Monday, October 13, 2025
Brock's Only Independent Student Newspaper
One of the only worker-managed newspapers in Canada

Mt. Joy’s new single “Highway Queen” takes its listener to a raring journey start to finish 

|
|

Overall rating: 5/5 

Mt. Joy’s folk hit “Highway Queen” has been long-awaited by many fans of the band. Now that it is finally here, fans and non-fans alike can’t get enough of this gorgeous new dance beat. 

Released on March 8, “Highway Queen” first debuted live on one of Mt. Joy’s past tours. Since then, the band has continued to play this previously unreleased track on multiple occasions while on the road, teasing their audience with the possibility of a polished version of this fan favourite.  

Matt Quinn, the writer of the song, said in a BroadwayWorld interview that the track “is about being in love with someone you see a bit of yourself in.” He elaborated on this, speaking about his wife having left her home country, Brazil, when she was only 15 to chase her dreams. “Living away from home corrals your demons in a specific way; you feel like the only way to outrun them is to keep moving,” Quinn said. “It’s something I personally struggle with, so I know it when I see it in someone else, especially someone I love.” 

For Quinn, “Highway Queen” is a reminder that he and his wife will have each other for the rest of their lives, figuring everything out at whatever pace they need.  

A rocking folk anthem, “Highway Queen” is made to be played on a warm and breezy summer day. Laced with uncontainable feelings, Mt. Joy’s newest single is undeniably one of the band’s most beautiful love songs.  

With the lyrics “We could slow it down honey, let it find you / And I want you to know nobody’s leaving, no, I ain’t scared of your demons / That’s just what makes you a real thing,” it is clear that Quinn understands love and what it means to be a real walking talking human being. It’s not perfect, but it is his.  

Blaring right out of the gate, “Highway Queen” opens with a catchy folk guitar riff and the bang of a kick drum. Setting the stage for the rest of the song, the musical introduction feels uniquely Mt. Joy, upholding the band’s sonically cohesive sound.  

As the track progresses, the introduction of a resonant bass line and a dancing percussive beat keeps the energy of the song high. Quinn’s soaring vocals are warm and crisp, drawing the listener into the song’s loving embrace.  

This track’s status as such a fan favourite at live shows makes sense, it’s whirling sound perfect for singing and dancing amongst a group of like-minded people who happen to be complete strangers.  

A perfect folk sound, “Highway Queen” takes the listener on a highspeed chase that doesn’t give them a moment to stop and catch their breath until the song finally takes its bow.  

More by this author

RELATED ARTICLES

Breaking the wall: Pink Floyd’s radical contribution to music 

In an era of three-minute rock singles, Pink Floyd dared to stretch their ideas into radiating, hour-long odysseys. Their concerts weren’t just performances — they were journeys that featured floating pigs, collapsing walls and soundscapes that blurred the lines between music and theatre.

A night to remember: Brock Swift Society rings in Taylor’s latest release  

As the clock struck midnight, Spotify predictably crashed on everyone’s phones while gasps rang out as the Brock Swift Society hit play on Taylor Swift’s 12th studio album, The Life of a Showgirl. 

Quiet but beautiful: “My First House” explores the grief of growing up 

3.5/5  Although Olivia Barton’s newest track, “My First House,” is quiet, it still deserves a listen.

Breaking the glass: Virgin’s vulnerability echoes through Toronto 

From the moment the lights dimmed at the Scotiabank Arena, it was clear that Lorde wasn’t interested in giving a typical pop spectacle. Her Ultrasound tour, now deep into its run, arrived in Toronto as a daring blend of vulnerability, theatricality and pure communal release.

“Midnight Sun” proves Zara Larsson is the pop princess we all knew she could be 

4.5/5  Coming in at just over 30 minutes, Zara Larsson wastes no time in crafting a Barbie-dream world that feels cohesive, confident and uncompromising.

Everything you need to know about the Twenty One Pilots lore: “Breach” era 

This is the conclusion to an ongoing series that focuses on the lore associated with the music produced by the band Twenty One Pilots. Click here to read the first part of this series, which focuses on the lore associated with the album “Trench.” Click here to read the second part, which focuses on the lore associated with the album “Scaled and Icy.” Click here to read the third part, which focuses on the lore associated with the “Overcompensate” music video. Click here to read the fourth part, which focuses on the lore associated with the album “Clancy.” 

What to binge next: An Emmy awards recap 

Television’s biggest night saw some of the top shows of the year go head-to-head for the industry’s most sought-after prize. 

Ethel Cain delivers a hauntingly memorable performance at Toronto’s Queen Elizabeth Theater 

Bringing life to the quiet Queen Elizabeth Theatre at Exhibition Place, Ethel Cain returned to Toronto, delivering her signature heart-wrenching cinematic tracks.