Du Plessis’s eye shut. Despite fighting with just one eye, Du Plessis was able to gain some momentum in the second round and land some devastating blows to the left side of Strickland’s face resulting in a brutal cut and a lot of bleeding, which eventually hindered Strickland’s vision. Du Plessis carried the momentum from round two to rounds three and four landing more significant strikes and utilizing takedowns to disrupt Strickland’s flow. 

But the Champion was not just going to roll over and die. Strickland, regarded as the best boxer in the UFC, utilized his jab and right hooks to punish Du Plessis throughout round five until the final horn. After five rounds, the judges scored the fight as a split decision in the favour of Dricus Du Plessis crowning him the new Middle Weight Champion of the world. 

However, in a post-fight press conference, President of the UFC, Dana White explained that he thought Strickland won the fight. “I had it 2-2 going into the last round and I thought Strickland won the last round… I believe you have to take it from the champion”. 

When Du Plessis was told that Dana scored the fight in Strickland’s favour, he was not too happy. “Well b******t,” said Du Plessis with a snarl in his voice. When asked about potentially headlining UFC 300, Du Plessis was all for it, saying “I don’t want to put a timer on it, but UFC 300 sounds amazing.” 

With that statement and an expected announcement from Dana this week, will Du Plessis finally get his long-awaited date in the octagon with former champion Israel Adesenya? 

For more information on UFC 297, visit UFC.com, where you can find all stats, highlights and scorecards.

Tough battles end in losses: Brock Men’s Basketball team falls against York, Ontario Tech

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In a match on Jan.19, the Brock men’s basketball team faced a tough challenge against the York Lions. Despite a great effort, the Badgers ultimately succumbed to the Lions with a final score of 95-89. 

Fifth-year guard Jevon Brown emerged as a shining star for the Badgers, showcasing his skills with an impressive stat line of 23 points, seven rebounds and an assist. Brown’s performance demonstrated his experience and leadership on the court, providing hope for the team. 

Fourth-year forward Jordan Tchuente and fourth-year guard Kevaughn Ellis also made significant contributions, finishing with double-digit points. Tchuente recorded 16 points, along with nine rebounds, while Ellis added 11 points. 

The first quarter set the tone for a closely contested match, with both teams exchanging baskets and struggling to establish a definitive lead. After 10 minutes of intense play, Brock held a slim 20-19 lead, setting the stage for a highly competitive game. 

The second quarter witnessed a momentum shift in favour of the Lions, as they managed to build an early lead. Despite York’s attempts to pull away, Tchuente and Brown’s combined efforts kept the Badgers in contention. However, a late 11-2 run by the Lions left Brock trailing 55-41 at halftime. 

The third quarter saw York extending their lead with a fast-break three-pointer, leaving the Badgers struggling to find their shooting rhythm. Although Brock fought back, the Lions maintained control and entered the final quarter with an 83-70 lead. 

To start the fourth quarter, the Badgers came out with renewed energy, fueled by a deep jumper from Ellis that cut the lead to as close as nine points. A late surge, including key baskets from Marlon Lestin and Tchuente, brought the Badgers within striking distance. Nevertheless, the Lions managed to secure the victory, capitalizing on free throws in the closing minutes. 

The game’s stat line shows the Badgers shooting struggle throughout all four quarters. The Badgers shot 40.3 per cent from the field, 28.6 per cent from beyond the arc and 70.0 per cent from the free-throw line. The Lions, on the other hand, boasted a shooting percentage of 51.6 per cent, with 43.8 per cent accuracy from three-point range and a 62.5 per cent success rate from the free-throw line. 

While the Brock Badgers may have fallen short in this matchup, the display of talent and determination were key takeaways heading into the game against Ontario Tech the following night. 

But for the Badgers, another close game slipped through their fingertips losing 72-70 even with a last-minute push from Tcheaunte and McKenna. Brock now sits just below .500 with a 7-8 record. They will look to bounce back in Thunder Bay as they face off in a back-to-back with Lakehead University on Jan. 26 and 27. 

For more information on the Brock men’s basketball team, visit gobadgers.ca.

Women’s hockey: Badgers finish weekend with 2-1 win over Lancers

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The Brock Badgers women’s hockey team faced a narrow defeat against the Ontario Tech Ridgebacks on Jan.19, extending their losing streak to three games. The Ridgebacks secured a 3-2 victory in a game that showcased competitive play from both sides. 

The Badgers kicked off the scoring with Camie Matteau Rushbrook’s first goal of the season just 33 seconds into the first period. However, Ontario Tech quickly responded with Kayla Welk tying the score at 1-1. While Alyssa Denney gave the Ridgebacks the lead in the second period, Randyll Strongman’s shorthanded goal levelled the game at 2-2. Julianne Davidson’s late second-period goal secured the win for Ontario Tech. 

Brock’s penalty kill held strong in the final period, stopping the Ridgebacks’ power plays. Despite controlling the play and generating chances, the Badgers couldn’t find the equalizer. Goaltender Kenzie Harmison made 28 saves, keeping the Badgers in contention. 

While both teams had opportunities on the power play, none were converted. The game was marked by Rushbrook and Strongman’s scoring efforts for Brock and Welk, Denney, and Davidson finding the net for Ontario Tech. 

The outcome may not have favoured the Badgers, but their competitive performance set the stage for their Saturday night contest against the University of Windsor. 

The Badgers did not fare well in their last game against Windsor, losing 5-1 at home back on Oct. 27, 2023. Looking to tie the season series the Badgers came out strong, outplaying the Lancers in the first period. The score remained zero through 39 minutes of play. It was a late powerplay goal in the dying moments of the second period that opened the scoring. A Robataille shot from the point was tipped past the goaltender by Cronkwright, giving the Badgers a 1-0 lead heading into the third period. 

In the final frame, the Lancers looked like a different team, dominating out of the gate. It took them just under seven minutes to tie the game at 1-1 with a goal from Jaden Cherry. Despite back-and-forth action, neither team would find the game-winner by the end of 60 minutes, pushing the Badgers to their third overtime of the season. 

With 4:27 left to go in the overtime Duarte was tripped up cutting to the net, leading to a four-on-three powerplay for the Badgers. After sustaining pressure in the Lancers zone to start the powerplay, a cross-crease chance for the Badgers led to a scramble in front and a Lancer player closing her hand on the puck in the crease, resulting in a penalty shot for Brock. 

Jenna Duarte made no mistake on the penalty shot, leading to a 2-1 Badgers victory to end the three-game losing streak. 

Brock women’s hockey team plays two road games on Jan. 26 and 27 against TMU and Nipissing. Both games can be streamed on OUA.tv. For more information on the team visit gobadgers.ca.

“May December” depicts the harrowing consequences of twisted truths

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Overall rating: 4.5/5 

The latest film by Todd Haynes uses a biting wit to observe tabloid culture. 

Two decades after 36-year-old Gracie Atherton (Julianne Moore) was caught sexually assaulting 14-year-old Joe Yoo (Charles Melton), the pair have married and started a family. In preparation for a film about this scandal, they are visited by actress Elizabeth Berry (Natalie Portman) who is set to play Gracie in the film. 

The film is loosely based on a similar scandal where 34-year-old teacher Mary Kay Letourneau had an affair with her sixth-grade student Vili Fualaau, whom she later married and started a family with. 

One of May December’s defining traits are its elusive subtleties. Its characters and setting appear sugar-coated, as if everyone in Gracie and Joe’s life is avoiding the sinister nature of their relationship. Moore and Portman’s acting expertise is on overdrive during their interactions. Every scene with the two of them fixed on dissecting one another makes your skin crawl with awkwardness.

And yet, beyond the facade of “true love” that Gracie consistently enforces on Joe and the life they have built, it’s obvious to the audience that what she has done is wrong. Her melodramatic antics and manipulation leave the audience helpless to watch Joe break down and question his relationship with her. 

May December is a vicious unravelling of their motivations. In turn, this prompts us to reflect on what our own approach to this story would be. 

Portman’s performance as Elizabeth is icy and impenetrable. Her motivations are never made clear, but there is an implied line that she crosses from a place of righteousness to morbid fascination and indulgence. 

While Moore and Portman’s performances are worthy of their own reviews, Charles Melton is the film’s quiet showstopper. Throughout the film, there is a grandiose campiness at the forefront of every twist and turn. Dramatic piano motifs will appear in unexpected moments to sensationalize the story and distract from the hidden tragedy of Melton’s character. 

There is a deliberate impression that the film is trying to direct its attention towards Gracie and Elizabeth, with the story trying to analyze Gracie as the primary character in the movie. This leads to the quiet moments spent with Joe like releasing newly hatched butterflies to feel like the few fleeting moments of freedom from this nightmare. 

The cautionary aspect behind this serves as a building block to the film’s observation of twisted narratives. Elizabeth continuously studies Gracie, directing her entire attention and fascination towards the depraved acts she committed. With a relatively understated but nonetheless refined appearance, Portman brings Elizabeth’s character to life with nothing but her energy and presence. It’s safe to say this performance is a career-best for Portman; she’s an actor at the top of her game portraying a character of the same expertise. 

Melton’s performance is significantly less dramatic and eye-catching than Moore’s or Portman’s, but this is precisely where Melton’s power lies. It’s gut-wrenching to watch him process trauma while his innocence and freedom are stripped all over again. 

Ultimately, this is what May December knocks out of the park. The constant push and pull between who tells the story is seemingly a struggle between everyone but the person most impacted by it. This conclusion leaves audiences with material for reflection and an incentive to return to this film again, a hallmark of an effective commentary film.

The Vertigo Music Festival brings live music back to campus this winter

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It’s not too late to prepare for this music festival at Brock. 

If you’re looking for a “non-stop rollercoaster of emotions,” the Vertigo Music Festival debuts at Isaac’s Bar and Grill on Saturday, Feb. 10 at 5 p.m. 

The event will showcase Niagara-based bands and artists on two stages. On Isaac’s mainstage, most bands will be sounding similar to punk and hardcore music, including the headlining act Single Mothers. In the VIP Lounge, performing acts will include more singer-songwriter and acoustic music. 

Despite being primarily targeted at punk and alt-rock fans, the festival’s lineup prides itself on showcasing a diverse assortment of artists to cater to different tastes and energy levels. 

The event is being organized by Kirk Danuco, a local musician and Brock alumni. Since COVID-19, there’s been a large disconnect between Brock’s student body and local live music: 

“After COVID-19, we haven’t seen many live-music events at Brock. Even during my time at Brock I felt I didn’t know about many student musicians, other than those in the GoLive club which is no longer around,” said Danuco. 

In previous years, Isaac’s has hosted various bands and artists, including current Canadian rock frontrunners Alvvays and X-Ambassadors. Nonetheless, a festival event with an extensive lineup is uncommon to see at Brock these days. 

Part of the reason behind Isaac’s being selected as the venue is to make live music accessible to students on or around campus in hopes of introducing newcomers to the local scene. 

“I chose Isaac’s as the venue to help bring some connection between Brock and the downtown music scene, as well as Niagara at-large. 

“Being able to attend these live events is a great way for [students] to support local artists and discover different music scenes in Niagara,” said Danuco. 

Students curious about the local live music scene are encouraged to reach out and attend events; newcomers are always welcome. 

Danuco also noted the closeness of the Niagara music scene in comparison to that of larger cities: “Everyone has connections to help foster a strong sense of community [in Niagara]. 

“Community drives the music scene. When people talk about the shows it helps get word around and reach people,” said Danuco. 

Tickets for the festival can be purchased online. Insight into further events in the St. Catharines area can be found at the Warehouse Concert Hall website.

Lila Dupont’s newest single is the latest addition to the sad indie-girl genre

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Overall rating: 4/5 

Lila Dupont teases her upcoming work with a brand-new ballad.

“I Promise” is the first of four singles that will be released by singer/songwriter Lila Dupont throughout 2024. The track, which came out on Jan. 5th, is the artist’s first release of the year. 

“I Promise” is a simple yet captivating ballad, championed by warm acoustic guitar and Dupont’s breathy vocals. Built upon a simple chord progression, the song’s musicality is fluid – never disjointed or incohesive – an effect created by expert vocal harmony. This layering fills any sonic gaps created by the absence of other instruments. What’s surprising about this is Dupont manages this effect without using grandiose riffs or over-the-top vocalization.

