Friday, December 12, 2025
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada

Highlights from the 2023 VMAS

|
|

The 2023 VMAs was one of the year’s campiest award shows. 

Award shows are a subject of controversy among fans and even critics. The Grammys in particular are known to include their fair share of “snubs,” often favouring sales and popularity of music over critical praise; a topic that shouldn’t be ignored when declaring the “best album of the year”. 


Nonetheless, if music award shows can offer anything, it’s performances – and MTV’s video music awards are known to provide. Naturally, the 2023 VMAs was one for the books. 

The night included a number of performances from artists new and old. Doja Cat delivered an electrifying performance of the three singles “Attention,” “Paint the Town Red ” and “Demons” to promote her upcoming album, Scarlet. Despite Doja’s recent offbeat presence online that has sparked controversy, her stage presence earned her the spot as one of the most gutsy and memorable of the night. 

Shakira made a surprising appearance amid her second investigation of alleged tax fraud. This did not prevent her from delivering a megamix performance that paid tribute to her biggest hits including “Hips Don’t Lie” and “Whenever, Wherever”. Her presence at the show was almost deserving of a good laugh considering the recent investigations. Here we are presented with a superstar of Latin pop music under investigation for serious allegations performing her greatest hits on the stage of a major award show. The scene is equally as admirable as it is ridiculous, adding to the campiness of the evening. 

In celebration of hip hop’s 50 year anniversary, an ensemble performance with Lil Wayne, Nicki Minaj, LL Cool J and others took place. The showstopper here was Nicki Minaj, who’s crowd interaction and diva personality reflect her solidified icon status in the industry. 

Olivia Rodrigo also delivered a powerful performance of her album GUTS’ lead single ‘vampire’. The stage setup directly reflects the song’s music video, with her seated in a meadow before realizing she stands on a stage, with countless people watching her as the stage collapses on her. The song was born to be performed live with this format, and the VMAs performance was meta in all the best ways. 

Of course, the evening was meant for awards, with Taylor Swift sweeping 9 categories and becoming the night’s most awarded artist. Inquiry into whether she deserved all those awards is warranted, but her wins are unsurprising given her massive popularity among the voting audience. Swift garnered wins in major categories including artist of the year, video of the year, song of the year and album of the year. 

The award for best new artist was given to Ice Spice. The Bronx-born rapper has amassed overnight fame and cultural significance to her generation. Sudden claims to fame are subject to the discussion of industry plants, but regardless of the truth, it is hard to not fall for the humble charm and shamelessness that Ice Spice exudes. 

Perhaps the most well-earned award of the night was given to Lana Del Rey for best alternative song for her track “Let The Light In (ft. Father John Misty)”. The warm ballad is signature to Lana’s Americana style, and as well as being flawlessly produced and performed also has vividly romantic lyricism. 

 
While award shows are ultimately beacons of entertainment in the music industry, they are a guilty pleasure to many people thanks to their grandiosity. The VMAs seem to know what the people want from them and know how to craft a lineup of performances and nominations to amass large audiences and attract discussion. The actual awards may be subject to debate and controversy in some discussion spaces, but like any sitcom, it is nice to tune into the performances and feel entertained for a little while. 

More by this author

RELATED ARTICLES

Robert Irwin’s win on “Dancing with the Stars” is stirring up controversy online 

For most viewers, the Dancing with the Stars finale was a huge hit, but some fans believe that the end results were rigged. 

“Five Nights at Freddy’s 2” review: when moviegoing becomes a matter of expectations 

Score: 1.5/5  This article contains heavy spoilers for the Five Nights at Freddy’s 2 movie.  It’s my fault that I hated Five Nights at Freddy’s 2 so strongly.  All the signs were there. Critics were brutally honest about their distaste of the film, with the horror sequel amassing an abysmal 14 per cent score on Rotten Tomatoes. Fan reception wasn’t much better, with even the most diehard fans calling the movie “insulting.”

A look at some of the upcoming shows at The Warehouse 

For the music lovers in the Niagara Region who are looking for something fun to do, here are some of the upcoming shows scheduled to take place at The Warehouse.

Annabelle Dinda’s “The Hand” blew up overnight, but the final production might be considered a flop 

After going viral, Annabelle Dinda has released her newest single, “The Hand,” to middling applause.

A sparkling sip of ‘70s sunshine: Supertramp’s “Breakfast in America” 

When Supertramp released Breakfast in America in 1979, they knew that they’d created something special, but few could have predicted the album’s enduring cultural presence. More than four decades later, Breakfast in America remains one of the greatest achievements of the late-’70s pop-rock, blending clever songwriting, pristine production and a distinctive tonal palette into a cohesive and joyful listening experience.  

Mumford & Sons gear up for the release of their new record, “Prizefighter” 

If Mumford & Sons’ upcoming studio album, Prizefighter, is anything like the records that precede it, you can expect it to be a fan favourite right from the beginning.  

Brock University’s music ensembles are gearing up for their annual winter performance showcase  

As we head toward the end of the fall semester, Brock’s Department of Music is gearing up for the performances of its various music ensembles. As an annual tradition, these performances showcase the hard work of students who have been practicing all semester long.

The creative shift that changed everything: “folklore” and “evermore” five years later

2020 was a strange year. Public life halted, yet the world kept moving. Tours and festivals shut down, school traditions were scrapped and artists were suddenly given the chance to pivot.