Wednesday, January 21, 2026
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada

Don’t be fooled, Taylor Swift is a corporate money-making machine

|
|

Taylor Swift has nearly a billion-dollar net worth, yet her goal remains to make as much money as possible. 

To be clear, I am just as much a “Swiftie” as the next person. Swift’s Red album is, in my opinion, most certainly one of her most influential. Despite this, I remain concerned that Taylor Swift has become a corporate machine. 

Taylor Swift, who currently sits at a net worth of $740 million, has seen her income skyrocket since 2022 when her net worth was said to be $570 million. This comes as a result of her Eras Tour, for which tickets are in high demand. While scalpers and re-sellers have taken price gouging to a whole new level, the set prices of Toronto tickets put in place by Taylor Swift’s team ranged from $150 to $600. This is an incredibly hefty price tag for one night of fun. 

 While Taylor herself seems to be doing some good with her earnings, her ticket prices still sit above the majority of other touring artists. For the average consumer, spending $150 on one ticket simply isn’t in the budget – and that’s just for nosebleed seats. 

It looks like Taylor Swift and her team are more interested in bringing in a dollar than they are concerned with making her concert accessible for fans. 

Furthermore, Taylor Swift is the queen of multi-coloured vinyl records. With the release of her album Midnights in 2022, Swift announced four exclusive-coloured vinyls. While all of them included the same content, fans were encouraged to buy all four in order to make the Midnights clock, a design that can be created only when all four vinyls are placed together. She went on to introduce another two colours later on, blood moon and love potion purple. This was the same story for the Speak Now (Taylor’s Version) vinyl and her upcoming release 1989 (Taylor’s Version)

Swift then goes on to release exclusive vinyl after the initial release that includes new songs that she won’t put onto any streaming services. This is not an unusual corporate tactic in music, but it still forces fans who have already purchased one vinyl to buy a second in order to listen to one song.  

On her merch shop, a simple tote bag or the Speak Now (Taylor’s Version) charm bracelet will cost a whopping $50 before taxes or shipping. Her “The Story of Us” cropped hoodie will put the consumer out at least $100. 

Just recently, Taylor Swift’s “top listeners” on Spotify were notified of a special edition fan’s first poster and given a special code to purchase the limited quantity item. The poster was then posted on Taylor Swift’s merch website for anyone to purchase at the exact same price. There was no discount offered to her top listeners who were persuaded into buying the poster because it was only being offered in a “limited quantity.” The poster is still for sale on her website today.  

Swift’s most recent offence is the prices of the tickets to the Eras Tour movie. 

In order to make the Eras tour more accessible to fans who could not attend, Swift has recorded the tour and is releasing it in movie theatres. While this is not unusual in the music industry, the price for one ticket is $19.89. While this is supposed to be an easter egg alluding to the release of her new re-record, the price of the ticket for her show still sits way above the price of a normal movie ticket. To give an example of this, a general ticket to a general, 2D showing of Greta Gerwig’s Barbie is $11.99. 

This kind of corporate greed becomes especially difficult when so much of Swift’s fandom revolves around the uncomfortable para-social relationship that her fans share with her. It’s nice to believe that she is a good person who is looking out for her fan base – but when it comes to the corporate end of the stick, Swift has proven that the business side comes first. 

More by this author

RELATED ARTICLES

“Twin Peaks” is just as revolutionary and heartbreaking 35 years later 

This article contains spoilers for Twin Peaks seasons one and two.  Since its debut on cable television 35 years ago, the Twin Peaks series has continued to resonate with contemporary viewers thanks to its alluring atmosphere, iconic characters and harrowing secrets.

Heated Rivalry skates past expectations 

For those of us who choose to spend the winter break catching up on the semester’s TV backlog, it’s nearly impossible not to have heard about Heated Rivalry. 

Guillermo del Toro’s “Frankenstein” fails to consider the nuances of Mary Shelley’s novel   

Released on Oct. 17, Guillermo del Toro’s adaptation of Mary Shelley’s 1818 novel Frankenstein was well received by critics and viewers alike — yet many fans of the classic novel walked away disappointed due to the numerous changes del Toro made to a story that many people love so dearly.

On screen drama to Broadway: Whitney Leavitt’s rise to fame 

Whitney Leavitt may not have been the Dancing with the Stars Mirrorball champion, but she won the jackpot when she was cast in Chicago on Broadway.  

Outkast: Hip hop’s greatest catalogue   

It’s hard to believe that an unusual rap duo from Atlanta, Georgia, made it this far in the first place, let alone became one of the most influential of all time.

The whole bloody affair: “Kill Bill” and movie theatres as “third places” 

Watching Kill Bill for the first time in a theatre felt like the right way to meet a movie that’s built intentionally around mood, sound and audience reaction. Kill Bill: The Whole Bloody Affair isn’t subtle. It’s style-forward, violent, funny in a dark way and constantly aware of itself as cinema.

Robert Irwin’s win on “Dancing with the Stars” is stirring up controversy online 

For most viewers, the Dancing with the Stars finale was a huge hit, but some fans believe that the end results were rigged. 

“Five Nights at Freddy’s 2” review: when moviegoing becomes a matter of expectations 

Score: 1.5/5  This article contains heavy spoilers for the Five Nights at Freddy’s 2 movie.  It’s my fault that I hated Five Nights at Freddy’s 2 so strongly.  All the signs were there. Critics were brutally honest about their distaste of the film, with the horror sequel amassing an abysmal 14 per cent score on Rotten Tomatoes. Fan reception wasn’t much better, with even the most diehard fans calling the movie “insulting.”