Stripped back and uncomplicated, “I Promise” is a perfect example of the sad indie-girl sound. 

In the song’s description on Invasion Merch, Dupont said that “‘I Promise’ was written following a period when [she] felt let down by someone who had already let [her] down in the past.” She went on to say that “[the song] is the most personal song [she has] written and is the most honest [she has] ever been in [her] songwriting.” When listening to the narrative Dupont spins throughout the song, this isn’t hard to believe. 

The track starts with an expert painting of Dupont as tired and misanthropic, traits she has acquired through age. No longer naïve to meaningless touches and empty promises, the singer has grown cold, failing to react appropriately during periods of high emotion. While Dupont seems to want to be this way all the time, this is something she says is “easier imagined than guaranteed.” 

The chorus showcases that behind this rocky exterior, Dupont wishes that her lover would take back the things they have done to hurt her. She simply cannot take it anymore. Her spirit has been stamped out, the lyrics stating that she is “as stepped on as the sidewalks and the floors.” 

While whatever has transpired between Dupont and her lover remains vague, the lyrics (and Dupont’s own account) suggest that she can no longer take her partner’s constant dishonesty. In the final verse, the singer begs for the truth, saying that she is “getting nauseous / I’ve got this pit in my stomach / Just be honest.” 

Dupont concludes the song with the lines “I’m giving up on you / I promise,” marking the only time that titular statement is used in the body of the lyrics. This is an interesting choice, suggesting that while the song follows the path Dupont has to take there, the most important part of the track is her finally finding the ability to leave. She is fed up, exhausted and unable to continue in the same direction she has been travelling. She is giving up: something that should not be seen as a failure but instead a difficult move toward better times. 

While the spirit of “I Promise” hides behind the relatively recognizable façade found in a variety of TikTok’s newest sad girl singer/songwriters, the lyrics set it apart from others of its kind. Rather than reflecting solely on the heartbreak of love lost, “I Promise” tells the story of someone finding the courage to move on, stepping away from a dangerous cycle of dishonesty. 

While Dupont could have taken more risks with the musicality of the song, the track is still a strong addition to the artist’s quickly growing discography.

The St. Catharines Poetry Slam is a place where poets can come together and celebrate their craft

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The St. Catharines Poetry Slam represents a diverse, welcoming space for poets looking to compete in or simply enjoy some poetry readings.

Held once a month, the St. Catharines Poetry Slam is a community-supported event in which poets from all over the region come together at Mahtay Cafe to share their work, hang out and compete for a $50 prize. This month’s slam is on Jan. 24 at 7 p.m. 

Victoria Ashleigh Rose, an undergraduate English student at Brock and aspiring published poet and author, is one of the event’s co-organizers who helped to revive the slam after it was forced to pause due to the COVID-19 pandemic. 

“The slam was such a huge part of my teenage years, when I was able to discover my passions and realize that there was a community for people like me,” said Rose. “[Now,] I can help the space live on and be as inspiring for others as it was for me.” 

The price to get in is $10 or pay what you can at the door; no registration is necessary. Due to safety and inclusion measures, masks are required to get in but are provided upon entry. An open mic begins the event, in which participants can share their poetry in a way completely unrelated to the competition.

The competition itself consists of two to three rounds of spoken-word performances, in which all poems must be original and must not exceed three minutes, or else the poet’s points will be deducted. The scoring system is scaled from one to ten and decided by the audience, and whoever wins it all gets the prize and the chance to perform an encore. 

Participants who don’t care to perform do not need to. “There is no requirement to participate in either open mic or the competition,” said Rose. “We encourage anyone who’s interested to come out and enjoy the show as well as the welcoming social space with fresh food and warm tea from Mahtay.” 

As often as they can, the St. Catharines Poetry Slam also books established artists to come and perform with the earnings from each event. 

The last Poetry Slam, in November, featured an artist Rose described as “inspiring and free-spirited”: NASRA, a queer Oromo/Somali poet, musician, actor, dancer, speaker and community builder rooted in Amiskwaciwȃskahikan (Edmonton, Alberta). NASRA was named Youth Poet Laureate of Edmonton (2016-17) and co-received the Bp Nichols National Chapbook award in 2017 for their debut chapbook, A God Dance in Human Cloth

This month, the event is featuring Sunshine Express, a St. Catharines alternative indie band represented by the label ROUTINE EXPLOITS. S.EX fuses rock n’ roll and electronic sounds like auto-tune, ambient guitar and MPC sampling to contribute to Niagara’s New Alternative Wave scene. 

“Featuring a band is untraditional for the poetry slam,” said Rose. “However, we thought it would be a great opportunity to kick off the new year with something fun and memorable, while simultaneously branching out into new audiences and helping to provide exposure for the local music scene.” 

The St. Catharines Poetry Slam is “determined to re-establish a welcoming space for poets, both emerging and professional, to share their work with their fellow poetry lovers,” said Rose. Usually, the competition adheres to a set of rules like no props, original work only and no disrespectful or non-inclusive behaviour. Sometimes, they hold an “ANYTHING GOES” slam, where there are no rules – except those relating to respect and inclusivity – and even optional prompts or encouraged costumes to celebrate the art of poetry in all its unique facets. This month’s slam will be traditional, but participants are encouraged to interact with the prompt “New Year’s resolutions.” 

In addition to performances, the St. Catharines Poetry Slam also hosts one or two vendor tables per event, which local artisans can rent for $15 – or $5 if they provide a prize for second place – by reaching out on their Instagram or filling out the vendor form on their Linktree. “We do this to further encourage the local art scene and diversify our space while giving self-made artisans the opportunity to display their creations,” Rose said. 

Aspiring writers can often feel lonely in their craft or fear that their work will never be heard. The St. Catharines Poetry Slam provides a monthly opportunity for those doubts to be quelled. Whether you’re a poetry reader, a writer or simply just interested, the St. Catharines Poetry Slam is the place to go.

The topic of Niagara amalgamation has returned to the headlines, and politicians are still divided

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Debates on the possible amalgamation of the Niagara region have returned. 

In an open meeting with the Ontario government’s Standing Committee on Heritage, Infrastructure and Cultural Policy on Jan. 10, Niagara politicians discussed whether the current municipal system in Niagara needs to be altered.

The current system consists of 12 municipalities: Grimsby, Lincoln, West Lincoln, Wainfleet, Pelham, Port Colborne, Fort Erie, Welland, Thorold, St. Catharines, Niagara Falls and Niagara-on-the-Lake. Some have argued that amalgamating these municipalities into one or a handful of cities is the natural progression of the Niagara region and the best way to solve long-standing issues, like the housing crisis. 

Many in favour of amalgamation would prefer a four-city model, in which St. Catharines, Niagara Falls and Welland would absorb their rural neighbours, and a fourth city would be created out of the more rural municipalities in western Niagara. 

Niagara Falls Mayor Jim Diodati is one such believer in this process. He said that with the current model, there are simply too many politicians: “That leads to overlap, duplication and red tape. Time is money, and we use up too much time, which costs too much money. It’s hurting and impeding business. There’s a whole set of rules whenever you move to a new community.” 

Diodati said that four cities would maintain a degree of individuality that already exists between municipalities, but provide the stepping stone toward a singular, amalgamated Niagara city, which he believes will one day be the case. 

Similarly, St. Catharines Mayor Mat Siscoe said that “creating four larger cities would make reform economically feasible and would allow for major efficiencies to be created that would allow our communities to focus on the priority that we share with the provincial government, to get more homes built faster.” 

He mentioned that despite the St. Catharines council voting unanimously in favour of the construction of 11,000 homes, the regional governments across the 12 parts of Niagara, each with “conflicting goals,” have made the process of actually building them difficult. 

Others, however, are opposed to the idea. In a commentary for ThoroldToday, Niagara-on-the-Lake resident and municipal affairs worker Paul MacDonell compared the topic of amalgamation to “a reoccurring fungal infection.” 

MacDonell said that smaller municipalities in regions which have amalgamated in the past, like Toronto and Ottawa, end up being neglected the most despite experiencing the worst effects. According to MacDonell, the amalgamation will only bring bad things: higher taxes, no savings, unwanted services, undelivered services and little representation. 

Niagara-on-the-Lake Lord Mayor Gary Zalepa also voiced his opposition to the amalgamation of Niagara: “Changing government, moving it and making it further away and reducing the number of elected people… that will be shameful.” He said that Niagara-on-the-Lake had hospitals and schools removed by large entities in the past. 

Jim Bradley, a regional chair and former Liberal MPP, said that academic studies have shown that “the projected benefits of past amalgamations often failed to materialize… Once we start pulling at these threads, the entire system may start to unravel.” 

He suggested that instead of an amalgamation, smaller changes to the governmental system could improve the region without having such a high risk. Implementing an approvals manager or provincial chief planner, for example, could expedite construction approvals. Introducing more provincial incentive programs could also encourage the private sector to build affordable rentals and help mitigate the housing crisis. 

No official plans for amalgamation are in place yet, however more meetings will be held across the province over the next two weeks. 

The discussion of the possibility of amalgamation will have to continue into future regional meetings.

Explore the story “Beyond the Imitation Game”

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Encrypted messages and espionage are coming to St. Catharines.

On Jan. 26, presented by the Brock University Faculty of Mathematics and sponsored by the Canadian Applied and Industrial Mathematics Society, comes “Beyond the Imitation Game — From Dieppe and James Bond to Blackberry and Quantum Encryption,” a presentation about the Enigma machine and its lasting impacts. 

The Enigma machine was a World War II-era encryption device used by the Germans to transmit coded messages. For a while, these codes seemed impossible to crack, meaning German activity was completely obscured from the Allies. 

That changed when Alan Turing helmed the research that led to the design of the Bombe machine, a device that could crack the codes of the Enigma machine and gain intelligence on German attacks and missions. 

It was an outstanding achievement, and critical in the Allies’ victory of the war. The story was adapted into a film in 2014, The Imitation Game. The FirstOntario Performing Arts Centre is hosting a screening of the film on Jan. 21 at 6:30 p.m., an “essential” pairing with the Jan. 26 presentation.

Leading the presentation will be Peter Burg, the Dean of the Faculty of Mathematics and Science at Brock; Richard Brisson, a mathematician and collector of cryptology artifacts; and Thomas Jennewein, an Associate Professor at the University of Waterloo’s Institute for Quantum Computing. The event will be pay-what-you-can, with a suggested admission price of $20. 

Alongside the story of the Enigma machine and Allied attempts to break its encryptions, the presentation will explore the lasting implications it had on history, modern espionage and encryption technology, and will feature live presentations of Enigma artifacts. The event will run from 7 to 9:30 p.m., and tickets can be purchased here

To get even more information on the subject, students can attend additional lectures at Brock from Brisson and Jennewein. 

On Jan. 26 from 1 to 2 p.m., Brisson is delivering a lecture on Cryptologic History and Canada, entailing important instances of Canadian cryptologic history in the 18th and 19th centuries, World War II and the Cold War. 

Also, on Jan. 26 from 1 to 2 p.m., Jennewein is delivering a technical talk on Quantum Physics. Both his and Brisson’s lectures will be free and open to Brock students and anyone else in the community who’s interested. 

Students interested in history, cryptology and physics should check out this series of events relating to one of the most technologically innovative machines in history.

Badgers’ women’s basketball team remains undefeated in 2024, earning wins over Algoma and Guelph to extend win streak to four

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The Brock Badgers’ women’s basketball team earned their third and fourth win of the new year, defeating the Algoma Thunderbirds 77-37 before a tightly contested 63-58 win over the Guelph Gryphons. 

In Friday’s matchup against Algoma, the Badgers began the game on fire swiftly moving the basketball to find open shooters leading to a 12-0 run, and they never looked back. 

Shailah Adams, a rookie guard from Welland, made two of Brock’s four three-pointers in the first quarter, attributing to the Badgers shooting 61.5 per cent from the field compared to Algoma’s 5.9 per cent, leading to a massive 24-2 lead after one. 

Brookelyn Keltos, the younger sister of Badgers basketball alumnus Samantha Keltos, continued Brock’s shooting dominance early in the second. The St. Catharines native nailed two of her game-high four three-pointers in quick succession as the rookie finished the game with career-highs in nearly every statistical category including points with 14. 

