Monday, May 5, 2025
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada
Home Blog Page 20

A look into BrockTV’s 2023 “Render This” Film Festival

0

On Wednesday, Nov. 8th, BrockTV hosted the Render This Film Festival for the first time after a three-year hiatus. The festival screened student-made films at the Film House in the First Ontario Performing Arts Centre. 

Five films were screened at the festival, following the theme of “How did we end up here?”: Come Over, The Counterfeit, Siren, HOW DID WE END UP HERE and Spaghetti Goons. 

These student-directed films were also judged at the event by industry professionals such as Adrian Theissen, a founding member of BrockTV. 

Other judges included Conner Wilkes from Brock’s Department of Communication, Popular Culture and Film; Erica Benedikty, a producer and director; and Anthony Kinik, a film professor at Brock. 

The student crews responsible for the films had the opportunity to win a $500 prize for winning first place and a $300 prize for second place. Additionally, there was a $100 prize for the Audience Choice winner, which was voted on by audience members. 

Submissions for the festival opened on Sept. 29th, giving students until Oct. 12th to register for the festival with teams of three to five people. The day after the registration period closed, BrockTV provided registered participants with the criteria for submissions. The films had to feature a montage, follow the theme of “How did we end up here?”, and include a wooden spoon in some capacity throughout the short film. Students then had two weeks to record and submit their films.  

Taylor Westbury from BrockTV hosted the event throughout the evening, offering light-hearted commentary to introduce each film, and later on, announcing the winners of the festival. 

Westbury first announced the film Spaghetti Goons as the winner for second place in the festival. Spaghetti Goons features a comedic bromance that circumvents the highs and lows of life through pasta-making. The Spaghetti Goons crew was composed of four Brock students: Lucas Candelino, Kyle Manson, Jonathan Krekorian and Prabnik Sidhu. Later on, after all the audience’s ballots were counted, it was announced that Spaghetti Goons won the Audience Choice award. 

As soon as Westbury announced The Counterfeit as the first-place winner for this year’s Render This Film Festival, the corresponding crew screamed out in joy. The Counterfeit is a short horror film that tells the story of an urban legend creature said to hunt narcissists, create a replica of the person and ultimately kill them. The short horror film was directed and protagonized by Samuel-Charles Archer and Ava Lauricella. Likewise, the directors also used the help of two other cast members, Jaren Pellazar and Lucas Chestworth. 

For the directors, the moment when the awards were announced was stressful, yet ultimately rewarding. 

“We were just really excited and really nervous,” said Lauricella, as to how the awards ceremony unfolded. 

“The fact that we got first place was crazy… knowing that [the judges] thought such good things about our film made us so happy,” said Archer regarding the emotional aspect of seeing The Counterfeit win first place. 

BrockTV’s 2023 Render This Film Festival screened five student-directed films of various genres, and rewarded student crews showing their passion and talent for filmmaking. 

To watch the student films featured in BrockTV’s Render This Film Festival, visit YouTube. To keep up with BrockTV, follow them on Instagram. 

Badgers’ men’s hockey strengthens their hold on first in the OUA after a two-win weekend

0

The Badgers looked to maintain their dominant run through the OUA men’s hockey season with two more games this past weekend on Nov. 10th against the Waterloo Warriors and on the 12th against the Laurier Golden Hawks.  

The Warriors are on the lower end of the spectrum of teams this season, holding the third-least number of points in the OUA.  

Despite their opponent, the Warriors shocked the Badgers, scoring just 27 seconds into the game. Waterloo looked committed to holding the early lead, throwing a multitude of shots on Brock netminder Connor Ungar, finishing the period with 16.  

Regardless of all the rubber put on Brock’s cage, Waterloo’s hold on the game quickly evaporated. 

Zach Taylor evened the score with a powerplay goal with five minutes remaining in the first period. Almost exactly three minutes after, Justin Brack gave the Badgers the lead that they left the period still holding.  

After a second period of shutout play for both sides, it took over halfway through the third for the Badgers to extend the lead, but once they did, the floodgates were open. 

Cole Tymkin zipped the puck to Jordan Stock in front for his second assist of the night and did it again at 13:54 to find Jacob Roach. Tymkin would seal the deal with a goal of his own with under three minutes remaining in an incredibly productive night, finishing with a goal and three primary assists. Connor Ungar was also phenomenal, stopping 43 of the 44 shots he faced.  

Two days later, the Badgers found themselves in a much closer affair.  

On Nov. 12th, the Badgers returned to Canada Games Park to face Laurier and potentially improve to 11-1. 

Brock looked hungry to secure that eleventh victory and came out of the gate firing. Despite pumping 16 shots on the Laurier’s goalie, the Badgers were unable to find the back of the net. Luckily, neither did the Golden Hawks who, despite being outshot by seven, managed to hang in the game.  

The Golden Hawks remained on the other end of an offensive onslaught—down 23 to nine in shots—but nevertheless managed to gain the first lead of the game, scoring on a breakaway just under four minutes into the second.  

After a number of chances including one right at the Laurier goalmouth, Brock eventually found the back of the net with Jonah Boria levelling the score 11 minutes into the second. 

After being dominated in the shot totals in the first two periods of play, Laurier responded with 13 shots in the final frame to the Badgers’ eight. Despite the late-game pressure, the Badgers were able to pull ahead after an end-to-end effort by Matthew Barnes gave the Badgers the lead.  

Barnes’ goal would stand as the game winner in a Badgers 2-1 victory over Laurier.  

The Badgers play twice next weekend, first at home against the Guelph Gryphons on Nov. 17th and in Toronto against the Varsity Blues on Nov. 18th. For more information, please visit gobadgers.ca

Brock women’s volleyball begin the season undefeated

0

Brock’s women’s volleyball team got off to a hot start to the season with four wins in their first four games, showing strong signs of building on last season’s massive success, if unfortunate end. 

Brock dominated the Ontario University Athletics (OUA) in 2022-23, finishing with an 18-2 record, only losing twelve total sets throughout the entire regular season. Additionally, players Sara Rohr, Aleiah Torres, Sadie Dick and Grace Pyatt were all named OUA first-team all-stars while head coach Steve Delaney was named OUA coach of the year for the third year running.

In the OUA Quigley Cup playoffs, things weren’t much different with the Badgers dispensing of Windsor and York on the way to a thrilling comeback victory in the finals over Queen’s University. 

Uncharacteristically and regrettably, Brock lost their U Sports quarterfinal match against the University of British Columbia 3-1 and subsequently lost the consolation semifinal against Mount Royal University, ending their season and shot at the National Championship.

Despite the tough exit, the Badgers had a number of returning players—including three of their four first-team all-stars—as well as coach Delaney. 

Coming off three five-set victories in the McMaster Thanksgiving Classic in early October[CR1], the Badgers opened the regular season with a double-header in Toronto against the York Lions beginning on Nov. 4th. 

Brock came out of the gate firing, recording five points straight, but it wouldn’t take the Lions long to get back into the game, knotting the score at seven. The set remained tight from there with the sides trading points, tying the game at 11, then at 16 and again at 19. 

After going up 20-19, York got a hold of the set, taking it 25-21.

Despite dropping the first set of the regular season, the Badgers came right back to respond. Though the early stages of set two were close, Brock started to pull away up 12-7. The Badgers more-or-less held that five-point lead from there on out, winning set two 25-18.

Set three played out similarly with both squads staying neck-in-neck until Brock was able to extend a 13-12 lead into a 19-12 advantage and, eventually, a 25-15 set win. 

Though York held on for a time, Brock quickly separated themselves from the Lions, taking a tight 7-7 set to a lopsided 19-11 advantage. Madison Chimienti closed out game one with a kill off an assist coming from Sara Rohr.

Chimienti was all over the scorer’s sheet on the 4th, recording 11 kills, two aces, two assists and a match-leading 15 digs.

Set one of game two on Nov. 5th saw Brock take an early lead and run with it, not surrendering their margin since the game was tied 4-4. The Badgers claimed the first set by a decisive 25-15.

In set two, York quickly went up 3-1 and battled to hold their advantage throughout the set. Brock fought just as hard to overcome their deficit, tying the set at 14. That was the closest the Badgers would come in the second set. Though they made it close, fighting back from 15-19 to 20-21, the Lions squeaked out a set two victory 23-25 thanks to a kill by York centre Amarai Endes.

Set three was just as much of a tightly fought affair, though not all the way through.

The Badgers took a commanding lead, going up 16-8 before blowing the eight-point spread to go down 22-23.

Despite York’s surge, the Badgers were able to fend off the Lions comeback in an extended set, winning by a slim 28-26.

The final set was much more in the Badgers’ favour. 

Brock took off with a 9-3 scoring run to lead the Lions 17-12. The Badgers wrapped up the two-game sweep of York with a 25-19 victory. 

Outside hitter Meera Sayal, seeing an increased role this season, was impactful in the first weekend, particularly in game two where she led the Badgers in kills (12), aces (2) and blocks. Emily Foest and Aleiah Torres also looked strong, recording double-digit kills and digs in the two respective matches. Sara Rohr led all players in assists in both matches with 46 and 40.  

On Nov. 10th, the Badgers returned to Brock to face the TMU Bold in their two home-opening games. 

The Bold were fresh off of two games against the Windsor Lancers, handing them two losses in seven total sets. 

The Bold picked up right where they left off, jumping to an early 5-2 lead over the Badgers in the first set. Brock was able to tie the set at six, and the score remained within two virtually the entire set. The Badgers were able to string together six straight points to reverse an 18-15 deficit to a 21-18 advantage, forcing a Bold timeout. Though TMU added two more points post timeout, the Badgers took care of business, winning the first set just the same. 

Set two posed many more difficulties for the Badgers. 

The score stayed close initially, but the Bold started to pull away, turning a 9-9 deadlock into a massive 19-13 margin with Brock making several attacking errors and struggling to deal with TMU’s blocking. The Bold outscored the Badgers 6-5 the rest of the way, taking set two 25-18.

In the third set, it was the Badgers’ turn to take over early. Brock went on a scoring run from the outset and quickly found themselves up by a sizeable 12-6 margin thanks to some extended serving runs from Chimienti and Madison Tuck, and a couple high-powered kills from Gigi Markotic. 

Brock nearly surrendered the lead minutes later when the Bold brought the score within two at 16-14. However, some steady play helped them right the ship and bring the lead back to seven by the end of the set, with Markotic and Sayal punching in two straight kills to win it 25-18.

After a game of a bunch of close calls for Brock, set four was by far the closest.

The score almost never deviated from a one-point difference, but after going up 7-6, it was the Bold who were in the driver’s seat. TMU started to stretch their lead, eventually getting it as large as 20-15. 

Nonetheless, the Badgers maintained their composure, going on a 7-1 scoring run to regain the lead at 22-21. The Bold stayed hot on their tail until the end, but Markotic and Foest were able to close things out with two more kills.

After four close sets, the Badgers were able to scrape out a 3-1 victory, despite giving up 34 errors to TMU’s 11 and committing more errors in each of the four quarters. 

Foest led the match with 18 kills, while Sara Rohr contributed all over the scoresheet with two aces, 10 digs and 54 assists. 

In Saturday’s game two matchup, Brock had a much easier time with the Bold. 

In set one, the Badgers led early and by a lot, going up 10-3. TMU clawed their way back, making it as close as 17-17, but Brock finished the set with an 8-2 scoring run to polish off the set 25-19. 

Set two was the closest of the weekend. After the two sides tied the set at 6-6, their separation was only greater than a point four times in the entire set. Despite the closeness, the Badgers were able to secure the set 25-23.

By set three, things were pretty much wrapped up. The Badgers recorded only three errors to 15 kills, washing away the Bold 25-17. The Badgers led the match in all facets, including recording eight aces and five blocks.

Brock got contributions from several players. Markotic and Foest both had great all-around performances, with Markotic recording seven kills, two aces and three blocks, while Foest chipped in with seven kills, two blocks and 11 digs. Mackenna Knox’s three aces and 31 assists led all players, also grabbing eight digs for good measure. Sadie Dick’s 12 kills led all players.

The Badgers play two more games next weekend at Queen’s University on Nov. 18th and 19th. For more information on their schedule and results, check out gobadgers.ca.

Federal Conservative carbon tax pause bill gains NDP support, fails to pass

0

A non-binding motion proposed by Conservative leader Pierre Poilievre to extend carbon tax pauses for home heating oil captured NDP support, but ultimately failed to pass. 

On Nov. 6th, Poilievre’s motion saw 136 ‘Yea’ votes and 186 ‘Nay’ votes.  

While the Federal NDP and the Conservatives rarely—if ever—find areas of common ground, the opposition’s motion gathered the support of the NDP, as it proposed to expand carbon tax breaks for all Canadians. 

“The motion today is for once not a crazy climate-denying motion.” said NDP MP Peter Julian, in reference to the NDP’s support for the bill. 

In contrast, Liberals, Bloc Québécois and Green Party Members of Parliament firmly stood against expanding carbon tax pauses for all kinds of home heating.  

The Conservative-led, non-binding motion builds off Prime Minister Justin Trudeau’s announcement of a three-year pause on federal carbon taxes for home heating oil. The carbon tax pause aims to ease the financial burden placed on low-income Canadians relying on home heating oil.  

While the three-year pause applies nationwide, Statistics Canada reports point out that most homes relying on heating oil are mostly in the Atlantic Region, and only comprise three per cent of all Canadian homes. 

Following the announcement, Justin Trudeau clarified that the federal government does not intend to introduce any more exemptions for the federal carbon tax. Instead, the Liberals intend to work closely with all provinces to support low-income residents relying on home heating oil to switch to heat pumps.  

In response, the opposition’s motion proposed to expand carbon tax exemptions to apply to all forms of home heating across Canada. Both the Federal NDP and Conservative party argued that the Liberal government’s carbon tax pause on oil-based home heating proved to be divisive.  

“We reject absolutely the Liberals’ divisive plan. We think it’s unfair. It pits regions against each other, and so we’re voting to reject the Liberals’ divisive plan,” said Jagmeet Singh, leader of the federal NDP. 

As for the Conservatives, the Bloc Québécois’ backing of the Liberal carbon tax exemptions was largely interpreted as having unproportionately divisive effects for Canadians. 

“[Justin Trudeau has] now signed on with [Bloc Québécois] to divide Canadians into two separate classes: those who will have to pay carbon tax on their heat, and a small minority who will get a pause from the pain,” said Poilievre after results on the motion were revealed. 

Poilievre’s non-binding motion on expanding temporary carbon tax exemptions for various kinds of home heating unexpectedly grabbed the vote of NDP MPs. Despite the unprecedented support from NDP representatives, the bill was rejected. 

Moving forward, the NDP is committed to continue negotiating for a removal of GST for home heating across Canada, as seen by a new NDP motion building off Poilievre’s.

Brock Film Society hosts a viewing of “The Killer”

0

Brock has found a way to keep an independent cinema community alive in Niagara. 

Operated through the Department of Communication, Pop Culture and Film, the Brock University Film Society (BUFS) has served as a staple for cinephiles at Brock and the surrounding community for 40 years. 

On the first Thursday of every month, the BUFS hosts a screening at the Film House located at the FirstOntario Performing Arts Centre. These screenings are not private and are open to the public. Students and faculty are not offered discounts for ticket prices; all fees are fixed in accordance with the Film House. 

For the month of November, the BUFS hosted a screening of David Fincher’s latest film The Killer. Following the life of an assassin in the shadows, the film allows audiences to see the inner workings of a character so obsessed with how their job must be executed that their task at hand seems to fall apart entirely.  
 
Visually speaking, the film easily fits with the aesthetic choices of other Fincher films, using a gloomy palette with a slight green tint. It’s edited to be fast and to keep viewers active and on-edge, relying on continuity editing to make the events flow to the next scene before you have a chance to brace yourself.  

In comparison to Fincher’s other films such as Gone Girl (2014), The Killer is hardly a reflective slow burner at all. In moments of high tension when the assassin is reflecting on his lifestyle, the audience is left on edge until the plot continues to move forward as swiftly as a bullet.  

A memorable takeaway from the film’s cinematography is its attention to time within shots. The storyline moves at a constant speed, but Fincher executes a tension and release effect within shots that may feel ten times longer than they are, making the eventual release of tension all the more thrilling.  

Beyond The Killer’s literal approach to portraying an obsessed, methodical assassin, the film translates itself to a comprehensive theme of neurosis. The first of six chapters in the film provides the audience with all the key traits about the protagonist. His obsession with the idea of his career and not the career itself becomes the source of many challenges. 

In a twisted way, The Killer falls in the same vein as other “obsessed artist” films, depicting someone so driven by the pursuit of all-encompassing perfection that they drive themselves mad and ironically further off-course from their main goal.  

As with Fincher’s usual screenplays, The Killer wields a dark wit that simultaneously shocks and acts as very much needed gaps in the film’s breakneck story. Hardly any of the humour feels intentional, but the protagonist’s absurd philosophy seems to be something Fincher himself was aware of as a criticism towards self-absorbed pursuits of perfection.  

