Friday, December 12, 2025
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada

Beyoncé brings new life to queer culture on stage

|
|

Beyonce’s Renaissance World Tour is a euphoric celebration of queer spirit. 

On a warm summer night in late July 2022, Beyoncé released her seventh studio album titled RENAISSANCE, the first of an enigmatic three-act project. With little promotion or visuals surrounding the album, the genres she would venture into remained a mystery. It would soon be revealed that the album adopted styles of house music prevalent in the ‘90s ballroom vogue scene. The culture surrounding this music was pioneered by queer legends such as Kevin Aviance and Grace Jones, the latter of whom appears on the track “MOVE.” 

Following the album’s release, Beyoncé made a statement that RENAISSANCE is dedicated to her gay cousin Uncle Jonny, who helped raise her until his passing from AIDS. He is also referenced on the track “HEATED” in the album. During her acceptance speech at the 2023 Grammys ceremony, Bey expressed thankfulness to him and the queer community for inventing the genre. 

While RENAISSANCE as an album is coated top-down in influence from the queer spaces in the ‘80s and ‘90s, speculation on how the tour would bring the album to life kept the Beyhive buzzing. The finished product exceeded expectations in a supernova of fearless queer joy. 

Joining Beyoncé on tour is a cast of dancers of various body sizes and shapes all well-versed in the culture the album envelops itself in. Among these dancers is vogueing legend Honey Balenciaga, member of the House of Balenciaga in the ballroom community. 

During the tour’s final act following the performance of “PURE/HONEY,” Beyoncé’s dancers are given an opportunity to shine in a vogue ball set on stage. The segment allowed the dancers to show off various styles of vogue including both the old way and vogue femme. 

This approach allowed the dancers to elevate themselves as well. Beyond simply promoting Beyoncé, the Renaissance World Tour acts as a vessel for queer people to celebrate themselves and bring new life to the pioneers that fought to create a space for fearless self expression. 

Despite the tour’s impact on revitalizing queer legends, the threat of bigotry expressed towards LGBTQ+ people is still active. On July 29, 2023, a year after the release of RENAISSANCE, dancer and activist O’Shae Sibley was murdered in Brooklyn, New York. The 28-year-old gay man was vogueing to the album among friends when they were confronted by a group of teenagers. They ordered Sibley’s group to stop dancing, stating it was offensive to their religion. 

Sibley confronted the group and was eventually stabbed after an argument ensued; he was later pronounced dead in the hospital. The 17-year-old accused was charged with second-degree murder as a hate crime. 

The murder sparked outrage and heartbreak among the queer community worldwide. In the aftermath, Beyoncé herself displayed on her website, “Rest in Power O’Shae Sibley” in solidarity. Honey Balenciaga later shared her condolences on Instagram, stating “queerness does not kill, bigotry does”. She also provided resources for funding Sibley’s funeral via GoFundMe. On Aug. 4, a vigil and vogue ball were hosted at the scene of the attack, where hundreds gathered to honour his life. 

As the Renaissance World Tour enters its final collection of shows, queer people around the world have been given a spark to light the fire of interconnectedness in their community. Having grossed over $400 million USD, the tour has broken records as the highest-earning tour by a woman in history. While Beyoncé’s mastery as a performer proves she is born for the stage on this tour, her voice sings in tribute of queer legends that were otherwise unknown outside of the community. 

However, the tour is merely one stage in the fight against bigotry that queer people have been in for decades. If one thing is certain, the queer community will fight for one another, and the presence of bigotry will not break their soul. 

More by this author

RELATED ARTICLES

Robert Irwin’s win on “Dancing with the Stars” is stirring up controversy online 

For most viewers, the Dancing with the Stars finale was a huge hit, but some fans believe that the end results were rigged. 

“Five Nights at Freddy’s 2” review: when moviegoing becomes a matter of expectations 

Score: 1.5/5  This article contains heavy spoilers for the Five Nights at Freddy’s 2 movie.  It’s my fault that I hated Five Nights at Freddy’s 2 so strongly.  All the signs were there. Critics were brutally honest about their distaste of the film, with the horror sequel amassing an abysmal 14 per cent score on Rotten Tomatoes. Fan reception wasn’t much better, with even the most diehard fans calling the movie “insulting.”

A look at some of the upcoming shows at The Warehouse 

For the music lovers in the Niagara Region who are looking for something fun to do, here are some of the upcoming shows scheduled to take place at The Warehouse.

Annabelle Dinda’s “The Hand” blew up overnight, but the final production might be considered a flop 

After going viral, Annabelle Dinda has released her newest single, “The Hand,” to middling applause.

A sparkling sip of ‘70s sunshine: Supertramp’s “Breakfast in America” 

When Supertramp released Breakfast in America in 1979, they knew that they’d created something special, but few could have predicted the album’s enduring cultural presence. More than four decades later, Breakfast in America remains one of the greatest achievements of the late-’70s pop-rock, blending clever songwriting, pristine production and a distinctive tonal palette into a cohesive and joyful listening experience.  

Mumford & Sons gear up for the release of their new record, “Prizefighter” 

If Mumford & Sons’ upcoming studio album, Prizefighter, is anything like the records that precede it, you can expect it to be a fan favourite right from the beginning.  

Brock University’s music ensembles are gearing up for their annual winter performance showcase  

As we head toward the end of the fall semester, Brock’s Department of Music is gearing up for the performances of its various music ensembles. As an annual tradition, these performances showcase the hard work of students who have been practicing all semester long.

The creative shift that changed everything: “folklore” and “evermore” five years later

2020 was a strange year. Public life halted, yet the world kept moving. Tours and festivals shut down, school traditions were scrapped and artists were suddenly given the chance to pivot.