Keltos’ shooting proficiency led the Badgers to a commanding 44-13 halftime lead, as the Brock bombardment continued in the third. 

Madalyn Weinert, the OUA leading scorer, opened the frame on her own 7-0 run as the 2022 OUA Second-Team All-Star finished the game with a game-high 19 points to go along with eight rebounds and three steals. 

However, the Thunderbirds elevated their game offensively in the third, scoring 16 points, their only quarter scoring double-digit points. 

Kaila Fong, guard for Algoma, scored seven of her team-high 11 points in the third which helped prevent the Badger lead from soaring even more as Brock had the 63-29 advantage through three quarters of play. 

The fourth quarter was a bit of a different story as it featured both teams struggling to find their shooting stroke. The teams combined for only nine made field goals – three for Algoma and six for Brock – while shooting a combined 27.3 per cent from the field. 

With the flurry of misses, it meant a great deal of rebounding opportunities, and the Badgers took advantage of the situation. Centre Madison McInnis grabbed nine of her game-high 14 rebounds in the fourth as the Badgers controlled the glass throughout the game, securing 48 rebounds compared to Algoma’s 35. 

The great rebounding, shooting and bench production led to the massive 77-37 victory, which got the weekend started on the right foot for the Badgers before they faced the OUA West-leading Guelph Gryphons the following day. 

Saturday’s contest versus Guelph began eerily similar to Friday’s game with the Badgers getting out to an early 6-2 lead. Brock’s lead eventually grew to 11-4, before the Gryphons cut it back down to four as the first quarter ended 15-11 for Brock. 

In the second, both teams experienced shooting woes as they combined to shoot a dreadful 27.6 per cent, making only four field goals apiece. The bulk of the scoring in the quarter came at the free throw line. The Badgers made four of their six free throws, two by Weinert and two by Angeline Campbell, while the Gryphons made six. 

The first half ended 27-25 in favour of the Badgers, but the Gryphons regained control in the third. 

Guelph shot impressively well from behind the arc in the third, making three of four three-point attempts, while the Badgers only made one three-pointer and shot 35.7 per cent from the field. 

The Gryphons ended the quarter on a 7-3 run to take the four-point lead entering the fourth when the Badgers miraculously found their shooting form. 

Weinert was the leading force for the Badgers in the quarter, scoring 15 of her game-high 30 points on a perfect five-for-five shooting, including two three-pointers. 

Campbell, Brock’s leader in three-pointers made, added two more threes in the frame, finishing with 12 points, five rebounds and three assists. 

Defensively, the Badgers did a great job at contesting shooters, limiting the Gryphons to a deficient 25 per cent shooting from the field. 

The combo of timely defence and efficient shooting for the Badgers in the fourth quarter led to the comeback victory which now puts the Badgers only two games behind the TMU Bold for first in the OUA Central and tied for fifth in the entire OUA with a 9-4 record. 

Next for the Badgers is a visit to York to take on the Lions this Friday. For a complete list of games, head to gobadgers.ca.

Aaron Jones and the Packers embarrass the Cowboys in Dallas to advance to the NFC Divisional Round

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Aaron Jones, Jordan Love and a dominant Green Bay Packers defence annihilated the Dallas Cowboys 48-32, advancing to the NFC Divisional Round and eliminating the NFC East Champions from the playoffs. 

Quarterback Jordan Love, in his first career playoff game, looked like a veteran on the field, completing 16 of 21 pass attempts for 272 passing yards and three passing touchdowns. 

“We came in here with the mindset that we were going to dominate,” said Love in a postgame interview. “A lot of people counted us out and we didn’t care about that. We knew the opportunity that we had in front of us, and we made the most of it tonight.” 

Aaron Jones, the Packers’ star running back, also made the most of his opportunity, playing a pivotal role in the Green Bay offence right from the opening drive. 

The Texas native established the run early, rushing for seven carries on the game’s first drive, none bigger than his three-yard rushing touchdown to put the visitors up 7-0 before Dallas even touched the ball. 

After the teams traded punts, Jaire Alexander, whose status was questionable before the game with an ankle injury, intercepted Cowboys quarterback Dak Prescott – who threw for zero passing yards in the first quarter for the first time in his career – setting his team up with excellent field position to add to their lead. 

It took only five plays for Jones to rush for another touchdown to double their lead, shocking Cowboy fans at AT&T Stadium. 

Following another depleted Cowboys possession, the Packers got the ball again and continued their obliteration of the heavily favourited Cowboys. 

Love found Dontayvion Wicks in the end zone for a 20-yard touchdown pass before Prescott threw another interception, his second of the half, to Darnell Savage who ran it back 64 yards putting the Packers up 27-0. 

The Cowboys finally got on the board on the last play of the first half courtesy of Jake Ferguson’s one-yard touchdown reception which cut the Packers’ lead to 27-7 but it was still Dallas’ largest halftime playoff deficit in franchise history.

Dallas, who received the ball to start the second half, lessened Green Bay’s lead by three more after kicker Brendan Aubrey’s field goal, but the 17-point deficit was the closest that the Cowboys got to taming the staggering Packers offence.

Green Bay’s offence remained blistering in the second half as Jones picked up his third rushing touchdown of the game – his ninth touchdown in four career games versus the Cowboys – extending the lead to 34-10, finishing the game with 21 carries for 118 yards and three rushing touchdowns. 

Tony Pollard responded for the Cowboys with a touchdown of his own, before Love found a wide-open Luke Musgrave to continue their bombardment, going up 25. The Packers added another touchdown to their tally on their next possession, their seventh touchdown of the game, before the Cowboys added two touchdowns of their own. Unfortunately for the Cowboys, by then it was too little, too late. 

The Green Bay Packers staved off a late gallop by the Cowboys winning 48-32, setting up a huge clash next week against the San Francisco 49ers (12-5) for the right to advance to the NFC Championship game the following weekend. 

For more information on the NFL Playoffs, head to nfl.com.

Badgers win pair of games over Nipissing in thrilling weekend of men’s volleyball action

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The Brock Badgers’ men’s volleyball team rivetedly defeated the Nipissing Lakers twice this past weekend, picking up their ninth and tenth regular season wins to continue their impressive season. 

Game 1: Win 3-0 (27-25, 25-21, 26-24) 

In game one of the weekend series, Nipissing eagerly got off to a fast start earning six of the opening seven points of the match to take the early 6-1 lead in the opening set. The Lakers maintained their lead throughout the entirety of the set until the Badgers faced set point which sparked their star players to take control. 

Devin Cooney smashed one of his game-high 14 kills in the game to negate Nipissing’s set point, sending the game beyond the regular 25-point threshold.

From there, the Badgers rallied three-straight points, including Sauli Lianga picking up Brock’s 17th kill of the set, to win an exciting set one 27-25. 

In set two, Nipissing remained relentless as the Badgers equally matched their intensity. 

Neither team had larger than a three-point lead until the Badgers went on a 6-1 run midway through the set to go up 20-14. 

However, the Lakers responded, cutting the Brock lead all the way down to two, 22-20, before the Badgers regained control, winning the second set 25-21. But the third set had a different vibe for the Badgers. 

The strong net play that was Brock’s strength in the first two sets was their weakness for much of the third. 

The Badgers managed a dreadful .094 attacking percentage, which included six attacking errors. 

Fortunately for the Badgers, the third set was also the Lakers worst attacking set of the match, as Nipissing’s attacking percentage was an abysmal .065 per cent to go along with seven attacking errors. 

However, despite the blemishes in Brock’s game throughout the third set, their forte was at the forefront when it mattered most. 

With the set levelled at 24, Cooney earned the Badgers’ eighth and ninth kills of the set on back-to-back points, winning the set 26-24 and sweeping the Lakers 3-0 in the match. 

Game 2: Win 3-2 (25-23, 21-25, 25-21, 22-25, 15-13) 

Game two of the weekend set started positively for the Badgers as momentum from Friday night’s win carried into Saturday’s matchup. 

The Badgers opened the game hitting the ball extremely well, earning 14 kills in the opening set, while only committing four attack errors. Jacob Ferland led the way with four of his 11 kills in that set, helping lead the Badgers to the 25-23 first set victory. 

In the second, the switch completely flipped as the Badgers found themselves in a precarious position at the glory of Nipissing’s offence. 

The Lakers hit the ball exceptionally well, bolstering an attacking percentage of .294 – their highest in the match – while the Badgers’ attacking percentage of .087 was their lowest in the game, resulting in Nipissing winning set two 25-21. 

The third set featured another change in momentum, this time in favour of the Badgers. 

The Badgers showcased their resilience by completely ignoring the abomination that occurred in the second set. They smashed 14 kills to only three attacking errors, earning an even .500 hitting percentage. 

Kylar Code and KJ Robinson each registered four kills, as the Badgers pulled within one set of another victory by winning the third set 25-21. But in line with the theme of match two, the pendulum swung in Nipissing’s direction in the fourth. 

The Badgers were on the front foot early in the set looking as if they were bound for destiny, but the Lakers responded in the latter stages going on a 5-0 run to take the lead, 20-18. 

The teams traded leads until the Badgers committed three errors on four points, gifting Nipissing the pivotal 25-22 win to notch the match at two set wins apiece. 

In the fifth and deciding set, looking to keep pace with the OUA-leading Guelph Gryphons, the Badgers went up early and never looked back. 

Brock, with the second-most kills per set in the OUA, scored nine of their 15 points in the fifth set from kills, to win the set 15-13 and win an action-packed fixture 3-2. 

Next up for the Badgers is a pair of games this weekend in Windsor against the Lancers. For more information on the Brock Badgers’ men’s volleyball team, head to gobadgers.ca.

Editorial: The case for nationalizing Canada’s major grocers

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Nationalizing major food retailers in Canada would put a major dent in foodflation. 

The cost of food has become a constant issue for Canadians since the onset of the cost-of-living crisis at the beginning of the decade, an issue created in large part by supply-chain issues and cutbacks caused by the COVID-19 pandemic and international conflict. 

With that, Canada has seen major food inflation in particular, starting around mid-2021 before reaching a peak in the second half of 2022 and early 2023 where the inflation rate hovered above 10 per cent. Since then, the rate has slowly tapered off, sitting at around four per cent as of writing. 

Still, working Canadians continue to find it hard to put food on the table, as other high costs persist alongside food such as rent due to a lack of housing supply. Even homeowners have gotten slammed with increased mortgage rates due to the central bank changing lending rates 10 times last year in order to cool inflation by slowing down spending and increasing unemployment. 

Since the neoliberal era, which took shape in Canada with the Mulroney administration in the ‘80s, there’s a well-documented pattern of market capitalization during times of crisis. Naomi Klein’s The Shock Doctrine was a hit precisely because of its extensive detailing of the following phenomenon: a disaster hits, whether natural or orchestrated by parties seeking to gain power, and what was once democratically controlled is seized by private interests or autocratic powers (often both as was the case in Chile and Indonesia) in the aftermath before anyone can process what happened. 

In the case of food retailers in Canada, private control has been there the entire time. However, record profits in the food retail industry at precisely the same time as its highest unaffordability is what led, prima facie, to former Loblaws CEO Galon Weston appearing at a House of Commons committee to defend himself against charges of price fixing last year. 

In fact, it was found in 2021 that Loblaw has a market share of 28 per cent among food retailers, making it the largest player in the industry nationally, with Sobeys, Metro, Walmart and Costco close behind. These five retailers controlled over 70 per cent of the industry in 2021 according to these statistics. 

If major food retailers in Canada are going to have market shares that resemble those of natural monopolies, why not nationalize them and cut out the profit-seeking middleman to make food more affordable? 

A natural monopoly is any industry where the barriers to entry are high and where, due to the inherent aspects of the good or service, it is most efficient and therefore cheaper for there to be one or very few providers in a market. Examples include the post office, water and electricity. 

The more competition you add to natural monopoly industries, the worse off the consumer. If different water corporations had to build around one another’s underground pipes, water businesses that enter later in the game would have to charge more to be able to afford the extra pipeage it will take to get around the earlier company’s prime underground real estate. 

Meanwhile, that very prime real estate allows the earlier companies, on average, to provide to more people for the least amount of pipeage which makes them more profitable and inclined to buy out the less profitable later players to absorb their limited customer base. 