All this dissection aside, The Killer is not a very complex film; it follows a rather simple plot structure. The protagonist is an archetypal unreliable narrator, and the film would be more tainted by this had the audience not constantly been treated like an outsider to the cinematic events. The Killer is one of the most striking films to be released this year; it’s an examination of neurosis in its most overt form, encompassing the entire worldview of the protagonist which backfires on him at every turn. Sharing the viewing experience with the BUFS served as a reminder of the role cinemas have as cultural staples for all lovers of film. 

PinkPantheress continues her upward artistic trajectory on “Heaven knows”

0

After several viral singles and an acclaimed mixtape, the young sorceress of drum and bass finally released her long-awaited LP Heaven knows.  

Right from the opening track “Another life,” PinkPantheress seems to be declaring the start of an entirely new project unlike her previous ones. The awe-inspiring organs waste no time in conjuring gothic imagery that remains comfortable in appearing a little cartoonish, eventually working in favour of the track’s playful melody and PinkPantheress’ vocal delivery. 

The second track “True romance,” adopts a less gothic atmosphere, instead bouncing atop the sample of a cheering crowd to elevate the track’s story about yearning for a famous performer on stage. A crush of such nature may look ridiculous to outsiders and PinkPantheress certainly knows this, but she’s not going to stop herself from having fun with the idea. 

 
A track like “True romance” demonstrates a key area in which PinkPantheress has evolved since her most recent mixtape to hell with it. The songs on it displayed a passive, introverted bedroom-pop quality, whereas Heaven knows feels more extroverted. It’s less shy and more flirtatious, pulling you in to dance along. 

The album’s lead single “Mosquito” is a cut from the tracklist that begs for you to listen to its shimmering synths on repeat. With a two-step drum pattern over breakbeats characteristic to drum and bass music, the track feels like it accidentally time-travelled from the early 2000s and ended up here in the present. The chipper instrumental feels caught between current pop formulas and Y2K- era glam, and PinkPantheress manages to find the sweet spot to create a song that feels like something only she herself could produce.  

 
Where Heaven knows loses momentum is in its second half, when the infectious danceability of its heavy front begins to feel a little stale. The rhythmic choices in drum and bass samples tend to be identifiable and similar, but on the latter side of Heaven knows they manage to feel forgettable due to the lack of variety in production choices outside of them. Even “Blue” – one of the stronger cuts from this side of the album – feels like it is missing the right amount of depth to its house rhythms to push it beyond forgettable territory. 

Ending the album on the second single “Capable of love,” would have been a perfectly satisfying conclusion to the album. Thematically it aligns with the rest of the album, serving as a final confessional for yearning and romance. The softer percussion deviates from the perky UK garage music and compels you to listen to the lyrical content.  

Unfortunately, the final track “Boys a liar pt. II” featuring Ice Spice spoils the album’s attempt at rounding off its aim for consistency. The track comes from her previous EP Take Me Home and with the added feature artist, it feels made to function like a single. Ultimately, Ice Spice feels out of place and her verse hardly adds anything to the original track, which was already subpar relative to the rest of PinkPantheress’ catalogue.  

As an artist, PinkPantheress gives the music scene a lot to be excited about. Her viral success online has not penetrated her humble exterior and noticeable investment in music. But after numerous singles, a mixtape and EPs, her long-awaited debut album doesn’t seem to fit into the album format as intended, leaving it feeling like unfinished business.  

The Game Boys discuss: is the Zelda movie a good idea?

0

By: Andrew Hawlitzky and Christian Roethling

On Nov. 7, Nintendo announced that their flagship video game series The Legend of Zelda would be getting a live-action film, set to be co-produced by series creator Shigeru Miyamoto and longtime film producer Avi Arad. Naturally, the Internet is up in arms over the announcement, but what do The Brock Press’ editors think about the upcoming film? 

Christian Roethling: 

Despite what some naysayers are expressing online, I’m feeling quite positive about the upcoming Zelda movie. 

Zelda, like Mario before it, is one of Nintendo’s golden children. Sure, the film’s producer Avi Arad may not have the best reputation, but I’m hopeful that Nintendo’s involvement in the film will be its saving grace. After all, Nintendo is funding more than 50 per cent of the film’s creation, and they’re not going to treat such a momentous project carelessly. 

In 2017, Nintendo shifted their creative philosophy, prioritising what fans actually want over bland, lifeless yet marketable iterations of their properties. The launch of the Nintendo Switch was clearly a turning point for the company after years of suffering thanks to the Wii U’s failure, and I believe that this “fan-first” creative philosophy will carry over into their filmmaking endeavours. 

Shigeru Miyamoto, the legendary game creator responsible for the Zelda franchise and a producer on the upcoming film, has been discussing the movie for about 10 years. This isn’t a tidbit Nintendo would openly share if they didn’t have confidence in this project. That kind of statement makes a bold—yet implicit—claim, one that should assure fans that things are going well on the development side. 

Some fans online have insinuated that the movie would benefit from 2D animation rather than live-action, and while I see the appeal of that argument, I don’t think it lines up with Nintendo’s currently planned trajectory. Nintendo executives have stated that the business is becoming an entertainment company rather than focusing solely on video games, but a 2D-animated film seems too niche.  

I think a 3D-animated film like The Super Mario Bros. Movie would likely be too childish for the Zelda franchise, so live-action is probably the best way to go. This doesn’t necessarily contradict Nintendo’s fan-first approach; they can integrate tons of fanfare and commit the movie to the Zelda franchise while maintaining their “entertainment company” mindset. 

While the Mario movie wasn’t great for the average moviegoer, it was amazing for Mario fans specifically, and I think this film will equally lend itself to fans of the Zelda franchise. In fact, with Zelda typically focusing on plot far more than its moustachioed counterpart, I argue that this film will probably also be a good watch for viewers who aren’t fans of the franchise. 

I don’t think the Zelda movie will be the greatest film to ever grace theatres, nor do I think every viewer is sure to have a fantastic time. But given Nintendo’s recent creative approach and the fact that they surely know how important this movie is to their entertainment business, I think it’s worth giving a chance… and maybe even getting excited over. 

Andrew Hawlitzky: 
 
Nintendo’s announcement of a live-action Legend of Zelda movie has my hopes at an all-time low.  
 
Nintendo revealed on Nov. 7 that the company’s newest film will be developed in collaboration with Sony Pictures and produced by Avi Arad and Derek Connolly with Wes Ball directing. As my colleague has aptly pointed out, this selection of directors and producers are best suited for a blockbuster in the same vein as the MCU movies they have previous experience with. But I ask, does The Legend of Zelda—as a franchise—lend itself to this flick-of-the-summer superhero-style of live-action movie?  
 
The most successful mainline video games of The Legend of Zelda franchise often have somewhat complicated plots. Whether the film will focus on an original plot or adapt a plot from the games is still being speculated
 
The most likely game source the movie will take from is The Legend of Zelda: Ocarina of Time. Not only is Ocarina one of the most popular games of all time, but as a film, it would give creators the most to work with. Ocarina was the first 3D Zelda game and its original plot works as a stand-alone from the other Zelda games.  
 
Do I think Ocarina would work well as a live-action movie? No. To make a live-action Zelda movie is by all measures a cash grab trying to make the franchise commercially viable to a wide audience. Assembling a “triforce” of directors and producers who specialize in high box-office earnings and little concern for critical ratings is similarly devious and does not put the desires of the fans first.  
 
Some video game movies, such as the most recent Mario and Sonic movies, worked both financially and critically because of their willingness to listen to the concerns of their fans and having relatively simple game plots that can be easily adapted with original ideas.  
 
Ocarina of Time, as well as most mainline Zelda games, have a central theme of exploration and lore-centred discovery throughout the plots. The characterizations of Link, Zelda and Ganon are also inconsistent and difficult to define since they are different incarnations in almost every Zelda game. The protagonist Link usually has no real dialogue other than player-selected options for conversations with NPCs. In other words, the world and characters of Zelda do not translate well to a marketable film scenario and exist in their best forms in the media they were always intended to occupy.   
 
That being said, it is possible to make a good Zelda movie, but it is not at all conducive to live-action. The answer to a faithful Zelda movie lies in 2D animation. Animated cutscenes have been used for Zelda media before such as in the remake of Link’s Awakening or a character reveal trailer for Super Smash Bros.  
 
In both these iterations, Link is faithful to his usual stoic portrayal, but the nuance of handcrafted animation highlights small facial expressions and epic fighting choreography that could never be properly represented in-game. However, a 2D-animated film would never be as successful as a live-action film, nor would it ever be able to work up the same budget. It is clear that this big-budget blockbuster approach is the direction Nintendo wants to take its new film franchises.  
 
In short, some video game franchises are at their best when they remain in the realm of gaming rather than being used to line executives’ pockets with big aspirations and little thoughtfulness. So, while I still think the movie has some hope, it will be an uphill climb for the Zelda movie to reach the same level of appreciation as the games.   

… 

Though opinions may differ, the race is most certainly on for the new Legend of Zelda movie to prove its worth to Nintendo’s critical fanbase. 

Married to the mob? It’s time to file a divorce

0

Adopting mob mentality as a basis for thought is a threat to independence, and we need to tread carefully if we hope to maintain our collective ability to think critically. 

It’s easy to become a victim of mob mentality, which is the human urge to blindly follow the majority opinion. It can be fun to share the ideals of a major group of people, but this becomes harmful when it starts hurting others or causes people to lose their ability to think on an individual level. 

An excellent example of mob mentality’s negative effects can be seen through cancel culture, which often sees crowds of people collectively turn against an individual or corporation, even if they don’t fully understand why they’re doing so. The truth is that ranting online or engaging in boycotts can be stimulating and make you feel like a part of a greater initiative, but often, cancel culture just leads to mindless hatred. 

But not all forms of mob mentality are quite this obvious. A less clear example of mob mentality can be seen in major sporting events, where fans often subconsciously gauge the general vibe of the room and respond in a way that replicates that feeling. These typically aren’t individual responses; they’re extensions of a collective unit’s utterly predictable response to a scored goal or poor play. 

But this type of group thinking isn’t necessarily a problem. Mob mentality that focusses on harmless hobbies is just a fun way to spend time with friends or engage in personal interests, even if the response to those interests is determined by the majority. 

Mob mentality becomes a problem when a person loses their ability to think critically in situations that require it, or when a person doesn’t realize that their thought process has been influenced by the majority opinion. 

It’s usual for a person who’s engaging in mob mentality to not recognize the hidden influence at play and still believe that they’re engaged in independent thought. Mob mentality is often a subconscious process and it can be hard to recognize when you’re not truly thinking for yourself. 

Another huge issue with mob mentality is the potential for it to turn violent. Mob mentality can often make individuals do things that they might consider irrational if they weren’t under the influence of a group. 

A relatively recent example of this is the attack on the U.S. Capitol Building on Jan. 6, 2021. The mob wasn’t thinking logically or rationally; rather, its members were acting upon the impulsive influence of a bunch of other rowdy “protestors” subconsciously validating each other’s belief that they were doing the right thing. 

This is the danger of mob mentality. To many, this example might seem too extreme to ever apply to their own life, but don’t underestimate its powerful implicit influence. Just because you haven’t been a part of a violent mob doesn’t mean you’re free from the mental clutches of herd mentality. It doesn’t just apply to riots and violent acts, it can even affect what one carelessly posts online

In order to deal with the negative impacts of mob mentality, we must consistently and truthfully ask ourselves whether we are saying or doing something because it’s what we genuinely believe in, or if it’s just a reflection of the pre-existing opinions that have been thrust upon us. 

Mob mentality has the potential to be innocent fun, but when we don’t realize its influence in important situations, it’s a danger to critical thinking and who we are as unique individuals. 

Our education system is failing the next generation

0

Schools should nurture students’ creativity, not restrict it. 

There’s a reason why so many kids don’t want to go to school in the morning. For many elementary and high school students, a day at school consists of listening to teachers speak for hours on end, time spent on some assignment and going home with even more work assigned for completion before the next day begins. 

It’s tedious and draining, and it takes away the essence of what it means to be a child. 

Children are naturally more explorative than adults. There’s a sense of discovery that comes with childhood; as the newest members of society, it makes sense that they would be keen to learn about the world around them and see what it has to offer. It’s a shame that the system that many children are legally forced to engage with is so restricting in creativity. 

Why are the youngest members of the world – those who are often the most creative by nature, with many adults striving to be more like them in this regard – burdened with nonstop monotonous schedules, due dates and guidelines? Shouldn’t these students be encouraged to embrace their creative intuition so that we can reduce the corporate blandness plaguing the lives of so many adults within the next generation? 

By burdening our youth with constant restrictions reminiscent of those experienced in adult life, we are stripping them of the joyful freedom that should be a natural baseline across any child’s life. 

There’s certainly something to be said about teaching kids to be responsible, and this isn’t to suggest that kids should be free from discipline and accountability. Learning about responsibility is a quintessential element of eventually becoming a cohesive part of a functioning society, but an overreliance on arbitrary rules is harmful to the “childlike innocence” that society claims so hard to want to protect. 

There’s a reason why so many kids claim that recess is their favourite subject. Perhaps it’s time that “regular classes” take a few hints. 

Lectures might seem like a method of fostering a collective group of students’ learning, but the act of speaking at a group of students is an authoritative ideology when the real focus should be on the children. Teachers who take up the role of facilitator or delegator, however, encourage students to take their learning into their own hands. 

This idea could be pushed even further. In a hypothetical classroom where students are encouraged to focus on their own interests, and a teacher’s role is to incorporate those individual interests into a means of gentle instruction, students could become representatives of their own learning. 

The concept of the open classroom is an excellent example of this. Rather than traditional instruction, the open classroom allows students opportunities to experience “interest centres” where students focus their learning on their own topics of interest. The teacher is expected to focus on each student individually rather than as a collective and must work with them to format their interests in a way that students can still learn something meaningful. There are no whole-class lessons and no standardized tests; rather, there is a focus on each student as an individual with personal interests that deserve to be nurtured. 

It’s worth asking ourselves if we maintain our currently-established ruleset because it helps the people of the future, or if we just keep these rules around because they’re all we’ve ever known. It’s not the children’s fault that they struggle to stay focused or interested in what we’re teaching them, it’s the fault of the education system that constantly restricts them. 

Contrary to what many educators seem to believe, a teacher’s job is not to teach. A teacher’s job is to ensure that their students learn. A person can stand at the front of a lecture hall and “teach” any subject they want, but if their pupils aren’t actualy getting anything from the lesson, then the instructor has failed to do anything meaningful. 

We must restructure the way we think about our education system if we wish to give young students the creative freedom that they deserve.  

You don’t owe your parents respect

0

You don’t owe your parents respect, but it’s a good place to start. 

From a young age, many children are taught that their parents must be respected, no questions asked. While this lesson is sometimes taught under a religious pretext, it often comes down to the parents’ sense of authority over their children. This makes sense, especially when children are at a younger age. 

In reality, as kids grow older and begin to form mature worldviews, things become a lot more complicated. Children assuming a different mindset from their parents – which is to be expected, considering they are unique individuals – can lead to familial tension.  

The parent-child dynamic isn’t erased when a kid grows into a young adult; often, it simply evolves. 

It’s important to define respect in the context of this discussion. On the topic of “respecting your parents,” I am referring to the stereotypical notion of obeying them and refusing to argue when one deems it necessary. There is a level of subordination to this definition of “respect”; it is a special type often delegated to the relationship between parents and their children. This kind of respect is perhaps necessary when children are small and rambunctious, but the following argument will largely focus on individuals old enough to reliably make their own decisions. 

If it is assumed that children owe their parents respect based on authority alone, this brings into question how a child should respond to their parents once they’ve moved out of the house. If it were true that children owe their parents respect without question, then why do grown adults not necessarily have to respect their elderly parents?  

Perhaps, then, this is a demand to respect your parents while living in their home, but that becomes a different argument. Do you owe your parents respect, or do you owe the homeowners (who just happen to be your parents) respect? If a child is only compelled to respect their parents while they live under their roof, why shouldn’t a tenant be forced to show the same consistent respect – and by connection, subordination – to their landlord? 

There is a much simpler solution to this question: respect is a two-way street, and it must be given for it to be received. Furthermore, in regard to those who are old enough to reliably make responsible decisions, the concept of subordination must be removed from the discussion altogether. Sometimes, obeying someone else’s requests comes with respect, but there’s no underlying obligation making this happen. It’s by choice, not by nature. 

Parents should respect their children as they grow into young adults, and then they should expect respect from their children in return. A young individual cannot be expected to show respect to an individual who treats them unfairly. If a parent refuses to display respect towards their kids, then they do not deserve to get it back. 

Now, some individuals face harsh familial circumstances such as a parent who abandoned their family or has been the cause of abuse. How is it fair to tell that child that they must speak of their parent(s) with love and admiration when they have had such a detrimental impact on their life? 

