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Chappell Roan’s “Good Luck, Babe” skillfully navigates the nuance of queer relationships 

Chappell Roan has taken the world by storm, and her newest track “Good Luck, Babe!” has proven that pop music can be more than basic electricized beats and severely flat and undynamic vocals. 

Kayleigh Rose Amstutz, or as the world knows her, Chappell Roan, is a 27-year-old musician from Missouri who has recently skyrocketed to fame. Following the release of her debut album The Rise and Fall of a Midwest Princess and an insanely successful few months opening for Olivia Rodrigo on her GUTS Tour, Roan has quickly become a household name

Her newest track, “Good Luck, Babe!,” released on April 5 and has since gone viral on TikTok. 

A synth-pop anthem, “Good Luck, Babe!” doesn’t stray from the musical excess that populated The Rise and Fall of a Midwest Princess. Instead, Roan’s newest single builds on that extravagance, settling in beside the rest of the singer’s discography with the use of her signature 1980s-inspired synth dance beat.  

Starting with a high-hat heavy drum sequence, “Good Luck, Babe!” doesn’t lose momentum as it progresses, even though the track maintains a mid-tempo throughout. This is because Roan uses her powerful vocals to move the pace along.  

Opening with the lines “It’s fine, it’s cool / You can say that we are nothing but you know the truth,” Roan is reproachful, alluding to the heartache narrative that the rest of the lyrics explore.  

This narrative centres around a complicated connection between the singer and her lover, with one party refusing to acknowledge what the two of them know.  

Continuing with “I don’t wanna call it off / But you don’t wanna call it love” furthers this narrative, Roan’s contempt barely hidden beneath the surface of her persona. 

Launching into a simple yet incredibly effective chorus, Roan shows off her impressive range, singing in a bright falsetto. The lyrics “You can kiss a hundred boys in bars / shoot another shot, try to stop the feeling” highlights the age-old story many queer people know intimately: having to let go of a lover because they are deeply in denial about their own sexuality.  

Both the track’s musicality and Roan’s narrative skills contribute greatly to the breathtaking nature of the song, showing a great deal of craftsmanship when it comes to developing the story she is trying to tell. Maintaining the track’s catchy sound while also providing lyrical magnificence can be hard, but Roan manages to do both with grace and skill.  

Concluding with the reminder “You’d have to stop the world just to stop the feeling,” Roan nudges her lover towards the truth, but to no avail.  

A true pop standout as well as a rocking queer anthem, “Good Luck, Babe!” nails everything it set out to achieve and proves that Chappell Roan deserves all of the fame she has garnered over the past few months.  

Hannah Barton
Hannah Barton
Hannah Barton has been an Arts & Entertainment editor at The Brock Press since 2023.

As a writer, she is dedicated to uncovering the vibrancy of the GTA’s dynamic music and theatre scene, uncovering and amplifying the voices of up-and-coming artists. From thought-provoking album analysis to narrative concert reviews, Hannah is committed to articulating the essence of each artistic endeavour she encounters eloquently and emphatically.

Outside of The Brock Press, Hannah has also been published in the First Person section of The Globe and Mail.

Hannah is currently enrolled in the Concurrent Education program at Brock in the intermediate/senior stream. She is majoring in history with a particular interest in classical studies and ancient language.

During the 2024/2025 school year, Hannah will be the President of Brock’s Concurrent Education Students’ Association. In this position, she will lead a team of fellow teacher candidates, providing opportunities for Brock students to make connections inside and outside of the classroom.

Hannah has been on the Board of Directors at The Brock Press since 2023. In this position, Hannah has helped to oversee the organization’s transition into a worker-cooperative. This spring, Hannah will be working on a special committee that will be digitally archiving 60 years’ worth of print editions of The Brock Press for public access.

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