But another issue with privatizing natural monopolies begins to emerge independent of the way it negatively affects smaller fish in those peculiar industries. If an industry is more efficient as a monopoly, that means the big providers have far more ability to price fix because they’ve cornered the market. 

This is why industries that tend to be nationalized are natural monopolies; if it’s already something that virtually all people rely on, like water, why have the included costs of paying shareholders and C-suite managers when you can pay less by having it funded through the tax base knowing everyone will feel the benefit in some way? 

We all need food to survive, and therefore major grocery retailers needn’t be any different. 

As reported by Alex Cosh in The Maple, at the height of 2022’s foodflation “Loblaws posted that it had increased its retail-section adjusted gross profits by 10 basis points to 30.8 per cent, boasting to its shareholders that it had ‘delivered positive financial and operating performance … while advancing [its] growth and efficiencies initiatives.’… It added, ‘net earnings available to common shareholders of the Company were $556 million, an increase of $125 million or 29.0%.’” 

Those revenue increases being advertised to shareholders as a massive return on investment are directly reflected in increased prices for basic food goods like eggs, cooking oil and vegetables. 

Now imagine if Loblaw was nationalized and posted those quarterly net revenue earnings amidst a period of major inflation. It would be nothing short of a political scandal, and public officials involved in that act of “greedflation” — to borrow the NDP’s neologism — could, and likely would be removed from their positions as they’re far more subject to democratic controls than capitalists under state control. 

The reason Weston can doublespeak on inflation, claiming increased prices are the result of global supply chain disruptions — which is partially true — but post record profits, is because they are responsible to no one except their shareholders who themselves only care about turning a profit on their investments. 

The other major concern, which is fundamentally a liberal one, is that nationalizing the major grocers would average out the quality of foods as you wouldn’t have higher- and lower-grade grocers anymore. 

However, it’s important to remember that while Metro is considered a premium grocer and Food Basics is considered a cheaper retailer with less quality produce, the latter is a subsidiary of Metro Inc. The division between the premium and cheap grocers is, therefore, often made to appear like it’s the result of competition when they’re potentially owned by the same conglomerate. This phenomenon a testament to the fact that Canada doesn’t have anti-trust laws with enough teeth to prevent corporations from owning both high- and low-quality companies in the same industry. 

Nationalization, then, would mean you would just bridge the Food Basics-quality produce with the Metro-quality produce in one store where items exclusive to both will still be altogether cheaper than when in private hands. This also means you wouldn’t have to make two trips if you need items of both qualities. 

Now, it’s true that perhaps less premium quality food will be available because the average food quality on the shelves of a nationalized grocery store will reflect what’s affordable to the average Canadian household. A democratic preference would be essential to the hypothetical food ministry in charge’s decisions about what level of quality wholesale produce to buy as well as how many units of different quality items. 

At this point, one should respond to the liberal fear of “lack of choice in the food market” in the same way one should against increased wait times with universally covered healthcare: Why should net worth be the determinate factor for who gets the best quality essential services on tap in society over the discretion of majority and expert opinion (expert in the case of healthcare meaning doctors)? 

Another issue that is theoretically made better by nationalization is excess produce, which under private hands ends up in the trash if it won’t be good in the next day or few days. Without government incentives such as charity-related tax breaks to start programs to send excess produce to food banks or shelters, the way to maximize cost- effectiveness with the for-profit model is to just throw away foodstuffs that will go bad before they can be sold on shelves again. 

Canadian grocers are responsible for 1.31 million tonnes of wasted produce every year. 

With nationalized grocery retailers, because they’re already in the government’s hands which means the for-profit imperative isn’t paramount, the barriers to setting up bilateral programs with charities, food banks or government programs such as the Supplemental Nutrition Assistance Program are potentially lower based on better incentives and the logistical elegance that comes with these being mostly inter-governmental programs. 

If there’s a lesson from the Bush-era, it’s that public-private bilateralism can lead to extremely inefficient subcontracting nightmares which become less transparent the moment private interest is involved. 

The idea that Canadians allow unaccountable corporate conglomerates to continue consolidating their power in an industry that’s so essential to the livelihood of Canadians is fundamentally at odds with even basic liberal principles. 

And while breaking these corporations up would be better than nothing, considering grocers as part of the commanding heights of the economy in need of state control, and therefore public checks and balances, means nothing less than doing away with the neoliberal logic of depriving Canadians of basic goods and services and selling them at a markup as “benefits.”

Is the pendulum swinging from left-wing populism to far-right populism in Latin America?

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In Latin American politics, it is no secret that the region has elected a great deal of left-wing governments since the dawn of the century. At the start of 2023 alone, 12 out of 19 economies in the region were managed by left-wing leaders, accounting for 90 per cent of Latin America’s GDP. 

This trend in left-leaning governance, however, is increasingly challenged by a rise in populist far-right leadership. 

While not entirely a phenomenon stemming from 2023 onwards, major shifts in governance have shaken up the region’s left-wing dominance. 

Perhaps most relevant has been the election of underdog candidate and self-proclaimed far-right libertarian, Javier Milei, in Argentina’s 2023 presidential election. Running on a campaign that denounced the left-wing government of former president Cristina Fernandez de Kirchner, Milei borrowed from the political toolbox of successful far-right populists to promote anti-establishment and “anti-Kirchnerism”. 

To add a layer of concern, the shift in the political paradigm of Argentine society was largely a youth-led effort, seeing as 70 per cent of young voters supported Milei’s presidency in the November elections. 

As for the near future, certain outcomes are predicted to aid in the spread of far-right populism across Latin America, creating a concerning trend for governance and the maintenance of institutions in the region. 

In the upcoming presidential elections in El Salvador, the authoritarian far-right incumbent Nayib Bukele is expected to be comfortably re-elected. With polls in late November revealing that over 93 per cent of the Salvadoran population will cast their votes for Bukele, the incumbent is virtually guaranteed a victory on Feb. 4th. That said, a legitimate concern exists for democracy in El Salvador as Bukele is running for re-election even though consecutive terms are considered unconstitutional

Heading into an increasingly uncertain future for the democracies in Latin America, the rise of far-right populist leaders in the region represents a pendulum swing from left-wing dominance to an increasingly populist far-right landscape in Latin American politics. 

Understanding Far-Right Populism  

Notwithstanding that the term “populism” has been closely associated with the far-right ever since former U.S. President Donald Trump’s campaign and administration, it is essential to know that populism is not reserved for the far-right. Populism can manifest across the political spectrum and is often context-dependent on the region where it originates. 

In alignment with the global backsliding of democratic values, right-wing populism is understood as a political ideology borrowing from far-right ideology and populist rhetoric and tactics for attracting popular support. 

At large, this amalgamation of far-right thinking and populist speech encompasses anti-establishment thinking, posing as representative of the people and denouncing the “elite” class of scholars and public servants as the enemy. Furthermore, an “us” vs. “them” rhetoric is commonly employed to create a social divide and distinguish “the people” from public enemies like left-leaning candidates, leftist ideology, and in some regional contexts, immigrants. 

The Latin American Context 

As with most patterns in political science, far-right populism often takes on different elements depending on the regional or national context. In the case of Latin America, far-right populism is a relatively new development, although populist ideology has lingered in the region since the late 19th century. 

“There’s a very long, deep history of populism in Latin America, probably more so than anywhere else in the world. What is interesting about Latin America and what kind of distinguishes it from most of the Western world is that the history of populism was usually, until recently, associated with the left. 

“If you think of the 2000s and you think of populist leaders in Latin America, you would probably think of Hugo Chavez in Venezuela, Evo Morales in Bolivia and Rafael Correa in Ecuador, all leftists,” said Professor Pascal Lupien, Associate Professor of Political Science at Brock. 

The prevalence of left-wing populism throughout the early 21st century, otherwise known as the “pink tide” in Latin American politics, was characterized by a regional rejection of the norms of the Washington Consensus and favouring of left-wing leaders, many of whom often were characterized as populist and authoritarian. 

Approaching the 2010s, the partial undoing of the pink tide was representative of a collective rejection of corruption among left-wing populists and disillusionment with their governing post-commodities boom. 

Notably, while the historical context of Latin America appears as a breeding ground for the proliferation of left-wing populism. The newly found interest in far-right populism breaks out of this paradigm of leftist populist governance due to global and local influences. 

Globalization and U.S Influence on Latin America’s far-right 

The increasingly globalized international community is not only interconnected in matters of trade and economics, even more so, the interconnectedness that exists serves to influence in matters of politics. 

“Latin America is part of the broader world. Latin Americans are very connected, so they’re influenced by what is going on in the rest of the world, including the U.S and Western Europe and other parts of the world. But obviously with the emergence of Trump and the entire movement behind him, now the country is dominated by this type of politics, and Latin America has always been very influenced by the U.S in particular,” said Professor Lupien. 

In recent history, the American, or more accurately, the Trump administration’s influence has taken Latin America by storm. For instance, Jair Bolsonaro, Brazil’s 38th president, elected in 2019 is said to have built his election campaign based on the success of Donald Trump’s political strategy. In following Trump’s formula for right-wing populism, the Bolsonaro administration emulated a “Brazil-first” approach, often attacking the left and identity politics in the process. 

The most compelling parallel drawn between the Bolsonaro and Trump administration, however, was the anti-democratic uprisings in the Brazilian capital in support of Bolsonaro during the 2023 elections, where he lost the presidential race to Luiz Inacio Lula da Silva. Similar to the Jan. 6th Capitol insurrection in the United States, Bolsonaro supporters in Brazil stormed the presidential palace, Congress and the Supreme Court to call for the removal of Lula da Silva through military intervention. 

Another character that draws comparison to former U.S president Donald Trump is Argentina’s newly elected president Javier Milei. Though Milei’s economic proposals are not identical to the economic measures proposed by either Trump or Bolsonaro, Milei’s anti-establishment rhetoric and wild takes on issues such as climate change often entangle him as a successor of Trump. 

Fear, COVID and crime prevention 

Though understanding the historical and global influences that have shaped a resurgence in far-right populism are practical, other factors are essential to understand this recent “blue” wave of far-right politics in Latin America. Primarily, the pandemic had unprecedented impacts on the already fragile socio-economic issues prevalent in the fabric of Latin American societies, exacerbating poverty, job insecurity and fear. 

Simultaneously, the urgent material needs inherent to a post-COVID world have enabled crime to grow in the region, as poverty pushes certain areas of the population into organized crime as a means of survival. 

“Right-wing populists in particular tend to do very well when things are going badly, because they certainly latch on to people’s fears and people’s anxiety about deteriorating economic conditions. 

They also do very well when people are afraid when some kind of significant shift has happened that causes people to feel like they have lost control of their lives. 

I think this has really been exacerbated by the COVID pandemic, which had a significant impact on Latin America, more so than here because so many people work in the informal economy,” said Professor Lupien. 

In tangent with the economic anxieties created by the COVID pandemic, equally potent fear dominates crime-ridden societies, giving room for far-right populists to emerge or stay. In El Salvador, President Nayib Bukele has remained highly popular among the citizenry for his zero-tolerance approach to crime, enabled by the implementation of a state of emergency in the country which allowed authorities to arrest suspected gang members without due process. 

Bukele is popular in the region for the increasingly punitive approach his government has taken for crime prevention, including the new “Terrorism Confinement Center”, a mega facility with a capacity for 40,000 inmates. Though a punitive approach is often celebrated by Salvadoreans, seeing as the homicide rate in the country has decreased by 92 per cent since 2015, the approach has raised human rights concerns. 

In a report written by Amnesty International regarding the prevalence of human rights violations in El Salvador, the findings point out a weakening in the rule of law, violation of fundamental human rights during the state of emergency, and massive arbitrary detentions. Notably, though the criminal rate in El Salvador has decreased, the plausibility of this has only been guaranteed by state violence, promoted by populist far-right leader Nayib Bukele. 

Though Latin American countries are not a political monolith, the newfound support across the region for far-right populism is gaining traction. It is to be expected that with the strength of globalization in an increasingly interconnected world, the influence of far-right populist leaders like Javier Milei and Nayib Bukele cannot be ignored throughout the region. As socio-economic conditions continue to worsen, and as long as fear of crime dominates Latin America’s consciousness, a large window of opportunity opens for new faces of far-right populism to emerge.