With that said, respect is always a good place to start. A grown child who decides to disrespect their parents without any understandable reason shouldn’t be surprised when things become tense. In the worst-case scenario, this can create a cycle in which each party continues disrespecting the other because of the lack of respect they’ve been given. 

It is ideal to respect your parents. Being in a situation where you can happily respect your parents without question likely means you’ve had that same respect also demonstrated toward you. Many of those who don’t respect their parents probably wish that they were in a situation in which they could have joyously reciprocated some initial respect from their parents’ end. 

Starting off by showing your parents some respect is certainly a good thing. Give your parents the opportunity to respect you back and a chance at a healthy relationship. If they prove uncaring, unloving and disrespectful, then a child should not be held to a moral, familial or societal obligation to respect their parents back. 

Children don’t owe their parents respect based on bloodline, adoption or authority. There are too many variables and circumstances that might make this demand unreasonable. Yet, because a respectful relationship with one’s parents is ideal, children should know that displaying respect toward their parents is a great opportunity to foster a more positive relationship. 

Parents have an obligation to love their children unconditionally and treat them as human beings, but grown children should recognize that sometimes the path to mutual respect starts with their own mentality and behaviour. Even in difficult situations, it never hurts to try and start a more positive cycle. 

Brock women’s hockey team breaks losing streak with strong victory

0

In a thrilling match at Canada Games Park on Saturday, Nov. 11, the Brock women’s hockey team showcased resilience and determination, snapping a three-game losing streak with a commanding 3-1 victory over the York Lions. The Badgers displayed a stellar performance, with goals from Madeline Nicholson, Allison Stevenson and Madison Cronkwright. 

Nicholson, seizing an opportunity in the first period, converted a pass from Allison Moore to open the scoring and set the tone for the Badgers. However, the Lions retaliated in the second period, as Julia Cuccia found the back of the net, levelling the score at 1-1. 

The third period proved decisive for Brock, with Cronkwright scoring the game-winning goal at 5:52. Mia Landry provided the crucial assist, securing the Badgers’ lead. Stevenson sealed the victory with an empty-net goal in the final minutes, cementing the 3-1 win. 

Goalkeeper Kenzie Harmison played a pivotal role in the win, making 20 saves and earning her fourth win of the season. The Badgers’ penalty kill unit showcased its prowess by successfully fending off all three York power plays. 

Emma Wedgewood, the Lions’ goalie, faced 21 shots throughout the game but couldn’t prevent the determined Brock team from securing the win. 

Looking ahead, the Badgers, with a season record of 4-3-0-2, are set to host a School Day Game against the Toronto Metropolitan University Bold on Friday, Nov. 17, with puck drop at noon. The following day they will face off against the University of Toronto at 4 p.m. Tickets for both of those games can be found here

As the Brock women’s hockey team looks forward to upcoming challenges, this victory serves as a testament to their skill, teamwork and determination to overcome adversity on the ice. 

For more information on the Brock women’s hockey team, please visit gobadgers.ca. 

Women’s hockey: Badgers drop back-to-back road games, fall below .500

0

The Brock Badgers women’s hockey team faced off against the Guelph Gryphons on Thursday, Nov. 2nd. Both teams entered the game tied at nine points in five games, setting the stage for an exciting contest. Despite a spirited effort, the Badgers couldn’t overcome the Gryphons, ultimately losing 4-1. 

The game got off to a tough start for the Badgers, with the Guelph Gryphons striking first just over six minutes into the first period.  Brock’s goaltender, Kenzie Harmison, displayed incredible skills between the pipes, making outstanding saves to keep the deficit at just one goal. 

As the first period was winding down, Guelph managed to sneak a shot from the point through the traffic in front of the net, extending their lead to 2-0 to end the opening period. 

In the second period, the Badgers looked to find their offensive groove but struggled to stay out of the penalty box. However, their penalty-kill unit stepped up to the challenge and managed to stop the Guelph Gryphons’ attack. 

Building on the momentum generated by their penalty-kill success, Brock’s power-play unit managed to get on the scoreboard with just over two minutes left in the second period. Madelyn Walsh, defender for the Badgers, fired a shot from the point, and the puck bounced around in front of the net. Randyll Strongman seized the opportunity and scored her first career OUA goal, closing the gap to 2-1. 

Entering the third period, the Badgers were still in the game, but Guelph’s power play finally broke through, extending their lead just over five minutes into the frame. 

Brock made valiant efforts to stage a comeback in the third period, but they couldn’t find the back of the net, ultimately falling short. Guelph added an empty-net goal with a minute left, securing a 4-1 victory when the final buzzer sounded. 

Madelyn Walsh’s performance in the game was a bright spot for the Badgers, as she notched an assist, bringing her season point total to six. Her contribution from the blue line makes her the league leader in this regard among OUA defenders. 

A couple of days later, the Badgers faced off against the University of Waterloo where they lost their second game in a row. Despite four goals being scored, the Badgers were unable to keep the puck out of the net, losing 5-4.  

The Badgers are now just below .500 with a 3-4 record. They will face off against Wilfred Laurier University on Nov. 10, followed by a home game against York University on Nov. 11.  

For tickets to the Nov. 11 game at Canada Games Park, click here. For more information about the Brock women’s hockey team visit gobadgers.ca, and to watch the Badgers from the comfort of your home go to OUA.tv 

Brock men’s basketball win back-to-back to start season

0

The Brock Badgers men’s basketball team made a triumphant return to OUA regular season action on Friday, Nov. 3, as they hosted the University of Toronto Varsity Blues. 

The game began with both teams exchanging baskets, displaying their competitiveness and making it clear that this would be an evenly-matched battle. Kevaughn Ellis, hailing from Hamilton, took center stage for the Badgers in the opening frame, contributing eight crucial points, including two successful three-pointers. However, despite Ellis’ offensive prowess, the Badgers found themselves trailing by a mere two points after the first ten minutes, with Toronto leading 18-16. 

The second quarter marked a significant turning point for the Badgers, as third-year forward Michael Matas and fifth-year guard Jevon Brown ignited their team. Matas showcased exceptional footwork in the paint, accumulating eight points in the quarter, while Brown electrified the home crowd with 13 points, which included two three-pointers and a thunderous breakaway dunk. 

Brock’s defence also came to life in the second quarter, limiting Toronto to just 13 points. As a result, the Badgers headed into halftime with a comfortable 44-31 lead. 

The Badgers maintained their lead throughout the game, fending off every challenge posed by the Varsity Blues. In the third quarter, Toronto made an attempt to narrow the gap, but timely shots from senior guard Isaiah Bujdoso and Kevaughn Ellis kept the Badgers ahead. The third quarter concluded with Brock in the lead, 57-50. 

As the fourth quarter unfolded, the Badgers firmly held their advantage. Players like Isaiah Bujdoso, Michael Matas and Jordan Tchuente made key plays, ensuring that the Brock Badgers would emerge victorious. 

When the final whistle blew, the Badgers had secured an impressive defensive win in their season opener, validating the hard work and preparation that head coach Willy Manigat had instilled in the team. 

Jevon Brown emerged as the standout performer of the evening for Brock, finishing with 18 points, four rebounds and four assists. However, it was truly a team effort, with exceptional contributions from several players. Kevaughn Ellis registered a double-double, tallying 12 points and 11 rebounds, while Michael Matas added 14 points and eight rebounds. Isaiah Bujdoso orchestrated the offence effectively, amassing 15 points, three assists and three rebounds. 

The box score tells the story of a well-rounded team performance by the Badgers, with various players stepping up in different facets of the game. 

Brock’s 77-63 victory marked an excellent start to their OUA campaign as it showcased the team’s balanced approach on both ends of the court. The combination of stellar offensive displays and lockdown defence set the tone for what promises to be an exciting season for the Badgers. 

They followed up their home opener with another win on Nov. 4 against York University. They remained undefeated beating the Lions 76-69. Brock’s next game is Nov. 11 at TMU, where they hope to advance to 3-0 and sweep the Toronto universities to start the year.  

Watch all Brock men’s basketball games on OUA.tv. For more information on the Badgers, visit gobadgers.ca. 

Brock men’s soccer faces heartbreaking loss in semi-finals

0

On Wednesday, Nov. 1, the Brock Badgers men’s soccer team gave it their all in the OUA semifinals, marking their first appearance at this stage since 2006. They faced off against the Carleton Ravens in a thrilling contest that ended in heartbreak for the Badgers. 

The game took place at Carleton University’s TAAG Park on a chilly evening with hundreds of soccer fans in attendance eagerly anticipating an intense battle on the pitch. 

The Badgers impressively started the match, opening the scoring in the 27th minute. A well-placed corner kick from Luca Danesi sailed over a cluster of players, including Carleton’s goalkeeper Tyler David. Defender Connor Carroll positioned himself perfectly at the right post and tapped the ball into the net, giving the Badgers the early lead. 

Brock’s goalkeeper, Taylor Miskolczi, made a crucial save just before halftime to deny Carleton a game-tying goal. The stop from Miskolczi ensured the Badgers went into the break with a 1-0 lead. 

However, the second half saw a change in momentum when a penalty kick was awarded to the Ravens in the 52nd minute. Luca Piccioli calmly converted the penalty, levelling the score at 1-1. 

The Ravens pressed hard after the equalizer, but Brock’s defence stood firm. Carleton had a golden opportunity in the 84th minute when Miskolczi found himself off his line, leaving an open net. But Mohamed Bouzidi’s shot sailed high, much to the relief of the Badgers’ faithful. 

With neither team able to find the elusive go-ahead goal, the match went into extra time. The first 15 minutes of extra time were gruelling, with neither squad gaining a clear advantage. A Brock kick from midfield struck the crossbar, almost producing a dramatic winner. 

After over two hours of intense soccer, the score remained locked at 1-1, and the fate of the game was left to the drama of penalty kicks. Conrad Czarnecki and Michael Fernandez converted the first two penalties for the Badgers, but Carleton responded with two successful kicks. 

It was Tyler David, the Carleton goalkeeper, who became the hero for the Ravens, making two crucial saves on the next two Badgers’ penalty attempts. The Ravens had the edge, leading 3-2 on penalties. 

But the Badgers’ top goal scorer, Marc Iantomasi, came to the rescue when it mattered the most. Down 3-2 in penalties, he placed the ball just under the crossbar, levelling the shootout at 3-3. 

In a high-pressure situation, Miskolczi made a crucial save on Carleton’s next penalty kick, sending the contest into sudden death penalty kicks. Unfortunately for the Badgers, a miss on their penalty was followed by a successful strike from Carleton’s Eric Yoseke, sealing the victory for the home side. 

Despite the heartbreaking loss, the Badgers can hold their heads high for an incredible season that marked their best finish since 2006. With a talented squad and plenty of optimism for the future, Brock remains determined to make their way back to the Final Four and beyond in the coming season. 

The Badgers have also had three players selected as all-stars this season. Centre-back,. Conrad Czarnecki and winger/defender Marc Iantomasi earned first-team all-star recognition. Winger Nicholas Esperanca made the second all-star team.  

The Badgers may not have reached the OUA finals, but they’ve certainly left their mark on the 2023 season. The fans can look forward to more exciting soccer from this promising young team in years to come.

For more information on the Brock men’s soccer team, please visit gobadgers.ca

Unplugging stress, plugging into joy: how video games heal the mind

0

In today’s fast-paced world, stress has become an ever-present companion for many, contributing to a host of mental health issues. Amid the chaos, video games have emerged as a surprising ally, offering a unique form of therapy through stress reduction, social connection, cognitive enhancement, emotional expression, motivation and mindfulness.  

Let us explore how video games are not just about entertainment; they are potent tools for healing the mind. 

Stress Reduction 

In a world filled with pressures and anxieties, the therapeutic power of video games lies in their ability to distract and transport the player to alternate realities. Stress reduction is one of the most significant benefits of gaming, offering a much-needed break from the demands of daily life. 

The immersive nature of video games—whether it’s exploring a fantasy world, solving intricate puzzles or mastering virtual challenges—requires focused attention, effectively diverting the mind from anxious thoughts and concerns. Gaming becomes a brief escape from the hustle and bustle of the real world. 

One notable study published in the JMIR Mental Health journal discovered that just five minutes of playing a simple mobile game significantly reduced stress levels in participants. This suggests that gaming can serve as a quick and effective way to manage stress. 

The key to stress reduction in gaming is immersion. As players become engrossed in a game’s universe, their focus shifts away from real-life stressors, offering them a temporary respite from their worries. It’s a mental vacation, providing much-needed relief and relaxation. 

Social Connection 

Loneliness and social isolation are increasingly prevalent in our modern, digital world. However, video games have stepped in to bridge the gap between individuals separated by geographical distances, making the digital have a stress-relieving use. Multiplayer games and online communities provide a platform for players to connect, fostering a sense of belonging and reducing feelings of isolation. 

One of the most remarkable aspects of online gaming is its potential for building meaningful relationships. A study published in the JAMA Pediatrics journal revealed that children who played online video games with friends had stronger social connections and lower feelings of loneliness. Online gaming, with its voice chat and messaging features, encourages teamwork, cooperation and camaraderie. 

Games like Fortnite and Call of Duty, which have achieved worldwide fame, are not merely about battling opponents: they are also a social hub where players can communicate, strategise and share memorable experiences. Through shared virtual adventures, players can establish genuine connections that often extend into the real world, alleviating feelings of isolation and providing essential social support. 

Sharpening the Mind 

While video games are often associated with leisure, they are far from mindless entertainment. Many games demand strategic thinking, problem-solving skills and quick decision-making. These mental exercises can lead to significant cognitive improvements, enhancing memory, attention and spatial skills. 

Research shows that action video games can enhance reaction times and spatial awareness. Strategy games, on the other hand, stimulate critical thinking and decision-making abilities. These cognitive benefits extend beyond the confines of gaming and can positively impact daily life, from improved academic performance to more effective problem-solving in the workplace. 

Additionally, there is a growing interest in games designed for cognitive development, such as Brain Age and Big Brain Acedemy. These games are specifically crafted to improve mental faculties and have been used as therapeutic tools to help individuals with conditions like attention deficit hyperactivity disorder (ADHD) and traumatic brain injuries. 

By engaging with these games, players not only enjoy the thrill of competition but also sharpen their cognitive skills, benefiting their mental health in the process. 

Emotional Expression 

Dealing with complex and overwhelming emotions is a challenge that many individuals face, particularly those struggling with mental health issues. Video games offer a unique outlet for emotional expression, enabling players to immerse themselves in a game world where they can explore a wide range of emotions safely. 

For instance, games like Star Wars: The Force Unleashed and Red Dead Redemption 2 utilize storytelling and gameplay to evoke deep emotional responses. Players are encouraged to confront complex themes and experience empathy for the characters’ struggles, fostering emotional catharsis and self-reflection. 

Moreover, researchers have explored the potential of video games in therapy, particularly for individuals with post-traumatic stress disorder (PTSD). By engaging with interactive narratives that mirror their experiences, patients can process their trauma and learn coping mechanisms in a supportive and non-confrontational setting. 

Gaming allows individuals to express their emotions without judgment or fear, fostering a sense of release and emotional relief. It provides a safe space for individuals to explore and understand their feelings, ultimately contributing to their mental well-being. 

Motivation and Goal Setting 

One of the most attractive aspects of video games is the structured system of achievement and reward. Games often feature clear goals, challenges and rewards, which can be particularly motivating for individuals struggling with mental health issues. In these moments, setting and achieving goals in a game can provide a much-needed sense of accomplishment. 

This motivation can extend to real-world activities as well. For example, a person who has difficulty maintaining a regular exercise routine may find motivation in fitness games like Just Dance or Zombies, Run! By gamifying exercise, individuals can improve their physical and mental well-being while enjoying the process. 

Furthermore, research has shown that individuals with depression who play video games report higher levels of intrinsic motivation, which can be a key factor in overcoming their condition. By experiencing success within the confines of a game, players can gain confidence and motivation to tackle challenges in their lives. 

The Zen of Gaming 

Mindfulness, the practice of being fully present in the moment, has been hailed for its mental health benefits. Surprisingly, video games can serve as a tool for achieving a state of mindfulness. Certain games, especially those with tranquil settings and meditative gameplay, encourage relaxation and inner peace. 

Games like ABZU and Ori and the Blind Forest are designed to elicit a sense of calm and serenity. Players are invited to explore beautiful environments, listen to soothing music and experience a deep sense of immersion. These games offer a unique way to practice mindfulness and reduce anxiety. 

Other games like Minecraft, a popular sandbox game, allow players to build and create at their own pace, promoting a sense of control and accomplishment. The open-world nature of the game encourages players to explore, experiment and find their own path to relaxation. 