Sorry, Apple: The Vision Pro will not launch the “era of spatial computing”

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The upcoming Apple Vision Pro headset is an amazing piece of technology, but its high price point and lack of hardware-exclusive features will prevent it from going mainstream as Apple hopes. 

Apple Vision Pro is Apple’s long-awaited take on virtual reality (VR). The headset – which is set to launch in the US on Feb. 2 – makes use of both VR and augmented reality (AR) features to function as an independent computing device, complete with the same M2 chip found in recent Mac products. 

While VR headsets are often associated with gaming, Apple’s approach is focused on a variety of general uses, similar to iPhone or Mac. Users will be able to watch movies on a gigantic, simulated screen, take and view 3D photos, browse the web, work on projects and communicate with friends through FaceTime, to name a few examples. The device is intended to integrate with other products in Apple’s lineup, so those who are already well-acquainted with Apple’s ecosystem will find additional benefits when using their headsets. 

While the headset has not yet been released at the time of writing, Apple’s marketing makes it clear that every component of the device has been carefully considered and configured. Each of the Vision Pro’s two screens (one for each eye) has more pixels than a 4K TV, with the two displays sharing a total of 23 million pixels

Apple’s new Optic ID security system is an evolution of the Touch ID and Face ID systems found in iPhones and iPads, and will allow users to unlock their headsets and make purchases using their unique irises. An exterior display projects users’ eyes to the outside world so others know when the wearer is not immersed in a simulated environment. 

Perhaps the coolest part of the product is the way it is controlled. Apple Vision Pro will not feature traditional controllers like its competitors; rather, it is controlled simply through the eyes, hands and voice.

To navigate a selection screen, users must simply glance at the option they wish to select and tap their index finger to their thumb, which is monitored by an array of exterior cameras. Pinching fingers functions the same as a “click,” and this is a major way of interacting with the world within Apple Vision Pro. There’s no need to worry about losing your controllers or having them run out of battery; your body comes with everything you need. 

Naturally, the device isn’t without drawbacks. The massive power of the device means that it will only last for about two hours of general usage, and that’s with the external battery plugged in. 

The many features of the Vision Pro also won’t stop the inevitable issue that the large, cumbersome device detracts from the authenticity of outside conversation. It doesn’t help that Apple’s suggestion to capture videos using the headset looks more like something out of Black Mirror than a useful advancement toward the future. 

Regardless of these issues, however, there’s no denying that the technology on display here is absolutely incredible. 

As more of Apple’s annual products become predictable and boring, the Vision Pro is a bold leap toward genuine innovation. Its accessible control method – which, again, only requires the eyes, hands and voice – makes this device understandable to the average consumer rather than only tech fanatics. Apple has claimed that the device will begin the “era of spatial computing,” and all of its features seem to align with that philosophy. 

It’s unfortunate, then, that the device’s shocking price point will prevent this from becoming a reality. 

The device starts at a whopping $3,499 USD (or approximately $4,700 CAD, although an official Canadian price hasn’t been revealed yet). Now, it’s worth mentioning that this probably makes sense from a manufacturing standpoint – these devices can’t possibly be cheap to produce – but that doesn’t stop this price from likely being far too high for the average consumer. 

Apple is already selling the most premium iPhones for incredibly high prices, with the iPhone 15 Pro Max starting at $1,749 CAD. While many consumers won’t choose the most expensive iPhone, it’s necessary to keep in mind that these are products that they are already familiar with. Having a smartphone is often a necessity in modern Western culture, so people are aware of what they’re buying and why it’s important to own. Many people also use their phones as computers to browse the internet and communicate, so paying high prices for a reliable “daily driver” has become the standard. 

The same cannot be said for the Apple Vision Pro. As cool as the technology is, it’s hard to believe that the average consumer will be convinced to spend thousands of dollars on a product that they’re probably doing just fine without.

The original 2007 iPhone was released at a starting price of $499 USD. It was certainly no small expenditure, but even with inflation, it was a far more reasonable starting price than the Apple Vision Pro. 

The iPhone 3G, released in 2008, started at $199 USD, meaning that the quickly growing smartphone phenomenon could be experienced at a relatively low entry price. By comparison, the Apple Vision Pro’s price makes it feel like more of a luxury than a necessity – contrary to what Apple is likely hoping for – and it’s hard to imagine that it will go mainstream without a major price drop. 

Many consumers can likely do everything the Apple Vision Pro can using the technology they already have. For example, watching a movie on a giant screen through a powerful headset probably feels amazing, but many consumers already have access to a TV or personal device that is capable of playing the exact same films. It might not feel as groundbreaking as the experience provided by the Apple Vision Pro, but there’s no need to spend thousands of dollars to watch movies on a new device when you already have a TV. 

Likewise, completing work through the headset probably feels sensational, but that feeling’s not worth spending $3,499 USD on when I can complete the same tasks using my laptop or tablet. In other words, there aren’t any practical features that are fully exclusive to Apple’s headset that makes it a must-buy for the average consumer. 

It’s not just that Apple Vision Pro feels like a luxury product; it is a luxury product, and this combined with its egregious price will stop it from ushering in the “era of spatial computing” as Apple hopes. There have already been several attempts by other companies to make VR headsets mainstream, and they have all failed to do so. While Apple’s attempt is certainly the most impressive and ambitious venture into VR yet, the Apple Vision Pro’s high price point and lack of exclusive features will likely cause it to suffer the same fate as its competition: a device lauded by tech enthusiasts that never really catches on in the public eye.

What’s on at the FirstOntario Performing Arts Centre this winter

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Indoor performances are an ideal way to escape cold winter days. 

As Niagara stares down the barrel of a bitterly cold winter, the FirstOntario Performing Arts Centre (PAC) has several upcoming performances to keep people warm and thoroughly entertained. Ranging from music to dance, the many options provide multiple choices to suit audience members’ interests.

Below are a few performances occurring in the coming weeks. 

Jan. 28 – NSO Classics 3: Earthbeat 

As part of the Niagara Symphony Orchestra’s classical music series, the upcoming performance titled “Earthbeat” is a perfect way to celebrate the Lunar New Year. With an array of guest performances on top of the orchestra’s performance of Brahms’ Symphony No. 4, his final and widely considered his most emotive. 

The event will feature guest artist Snow Bai, an erhu player regarded for her dynamic skills and performances rich with expression. 

Canadian composer Vincent Ho will showcase “Earthbeat,” the event’s titular performance inspired by the landscape of Niagara Falls and the Indigenous diaspora in Canada. The work seeks to echo traditions of Canada’s First Nations communities and bring people closer to Earth’s “heartbeat.” 

The performances are linked by their shared themes of environmental awareness and our relationship with both the natural world and the universe at large.

Tickets may be purchased from the PAC website or from the box office. Student pricing is in effect as long as ID is presented when purchasing tickets. 

Feb. 1 – Lessons in Temperament 

Like any instrument, it is impossible to tune a piano to perfection. For musician James Smith, however, there is perfection to be found in the pursuit of fine-tuning itself. Written and performed by Smith as a memoir, “Letters in Temperament” uses the metaphor of tuning a piano to shed light on Smith’s mental health struggles and past family challenges. Smith emphasizes the struggles he and his brothers endured with neurodivergence, OCD, bipolar disorder and schizophrenia. 

Described as deeply intimate and vulnerable, “Letters in Temperament” is the ideal show for enjoyers of theatre and music alike. More information about Smith and the show can be found on the production company’s website. 

Feb. 2 – Humans 2.0 

The Australian-based performance company Circa unpacks the visceral sides of human behaviour in “Humans 2.0.” Created by circus choreographer Yaron Lifschitz, the show intertwines acrobatics with contemporary dance, pushing performers to their athletic limits and audience members to the edge of their seats. 

The use of performers’ bodies in “Humans 2.0” emulates humanity’s continuous evolutionary highs and lows. As empires rise and fall, is the primal urge to adapt what defines our species and allows it to triumph over challenges?

Further information about events and ticket sales may be found on the FirstOntario PAC website.

Half the world votes this year — what does this mean for democracy?

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In 2024, nearly half of the world’s adult population will have the opportunity to participate in a nationwide vote. 

64 countries plus the European Union are expected to hold national elections this year. Combined, these countries represent 49 per cent of the world’s adult population: over 3 billion people. 

Never in history have this many people been able to vote for an execuditve candidate within a single year. 

This year’s elections will include India’s massive multi-day legislative elections, the largest in the world, where nearly one billion people have the right to vote. Indonesia’s presidential poll, the world’s biggest single-day vote, will see nearly 200 million potential voters. 

The European Union will hold the second-largest election for their legislative body, which currently represents 27 countries. The biggest focus for the EU in this election will be the status of Ukraine and Europe’s response to Russia’s ongoing invasion of the country. 

Though Canada is not expected to hold its federal election until 2025, there is growing public anticipation for the election to be moved up. A survey by Nanos Research shows that 46 per cent of Canadians would prefer to move the next election up to 2024. However, such a move is unlikely considering the Liberals have stated they have no intention to hold an election in 2024 and there has been no motion for a vote of no confidence called. 

This year will be a test for democracy and the democratic process. Some nations are established full democracies, others are fledgling ones, and some are effectively autocracies with votes but few real options for the electorate to choose from. 

Many of these nations, such as Russia, have very low expectations for significant political change coming from the election. Russia’s case is due to the alleged rigging of their elections and the strong autocratic power of the current head of state, Vladimir Putin. 

The 2024 US election has captured the attention of many people around the world. The ongoing legal proceedings against Donald Trump for the insurrectionist attack on the Capitol over three years ago has been one of the most contentious talking points in US politics. Whether the 45th president can be put on the ballot at all due to the US constitution’s insurrectionist clause is now being decided by the Supreme Court. In describing the state of the US 2024 election, current US President Joe Biden has even claimed that “democracy is on the ballot.” 

In many of these countries, the consequential outcome of these elections will determine their future as free and democratic societies. 

Taiwan’s national election for their unicameral parliament will redefine the West’s relationship with China and the continuing escalation of international militarism and provocation. Geopolitics aside, low wages and soaring home prices are among the domestic challenges weighing on voters in Taiwan. 

According to International IDEA’s Global State of Democracy report, half of all countries have seen declines in at least one indicator of democracy over the past five years. 

Amid growing concerns that democracies as a whole are backsliding, elections in this mixed bag of nations represent a watershed year for the concept of democracy itself. 

There is increasing evidence that the preference for democracy is declining. Just 57 per cent of 18 to 35-year-olds think democracy is preferable to any other form of government, compared to 71 per cent of older respondents. The young generation’s ambivalence to authoritarianism is consistent with the increasing voter apathy amongst young people. 

In the 2021 Canadian federal election, only 66 per cent of citizens aged 18 to 24 voted compared to the national average of 76 per cent that year according to Statistics Canada. In the most developed countries, young people have the lowest voter turnout of any other citizen. 

From increased ethnic violence to steps aimed at weakening checks on the power of the executive, the threats to democracy are real, but there are countervailing pressures too. The popularity of democracy as measured by public opinion remains high. 

A survey by Open Society Foundations with respondents from over 30 countries found that 86 per cent of respondents say they want to live in a democracy. 

Despite authoritarian countries like Russia making their election seem like a fruitless cause, such democratic exercises implicitly concede that — in the modern world — the people’s votes are the only universally recognized source of political legitimacy. This norm is the hard-won achievement of centuries, one that this year of elections will surely test and reinforce. 

This year will be a hallmark of the state of global democracy. Anti-intellectualism and divisiveness continue to promote illiberalism and anarchy surrounding each political change. Regardless of what happens, there are things Canadians can learn from and implement for next year’s election. 

 Take the time to educate yourself on current issues and the solutions candidates bring. Save your political expression for the election and use your democratic right to vote.

UFC 297: Strickland vs. Du Plessis Preview

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Excitement is building as the UFC gears up for its upcoming event, UFC 297, which is set to take place at the Scotiabank Arena in Toronto on Jan. 20. With a stacked fight card, this event promises to be a thrilling spectacle for fight fans in The Six. 