In a world filled with stress and chaos, video games provide a therapeutic escape, offering stress reduction, social connection, cognitive enhancement, emotional expression, motivation and mindfulness. These digital worlds are not just a form of entertainment, they are powerful tools for healing the mind, providing essential relief and promoting mental well-being. So whether you’re battling stress, seeking social connection or simply looking for a moment of tranquillity, video games offer a versatile and accessible path to mental healing and growth. 

“Now And Then” provides the remaining Beatles and their fans with much-needed closure

0

On Oct. 5th, 1962, the Beatles released their first single, and 61 years later, they have released their last.  

“Now And Then,” which was released to the public on Nov. 22nd, is the Beatles’ final collaboration.  

The gestation of “Now And Then” was a long one. The song was never intended to be a Beatles song. Written by John Lennon well after the band’s breakup and recorded on a tape machine and stashed away, the cassette titled “Now + Then” was found in 1994 by Yoko Ono, Lennon’s wife.  

While the song itself had been recorded in 1978 and had spent some time circulating as a bootleg, “Now And Then” had never been professionally recorded in a studio. Two other songs, “Free as a Bird” and “Real Love,” which had also been discovered by Ono following Lennon’s death, were completed by the remaining Beatles and released as singles in 1995 and 1996.  

But they spent no more than a day on “Now And Then” before deciding it was hopeless. The sound quality of Lennon’s recording was incredibly poor and producer Jeff Lynne said that “the song had a chorus but [was] almost totally lacking in verses. We did the backing track, a rough go that we really didn’t finish.” While the rest of the living Beatles moved on, Paul McCartney never let go of the idea.  

McCartney decided to send the recording to Peter Jackson, the director of the recent Beatles documentary. The hope was that Jackson could use the same technology the film team had used to clarify speaking voices to improve the quality of the track. Using this software that “de-mixes” muddled recordings, McCartney and Starr, the last living members of the band, were able to “lift” Lennon’s vocals from the original cassette recording and rerecord the song. McCartney claimed that following this process, Lennon’s voice was crystal clear.  

“I do feel as though ‘Now And Then’ is a love letter to Paul written by John,” Beatles producer George Martin said “[I believe] that’s why Paul was so determined to finish it.” With lyrics such as “And now and then / If we must start again / Well, we will know for sure / That I will love you,” this is not a hard statement to believe.  

Lennon and McCartney met as two motherless teenagers bound together by the music they were creating together. While the Beatles would eventually break up, Lennon and McCartney would continue to communicate using songs, albeit not in a friendly way. In McCartney’s album “Ram” (“You took your lucky break and broke it in two”) and in Lennon’s “How Do You Sleep?” (“the only thing you done was yesterday”), the two took turns taking stabs at one another. While they would eventually attempt to make up before Lennon’s tragic death, Lennon said in 1968, “talking is the slowest form of communicating … Music is much better.”  

Perhaps that is what both men had in mind when creating “Now And Then” across the span of the 45 years they spent apart.  

“When we’re in the studio, we had John’s voice in our ears so you could imagine he was just in the next room in a vocal booth and we were just working with him again, so it was joyful,” McCartney told the BBC. “All those memories came flooding back … My God, how lucky was I to have those men in my life?”  

Clearly, both McCartney and Beatles fans feel the same way about “Now And Then.” After less than a day of availability, the song shot to number one on Billboard’s Digital Song Sales chart.  

Skylar Moody, a young fan of the Beatles, said in a TikTok video that her “heart feels so heavy right now, but in a good way.” She added that she was so happy that fans got to experience their last song together in such an emotional way.  

While the Beatles will never have the chance to play all together again, “Now And Then” seems to have given both the remaining Beatles and their fans the closure they needed.  

The Concurrent Education Student Association is looking for holiday event volunteers

0

Brock’s Concurrent Education Student Association (CESA) is running its annual Holiday Extravaganza, and they are looking for volunteers.  

CESA is an undergraduate club made up of future educators looking to make a difference in both Brock and the local community. They plan various events for concurrent education students, creating networking opportunities and providing various other resources.  

Every December, CESA runs Holiday Extravaganza, an event that allows students to volunteer at a local elementary school and work with students to spread holiday cheer. Volunteers are paired up with two or three students from kindergarten to grade eight and asked to lead them through crafts, games and other fun winter-themed activities.  

“The best part of putting on Holiday Extravaganza is seeing how excited the students get participating in all the different activities,” said Vanessa Violo, one of CESA’s vice presidents of external affairs. For some students, Holiday Extravaganza is the highlight of their year.  

On top of that, Holiday Extravaganza is a great way for volunteers to get some experience outside of the Brock community. “For me, the best part is … not only [seeing how much fun] the students have, but the volunteers as well,” said Danielle Dickinson, the other vice president of external affairs.  

The theme for this year’s Holiday Extravaganza is Candyland.  

“[Candyland] is different than our Holiday Extravaganza themes in the past, but we have so many fun crafts and activities planned,” Dickinson said.  

The event will run on Wednesday, Dec. 6th at Prince of Wales Public School in Thorold. Volunteers will be asked to arrive just before 9 a.m and will be finished around 3 p.m. With the school’s population being approximately 300 students, CESA will need over 200 volunteers for the day to function smoothly. Being a concurrent education student is not a prerequisite for volunteering at this event. Any student can sign up.  

Volunteers for Holiday Extravaganza are provided with a free pizza lunch and drinks. The Prince of Wales is also easily accessible from the Brock campus via bus.  

Holiday Extravaganza is an easy way for Brock students seeking volunteer opportunities to get into a school environment and work with children. 

More information about Holiday Extravaganza can be found on CESA’s Instagram. The volunteer sign-up form can be found here 

12 Canadian athletes and teams excel at 2023 Pan American Games to earn a spot at next summer’s Olympic Games

0

Team Canada achieved an astounding level of success in Santiago, Chile at the 2023 Pan American Games.

The red and white captured 164 medals – 46 gold, 55 silver and 63 bronze – which ranked third among all 41 participating nations in total medals, only behind the United States (286) and Brazil (205). Canada’s success at these Games extended beyond the medal table, as 12 Canadian athletes and teams booked their tickets to Paris for the upcoming 2024 Summer Olympic Games. 

Boxing – Tammara Thibeault 

Tammara Thibeault, a 26-year-old boxer from Quebec, won her first career Pan American Games gold medal in Santiago when she defeated Panamanian Atheyna Bylon in the women’s 75kg final. The now two-time Pan American medalist, after achieving a silver at the 2019 Pan Am Games, will compete in her second Olympic Games this summer after a heartbreaking fifth-place finish in Tokyo two years ago. 

Boxing – Wyatt Sanford 

Wyatt Sanford got an early birthday present when he punched his ticket to Paris after defeating Mexico’s Miguel Martinez to claim the gold a week before his 25th birthday. The Kennetcook, N.S.-native will also be competing in his second Olympic Games in just over eight months and will be looking to avenge the Round of 32 loss that eliminated him from medal contention at the 2020 Summer Olympics.  

Breaking – Philip Kim 

Philip Kim will be representing Canada in the inaugural breaking competition when the sport makes its Olympic debut in Paris. The 26-year-old, known as “B-Boy Phil Wizard”, impressed the judges at the competition to secure his second gold medal of the year, after a first-place finish in May at the World DanceSport Federation (WDSF) Pan American Championships. 

Equestrian – Dressage 

The Canadian dressage team earned a quota spot for Canada at next summer’s Olympics by finishing in third place in the competition with 431.937 points, behind the Brazilian (443.343) and American (450.670) teams. The bronze medal was captured by Beatrice Boucher, Camille Carier Bergon, Mathilde Blais Tetreault and Naima Moreira Laliberte

Equestrian – Eventing  

The Canadian eventing team of Collen Loach, Karl Slezak, Lindsay Trainsel and Michael Winter secured a quota spot for Canada in the equestrian discipline after finishing in first place in Santiago, narrowly beating the United States squad. Equestrian Canada will announce next year which three riders and an alternate will be representing Canada on the world’s biggest stage in Paris. 

Equestrian – Jumping 

The Canadian jumping team earned Canada a spot in their third equestrian competition in Paris placing second in the team jumping competition. The tetrad of Mario Deslauriers, Tiffany Foster, Amy Millar and Beth Underhill earned the silver medal and are awaiting the confirmation of Equestrian Canada’s squad at the Summer Games. 

Sailing – Women’s 49erFX 

Canada’s women’s 49erFX duo Mariah Millen and Alexandra ten Hove earned Canada’s first of three sailing quota spots in Santiago with a second-place finish. The pair finished the competition with 30 points, two behind Brazil’s total of 28, as the lower score ranks higher. 

Sailing – Men’s 49er 

Dyad Justin Barnes and William Jones won the bronze medal in the men’s 49er competition with 51 points, behind silver-medalists Uruguay (42) and gold-medalists United States (33). The pair earned the quota spot for Canada, and it is still to be determined if Barnes and Jones will be sailing in the Mediterranean this July in the Olympics. 

Sailing – Women’s laser radial 

Sarah Douglas won her second Pan Am Games medal, a silver, in the women’s laser radial competition to secure a quota spot for Canada in the event. The Toronto-native finished in sixth place in the event at the 2020 Olympics, the best result a female Canadian has ever achieved in an individual sailing event. She is hoping to exceed that performance if she gets the chance to compete in Paris. Douglas can qualify herself for the Olympics with impressive showings at the 2024 World Championships and the 2024 Princess Sofia Regatta next year. 

Shooting – Men’s 10-metre air pistol 

Canada booked a quota spot in the men’s 10-metre air pistol event at the 2024 Paris Olympics, marking the first time Canada will be sending a male pistol shooter to the Olympics since the 1992 Games in Barcelona. Tugrul Ozer earned Canada’s Olympic berth by setting a Pan Am Games record of 240.5 to win the gold. However, Ozer still needs to qualify for the Games through Shooting Canada’s qualification event, but the four-time Canadian pistol champion is likely to do so. 

Shooting – Women’s 50-metre rifle three positions 

Canada also booked a quota spot in the women’s 50-metre rifle three positions event at the upcoming Paris Olympics. Shannon Westlake secured Canada’s berth through a bronze medal performance, but like Ozer, she too needs to individually qualify for the competition. 

Surfing – Sanoa Dempfle-Olin 

Sanoa Dempfle-Olin will be riding the wave all the way to Paris as Canada’s first Olympic surfer. The 18-year-old finished second in the women’s shortboard competition, becoming the second Dempfle-Olin to win a Pan Am Games medal after her sister, Mathea, won a bronze in longboard at the 2019 Games.  

For more information on Canada’s qualification for the 2024 Paris Olympic Games, visit the Team Canada Qualification Tracker 

Disastrous third quarter hands Badgers women’s basketball team their first loss of the season against TMU

0

The Badgers’ women’s basketball team fell 71-48 to the undefeated TMU Bold (4-0) after a poor third quarter dropped Brock to 2-1 this season.  

The game began poorly for both teams as they woefully made a combined eight baskets in the first quarter – five for Brock and three for TMU – despite ranking in the top-five in points per game this season with greater than 70 points each. 

Madalyn Weinert, Brock’s leading scorer and the reigning U Sports Athlete of the Week scored four of Brock’s 12 points in the first quarter along with four rebounds – two on the offensive glass – and two assists. Noor Bazzi contributed with the Badgers’ only three-pointer of the period in the dying seconds to take the 12-9 lead after one. 

However, in the second, TMU began finding some life and rhythm, going on a 6-0 run at the beginning of the quarter. The Bold shot 37.5 per cent from the field in the frame, while the Badgers only managed to hit three field goals in the quarter on 20 per cent shooting. Badger shooters also combined for an appalling zero-for-eight from behind the arc.  

The combination of poor Badger possessions – which led to stagnant offensive spurts – and the inability to hit routine shot attempts, allowed the home side to come back and take the 25-23 halftime lead, a lead which they extended in the second half. 

TMU started the third quarter with a bold statement, showcasing their proficiency and supremacy in all aspects of the game. 

Jayme Foreman, guard from Hamilton, shot the ball lights out, draining four of her seven made three-pointers in the quarter, accounting for 14 of her game-high 27 points. Rookie forward Corrynn Parker – who attended high school at Niagara Prep – added another 10 points, as the Bold scored 28 points in the quarter. 

On the defensive end, TMU defenders had active hands, constantly deflecting passes and irritating the Badger ballhandlers. The Bold forced six Brock turnovers which was a factor in them attaining such a sizeable lead.  

TMU went on a 28-4 run to begin the quarter to extend their lead to 26 points before Brock closed the frame on their own 9-0 run to cut the deficit to 53-36 to begin the fourth. 

Jamie Addy’s layup three-and-a-half minutes into the quarter cut the TMU lead even more, down from 26 to 12, but it was too late. The offence, which shined last weekend against the York Lions and Toronto Varsity Blues, could not figure out this Toronto team’s defence.  

The Badgers were incapable of exploiting the TMU zones – two-three and two-one-two – which led to a poor 10 per cent shooting from deep. The Bold also did a sensational job protecting the paint, which limited Weinert – who averaged 26.5 points per game – to only 11 points, as Brock scored a season-low 48 points, losing 71-48. 

Next up for the Badgers is a pair of games next weekend in Ottawa against the Carelton Ravens and Ottawa Gee-Gees. For more information on the Badgers’ women’s basketball team, head to gobadgers.ca. 

Brock Singer-Songwriter Club emerges as a new home for musicians on campus

0

Brock’s Singer-Songwriter Club welcomes like-minded people to play, write, sing and collaborate on music.  

The Brock Singer-Songwriter Club (BSSC) is one of many new clubs on campus this fall, but unlike similar clubs, the BSSC runs a little differently.  

“Our main club motive is to create a community for musicians, regardless of genre or skill level,” said Lukas Jorgensen, a spokesperson for BSSC. “[But] a major rule that the club will follow is that no one will ever be pressured to perform music.”  

Instead, the club hopes to form an environment where people interested in music can simply meet up with one another and connect on their similar passions, goals and ideas. From there, club executives hope that members will foster musical connections and network with one another in the hopes of building themselves and others up musically.  

Jorgensen said that the club welcomes all kinds of people, even those who don’t play music: “Musician or not, if you enjoy music, then this club creates a community for you to be a part of.”  

Currently, the Singer-Songwriter Club is structured around bi-weekly meetings during which members are encouraged to get to know one another and discuss their current projects. Their first meeting was held on Monday, Nov. 6th from 6 p.m to 7 p.m in PLZ308. The current dates for the rest of the meeting have yet to be scheduled, but they will be announced soon through their Instagram platform.  

Designed to be laid back and socially structured, the meetings will provide snacks, coffee and games for attendees. While Jorgensen says that meetings are simply a formality at the moment, the club executives hope that the meetings will be a place for its musicians to grow and branch out from there. The club is simply just a stepping stone towards something greater.  

Going forward, the club hopes to host events that will support their musicians to share their projects such as open mics, music promotion nights and jam sessions. “[We have] a strong motive … to provide a platform for any aspiring Brock musicians to have their voices heard,” Jorgensen said.  

Follow BSSC on Instagram for more information regarding the club and their meetings. For future events, keep an eye out for posters around campus.  

Practice kindness at Brock during World Kindness Day

0

Nov. 13 is World Kindness Day and Brock is celebrating across campus all day.  

In 1997, according to the Hindustan Times, the World Kindness Movement held its first-ever conference in Tokyo. The day became an annual event in 1998, and in the years since, more countries have been recognizing it. 

World Kindness Day is a time to reflect on how to practice regular acts of kindness, even when there’s nothing to gain from it. The Random Acts of Kindness Foundation provides some ways of “how we can actually make kindness the norm.” Examples include sending uplifting messages to your friends or family, trying to make someone smile and sharing compliments with a friend or co-worker. 

At Brock, the Community Engagement & Volunteering organization, the Student Life organization and the Brock University Volunteer Association came together to host a plethora of activities run by volunteering kindness ambassadors. 

Notes of kindness will be distributed at the library circulation desk, the BU4U Hub, the Walker Complex Welcome Desk and the Cage. Students who need a dose of positivity are welcome to stop by at any time throughout the day. 

The Rankin Family Pavillion will see two activities to celebrate the festivities. From 11 a.m to 3 p.m, there will be a station where students can make cards for anyone they think deserves it, such as a friend, a professor or a Brock employee. Furthermore, from 11 a.m to 2 p.m, students can get the chance to win a campus store gift card at the Rankin Family Pavillion Welcome Desk, where free granola bars will also be distributed while supplies last. 

From 11 a.m to 1:30 p.m, Brock’s very own Boomer the Badger will be on campus with free hugs for anyone who comes across him.  

Elsewhere, at the station by the Computer Commons, sticky notes will be provided from 1 p.m to 4:30 p.m. Students are encouraged to write kind, positive messages on these sticky notes and spread them all over campus. 

Students should keep an eye out for other activities on campus and remember to be kind to themselves and those around them. Brock Student Life asks that students who participate in these activities tag @Brockusls on social media and use the hashtag #badgersbekind to share it with them. 