Main Event Showdown: Strickland vs. Du Plessis 

The main event of the evening features the UFC Middleweight Champion, Sean Strickland, making his first title defence against the number two-ranked contender, Dricus Du Plessis. Strickland, coming off an impressive title win over Israel Adesanya, aims to solidify his reign as the middleweight king. Meanwhile, Du Plessis, riding high after a finish of former champion Robert Whittaker, is eager to snatch the title from Strickland’s grasp. It’s a battle between two skilled and determined fighters, promising an explosive showdown in the middleweight division. 

Co-Main Event for the Vacant Women’s Bantamweight Title: Pennington vs. Bueno Silva 

The co-main event showcases a clash for the vacant UFC Women’s Bantamweight Championship between Raquel Pennington and Mayra Bueno Silva. Ranked number two and three in the bantamweight division, these two fighters are set to deliver a high-stakes battle. With Amanda Nunes’ retirement leaving the title vacant, the winner of this bout will etch their name in the history books as the seventh champion in the UFC women’s bantamweight division. 

Featherweight Clash: Allen vs. Evloev 

A highly intriguing matchup at 145 pounds features the number four-ranked Arnold Allen facing off against the number nine-ranked contender, Movsar Evloev. The victor of this featherweight bout will undoubtedly position themselves as a strong contender in the division throughout 2024. 

Notable Rematch and Crossroads Contest 

Former UFC light heavyweight champion Jan Blachowicz is set to square off against Aleksandar Rakic in a rematch. Will Blachowicz go 2-0 in the series, or can Rakic even the score in The Six? Additionally, welterweight contenders Neil Magny and Mike Malott are poised for a rematch, promising a tantalizing clash that could have implications for the welterweight division. 

Exciting Middleweight Matchup: Curtis vs. Barriault 

Chris Curtis and Marc Andre Barriault will lock horns in an exciting middleweight matchup. ‘The Action Man’ aims to halt Barriault’s momentum, while ‘Powerbar’ looks to secure a victory for the Canadian audience. 

Remaining Bouts on the UFC 297 Fight Card 

The UFC 297 fight card also boasts a series of compelling matchups, including Brad Katona vs. Garrett Armfield, Gillian Robertson vs. Polyana Viana, Serhiy Sidey vs. Ramon Taveras, Malcolm Gordon vs. Jimmy Flick, Yohan Lainesse vs. Sam Patterson, Charles Jourdain vs. Sean Woodson, Jasmine Jasudavicius vs. Priscila Cachoeira, and Dominick Reyes vs. Carlos Ulberg. 

As fight night approaches, anticipation grows for what promises to be an unforgettable evening of mixed martial arts action in Toronto. UFC 297 is poised to deliver on the high expectations set by its impressive fight card, making it a must-watch event for UFC fans and Canadians looking to get interested in the sport.

Women’s hockey: Badgers lose 1-0, move to 1-3 in 2024

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In a matchup at Canada Games Park on Friday, Jan. 13, the Brock Badgers women’s hockey team faced off against the Laurier Golden Hawks, ultimately falling short with a 1-0 defeat. The game showcased remarkable goaltending from both sides, with fourth-year netminder Kenzie Harmison standing tall for the Badgers, stopping 17 of the 18 shots fired at her. 

The first period saw Brock on the power play midway through, but despite their efforts, Laurier’s goaltender Kayla Renaud stood firm, denying any scoring opportunities. Despite dominating the shot count in the opening period, with nine shots compared to Laurier’s four, the Badgers couldn’t break the deadlock. 

As the second period commenced, Laurier came out strong with a series of chances. However, the disciplined Badgers’ defence held their ground, thwarting the Golden Hawks’ attempts. Brock managed to pressure Laurier during a power play midway through the period, but the scoreboard remained unaltered. Special teams played a significant role throughout the game, highlighted by the Badgers successfully killing off a late second-period penalty. 

In the third period, the Badgers earned a penalty shot opportunity early on but failed to capitalise. In the dying moments of the game, Laurier’s Elle Spencer found the net with a shot from the point, securing a 1-0 lead. Despite a late scramble by Brock, they couldn’t find the equaliser, concluding the game with a narrow defeat. 

The Brock Badgers women’s hockey team showcased resilience and determination in a hard-fought match against the Laurier Golden Hawks. Looking ahead, the Brock Badgers (6-9-0-3) look to snap their two-game losing streak when they face the Ontario Tech Ridgebacks (4-9-3-0) on Friday, Jan. 19, at 6 p.m at Canada Games Park. Fans can follow the action on OUA.tv, and tickets are available for purchase here. For more information on the Brock women’s hockey team, visit gobadgers.ca.

Men’s basketball: Badgers win back-to-back games, now over .500

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The Brock Badgers men’s basketball team showcased their prowess on Friday, Jan. 12 as they secured a commanding 77-60 victory over the Algoma Thunderbirds at Bob Davis Gymnasium, marking a return to a .500 winning percentage. 

Jevon Brown spearheaded the Badgers’ offensive onslaught with an impressive 14 points, being one of four players who reached double digits. Thierry Tshibola, a first-year guard, showcased his potential with 13 points and a near-double-double performance, falling just one rebound short. Marlon Lestin and Andrew McKenna contributed 13 and 11 points, respectively. 

The Badgers’ bench played a pivotal role, outscoring the Thunderbirds 21-11, and demonstrating the team’s depth and versatility. 

While both teams kept the early proceedings tight, the Badgers shifted gears in the first quarter, employing a suffocating full-court press. This defensive strategy paid dividends, forcing turnovers and allowing Brock to double up Algoma 16-8. The Badgers entered the second quarter with a comfortable 25-12 lead.

Maintaining their momentum, Brock continued their attacking style, extending their lead to 23 points. However, Algoma mounted a late surge, narrowing the gap to 16 by halftime. The Thunderbirds’ three-point shooting trimmed the deficit further in the third quarter, but Brock responded. A late push, highlighted by key plays from Davante Hackett and a massive three-pointer from Jevon Brown, solidified a 63-44 lead. 

In the final quarter, the Badgers held firm, maintaining a double-digit margin throughout. Brown’s defensive play sealed the deal, culminating in a steal and a thunderous two-handed slam, capping off the second victory of the new year.

The Badgers’ well-rounded performance bodes well for the team’s aspirations as they look to build on this success in upcoming matchups. 

— 

Saturday’s game between the Brock Badgers and the Guelph Gryphons was much closer, with the Badgers emerging victorious in a nail-biting 92-91 contest on the road. 

The win propelled the Badgers above a .500 winning percentage with a 7-6 record. 

A collective team effort fueled the Badgers’ success, with five players scoring in double digits. Michael Okeke led the charge with 19 points off the bench, supported by contributions from Davante Hackett (18 points), Jevon Brown (12 points), and Andrew McKenna and Jordan Tchuente, who each added 10 points.

The first quarter unfolded as a closely contested battle, with both teams displaying high-paced action. Freshman guards McKenna and Hackett showcased their three-point shooting, but Guelph held a narrow 25-23 lead heading into the second quarter. 

Guelph extended their lead in the second quarter, shooting at an impressive 62.5 per cent from the field. Despite a spirited effort from Brown and Okeke off the bench, the Gryphons maintained a 55-44 advantage at halftime. 

The third quarter proved frustrating for the Badgers as they struggled to close the gap. Multiple attempts to narrow the deficit were stopped by Guelph’s defence, and the Gryphons entered the final quarter with a 72-62 lead. 

The Badgers rallied in the fourth quarter, deploying a full-court press that resulted in turnovers and a remarkable comeback. The final minutes saw many lead changes and ties, with Jevon Brown’s clutch three-pointer putting the Badgers ahead with one second left. 

Guelph’s final second effort fell short as the Badgers ultimately secured a 92-91 win. 

The thrilling win sets the stage for the Badgers’ upcoming matchup against the York Lions, as they aim to maintain their momentum into next week. 

For more information on the Brock men’s basketball team, visit gobadgers.ca.

Jo Koy’s Golden Globes debacle reminds us why Barbie was made

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It’s not just about a plastic doll. 

Comedian Jo Koy has been scrutinized by Hollywood and the public after an abysmal opening monologue at the Golden Globes ceremony that took place on Jan. 7. Awkward jokes were littered throughout the entirety of the monologue, but one stood out as particularly alarming. 

At one point in the monologue, Koy sets up a joke that compares Barbie (dir. Greta Gerwig) and Oppenheimer (dir. Christopher Nolan), the two blockbuster giants from last year. He begins by praising Oppenheimer’s basis on the life of J. Robert Oppenheimer and the 2005 biography American Prometheus, following up by saying Barbie is based on “a plastic doll with big boobies.” 

As evident by the quiet, sparse laughter, the attempted joke hardly landed among the guests. Previous hosts of the Golden Globes like Ricky Gervais have frequently been known for their banter and incorporation of playful insults, yet there was nothing playful about how Koy’s Barbie joke was set up. 

The basis of the joke was the comparison of two achievements, yet Koy chose to reduce it to the sexualization of the Barbie doll. Ironically, the joke conflicts with the core messages Barbie tries to convey in a very surface-level, easily digestible way. 

The implications of this catastrophic monologue are made apparent in the film’s final act, when Gloria (America Ferrera) addresses the double standards put on women and calls for change. The success of Barbie and Greta Gerwig is tremendous for cinema, but these achievements made by women have become a source of offensive comedy material for men who call themselves comedians.

The film’s approach to gender is hardly complex or unapproachable; one could even call it Feminism 101. That being said, the very fact that jokes about cinematic achievements by women are still being reduced to sex appeal confirms that Feminism 101 is exactly what some people need. 

Notwithstanding its very evident incorporation of gender politics and the identities that come with them, Koy’s joke excessively sexualizes Barbie. He sees Barbie as an object, which is exactly what the film seeks to subvert. 

From a broader perspective, the film wants audiences to see her as anything but a doll by the end. Rather, it looks at how the idea of a doll that can come in hundreds of shapes and forms impacts womanhood and the collective cultural identities surrounding it. 

Aside from the incorporation of Mattel in the film, Margot Robbie portrays Barbie in a dynamic way that reminds audiences that she’s not just an object. As we witness her learn about the human world and its complexities, we begin to see her as a more relatable being who undergoes the same relatable struggles humans often encounter. 

In the film’s conclusion, Barbie questions if after this journey she even feels like a doll any longer, ultimately deciding to consider herself a human instead of a doll. This ending suggests the idea that Barbie being a doll was only a stereotype, and that the idea of her being a complex human is something she has the autonomy to decide. 

The sentiment the film leaves audiences with has roots in womanhood, but its metaphysical reflections on finding identity inside oneself is a theme applicable to the very act of being alive and aware of our place in the world. Barbie was never just made to tell the story of a doll; it was made to remind us of the ideas surrounding the doll itself that have shaped what it means. 

Koy’s joke reminded everyone watching that there is still learning to be done and not even a film that is accused of being “Feminism 101” is capable of doing that. 

Words carry meaning and disguising them behind a joke does not detract from the negative weight they can have. Jo Koy’s Golden Globes disaster will likely be remembered bitterly and eventually replicated on a Saturday Night Live skit. What is important to learn from this is that Barbie was never just based on a doll. Treating it as such neglects the hard work done by Gerwig, Robbie, and others involved in the film.

My top four songs of the year

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As the new year begins, it’s time to look back on my top four songs of the year (in no particular order).

“$20” – boygenius 

Released on Jan. 18th, 2023, “$20” was one of three singles that teased boygenius’ critically acclaimed debut album, The Record. Even after spending many months intimately combing through everything the album has to offer, “$20” is still my favourite track. The song, led by Julien Baker, is a souped-up, enlightened take on the musician’s desperate compulsion for self-destruction. 

In stark contrast to the band’s earlier work, “$20” feels like a runaway train headed toward an unavoidable crash. Built on Baker’s undeniable conviction, it’s easy to sympathize with her self-inflicted predicament. Even in the face of a clear lyrical portrayal of Baker as bad news incarnate, listeners still want to give her the 20 dollars she is begging for. It simply cannot be avoided. 

While this list isn’t in any particular order, it’s worth noting that “$20” was my most-played song of the year. It’s the perfect combination of lyrical genius and musical ferocity, keeping the listener on their toes and ready for whatever might come next. 