Israel-Hamas war ignites tensions at Canadian universities

0

Tensions are rising at Canadian universities amid the ongoing Israel-Hamas conflict in the Middle East. 

With seemingly no end in sight to the violence that has underscored the Israel-Palestine conflict for decades, with this latest conflict many are speaking out in support of Palestine and calling for a ceasefire in Gaza. The controversial phrase “From the river to the sea, Palestine will be free” has become a popular slogan in many pro-Palestinian protests, demonstrations and rallies.  

Hamas – whose attack on Oct. 7, which killed roughly 1,400 Israelis, started this latest outburst of violence – are a listed terrorist organization in Canada and are leading the Gazan front. Some see these protests in support of Palestine as supporting Hamas and therefore violence and anti-Semitism. 

Natalie Knight, a Langara College instructor, called the Oct. 7 Hamas attack an “amazing, brilliant offensive” in a speech at a pro-Palestinian rally on Oct. 28. She is currently on leave, with The Jewish Federation of Greater Vancouver calling for her to be fired. 

Conversely, Dr. Eva Lonn, a cardiologist at McMaster University, is under review for a comment she made on social media regarding pro-Palestinian demonstrators: “deport them all to where they came from.”  

This disturbing tension, and the fear of increased instances of both antisemitism and Islamophobia, are not absent from Canadian universities. 

On Oct. 9, McGill University denounced comments made by a group called Solidarity for Palestinian Human Rights that used the university’s name amid comments describing the Oct. 7 attack as “heroic.” In response, the group wrote that they were “not celebrating violence,” but “looking at the prospect of liberation.” 

At York University, three student unions – York Federation of Students, York University Graduate Students’ Association and Glendon College Student Union – released a statement that supported Palestinian people’s “ongoing fight against settler-colonialism, apartheid and genocide” and labelled the Oct. 7 attack as a “strong act of resistance.” 

The university was quick to respond, saying that “Freedom of expression has limits and comes with responsibilities. It must never reach into promoting or justifying violence against unarmed civilians.” 

The Friends of Simon Wiesenthal Center for Holocaust Studies (FSWC) called the unions’ statement “incindiary,” saying, “Not only does the statement fail to mention Hamas and its murderous rampage targeting innocent Israeli women, men and children, it whitewashes Hamas terrorists by referring to them as ‘Palestinian people’ and their incursion into Israel to commit terrorism as an ‘act of resistance.’” 

Despite being threatened with de-certification, the unions have as of yet refused to retract their statement. 

A group called the “Abolitionist Organizing Collective” posted a letter following the Oct. 7 attack with the signatures of over 70 Toronto Metropolitan University students. The letter claimed that Israel was responsible for the attack because of their colonial actions and asserted that “‘Israel’ is not a country.” 

Similar to the York situation, TMU released a statement condemning the letter, but despite calls for further action, there has been none. 

Tensions boiled over at the University of Toronto as a rally and counter-rally got heated, with a line of police officers and UofT special constables standing between the two groups. According to The Canadian Jewish News, what started as a rally “to mourn the 1,400 people killed in Israel by Hamas” turned into a face-off when pro-Palestine protestors showed up “with a much louder megaphone” and started chanting. 

The protest ended with the peaceful dispersion of the pro-Israel supporters as the night came on. 

On Oct. 13, Brock released a statement regarding the Israel-Hamas conflict. That statement can be found here. 

UPDATE: The Brock University Arabs’ Students Association held a peaceful silent walkout for Palestine on Nov. 9 at 3 p.m. Its Instagram post can be found here. The post highlights that “any form of antisemitism or hate speech will not be tolerated.” 

Russia revokes ratification of the Comprehensive Nuclear-Test-Ban Treaty

0

Russian President Vladimir Putin signed a law on Nov. 2nd to revoke Russia’s ratification of the Comprehensive Nuclear-Test Ban Treaty (CTBT). Behind the Kremlin’s rationale for de-ratification is a desire to mirror the United States’ status as a signatory and not a ratifier of the CTBT. 

The Comprehensive Nuclear-Test-Ban Treaty (CTBT), established through the United Nations system in 1996, promotes nuclear disarmament and non-proliferation by banning all types of nuclear testing procedures.  

The Russian Federation has been a signatory since the inception of the CTBT and further ratified the treaty in 2000.   

The CTBT is open to signature for all states but requires an additional two-step process for ratification. The first step to adopt the treaty is to become a signatory, which is followed by a ratification process where States must ratify the treaty at a national and international level. Nationally, states are required to ratify the treaty through constitutional processes. For the treaty to be internationally ratified, states must deliver its instrument of ratification with the Secretary-General of the United Nations.  

If countries do not ratify the treaty, or if they revoke ratification to the treaty, this means that they are not bound by the rules and nuclear non-proliferation principles set in the treaty.  

A week prior to the de-ratification announcement, the motion to evoke ratification from the CTBT was voted on in Russia’s upper and lower houses. The bill proposing the de-ratification of the CTBT was unanimously approved in Russia’s upper house and passed through an accelerated vote at the lower level. Following the Kremlin’s approval of the bill, Vladimir Putin’s signature brought it into effect on Nov. 2nd.   

Russia’s decision to revoke the ratification of the CTBT aligns with the stances of several other countries that never partook in ratification processes or signatory processes. These nations include the United States, China, India, North Korea, Israel, Iran, Egypt and Pakistan. 

The Russian Federation’s intentions to reinvigorate nuclear testing after revoking the CTBT remain unknown.  

“I hear calls to start testing nuclear weapons. I am not ready to say whether we really need to conduct tests or not,” stated President Putin, as reported by Al Jazeera.  

The largely symbolic move to revoke ratification to the CTBT was justified by Russia as a security priority to downgrade to a signatory of the treaty to mirror the United States. It remains unclear what the impact of the revoked ratification will be on the international community. 

1989 (Taylor’s Version): revisiting Taylor Swift’s crown jewel record

0

Rating: 4/5 

Taylor Swift’s 1989 (Taylor’s Version) cracks the shrewd, cool-girl persona embodied by Swift in 1989, letting a light of vulnerability and ache contextualize each song. 

1989 (Taylor’s Version) marks Swift’s fourth go at re-recording her previous albums, following the release of Speak Now (Taylor’s Version) in July. The eagerness to reclaim the work from Swift’s first six albums stems from a decision by her previous label, Big Machine Records, to sell the master recordings without Swift’s consent. This sparked a commitment on Swift’s behalf to reclaim the master recording rights to her past catalogue in the form of re-mastered recordings, now known as Taylor’s Version.  

The public reception to Swift’s re-recordings thus far has been overwhelmingly positive, embracing her as a hegemonic force in pop music and culture. Seeing as 1989 largely cemented Swift as a critically acclaimed pop idol, the re-recording had great expectations to meet. 

1989 (Taylor’s Version) mostly manages to capture the essence of pop perfection established by Swift’s crown jewel, 1989. That said, a trained Swiftie ear may notice incongruences in the mixes or instrumentation that distinguish 1989 (Taylor’s Version) from the original record, 1989

While some songs stood out because of flaws in mixing and production, others were able to shine brighter than ever before. Some flawed attempts to capture the essence of the original tracks include hit songs such as “Style” and the album opener, “Welcome to New York”. Weirdly enough, the problem with both re-mastered versions is not one of unhinged creative liberties taken, but rather an issue of lack of attention to detail. 

For “Style (Taylor’s Version),” the iconic guitar riff that carries the rhythm of the song sounds robotic and plays with a different tonality than the original. Likewise, the synthesizers in the mix fail to reflect the growing energy of the song before it bursts into the chorus.  

In contrast, songs like “I Wish You Would” and “I Know Places” not only stayed close to their original versions but were also invigorated through Swift’s vocal performance and high-quality mixing. In “I Know Places (Taylor’s Version)”, Swift sounds more certain in her vocal performance, granting an engaging listening experience and heightened connection to the message of the song. 

Along with the standard tracks included in 1989, five new tracks “From The Vault” were included in 1989 (Taylor’s Version). Songs “From The Vault” are songs that were written for a particular album yet were scrapped in the original release for one reason or another. When 1989 (Taylor’s Version) was announced, Swift highlighted that the 1989 re-recording was her favourite thus far. 

“To be perfectly honest, this is my most FAVOURITE re-record I’ve ever done because the 5 From The Vault tracks are so insane. I can’t believe they were ever left behind,” said Swift. 

For this instance, Swift dug out “Slut!”, “Say Don’t Go”, “Now That We Don’t Talk”, “Suburban Legends” and “Is It Over Now?” from the 1989 vault. Pleasantly, all vault tracks exemplify genius song-writing abilities and vocal delivery from Swift, but the production often fails at sonically placing the songs within the sound of 1989.  

In tracks such as “Suburban Legends (Taylor’s Version)” and “Now That We Don’t Talk (Taylor’s Version)”, the production and vocal delivery resembles Swift’s work in her most recent record, Midnights, more than it does 1989.  

That said, the real power behind the 1989 vault tracks lies in the world-building aspect of the album. Much of the writing throughout 1989 intentionally shied away from journal-like recounts, focusing more on general tropes and imagery to depict Swift’s stories. Instead, the vault tracks break down the intentionally vague, cool-girl persona in other songs in 1989. For instance, “Slut! (Taylor’s Version)” builds off the more abstract themes in songs like “Out Of The Woods” to recount her difficulties navigating love in the public eye, and the slut-shaming that accompanies it.  

Despite some obvious production flaws across hit songs in 1989 (Taylor’s Version), the re-recording remains reasonably close to its original. If anything, 1989 (Taylor’s Version) has a secret power, and that is all attributed to the genius songwriting present in the vault tracks.  

Men’s Hockey stay undefeated at home after two wins

0

Badgers’ men’s hockey returned to Canada Games Park this past weekend with two more games, looking to add to their sparkling record. 

They were slotted against two lower-rung teams (Windsor Lancers and Ontario Tech Ridgebacks), leaving with a good chance to add to their hold on first place in the OUA. 

Windsor was the Badgers’ first opponent, playing on Friday, Nov. 3rd. The Lancers, despite having the third-lowest goals-for in the OUA, struck first and quickly.  

Windsor’s David Jesus found the back of the Brock net only 1:14 minutes into the first period.  

On the other hand, the Badgers have one of the OUA’s highest-powered offences with only Queen’s having scored more goals than Brock’s 46. Brock demonstrated their offensive pressure throughout the first, and freshman Cale Sanders was eventually rewarded with his first career OUA goal.  

The second goal came near the first’s midway point, and remained the final goal of the frame, sending the two teams to the first intermission tied at one apiece. 

Brock got at it in the second just as quickly as Windsor had in the first. On a feed from Ethan Simms, Matt Duarte banked his second goal of the season to give the Badgers the lead. Though there were almost two-thirds of the game remaining, the Badgers didn’t have to expend much down the stretch to secure the win.  

Penalty trouble to both sides opened up the ice, but not the score.  

Tyler Burnie notched his team-leading seventh of the season six minutes into the third, but by then, the Badgers had mostly turned off the gas.  

After outshooting the Lancers 12-8 in the first, they maintained only a slight 11-10 shot edge in the second and dropped all the way to a 5-12 disadvantage in the third. This hardly seemed to matter as the Badgers went on to secure a 3-1 win.  

It was both the Badgers’ and starting goaltender Connor Ungar‘s eighth win of the season, a statistic that both the Badgers and Ungar lead the OUA in.  

On Nov. 4th at 4 p.m., both the Badgers and Ungar would look to tack on a ninth win against the 4-4 Ridgebacks.  

The Badgers controlled the run of play early, and thanks to some undisciplined play, the Badgers found themselves with two powerplays less than a minute apart. On both man-advantages, the Badgers snapped the puck around until they found a cross-seam shot, finding the red-hot Tyler Burnie for the game’s first goal, and Jacob Roach for the game’s second 35 seconds later. 

Shortly after the second powerplay ended, the Badgers pinned Ontario Tech in their own end, generating a turnover that landed squarely on the stick of Zach Taylor in the slot, who rifled Brock’s third goal of the night past the goalie’s outstretched glove.  

Just as it seemed that Brock had stretched the game out of hand, Ontario Tech scored 12 minutes in, and then again with less than a minute remaining in the first.  

The Ridgebacks wouldn’t stop there either. Both teams traded rush chances for the first 15 minutes of the second, with neither side able to find the net until net-drive produced a rebound goal for Ontario, tying the game at three.  

Brock put the pressure right back on after the goal. A powerplay generated a ton of momentum for the Badgers, culminating in Jacob Roach earning and delivering on a penalty shot. 

Less than two minutes later, Brock’s electric powerplay got yet another look, and Jacob Roach got yet another goal, securing a hat trick. 

Brock extended their lead further in the third period, with goals from Justin Brack and Jonah Boria, rounding out the final score at 7-3. 

Following Saturday’s match, Burnie is tied for fourth in the OUA with eight goals in 10 games. Jared Marino is second in the OUA in assists with 11 over eight games, while Brack is tied for fifth with nine in 10 games. Roach is tied for sixth in the OUA in overall points. 

Connor Ungar also continues a season that is phenomenal by all accounts. Ungar is first in the OUA in wins (9), Goals Against Average (1.79) and Save Percentage (0.942), positioning him as the clear top goalie in the league and one of the best in Canadian University hockey.  

The Badgers play in two more games next weekend, one at the University of Waterloo against the Warriors on Nov. 10th, and then at home on Nov. 12th against Wilfrid Laurier University. For more information, visit gobadgers.ca

Men’s lacrosse season comes to close at National semi-finals

0

Brock men’s lacrosse team’s strong season comes to a finish after a loss at the Baggataway Cup this past weekend.  

After knocking off Wilfrid Laurier in a qualifying match at Alumni Field, the Badgers traveled to Peterborough on Nov. 3rd to play their opening match of the tournament for the National Championship.  

Brock has the most Baggataway Cup championships of any school with 19 (Western is in second place with seven) and are looking to reclaim the title after relinquishing their 2021 title crown to Trent University Excalibur in 2022.  

Fittingly, Trent would be the first stop on this road as Brock’s quarter-final matchup on Nov. 3rd.  

Trent found the net first, but their advantage was quickly wiped away by a Jaden Patterson goal, and six minutes later, Patterson added another, turning it into a 2-1 Brock lead at the first quarter’s conclusion. 

From there until the fourth quarter, the Badgers and Excalibur traded every goal. Trent tied the game two minutes into the second, Brock gave themselves a lead again six minutes later. Three minutes later they tied it again, and two minutes later the Badgers brought back the lead. This pattern continued with both teams tied at five until, with 12 minutes remaining, Brock strung three goals together, two from Mitchell Zulian and one from Colton Armitage.  

Trent would add two more, but it was too little, too late: Brock moved on to the semi-finals, winning 9-7. 

Saturday’s game on Nov. 4th was a much more daunting task for the Badgers, playing the Western Mustangs.  

While Trent was the East division’s second-seed, Western led the entire CUFLA with nine wins to only one loss, coupled with an insane +72 goal differential. 

To make matters worse, the Badgers struggled mightily against Western all season, losing handily in both their meetings, 8-4 and 12-2.  

Unfortunately, there was no Cinderella-story to be had that day; the Mustangs quickly made the Badgers mincemeat.  

Like clockwork Western scored two goals in the first, two more in the second and two more in the third quarter.  

Western added their first of the fourth quarter and, finally breaking the pattern and showing Brock’s first sign of life that evening, Jaden Patterson scored for the Badgers.  

Patterson’s goal was the lone marker for the Badgers. To add insult to injury, Western potted two more near the game’s closing, rolling to a comfortable 9-1 victory.  

Saturday’s loss marks the end of the road for the Badgers. Though not at the National Championship level of 2021, this year was a strong one for the Badgers and an improvement on the 2022 regular season.  

There were also some big bright spots up front for Brock this season.  

Jaden Patterson had a great season creating for himself and others and finished fifth in the CUFLA with 15 assists in 10 games. He was also Brock’s clear playoff MVP with six goals and eight points in three games.  

Though he only found the scoreboard once in the playoffs, Avery Steinbach-Parker was the Badgers’ biggest offensive catalyst all regular season. The Fort Erie product’s 18 goals and 27 points were good for fourth place in both categories among Western division players.  

Despite the frustrating loss, the Badgers should look to come back again next season to compete for the National Championship as they always do.   

‘Killers of the Flower Moon’ is a devastating descent into the roots of evil

0

Score: 5/5

Warning: Minor Spoilers Ahead 

Martin Scorsese’s Killers of the Flower Moon is a towering achievement of cinema and the most important film released in a long time.

Traversing an extensive 3 ? hour runtime, Killers flaunts all the cinematic elements of Scorsese’s films, especially continuing the grandiosity of his most recent picture prior to this one, 2019’s The Irishman. 

Killers is visually captivating, narratively gigantic and full of nuanced and commanding performances. Likewise, there is something unique about how the film veers off course from Scorsese’s usual formula of storytelling that beckon viewers to reflect on the film unlike how they have with his other works.