“If You’re Gonna Break My Heart” – Inhaler 

Released on Feb. 1st, 2023, “If You’re Gonna Break My Heart” was the third single released by Inhaler in the run-up to their sophomore album Cuts & Bruises. While it is easy to overlook in favour of the epic youth anthem “These Are The Days,” “If You’re Gonna Break My Heart” surpasses the other tracks through its genuine emotion and impressive musical capabilities. 

In the beginning, the song relies almost entirely on Josh Jenkinson’s mesmerizing guitar playing to support lead singer Eli Hewson’s deep croon. As the song grows, a structured bass line and full piano track accompany Jenkinson’s strumming to create a charming and high-quality track. 

“If You’re Gonna Break My Heart” is by far my favourite track from the album, upholding the band’s classic sound in an entirely new and experimental record. 

“Sweet Thing (2006 Remaster)” – The Waterboys 

“Sweet Thing (2006 Remaster)” is the first of two songs on this list to not have come out in 2023. Initially written and released by Van Morrison in 1968, The Waterboys have covered the song “Sweet Thing” on a handful of occasions. For this list, we will be looking at the 2006 remaster of the song as it is, in my opinion, The Waterboys’ best version. 

The song clocks in at seven minutes and 12 seconds and is an explosive, eccentric and energetic take on the original track. Complete with rhythmic acoustic guitar, foot-tapping fiddle and a simple but steady drumbeat, “Sweet Thing (2006 Remaster)” keeps the listener engaged for the entirety of its extensive run time. Singer Mike Scott leads the track with his raspy Scottish vocals, guiding the song through a variety of musical ups and downs. 

“Sweet Thing (2006 Remaster),” with its authentically Celtic feel, always manages to make it somewhere on my list. The track is a true example of what musical feats can be accomplished with real instruments and a bold frontman to lead. 

“Fairytale of New York feat. Kirsty MacColl” – The Pogues 

With the recent passing of Shane MacGowan, the lead singer of The Pogues, it would feel wrong not to include “Fairytale of New York” in my top songs list of 2023. A classic holiday track, “Fairytale of New York” somehow finds its way into every one of my favourite playlists, even when the throughline has nothing to do with Christmas. 

Playful and upbeat, “Fairytale of New York” begs you to find a sweetheart and swing them through the streets on a snowy December night. Starting with a slow and graceful piano section, the song takes a drastic turn at the 1:30 mark. Featuring a hearty guitar rhythm, a pitchy tin whistle, a bold string section and a snare-heavy drumbeat, the song takes off with vigour, filling listener’s hearts with pure, unadulterated joy. 

Without a doubt, “Fairytale of New York” is my favourite Christmas song. But even on a long, hot day in July, the track manages to find its footing, always putting a smile on my face.

Five reasons why the Badgers women’s basketball team is bound for a big second half

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The Brock Badgers’ women’s basketball team finished the first half of the season with a 5-4 record, yet the narrative surrounding the team entails their capability to reach a higher potential this season and into the playoffs. With aspirations of being a more dominant and formidable team, here are five reasons why the Badgers are bound for a big second half of the season.

Oluwatito Akinnusi is breaking out into a star 

Oluwatito Akinnusi has made her presence felt on both ends of the floor this season. The Kleinburg, Ontario-native is third in the OUA in field goal percentage, shooting the ball 56 per cent, as well as third in points per game – averaging 18.3 points – which includes a dominant 37-point performance against McMaster in the Paint the Meridian Red matchup. 

The five-foot-ten forward has figured out OUA defenses as she uses her size and strength to her advantage to dominate the paint. Her offensive prowess has contributed mightily to the Badgers ranking fourth in the OUA in team points per game with 71.3, but she is also a force to be reckoned with on the defensive end.

Defensively, Akinnusi ranks 11th of 150 qualified players in defensive rebounding, with 52 of her 80 rebounds this season coming on the defensive glass. Her rebounding ability will be needed as the Badgers look to limit their opponents’ second-chance points, something that was an area of concern earlier this season. 

Efficient shooting, and the best is yet to come 

The Badgers have shot the ball exceptionally well from the field, ranking second in the OUA in both field goals made per game (27.4) and field goal percentage (41.3 per cent). 

Where the Badgers struggle though is from three. Brock has made the fifth-fewest three-pointers per game in the OUA with 5.3 makes, ranking ninth in overall three-point percentage. 

While those statistics aren’t the most attractive statistics for a team to have, optimistically, it shows that the Badgers still have room to grow as their ceiling is much higher. Expect three-point shooting to be an emphasis in the second half as only two Badgers – Angeline Campbell and Noor Bazzi – have made 10 or more three-pointers this season. 

A resurgence in three-point shooting paired with Brock’s shooting dominance from the field should bolster the already explosive offence. In doing so, that should scare other powerhouse teams in the province and across the country, as the Badgers’ offence has the realistic potential of being one of the best in Canada. 

Sharing is caring 

The Badgers have had no issues this season sharing the ball, leading the OUA in assists per game with 18.7, which also ranks third in the nation. 

Madalyn Weinert is the team leader in assists with 41, as Bazzi and Campbell each have 23, with Akinnusi contributing another 20. 

With teams likely to tighten up their defence come January and beyond, sharing the ball and not being afraid to make precise passes is a great tendency to have as space will seemingly disappear on the court. 

If that pass-first mentality remains front of mind, the Badgers’ unselfish style of play will lead them to continuous success in the second half. 

Easier second half schedule 

There is no denying that the Badgers have had a tough schedule to open the season. 

The Badgers began the 2023-24 campaign with a pair of wins against Toronto opponents before a tough four-game stretch against TMU, Carleton, Ottawa and Queen’s – teams with a combined 36-3 record. 

Brock only managed to win one of those four games, but the second half features matchups against inferior opponents. 

The Badgers’ second half schedule includes games against Algoma, York, Ontario Tech, Laurentian, Nipissing and two versus Lakehead; all teams who have three wins or fewer. While these matchups should not be overlooked as “easy wins,” they do provide many opportunities for the Badgers to develop more chemistry and to clean up the intricate details of their game in anticipation for playoff time. 

Key playoff positioning up for grabs 

The OUA playoffs are unique as 12 of the 18 teams qualify for the playoffs. However, playoff positioning is key as it determines the path to the Critelli Cup including the opponents faced on that journey. 

For the Badgers, the goal is simple: try to obtain one of the top four seeds in the OUA to get a first-round bye and an “easier” road to the championship. Currently, the Badgers sit seventh in the OUA, but the fourth seed is still a possibility as coach Mike Rao’s side has the experience and talent to make a push up the standings. 

With wins being a necessity to make the leap into the top four, the Badgers will look to junior forward Weinert to guide them, given her exceptional skillset and expertise, that led the Badgers to the 2022 U Sports Bronze Medal Game. 

This time around, Weinert – the U Sports leader in points per game this season with 20 – will be tasked with leading the squad to the playoffs and hopefully to Edmonton to compete for another national championship this March. 

For more information on the Brock Badgers women’s basketball team, head to gobadgers.ca.

OUA holiday break update: Where do the Badgers stand entering January?

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The Brock Badgers have returned to action following a month-long break of regular season games due to exams and the holidays. With the Badgers anxious to hoist more provincial and national hardware this February and March, here is where all six teams – both men’s and women’s hockey, basketball and volleyball – stand in the OUA entering the new year. 

Men’s Hockey (14-4-0 record; 1st in the OUA West) 

The Badgers men’s hockey team has had one their best starts to the season ever, reaching third in the U Sports national rankings in late November, the highest Brock has ever been ranked. 

Jacob Roach leads the team in points with 28, which includes 13 goals – tied for second-most in the OUA – and 15 assists, the fourth-highest in the league, while Badgers’ goalie Connor Ungar has been rock-solid in the net. The former Moose Jaw Warrior netminder ranks third in the province in goals against average at 2.18 and second in save percentage, stopping 93.2 percent of shots faced for 536 saves this season. 

However, despite those dazzling records and statistics, it hasn’t all been glorious for the Badgers. 

The Badgers have lost their last three games before the break, losing to Laurier, Ottawa and Carleton all on the road. Head coach T.J. Manastersky will look to Roach and Ungar to get the team back on track, hoping to avoid dropping more winnable contests and maintain their lead atop the OUA West standings.

Women’s Hockey (5-7-0-2 record; 6th in the OUA West) 

The Badgers women’s hockey team enters January hoping that the new year can spark a new-look offence. The team enters 2024 in sixth place in the OUA West but is only three points back of Western for fourth place in the division and the final playoff spot. 

A large part of why the Badgers sit at the bottom of the standings is due to sub-par goal- scoring. Through 14 games this season, the Badgers have scored the third-fewest goals in the OUA with 24, which accounts for only 1.71 goals per game, which is also the third-fewest. 

Brock’s leading goal scorers Jenna Duarte and Madelyn Walsh will be relied on to initiate the offence, while noteworthy players who’ve yet to feature on the stat sheet this season will be looked upon to ramp up their play to push the team to the playoffs. 

Men’s Basketball (4-5 record; 4th in the OUA Central) 

The Badgers men’s basketball team has had an up-and-down start to the 2023-24 campaign. After winning their first three games, defeating all three of the teams from Toronto – Toronto Varsity Blues, York Lions and TMU Bold – the Badgers lost five of their next six games including the final three before the break. 

While three of their five losses have been by six points or fewer, the main reason for their accumulation of losses is due to their lack of offence. The Badgers’ offence ranks in the bottom half of the league in most offensive categories, including the fourth-fewest points per game (71.3) and the sixth-worst field goal percentage (40.1 per cent). 

Luckily for the Badgers, their defence is one of the best in the OUA, which is why they’re able to stay in these tight games. Brock’s defence has allowed the fourth-fewest points per game (71.3) while limiting opponents to a field goal percentage of 38 per cent and a three-point percentage of 27.5 per cent – both rank third in the league. 

The Badgers’ defence will hope that their 2023 dominance can carry into 2024 to contest the 6-4 McMaster Marauders for the division title and ultimately compete for the Wilson Cup.

Women’s Basketball (5-4 record; 2nd in the OUA Central) 

The Badgers women’s basketball team will reflect on 2023 as a year of missed opportunities, dropping close contests, losing to the country’s best team – undefeated Carleton – by two points in overtime as well as a one-point defeat to Laurier in the final game before the break. 

While those two results could’ve swayed playoff positioning, Mike Rao’s side must be happy where they are, especially knowing that their best basketball is still to come. 

Madalyn Weinert leads the entire country in points per game with 20, while rising star Oluwatito Akinnusi’s 11.1 rebounds per game ranks fifth in Canada. 

The Weinert and Akinnusi duo has been unstoppable through nine games this season and expect their chemistry to develop even further in the second half. Paired with the other Brock starters – Noor BazziAngeline Campbell and Olivia Fiorucci – the OUA’s fourth-best offence will be fun to watch to close the season and once again compete for the Critelli Cup and a U Sports national championship.

Men’s Volleyball (6-2 record; 4th in the OUA) 

The Badgers men’s volleyball team has been relentless to open the season, as they still managed to win games despite the ongoing off-court controversy surrounding ex-head coach Matt Ragogna, as reported by TSN’s Rick Westhead

Fortunately for the players, the new year marks a new era in Badgers men’s volleyball as Ian Eibbitt, a former assistant coach for McMaster, was named as interim head coach in mid-December in place of Ragogna. 

While the change in coaches doesn’t completely nullify the adversity the team faces because of Ragogna’s alleged actions, it gives them an opportunity to get back to what they do best, which is playing volleyball. 

 On the court, the Badgers have been dominant in their six wins, being assertive in net play and on serves. In net play, the Badgers have the second-highest hitting percentage in the league at .284 per cent. Outside hitter Devin Cooney is fifth in the OUA in kills with 94, as setter Grant Reddon’s 8.57 assists per set ranks fourth in the province. On serves, the Badgers registered the third most aces in the first half of the season with 53. Cooney leads the team with eight aces, as Liam Strong and Kylar Code each have seven. 

Expect net play and a strong service game to continue to be the strength of this team especially if they want to propel up the OUA standings and compete with Ontario’s best teams for the Forsyth Cup this March. 

Women’s Volleyball (7-1 record; T-1st in the OUA) 

The Badgers women’s volleyball team is tied for first in the OUA, winning seven of their eight matches to open the season, which puts them third in the U Sports national rankings entering January. 

Sara Rohr leads the OUA in assists per set with 10.08 as her attacking duo of Sadie Dick and Madison Chimienti rank 12th and 13th in kills with 74 and 73, respectively. 

The most crucial weekend of the second half is the second-last weekend of the regular season, Feb. 2nd and 3rd when the Badgers make the trip down the QEW to Hamilton to face the McMaster Marauders, who are also 7-1. 

Those two games will be massive in determining playoff positioning especially since it will likely determine the top seed in the province. The number-one seed is critical since the OUA’s first-place team will have home-court advantage all the way until the Quigley Cup Championship, a game in which the Badgers have hosted and won the past two seasons and are hoping they can do it again for a third straight season. 

For more information on the Brock Badgers head to gobadgers.ca.

Games, speculative fiction and more at the SCPL in January

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The St. Catharines Public Library branches have events and activities for students all over the city. 

Books may be the main focus at the four locations of the St. Catharines Public Library (SCPL) – the Central Library, the Dr. Huq Family Library Branch, the Merritt Branch and the Port Dalhousie Branch – but books are not the only business they deal in. 

On top of movies, video games and puzzles, these branches are also the homes of various activities and events for community members, including students at Brock. 

Ongoing Events 

Whether students want to drop by a library for one of these events or make them a part of their regular schedule, here are the recurring resources and activities that will be running for the rest of January. 

Every Monday from 4 to 5 p.m., the English Club meets at the Central Library. Specifically for newcomers and ESL adults, the English Club is led by volunteers with the Niagara Folk Arts Multicultural Centre to help nurture English language skills such as listening, speaking, vocabulary and pronunciation. More details and a registration form for interested students can be found here.

Finding a place to study that isn’t on campus can be difficult, but the SCPL gives students some options. On Tuesdays from 4 to 7:45 p.m – save for Jan. 23, when it starts at 5 p.m – the Dr. Huq Family Library Branch hosts Open Study Hours intended for quiet, respectful work or study. Similarly, on Wednesdays from 5:30 to 7:45 p.m., the Merritt Branch holds the same drop-in study space. 

Scrabble is one of the highest-selling board games of all time, and fans of any skill level can find competitors on the second and fourth Wednesday of every month at the Dr. Huq Family Library Branch. The Scrabble Club runs from 5 to 7:30 p.m and requires no registration. 

Finally, and fittingly for a library, the SCPL holds a plethora of Book Clubs spanning across all four branches and even online. These clubs meet monthly to discuss books chosen from an annual rotation list. Unfortunately, as of writing, many of these clubs are filled, but students can get on waitlists and find more information about each branch-specific and online Book Club here

Specific Events 

Much like those at Brock, the SCPL holds a plethora of different events catered to all types of personalities. From movie nights to arts and crafts, here are the specialized events students can look forward to. 

Every month, SCPL and Brock University team up for Brock Talks, a lecture on history, culture or the arts. On Jan. 15, Dr. Tim Kenyon will be delivering a lecture on Building Critical Thinking Communities at the Central Library from 6:30 to 7:30 p.m. Dr. Kenyon is the Vice President (Research) at Brock University, and his Brock Talk will “discuss the roles that social skills and communities play in critical thinking, and how we can help build these for ourselves and others.” Interested students can find more information and the mandatory registration here

Those in need of some tech assistance, especially but not specifically related to SCPL resources, can Book a Librarian at two of the library branches. On Jan. 15, a 30-minute session can be booked between 10:30 and 11:30 a.m at the Dr. Huq Family Library Branch and on Jan. 22, the same can be booked between 2:30 and 3:30 p.m at the Central Library. 

On Jan. 18, the Dr. Huq Family Library Branch is hosting a Knitting & Crochet Circle. Crocheting has numerous health benefits and can even help people manage anxiety, so drop in from 6:30 to 8 p.m no matter your skill level to make something fun. 

Students looking for other ways to nurture their health can visit the Movement for Everyday Life workshop with Shannon Kitchings at the Central Library. From 12 to 2 p.m on Jan. 27, Kitchings – a multi-discipline artist working in performance, literary arts and somatic practice – will guide participants through movement activities intended to get people moving in new ways and feeling good in their bodies. Students can find more information and a link to pre-register for this event here

The SCPL is hosting three more entertainment-related events before the end of the month. On Jan. 19 from 11 a.m to 12:30 p.m., Elemental will be playing at the Merritt Branch; and on Jan. 23 from 11 a.m to 1:05 p.m., Champions will be playing at the Central Library. Finally, on Jan. 26, there will be a casual Chess & Chat event. From 1 to 2:30 p.m at the Merritt Branch, players of any skill level can drop in and play matches against friends and strangers alike. 

Finally, while not in January, the Canadian Author Series: What If? Writing Speculative Fiction event on Feb. 3 is worth a mention. From 10 a.m to 1 p.m in the Central Library, author Dr. Nancy Taber – a professor in the Department of Educational Studies at Brock University – is holding a workshop that will “assist participants in incorporating speculative fiction into their own writing, whether for short stories or novels.” More information and a registration link can be found here

If students have time, these regular and specific events can offer new experiences, skills and opportunities to explore creatively and academically outside of Brock. The SCPL also holds many events catered to parents. For information on their Positive Parenting Program Group and frequent drop-in story times, as well as a full calendar of their events, visit here.

BUSU’s Frost Week kicks off the first term of 2024

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BUSU is holding an entire week of activities to mark the beginning of the winter term at Brock and celebrate the New Year. 

Frost Week will run from Jan. 15 to Jan. 19, providing students with free opportunities to get out of their homes and meet friends. Here’s all the information you’ll need to make the most of the eight events at this winter festival.

Monday, Jan. 15 

Only one event is being held on Jan. 15, but it is perhaps the frostiest of them all. From 10 a.m to 2 p.m at Canada Games Park, right across from the university, there will be Frost Week Ice Skating for skaters of every skill level. Free skating rentals are available, but they are on a limited first-come, first-served basis. Pastries and hot chocolate will be provided, and the first 50 students to show up will receive BUSU mittens. 

Tuesday, Jan. 16 

Jan. 16 kicks off with the Food First, Free Grab & Go Breakfast. From 8:30 to 10:30 a.m., while supplies last, students can stop by to grab granola bars, fresh fruit and other snacks from Union Station. 

The Clubs Fair returns to Brock as a Frost Week activity. Just like in the fall term, the Clubs Fair will allow students to explore the vast, student-led extracurriculars at Brock, exploring topics ranging from arts to politics. The winter fair will run in Union Station from 11 a.m to 4 p.m., with eight new clubs circulating every hour. Plus, new clubs that were unable to table at the fall fair will have an opportunity to advertise here, so stop by to check out both brand-new and returning clubs. 

The day closes out with Frost Week: Paint and Sip at Union Station. From 6 to 10 p.m., registered students will be guided through an art class led by Cristina Palermo, an artist, art therapist and registered psychotherapist. No prior art experience is required, and there will be juice, pop and other snacks provided. Spots are limited, but students can register for free here

Wednesday, Jan. 17 

From 1 to 3:30 p.m., students can stop by the Rankin Family Pavillion to attend the Student Engagement Fair. Here, students can explore several tables to learn about campus resources and how they connect to the Campus-Wide Co-Curriculum (CWC), a collection of opportunities at Brock designed to help students acquire skills in ten co-curricular categories. Students can learn more about the CWC on their website

At the end of the day, students can stop by BUSU’s Game Night in Union Station to compete for bragging rights in video games like Mario Kart, bowling and more, including some in VR. This event will run from 3 to 10 p.m., and free pizza and pop will be provided at 7 p.m until supplies last. The first 50 students to show up will get a free BUSU blanket. 

Thursday, Jan. 18 

Jan. 18 marks the final day of BUSU’s Frost Week and kicks off with a Free Hot Breakfast event provided by Food First and Parkway Lofts. From 7:30 to 10:30 a.m at Union Station, students can sit down and have a breakfast of eggs, turkey sausage, hashbrowns, pancakes, fresh fruit, juice and coffee while supplies last.

Later, students can party in seasonal style at the Après Ski 19+ Night at Isaac’s. From 8 p.m to 2 a.m., Isaac’s will be transformed into a ski lodge for its Pub Night. For a $5 cover charge, students can party with ski shots, drink specials and a guest DJ. A free coat check will be provided, and ski gear, après-ski chic or mountain-themed dress is encouraged. Students interested in the $150 bottle service can email isaacs@brockbusu.ca. This event is only open to students aged 19 or older, and a valid Brock student card and valid government-issued ID will be required for entry. 

Every event listed in this article will feature giveaway posters with QR codes for entry into a contest to win a PS5. Students can enter once at each event they attend with a maximum of eight entries, so they are encouraged to attend as many as they can. This contest is limited to Brock students, and the winner will be emailed on Jan. 22. 

Frost Week promises to be an exciting week of activities for any Brock student, and a good way to celebrate the new year and winter term.

New Year, New Raptors: How the Raptors improved after trading for Immanuel Quickley and R.J. Barrett

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On Dec. 30th the Toronto Raptors acquired guard Immanuel Quickley, guard/forward R.J. Barrett and a 2024 second-round pick from the New York Knicks, in exchange for forward O.G. Anunoby, centre/forward Precious Achiuwa and guard Malachi Flynn. 

The trade sees beloved Raptor Anunoby – who was a part of the 2019 championship winning team – leave Toronto, sparking a new era for the Raptors and one that should excite the fanbase. 

Immanuel Quickley, the 24-year-old sharp-shooter, is expected to provide the much-needed jolt to ignite the rather lacklustre offence. The former Kentucky Wildcat will slot into the starting lineup, a role he excelled at in 21 starts with New York in the 2022-23 season. 

As a starter, Quickley averaged 22.6 points per game, 5.4 rebounds per game and 5.1 assists per game while shooting greater than 40 per cent from three. 

In 30 games this season with the Knicks, Quickley shot 39.5 per cent from beyond the arc while shooting 45.4 per cent from the field and 87.2 per cent from the free throw line. 

Quickley’s shooting will be a lethal contributor to the Raptors’ hope for success this season and beyond given Toronto’s shooting woes so far this year. The Raptors are 26th out of 30 teams in three-point shooting, shooting under 35 per cent, while ranking second-last in free throw percentage at 73.9 per cent. 

Toronto is also in the bottom half of the league in points per game, scoring only 114 points, something R.J. Barrett can help improve the team in. Barrett, the third-overall pick in the 2019 NBA Draft, averaged 18.2 points per game in 26 starts in the Big Apple this season and has a career 18.1 points per game, having scored a career-high 20 points per game in the 2021-22 season. 

The former Duke Blue Devils’ star is expected to get more minutes with the Raptors after averaging a career-low 29.5 minutes per game with New York, after reaching highs near 35 minutes a game in past seasons. 

Paired with Quickley and Scottie Barnes, that trio – who fans have started to call “BBQ” given the first initial of their last names – is expected to be the core of the team for years to come. All three players are young and can develop together as a cohesive unit, given their unique skillsets complement each other nicely.

Quickley is a fantastic shooter who can space the floor and has the makings of developing into a great playmaker. Barrett is a scorer who can attack the basket and hit mid-range shots, whereas Barnes is a versatile big who can handle the ball, gather rebounds and make buckets from anywhere on the court. 

For the team as a whole, the acquisition of Quickley and Barrett slides Dennis Schröder – the Raptors’ former starting point guard – down to the bench, a role which should better the team as well as Schröder, who’s been struggling as of late. 

The Raptors bench has been troublesome to begin this season, averaging the third-fewest bench points per game this season with 30.4. However, with Schröder’s veteran leadership and playmaking abilities assisting the second unit, it should provide the necessary spark to role players like Gary Trent Jr., Chris Boucher, Otto Porter Jr. and others, who’ve been non-existent in the offence at times this season. 

On paper, this trade has the potential to be franchise-altering as it can set the Raptors back on the path to being a prominent and formidable team in the Eastern Conference and the NBA, something they have been trending away from in recent years. 

But the game isn’t played on paper, it’s played on the court. As such, it will be interesting to see how BBQ and the rest of the team blend together to get the Raptors on the right foot forward for the rest of this season and in the years to come.

For more information on the Toronto Raptors, head to raptors.com.