Blending elements of a documentary-style presentation with historical drama, the film recounts the events that took place during the 1920s in the Osage nation. Previously believing their land to be infertile, the Osage people soon learned that their land was rich with oil, making their people some of America’s wealthiest.

Such immense wealth attracted outsiders, including the film’s protagonist Ernest Burkhart (Leonardo DiCaprio), a former chef in the war, and his uncle William King Hale (Robert DeNiro), who serves as a deputy sheriff and local businessman. Due to the law protecting the Osage’s right to their wealth, Hale and other outsiders conspire to ensure the wealth falls into their hands through any means necessary, including eventual murder.

DiCaprio soars to a summit above his previous work. Being a poster boy of Hollywood from the early days of his career, it’s admirable to witness him set aside his icon status to portray a morally questionable, but at times sympathetic character, that is nonetheless despicable at large. Despite several major leading roles under his belt, DiCaprio manages to become truly chameleonic as Burkhart.

Any reactions of unease and disgust towards Burkhart’s character are completely dwarfed by DeNiro’s performance as William King Hale, the orchestrator behind the Osage murder plot. The greatest horror behind DeNiro’s role as Hale is the casual nature in which he implies murder constantly, but never outright says it, carefully shrouding his words in charisma. It’s a psychologically violent and unsettling depiction of the true evil that serves as the bitter core of the film.

Lily Gladstone offers a standout performance of the year. Her portrayal of Osage member Mollie Burkhart is both commanding and vulnerable as she quietly dominates every scene with a subdued austerity. Burkart’s story as the wife of Ernest during the Osage murders was heartbreaking; capturing it in a respectful performance was going to be a challenging task for any actor, but Gladstone hit the nail on the head. Furthermore, her delicate performance ultimately brings to light the resilience and pride of the Osage people, showing their indomitable spirit.

Likely what will deter people most from viewing Killers in theatres is its gargantuan runtime. However, the film surprisingly makes use of pacing perfectly, feeling shorter than it is. The length of a film’s runtime in comparison to how long it feels for viewers is proportional to choices made in editing. Longer takes – particularly dialogue heavy ones – without any cuts may feel longer and less “snappy,” demanding more attention from audiences. Conversely, short movies may also feel longer simply due to editing choices, thus a long movie shouldn’t be discredited for its runtime alone, especially in the case of Killers.

Editor Thelma Schoonmaker demonstrates her astute awareness of editing’s power on Killers. With scenes of heavy expository dialogue cutting abruptly to harrowingly fast scenes of murder, she successfully ensures that every minute feels warranted, and no line feels verbose.

Aiding the film’s pacing is the score composed by Robbie Robertson. The soft minimalist blues lead by the deep groan of a bass slithers its way through scenes, frequently lingering in the background for several minutes at a time. It’s far from boisterous but is a necessity for instilling the near-constant dread coating the story.

The film industry soars like an arrow constantly redirected by the winds of changing times. As one of the industry’s exemplary filmmakers, Scorsese’s cinematic formulas have shifted directions multiple times, nevertheless being characterized by his dedication to crafting ambitious and narratively engaging films. 

Atop the many completed films over the course of Scorsese’s career, Killers of the Flower Moon stands apart from its predecessors. By numerous metrics, it satisfies the criteria of a Scorsese epic, but what sets it apart is its added layer of self-awareness revealed at the ending. Along with recounting the events of the Osage murders, there are points in the film that suggest the accountability of crime storytelling itself. In its final scene, Killers examines itself from another angle, reflecting on how stories about true crime are shared on an entertainment level. 

From a bird’s-eye view, Scorsese knows that Killers is a movie, making it a vessel for entertainment. True crime is a genre that exploits the morbid curiosity for tragedy and how heinous acts can be committed. The genre is often marketed directly towards people who exist outside these tragedies, who consume them as a form of entertainment at the expense of those involved. 

Killers of the Flower Moon is an enormous work of historical cinema, but what brings it to a higher level is how it reflects on the way we retell history. Historical tragedies’ depiction through an entertaining recasting of the events themselves, such as film, often redirects attention from those involved to the level of enjoyment the consumers received.

Albeit rather bleak, this sentiment offers a glimmer of hope and a call for change: until we endure the pains of past tragedies, they will continue to exist as empathetically disconnected retellings for audiences to passively consume. And Killers of the Flower Moon, while successfully being an entertaining and engaging film, doesn’t leave its audience as passive consumers but empathetically active viewers. 

“Concern” for Madonna’s face is often cleverly disguised sexism and ageism

0

How Madonna chooses to look is nobody’s business but her own.

Earlier this year, Madonna made an appearance at The Grammy Awards where she delivered a speech about empowering artists to persevere in the face of criticism. Following the speech, Madonna herself was met with criticism but not for its content, but rather for her appearance.

Tabloid news outlets rode the coattails of one another’s criticism over her physical appearance for months, but what many of them seem to neglect is how Madonna has always behaved in the public eye.

In the early 1990s, Madonna released a coffee table book titled “Sex,” depicting a catalogue of erotic photography and simulated sexual acts. The book’s release was in support of her fifth studio album Erotica: an era where she addressed politics surrounding gender, sexuality and eroticism. Despite the book’s controversy, its sales made it one of the top-selling coffee table books of all time, aptly following Madonna’s prediction as she said in an interview:

“It happened exactly the way I thought it would happen. Everyone was going to pretend to be disgusted by it and everyone was going to buy it.”

This instance is only one of many controversies over the course of her career, so why are people still surprised when Madonna pushes the agenda of what is comfortable? Her speech at this year’s Grammys only further accentuates that her provocative philosophy has stood firm and remained unchanging.

As her career dawned on the 2010s, criticism became increasingly directed at her physical appearance, making note of every sign of aging visible through paparazzi cameras. Beginning in 2006, articles were published surrounding Madonna’s allegedly photoshopped arms to remove the appearance of larger veins. An article published by the Daily Mail compares her arms before and after photos were edited or positioned differently, highlighting any signs of aging.

Another headline in the Daily Mail reads: “Madonna’s age gap… between her face and her hands.”

The article then goes on to dissect a public appearance she made, hurling an onslaught of vile comments.

Furthermore, commentary surrounding Madonna’s appearance dates back to when she was 35 when the now-defunct British music magazine Smash Hits told her to “calm down, grandma.”

With the rise of plastic surgery among Hollywood’s A-listers, there has been a clear shift of movements labelling themselves as empowering with the goal of encouraging women to “age naturally.” In the case of Madonna however, this appears to be obsolete, given that from her 30s to 50s she endured criticism for showing signs of aging.

If this new standard implies that women will be criticized for showing signs of aging that may be deemed “undesirable,” then it’s expected for cosmetic procedures to exist as a form of pressure. However, as established, if a woman appears to show signs of having a procedure done, the cycle then reverts back to encouraging women to once again “age naturally.” 

Perhaps among this discourse, Madonna is seeking to express her own thoughts on the matter through her actions. Across the numerous decades of her career, she has continuously reinvented herself with every artistic endeavour. The one constant that’s been prevalent among these many eras is her unapologetic attitude towards doing exactly the opposite of what is expected of her as a global superstar.

Madonna’s speech reveals that she is unafraid of either side of the debate and is encouraging women everywhere to act the same. There should be no objective way for women to age. Instead, safe access to cosmetic procedures and resources must coexist with the idea that aging naturally is an equally acceptable option.

Ultimately, the paradoxical criticisms of women in entertainment aging demands questions about men in the industry and why they aren’t held to the same standard. Older artists like Elton John, Paul McCartney and the remaining members of Queen have done their fair share of live concerts in the past few years, but Madonna’s performances for over a decade have attracted comments of her being “too old” and a “has-been.” A look under her recent social media posts will once again reveal comments criticising her age and appearance.

Women in entertainment are held to different standards than men, enduring ageism along with sexism as they cycle through seemingly impossible standards of beauty with age. 

It’s wrong to assume that Madonna doesn’t have the best interest of women and their freedom of expression in her mind. The recent discourse around her face has only proven her confident ability to spark discussion from her behaviour and reflect on injustices and inequalities. The real criticism should be directed at the ideas that encouraged these impossible double standards in the first place.

Here’s why you should expect a Nintendo Switch successor in 2024

0

It is reasonable to assume that the Nintendo Switch’s successor will launch in 2024.

As rumours about Nintendo’s next system continue to swirl, many gamers are left wondering what to expect next from the entertainment giant. The Nintendo Switch has been the company’s primary system for over six years, and while it continues to see the release of notable titles, many players feel that it is time for something new.

Thankfully, it seems that those players won’t have to wait much longer. Nintendo’s current situation and recent actions all seem to point toward a full console successor – not a basic revision or “Pro” model – launching soon, presumably within the year of 2024.

It’s worth noting that the Nintendo Switch is the company’s longest-lasting primary system in comparison to their past home consoles. While the Switch is a hybrid unit, it is most comparable to Nintendo’s past home consoles rather than their handhelds and is usually considered a direct successor to the Wii U.

Nintendo Switch is currently in its seventh year on the market, putting it at the long end of the average five-to-seven-year lifespan of average Nintendo consoles. In a statement to investors, Nintendo president Shuntaro Furukawa said that the Switch’s longevity has launched the company into “uncharted territory,” adding that “it is hard to imagine that hardware sales will continue to grow at the same pace they have to date.”

There lies Nintendo’s problem. While the Switch is certainly selling very well for a console nearing its seventh anniversary, its sales are undeniably not reaching the heights that it was years ago.

According to Nintendo’s 2023 fiscal year report, Switch hardware sales decreased 22.1 per cent compared to their previous fiscal year. Software sales also dropped by 9 per cent compared to the previous fiscal year despite the massive launches of

titles like Pokémon Scarlet and Pokémon Violet.

On top of the Switch’s extensive time on store shelves, it doesn’t help that the competing PlayStation 5 and Xbox Series X/S consoles are now abundant in supply after years of shortages during the pandemic.

“Sustaining the Switch’s sales momentum will be difficult in its seventh year. Our goal of selling 15 million units this fiscal year is a bit of a stretch, but we will do our best to bolster demand going into the holiday season so that we can achieve the goal,” said Furukawa in a statement to Bloomberg.

Nintendo knows that they cannot continue to see their hardware (and to a lesser extent, software) sales decline. While some may argue that a “Pro” model might rejuvenate sales, this is unlikely to persuade the majority of Nintendo Switch’s massive install base to purchase a whole new system. If half-step improvements were the answer to Nintendo’s problem, then the Nintendo Switch – OLED Model should have sold a significantly higher amount.

Casual players need a reason to dish out their hard-earned money on a new console, and a full successor with more power, additional features and a fresh lineup of exclusive games is likely the only way to convince them.

Despite Nintendo not having officially announced a successor at the time of writing, we can find several clues alluding to an impending launch.

While Nintendo Switch is still seeing the release of major titles such as Super Mario Bros. Wonder, a significant portion of their upcoming lineup consists of remakes and remasters of legacy titles. This can be easily seen when viewing Nintendo’s official release schedule.

On Nov. 17, Nintendo Switch will see the release o Super Mario RPG, a remake of a 1996 SNES title. In January 2024, Another Code: Recollection – a remake of a pair of DS and Wii titles – will launch. Mario vs. Donkey Kong, which originally released for the Game Boy Advance in 2004, has a remake releasing in February 2024; followed by the aptly-named Luigi’s Mansion 2 HD, a remaster of Luigi’s Mansion:

Dark Moon for the 3DS, slated for release in the summer. Finally, a “visually enhanced version” of the GameCube’s Paper Mario: The Thousand-Year Door is planned for release in 2024.

On the other hand, in terms of fully original titles to expect in the near future, we have Princess Peach: Showtime!, and that’s about it. We still have no new information on the long-awaited Metroid Prime 4.

It’s undeniable that the Switch’s upcoming lineup mostly consists of remakes and remasters. These are certainly all incredible games to have on Switch – The Thousand-Year Door is one that I’m particularly looking forward to – but there’s really not much in the way of original titles.

There is a simple potential explanation for this: Nintendo likely has smaller teams working on remakes and remasters to keep Switch owners temporarily satisfied, while their larger resources are being put toward original blockbuster games so that their upcoming console can have a fantastic launch year lineup.

There’s no way that all these teams within Nintendo simultaneously and coincidentally decided to focus all their resources on re-releasing old titles. Secretly, they’re all putting their energy into original titles for the Switch’s successor.

This is something we saw last generation with the Nintendo 3DS and Wii U. The release schedule for the former was lined with remakes throughout its final years on the market, while the Wii U’s lineup was arguably abysmal in quantity and quality. The reason for this, of course, was to provide the Nintendo Switch with an incredible lineup of first-party games, something they appear to be doing again in preparation for a successor.

It makes sense that Nintendo would want to release a successor with more computing power, given the massive scope of recent releases like The Legend of Zelda: Tears of the Kingdom and the technological limitations that the original Switch imposes upon developers.

This has led to the concept of the “impossible Nintendo Switch port,” a term

delegated to third-party games that no one expects to arrive on Switch purely due to the console’s low processing power. While several ports make their way onto the Switch in style, others deeply struggle, and Nintendo knows they will need to create a more powerful console if they hope to provide a home to even more intensive third-party titles.

There is also empirical evidence to suggest a Nintendo Switch successor is on the horizon. Multiple sources told Eurogamer that the console was presented to Nintendo’s partners behind closed doors at Gamescom, with developers allegedly having been shown a beefed-up version of The Legend of Zelda: Breath of the Wild running on the unit.

This is all on top of pre-existing reports that Nintendo is planning a 2024 launch for its next system, but this is all valuable context that points towards the accuracy of these claims.

As original Nintendo Switch software slows down and developers become more ambitious, many players are wondering when they’ll get their hands on something new to play. Observing all the context, clues and reports can let those fans rest easy, because it seems they won’t have to wait much longer.

Rosanna Pansino’s flippant allegations are a surprising misuse of her online influence

0

Rosanna Pansino’s handling of the controversy involving MrBeast is a childish, dramatic overreaction to an unfortunate situation in an attempt to manufacture drama.

Rosanna Pansinois an online celebrity with over 14 million YouTube subscribers best known for her baking videos. In 2021, she competed in Jimmy “MrBeast” Donaldson’s “Extreme $1,000,000 Hide And Seek” video along with nine other notable YouTube creators. In the video, Pansino is depicted as having finished in fifth place, but according to the creator, that may not have actually been the case.

On Oct. 27, Pansino publicly accused Donaldson of manipulating the editing process for his video to misrepresent the results. In a series of now-deleted posts on X (formerly Twitter), Pansino claimed that she had actually finished third place in the competition, an achievement she was incredibly proud of, and had been disappointed to find out that the results had been skewed in the video.

Pansino also went on podcasts such as the H3 Podcast to discuss the allegations. In the podcast, she described herself as being in her “healing era” and that her “trauma tank was full.”

Pansino seemed to imply that her misrepresentation in the video has something to do with being a woman, saying she was initially “disappointed that [her] male friends didn’t speak up for [her].” Despite this, she also added that Quackity, a male YouTuber who also competed in the video, finished second but was also negatively misrepresented in the results.

If her claims are true, it seems likely that these edits occurred because MrBeast’s team wanted the largest creators present to appear victorious, not necessarily on the

simple basis that they are men. Of course, there is a possibility that this situation is a case of misogyny first and foremost, but Quackity’s misrepresentation makes this stance, at most, questionable.

Otherwise, Pansino’s claims hold a lot of merit, especially considering Quackity seemingly also alluded to this situation in an old livestream, saying that he was “second place in that video.”

With this independent corroboration from Quackity, it’s reasonable to assume that Pansino is telling the truth. Let it be perfectly clear that this is not something the MrBeast team should have done. Misrepresenting the results of a competition, regardless of the reasoning, is shameful and takes away valid achievements from people like Pansino who worked hard to reach them.

With that being said, Pansino has blown this situation so far out of proportion that it can only be assumed she is attempting to gain some sort of public notoriety from what she experienced.

“In the hours since posting my story I have received at least three other messages from female creators who have had similar experiences with MrBeast and those around him,” Pansino wrote in a now-deleted post. “That will be their story to tell if they choose to, but it is making me realize that I’m not as alone as I once thought I was.”

Pansino is acting as though she suffered some sort of deeply traumatic experience that left her in a state of perpetual mental isolation. While her experience is certainly unfortunate, this sort of statement makes the entire situation appear far more significant than it actually is.

Bringing this situation to the public eye makes sense as it exposes falsehoods and misrepresentation within MrBeast’s competitions. By no means should Pansino have been expected to keep this to herself, especially considering her excitement upon finishing third place – and subsequent disappointment in the video’s skewed results – is completely valid.

Yet it’s odd that she would launch a crusade against Donaldson through rapid appearances on multiple podcasts and a series of posts over a few days, with a hide-and-seek video seemingly being the main offender. This controversy came out of nowhere, and Pansino’s making a fairly big deal over what is, at the end of the day, a video competition.

It doesn’t help that after Donaldson privately messaged her on X hoping to call her to sort things out, she posted the interaction publicly to fuel her case. The following day, she implied on the H3 Podcast that Donaldson looking for a phone call was some sort of shady business tactic, without anything in their interaction to signify this was the case.

Pansino publicly apologised to Donaldson in an X post on Oct. 29, citing the multiple death threats she’d received – which, for the record, are undeniably deplorable and unacceptable regardless of her intentions throughout this situation – but also mentioning that she had taken her followers’ feedback on the controversy seriously. She also decided to remove all of her posts regarding the situation. With that, the controversy finally seemed to draw to a close, which at that point was likely a good thing for all involved.

That was until the night of Nov. 1, when Pansino posted a public retraction of her apology to Donaldson, reigniting the drama between the creators; or, at least attempting to.

At this point, the Internet was finished caring about Pansino’s outburst, and her retraction didn’t create much conversation as a result. Pansino needed to make up her mind, something she clearly still hasn’t done considering she removed the retraction shortly after posting it. It’s alright to be uncertain in a difficult situation, but flippantly posting apologies and retractions to a massive audience is irresponsible.

Pansino appears to be manufacturing drama for the sake of virality, which is surprising considering her status as a widely respected influencer usually recognized for her kind nature. It’s a shame to see her take a negative experience and twist it

into something much bigger.

It’s a shame that this situation, which could have been used to publicly question the authenticity and bias of Donaldson’s videos, had to be twisted into further toxicity and controversy across the YouTube platform. Pansino’s experience could have been an interesting conversation about bringing some of Donaldson’s lies to light, but like the MrBeast hide-and-seek video, the situation was manipulated and things inevitably ended up messy.

Banning Halloween costumes is nothing more than an anti-fun mandate

0

Trying to stop kids from participating in Halloween festivities is wrong, especially in a world where they’ve already had so many experiences taken from them.

In recent years, there has been an alarming trend of schools prohibiting children from wearing Halloween costumes in class. There are a few reasons why educational institutions might claim to do this: some families do not recognize Halloween, and some children might feel left out when seeing others’ elaborate costumes.

It’s time to retire these old excuses and call this out for what it is: an anti-fun mandate.

It’s true that some families don’t recognize Halloween, which is entirely valid. But no one’s forcing them to dress up their kids in costumes or send them trick-or-treating. Just because some people don’t participate in an event doesn’t mean that the event’s traditions should be banned in public spaces. We should trust people to make their own decisions on whether or not to participate and allow those who do celebrate to have a fun time.

Should we ban Christmas movies at the theatre because not everyone celebrates, or prohibit Easter egg hunts because someone might not recognize the holiday? Of course not! Everyone should certainly be allowed to make their own decisions, but a few people choosing not to participate doesn’t mean everyone else should have to keep quiet.

A similar argument can be said for children who feel left out because of others’ costumes. Unfortunately, envy and frustration are just parts of childhood, and this isn’t a reasonable justification to prevent everyone from having fun with an activity.

The truth is: we already live in a world where children have many valuable

experiences taken from them.

Unlike the generation before them, many children today are not allowed outside for extended periods of time without supervision because of dangerous strangers and situations that might await them. Adults talk about the days they could spend outside with friends, but many children today aren’t able to have those same experiences.

Then there’s the issues presented by technology. Despite all its benefits, tech has taken a toll on children’s social skills and relationships, leading to kids’ increasing shyness and intimidation by social situations.

Not to mention the COVID-19 pandemic, which stripped millions of children of years’ worth of school, extracurricular and social experiences. Many kids spent years isolated at home, which is wholly unnatural for a young human being’s development.

Today’s children have had so many experiences taken from them. Their childhoods have been impacted by a myriad of factors that have destroyed much of what should make childhood special. The last thing we should do is arbitrarily restrict them further by banning celebrations and festivities meant to put smiles on their faces.


Many of the adults attempting to ban costumes in schools likely have plenty of positive childhood memories of participating in Halloween festivities themselves. They should feel ashamed for using their authority to attempt to prevent the next generation from making similar memories.

Matthew Perry did way more than just play Chandler on “Friends”

0

Remembering Matthew Perry solely for his work on “Friends” is disrespectful when he contributed so greatly to the sober-living community.  

Matthew Perry, 54, died on Oct. 28th in a jacuzzi outside of his home. Many people know him as Chandler from the hit TV show Friends, but Perry said that when he died, he hoped he would be remembered for all the time he spent helping others.  

“When I die, I don’t want Friends to be the first thing that is mentioned,” Perry said on the “Q With Tom Power” podcast in 2022. “I want [helping people] to be the first thing that’s mentioned, and I am going to live the rest of my life proving that.” 

Throughout his life, Perry spent time in and out of 15 rehab centres for addiction to various substances. Starting to drink at the age of 14, Perry’s problems became even worse after he became addicted to Vicodin—a painkiller—following a jet ski accident in 1997. The actor spoke openly about this time of his life and his struggles with drug and alcohol abuse in various interviews, as well as his book “Friends, Lovers, and the Big Terrible Thing: A Memoir.”  

“Addiction,” Perry wrote in his book, “the big terrible thing, is far too powerful for anyone to defeat alone, but together, one day at a time, we can beat it down.” This is exactly what Perry spent a good deal of his later life doing.  

In 2011, Perry lobbied the U.S Congress to fund drug courts as an alternative to incarceration. He hoped that this would help individuals recover from addiction rather than succumb to it. Perry also hoped it would reduce further criminal activity.  

In 2013, Perry turned his former Malibu home into a sober living facility.  

Now, a foundation he supposedly began working on before his death has been launched in his name to help people who are “struggling with the disease of addiction.”  

These are only a few notable things Perry did throughout his life to bring awareness to addiction. So why does everyone want to remember him solely for the character of Chandler Bing?  

Sure, the floppy-haired, court jester of a character is one the most memorable from “Friends.” While the show was a prime-time hit when it was on air, it also has had a renaissance with a younger generation in the past 10 years. Everybody—your mom, your uncle, your grandma, your youngest cousin—they all know Friends

Perhaps it is simply a lack of knowledge regarding the work that Perry did advocating for addiction resources and sober living. People are more interested in the funny character of Chandler than they are in the heartbreaking reality of addiction. That’s not an unfair assumption to make. Perhaps people simply see Perry as a relief from their everyday worries and pressures, not someone who they want to cause them more. But is ignorance a good excuse for a lack of social awareness?  

The comment sections on TikTok praise Perry for his acting, networks play his movies and people leave flowers outside of the apartment building that stood in for the one his character lived in on Friends. But no one seems to be talking about the incredible work he did to support those who were struggling in the same way he was.  

To me, it feels like a missed opportunity.  

“The Good Witch (Deluxe)” loses its way with six new bonus tracks

0

Overall rating: 2/5 

The Good Witch, Masie Peters’ sophomore album, recently came out in June, but the indie singer-songwriter has just surprised fans with a deluxe edition of the album.  

Released on June 23rd, The Good Witch is 47 minutes long and contains 15 songs. The original album encompasses a great deal of big feelings as Peters unpacks a breakup and the long process of putting herself back together again. The album was a great success.  

On Oct. 27th, Peters came through after weeks of hinting about dropping something when she finally released the deluxe version of the album, which along with the original 15 songs, contained six new ones: “Holy Revival,” “Yoko,” “The Song,” “Guy On A Horse,” “Truth Is” and “The Last One.” While sometimes catchy, almost all of the six new tracks seem better left on the cutting room floor. There was a reason they didn’t make it onto the original version, and it becomes clear when listening to the deluxe album as a whole.  

On their own, the six songs aren’t terrible. Lyrically, Peters may one day be considered a genius, up in the ranks amongst people like Taylor Swift. Still, there is work that must be done before that comparison can truly be made.  

The first bonus song, “Holy Revival,” tells a story that anyone who has had their heart broken can relate to. Unfortunately, the speak-singing that characterizes the verses takes away from the listenability of the track. The song itself feels unfinished, as if Peters went into the booth, did one vocal take and went with it.  “Holy Revival” feels more like spoken word poetry delivered at a downtown coffee shop open mic night than an indie-pop song on what is otherwise a pretty decent album.  

“The Song,” the third bonus track, tries its hand at the ‘getting over you’ kind of break-up song that artists like P!nk have perfected. But unlike Sara Bareilles’ “Gonna Get Over You”—a major stand-out in this genre— “The Song” lacks the kind of energy that makes this kind of song shine. Bareilles’ “Gonna Get Over You” plays with poppy piano and bright guitar. The track is populated by jazzy drums and an upbeat rhythm. “The Song” attempts to do something similar, but the heartbreak-inspired lyrics seem out of place hanging against a backdrop of upbeat synth rock. 

Perhaps Peters would have been better off producing “The Song” like Sara Bareilles’ “Breathe Again.” A similar theme, “Breathe Again” contrasts “Gonna Get Over You” with its stormy sound, full of anguished grief and torn ideals. Lyrically, “Breathe Again” is very similar to “The Song,” and while she is trying her best to produce it like “Gonna Get Over You,” Peters would have been much better off exploring an alternative avenue.  

The album wraps up with its final bonus track “The Last One.” The song is endearing, telling a story of never-ending love. While certainly young, “The Last One” is one of the better bonus tracks. The sound matches its lyrics, wistful and dream-like, utilizing pleasing harmony and computer-altered vocal flares. While it—like many of the bonus tracks—feels like it still needs work, “The Last One” does a decent job of tying the album together with a pretty little bow.  

While the original album is a nice addition to the break-up album genre, The Good Witch (Deluxe) loses some points for its lacking bonus tracks. Perhaps Peters would have been better off leaving the album as it originally was.  

“Stupid F***ing Bird” asks its audience hard questions about theatre and how it reflects life

0

Stupid F***ing Bird stands on its own two feet, bringing honesty and integrity to a world that is greatly lacking it.  

Aaron Posner—the playwright and adaptor of this year’s fall Brock Mainstage Stupid F***ing Bird—made it a point to avoid cliché, using simplicity, honesty, vulnerability and passion in its place. The play, put on by DART students in the past two weeks, is a contemporary adaption of Anton Chekhov’s 1896 play The Seagull.  

In the directors’ note, Hayley King and Gyllian Raby discussed Posner’s work, saying that he wrote his adaptation of The Seagull out of a “deeply equivocal love for and frustration with Chekhov.” It would be ignorant to say that the Russian dramatist didn’t transform late 19th-century theatre with his unique innovations. But Posner’s feelings about Chekhov come from a place of frustration that these innovations, which were once new and fresh, have become ubiquitous.   

Stupid F***ing Bird—a meta-modern version of The Seagull—takes its original framework and expands on it, exploring themes of love, loss and what it means to be uniquely human.  

Upon entrance to the theatre, audience members are immersed in a stunning set, designed so simply it screams of complexity as well as an underlying fear of normality. With a kitchen, a dock and a backyard fire pit, the stage settles nicely in the hollow little space that has been set aside for it.  

Con, played by Lucas Charters, is the first to enter the space. While they may have been one of many protagonists in Stupid F***ing Bird, Charters stands apart from the rest of the cast. In particular, their physical acting suggests the work of someone who has far surpassed the role of the student.  

Shining radiantly beside them was Nina, played by Victoria Marshall. While at first the character of Nina felt perhaps slightly overplayed, Marshal settled into her role beautifully when it came down to the nitty-gritty. The tumultuous love story shared between Con and Nina proved that both actors were absolute standouts.  

But the connection between Con and their mother, Emma, truly made the show spectacular. While not everyone is likely to have a famous mother like Emma, who was played by Jamie Elliott, the harsh and fragmented relationship they shared was incredibly relatable. Con’s constant need to impress their mother and to be liked by her pulled at the audience’s heartstrings. And while Emma herself admitted that she wasn’t the best of parents, she was an incredibly truthful depiction of a person thrust into motherhood far too early. Both actors showcased their character’s inner struggles so honestly that it was hard to believe they weren’t mother and child at all.  

In their directors’ note, King and Raby concluded by saying: 

“The play has launched us on significant conversations, including … intergenerational relationships, social alienation, the experience of being different in a small town, the necessity of live theatre … and the extraordinary importance of the arts in bridging cultural divides.” 

Stupid F***ing Bird opened up doors to new worlds, asking questions of its audience that made bodies squirm and faces crumple. As the stands that housed audience members for the play sat opposite to one another, the play involved not just watching the actors act, but also watching fellow audience members engage with that acting.  

Simply put, Stupid F***ing Bird provided an incredibly clever way to interact with the theatre as an audience member, while still achieving total immersion in the art itself.  

This fall’s DART Mainstage Stupid F***ing Bird revitalized the art scene on Brock’s campus after a long summer drought. Expanding on themes of love, loss and what it means to be uniquely human, Stupid F***ing Bird asks its audience hard questions about what truly makes art art.  

Badgers’ men’s rowing team wins third straight provincial title at OUA Rowing Championships

0

On Oct. 28th, the Badgers’ men’s rowing team captured their third consecutive provincial championship and 14th in school history, with an impressive showing at the OUA Rowing Championships at Henley Island in Port Dalhousie. Brock finished atop the standings with 524 points, followed by the Western Mustangs in second with 443 points and the Queen’s Gaels a distant third with 277. 

A big reason for the Badgers’ high point tally is due to them finishing first or second place in eight of the 10 races. 

Opening the competition, freshman Charles-Etienne Tabet won his first of two gold medals on the day with the only sub-eight-minute performance in the men’s lightweight single event with a time of 7:58.01. Tabet finished nearly six seconds ahead of second-place Victor Rolland of McGill. 

The OUA Men’s Rower of the Year picked up his second gold of the competition shortly thereafter in the men’s lightweight double event with teammate Riley Watson. The rookie duo edged out the Queen’s pair with just over a second to spare, crossing the finish line with a time of 6:55.56. 

Watson, the Peterborough native, also won himself a second gold, this time in the men’s lightweight pair event with Archer LaRochelle. LaRochelle and Watson dominated the competition, finishing the race with a time of 7:19.43, drastically ahead of the Western duo at 7:53.03 and the McMaster pair at 7:37.78. 

Third-year rower Connor Dodds added another gold for Brock, finishing first in the men’s single event with a swift time of 7:29.03. 

Dodds added his second and third gold medals of the day in the lightweight team events in both the lightweight fours and eights. In the eights, the Badgers’ octet of Dodds, LaRochelle, Christopher Gomez, Maddox Harrison, Ethan Mason, Benjamin Molnar, Dalton Sawyer and John Ross comfortably finished in first with a time of 6:24.60, ahead of the Western and University of Toronto teams. The Badgers – Dodds, Gomez, Harrison and Mason – followed up in the lightweight fours, racing to the only sub-seven-minute time of 6:53.60. 

The Badgers also added two silver medals to go along with their six gold, winning silver medals for Brock in the men’s four and men’s eight races. 

The men’s four team of Jared Boles, Keithan Woodhouse, Elijah Lopez and Joshua Ruby narrowly finished in second at 6:44.22, under two seconds behind the first-place Mustangs. Brock’s men’s eight team – Boles, Woodhouse, Ruby, Lopez, Ian Doctor, Euan Coulson, Flynn Kirwin and Lucas Fogh – crossed the finish line just ahead of the third-placed McGill rowers, finishing with a time of 6:14.97. 

Next up for the Badgers is the Canadian University Rowing Championships where they will be hoping that their provincial success can translate into national success. The competition runs from Nov. 9th to 12th at Burnaby Lake in Burnaby, British Columbia. 

 
For more information on the men’s rowing team, head to gobadgers.ca. 

Badgers’ women’s basketball team wins opening two games of the season at home against Toronto opponents

0

The Badgers’ women’s basketball team opened their 2023-24 season with a pair of impressive victories at home against the Toronto Varsity Blues and York Lions.  

Brock began the weekend shooting lights out in the opening quarter against Toronto.  

The Badgers shot an impressive 54 per cent in the first leading to 29 points. Madalyn Weinert, the 2022 OUA Second-Team All-Star, scored 14 of Brock’s points in the quarter, making six of her eight field goal attempts including a three-pointer. 

Unfortunately for Brock, Toronto also had no problem shooting the ball in the opening ten minutes. 

The Varsity Blues shot 45 per cent from deep, making five three-pointers, exploiting the holes in Brock’s two-three zone defense. Toronto’s proficiency with the long ball kept them in the game, accounting for 15 of their 18 points in the frame. 

The second quarter was much of the same as Brock continued to be dominant in the presence of Weinert and forward Oluwatito Akinnusi. The duo scored 13 of the Badgers’ 23 points in the quarter to overcome a strong shooting effort by Toronto to go into halftime up 52-34.  

However, everything unraveled for the Badgers in the third. 

The Varsity Blues outworked the Badgers in all aspects of the game, outshooting and outrebounding Brock while forcing Badger turnovers. Toronto erased a 16-point halftime deficit to end the third tied at 60. 

The Badgers didn’t do themselves any favours in that quarter, forcing up low percentage chances and going away from the ball movement and cohesion that earned them the mighty lead at the interval. 

In the fourth quarter, defensive prowess took over on both sides. Neither team scored in the quarter until Welland’s Shailah Adams broke the deadlock over two minutes into the fourth to give the Badgers the lead. 

From there, the teams traded baskets resulting in numerous lead changes and an intense finish to the season opener. With the game nodded up at 69 midway through the fourth, Brock’s key players took over the game. 

Weinert scored a made basket and a pair of free throws, as Adams, Angeline Campbell and Noor Bazzi all scored crucial points down the stretch to give the Badgers the hard-fought 79-69 victory for their first win of the new season. 

Following the win against Toronto, the Badgers took on another Toronto-based team, the York Lions. York was coming off a home loss to open their season against the Waterloo Warriors and were eagerly searching for their first win of the new season. 

The Lions’ hunger to get in the win column was evident early, as York’s defence limited the explosive Badgers offence to only 16 points in the quarter and only four from Weinert. 

But the Brock defence was also stellar, limiting the Lions to 29 per cent shooting in the quarter, as six of their 15 points came from the free-throw line. 

The second quarter had the same theme as defensive supremacy was once again on display.  

With Weinert on the bench for the entire quarter, Akinnusi stepped up and scored eight of Brock’s 15 points in the quarter. Defensively, freshman Jamie Addy, the younger sister of Badgers guard Allison Addy, registered two steals and two defensive rebounds along with a three-pointer made in only five minutes of action. 

The Badgers went into halftime with a two-point, 31-29 lead, before they exploded in the third. 

On the defensive end, the Badgers were stingy, forcing 10 Lions turnovers in the quarter leading to strong transition play and fast break points down at the other end. Weinert scored 10 of her game-high 24 points in the quarter, on an efficient five-for-six shooting. Adams added five of her own in the third, making both of her field goal attempts, as the Badgers dropped 24 points in comparison to York’s 13 to take the 55-42 lead heading into the fourth. 

In the fourth, Brock continued their domination of the Lions, scoring 27 in the quarter while only allowing nine points against. Weinert once again scored 10 in the quarter, as Akinnusi contributed with seven and Bazzi with six, cementing the 82-51 victory for their second straight win to open the season. 

Next up, the Badgers head to Toronto to face the TMU Bold on Nov. 11th. For more information about the Brock Badgers’ women’s basketball team, head to gobadgers.ca. 

Badgers’ men’s volleyball team start season undefeated winning both games on the road against York

0

The Badgers’ men’s volleyball team began their 2023-24 regular season schedule this past weekend with back-to-back wins on the road against the York Lions. 

Brock got off to a rapid start in game one of the weekend series on Saturday afternoon, as they controlled many of the points in the opening set leading to 18 kills, the most kills by either team in any set in this match. The Badgers’ attacking percentage in the first set was miles better than York’s – .667 per cent compared to .056 per cent – leading to a comfortable 25-13 win. 

However, the second set was far from comfortable for the Badgers. 

A back-and-forth set saw both teams exchanging points, as neither team had a lead larger than two-points throughout the duration of the set. As such, the set went beyond 25 – given that a team must win by two points to win the set – as the Lions did just that by a narrow 28-26 margin. 

Fortunately, the Badgers responded in the third. 

Devon Cooney and Kylar Code – two of the Badgers’ more skillful outside hitters – combined for five of Brock’s eight kills in the set, setting the tone early. The duo led the way for the Badgers throughout the game with 14 and 13 kills respectively, leading Brock in that category. Their contributions in the set earned the Badgers the 25-18 win to go up two sets to one with the opportunity to close it out in the fourth. 

With the Lions on the brink of defeat, they were hungry to force a decisive fifth set. York had 12 kills in the set, the most they had in any set in the match, but sloppiness by both teams – nine attack errors apiece – gave their opponent life and opportunities to claim the set. The Badgers had two separate match point opportunities but could not convert on either, ultimately losing the lengthy set 31-29, setting up an intense fifth and final set. 

In the fifth, the Badgers were meticulous with the ball, registering six kills and only one attacking error while the Lions were sloppy, attaining six kills and six attack errors. York’s carelessness handed the Badgers the 15-10 fifth set victory to win the season opener in a five-set thriller. 

The thrill from winning the opening match of the season carried into Brock’s second game on Nov. 5th, also against York. 

Just like the previous day, the Badgers were hot early, looking to take control and ridicule the Lions. 11 of Brock’s 25 points in the set came from kills, while an additional seven were from York attack errors, four of which were committed by Dennis Cota. The mix of Badger offensive domination and careless volleyball by the Lions gave Brock the 25-19 first set win. 

The second set was much tighter as the Badgers became infected with the lackadaisical play that York portrayed in the first set. 

Brock had five attacking errors in the set, leading to a low attacking percentage of .154 per cent. Conversely, the Lions had their best set statistically, registering their highest attacking percentage in the game at .214 per cent, with 10 kills and four attack errors on 28 total attempts.  

However, Brock, given their winning pedigree, still managed to escape the set with a win by a narrow 25-23 edge. 

In the third set, poor play was evident on both sides of the net. Both teams had six attack errors in the set which contributed to York and Brock’s attacking percentage being below .160 per cent in the set. The Badgers’ star of the game Jacob Ferland kept Brock within contention for the set, smashing three of his game-high 11 kills in the set, but despite Ferland’s contributions, York managed to pull away with the 26-24 victory and get momentum at home. 

But the Lions’ momentum was short-lived. The Badgers played the fourth set exceptionally well, playing some of the best volleyball they played all weekend. Ferland was once again a key contributor, getting two crucial aces – which was second on the team behind only libero Adam Shapcott who had three – while also scoring a team-high 15 points in the match. The Badgers earned the 25-17 fourth set win to pick up their second straight win to close the opening weekend undefeated with a 2-0 record. 

Next up for the Badgers is their opening games at home, the Bob Davis Gymnasium, next weekend on Nov. 10th and 11th against Toronto Metropolitan University (formerly Ryerson). For more information on the Badgers’ men’s volleyball team, head to gobadgers.ca. 

BUSU Wellness Week is meant to help students unwind

0

BUSU’s Wellness Week this November is meant to help students unwind amid university-related stresses. 

The midterm season for this Fall has passed for most Brock students. Still, this milestone is often a signal that the road to exam season has begun, and with it, periods of high stress, dozens of late nights and a seemingly never-ending flow of work. 

In times like these, rest and self-love are important, even when it seems like there’s no time to take care of yourself. BUSU is providing tools to help in this time of high stress. Nov. 6th marks the beginning of BUSU’s Wellness Week, entailing four days of wellness-themed events and activities to “de-stress, kick back and have some fun.”  

Here’s a look at what is promised for the week-long initiative from BUSU. 

Monday, Nov. 6th 

Wellness Week begins with the Wellness Fair at Union Station, from 11 a.m to 5 p.m. Students can drop by whenever they’re available to learn about what student wellness looks like and get free merchandise from vendors in the community. 

From 6 p.m to 7 p.m, Justine Cotton will be leading a beginner’s Library Yoga session in the Learning Commons Classroom B (ST 230). Mats will be provided, but spots are limited so RSVP if you plan on attending this event. 

Finally, from 7:30 p.m to 10 p.m, Crock A Doodle is providing students the chance to do Pottery Painting at Union Station for free. Spots are limited, but students’ creative pieces will be cured in a kiln after the event and available for pickup at a later date. 

Tuesday, Nov. 7th 

The activities of Wellness Week Day Two begin with another niche creative activity: mindful origami folding. This beginners’ course is open to folders of every skill level in the Learning Commons Classroom B (ST 230) from 12 p.m to 1 p.m. 

From 1:30 p.m to 3 p.m, there will be therapy dogs at the Pond Inlet. Students who enjoy petting many dogs at the same time will not want to miss this event. 

The day will end with the eighth Trivia Tuesday of the fall term at Isaac’s from 5 p.m to 7 p.m. As always, the first, second and third-place teams of this game will receive gift cards to Walmart, UberEats and Isaacs, respectively. 

Wednesday, Nov. 8th 

Start Day Three off with a coffee at Union Station from 11 a.m to 12 p.m. BUSU president James Maxwell-Barillas, vice president of external affairs Alyssa Hall and vice president of university affairs Carleigh Charlton will be around to answer students’ questions and concerns about BUSU and the student experience. 

The second session of Library Yoga with Justine will run at the same time and place as on Day One. “Gentle poses and mindful breathing exercises” will allow students to decompress and learn some wellness techniques they can take home. 

After a three-year hiatus, BrockTV’s Render This Film Festival returns to The Film House – at the First Ontario Performing Arts Centre – in downtown St. Catharines. Book your free tickets here to support student filmmakers and find out who’ll win. 

Thursday, Nov. 9th 

The final day of Wellness Week starts with a free hot breakfast, including pastries, juice and fruit, in Union Station from 7:30 a.m to 10:30 p.m. This event is sponsored by Student VIP and will run as long as supplies last. 

Students will need to be fueled for the last event of the week, a free, all-ages karaoke night at Isaac’s from 8 p.m to 11 p.m. Pizza and pop will be provided while supplies last and the bar will be open for everyone 19 and older. Prizes will be awarded as well: two $50 Landmark gift cards for best duet, a $100 Ticket Master gift card for the audience favourite and a Bluetooth speaker for the lucky winner of a random draw. 

Maintaining personal wellness is the best way to manage the intense work and busy schedules of a full-time university course load, on top of any other personal stressors. It may not always feel like there’s time to relax, but relaxing is integral to maintaining positive mental health. Karaoke, pottery, movies and more can all be ways to decompress and prepare for upcoming anxieties.  

To view BUSU’s list of wellness resources at Brock, see here. 

Explore a broad, original D&D world with the Brock Westmarches Club

0

The Brock Westmarches Club brings together storytelling, improv, worldbuilding, character creation and more in the role-playing fantasy game Dungeons & Dragons.  

With the hit Netflix series Stranger Things becoming the cultural phenomenon that it now is, many will be familiar with the concept behind and themes within Dungeons & Dragons (D&D). 

For those who are not familiar, D&D is a tabletop role-playing game where players create characters for themselves, and then act out those characters as they embark on adventures curated by a Dungeon Master (DM). Characters can level up, form bonds with other characters, acquire weapons and even die. 

Brock students with no experience or years of it can explore the game at the Brock Westmarches Club, run by Jack Campbell, the club’s president; Kevin/Cassidy, the club’s vice-president; and the club’s four other Game Masters (GM).  

D&D is usually a self-contained game with a group of four to six characters playing out a story, or a campaign, created by a DM. However, with the Brock Westmarches Club being as large as it is—having 151 members on ExperienceBU—they use a style of campaign called ‘West Marches,’ hence the club’s name. 

“People come to the club, they make a character at level one and then that character is injected into a world that [the GMs] run,” said Jack. “There’s a town called Guildtown, all the adventurers live there, and then we run sessions as someone’s posted a ‘help wanted’ notice on the bulletin board [and] your character goes and signs up.” 

The six Game Masters oversee the grand narrative—which culminates in a large-scale battle at the end of the year—but any club member can act as a Dungeon Master and create a campaign set in the wider world of the club. There’s a limit of one quest per week for each player, but club members can go on as many or as few quests as they’d like aside from that. Some club members do one every week, whereas others only do one in a month, or even one in a semester. 

“Each person has one character that they play, but if they choose to retire that character or that character ends up dying on a quest… they can make a new character,” said Cassidy/Kevin. Some members like to make a new character every year, but Jack, for example, played the same character for four years. 

Character death can be an untimely and emotional affair. The club has recently been trying to implement policies that prevent hurt emotions, such as danger ratings on quests, but as Kevin explains, “there’s an understanding that your character could die” either way. “D&D is telling a story and death is a part of it,” said Jack. 

This lack of knowing may seem scary, but it’s one of the main facets of the game. A set of dice is used to add an element of randomness to any campaign, meaning neither the players nor the DM knows exactly how it’s going to turn out. Jack knows a saying, that “the dice like to tell a story that’s not always the one you want to tell.” Sometimes death is a part of that randomness, but it’s all in the name of fun. 

The Brock Westmarches Club holds several events every year, the most recurring ones being workshops relating to various aspects of the game. Two have been held thus far, an improv/role-playing/character creation workshop and a Dungeon Master workshop. Essentially, these events “help give people more experience in the realm of Dungeons & Dragons,” said Jack. 

The club also holds two yearly events: Guild Day and a charity livestream. Guild Day is a mid-year “wrap-up… just before [Fall] exams” where the club plays D&D-themed games. “[It’s] an excuse for all of us to get together as a group,” said Jack. Most of the time, in-person meetings are relegated to campaign groups of four to six.  

The charity livestream is a 24-hour Twitch stream run through Extra Life, where members and non-members come together to play pre-published D&D adventures. “It often ends up being very silly,” said Kevin/Cassidy. Last year, the club raised around $4,500 for the McMaster Children’s Hospital.   

Dungeons & Dragons is different from traditional storytelling because “it is a collaborative game,” said Cassidy/Kevin. “The players have agency, and those players can affect the story.” A presented villain, for example, may be defeated or redeemed, depending on who is playing at that given moment. It is a reactive game, with DMs or GMs reacting to the players and vice versa.  

Club members can also take their stories in whatever direction they want. It is broadly a fantasy world, but stories can delve into steampunk or cosmic horror, introduce portals to entirely different lands and more. The club’s Discord is where all the community activities happen, including quest postings, role-playing channels and additional resources for both the club’s world and tabletop gaming in general. 

If this all seems like a lot, Kevin/Cassidy ensured that new players need not worry. “We are very new-player friendly. There’s a lot of people who have never touched D&D before joining this club.” A prime example is Jack, the current president, who only began playing in the club five years ago.  

“There’s a lot of people in it that are very willing to help people learn,” said Jack.  

While D&D is usually very small scale, the Brock Westmarches Club is a place where newcomers can learn the game, veterans can explore a sprawling world and everyone can have a good time. It’s a big club, but as Jack explained, “[D&D] always runs better when you’re friends with people.” 

Men’s hockey lose first of the season against McGill

0

Brock’s men’s hockey team headed up to Montreal this past weekend to play in two matches in a Quebec road trip. 

On Oct. 27th, the Badgers took on the McGill Redbirds. While Brock has been dominating the Ontario University Athletics (OUA) West Division, McGill has merely been near the bottom of the East’s standings. 

Nevertheless, the Redbirds got out to a hot start, securing the first goal of the game six minutes in. 

The Badgers had a chance to respond soon after with a powerplay and Zachary Taylor made no mistake, ripping a shot top-corner and evening the score to 1-1. 

The tie game was short-lived, however. 

McGill snuck another one past the Badgers in the final minute of the first, putting them ahead 2-1. 

That 2-1 score stuck for most of the second period as both sides bogged down with penalties. It wouldn’t be until just over three minutes remaining in the period that McGill found the fourth goal of the night, and the last one at even strength.  

Brock couldn’t solve Redbird netminder Alexis Shank, who kept the game out of reach. Brock failed to score a second goal while McGill added an empty-netter to punctuate a 4-1 victory. 

The Badgers were back in action the following afternoon, this time against a much more formidable opponent: the also 6-1 Concordia Stingers, who lead the Eastern Division. 

The game remained scoreless between two clearly well-matched team for much of the first period. A powerplay opportunity for the Stingers gave them the first score of the game on a broken play in front of the Badgers crease. 

Concordia left the period leading 1-0. 

Brock came out burning to close that gap and did so just under a minute and a half into the second. Matt Duarte, finding himself with tons of space in front of the Concordia goal off a feed from Ethan Sims, buried his first career OUA goal.  

The Badgers got a big break later that period when, after a Brock skater fell into the Concordia goalie, Jordan Stock’s shot slipped through, giving Brock the lead late in the second. The goal stood despite the goalie’s protests over the play.   

The Badgers looked very undisciplined in the third, handing out four penalties. Brock’s team suffered as a result, losing their advantage in the last moments of the penalty kill. After a scuffle in front of goalie Connor Ungar, Concordia’s Charles-Antoine Paiement scored his second of the game exactly like the first, backhanding the puck into a wide-open cage. 

The match would require overtime to get a final result, but Brock would make short work of that. 

Tyler Burnie and Jacob Roach worked themselves into a 2-on-1 only 30 seconds into the extra frame. Burnie feathered a pass over to Roach, who deftly flicked it over the Stinger goalie, winning the game 4-3. 

The overtime thriller was Brock’s seventh win of the season, elevating them over Concordia for sole possession of first place in the OUA.  

The Badgers return home for another weekend double-header, playing Windsor on Nov. 3rd and Ontario Tech on the 4th. For more information, please go to gobadgers.ca.