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Canada bolsters ties to the Indo-Pacific through the ASEAN-Canada Strategic Partnership

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The Prime Minister’s visit to the Indo-Pacific reflects the federal government’s commitment to further engage with states in the region through “Canada’s Indo-Pacific Strategy”, released in November 2022. Key objectives in Canada’s strategy include expanding trade, investment and supply chain resilience; promoting peace, resilience and security; and building a sustainable and green future.  

While Canada has fulfilled the role of dialogue partner to ASEAN since 1977, the 43rd Summit observed Canada stepping up to the role of strategic partner for the organization. As a result of Canada gaining a stronger footing in the organization, the ASEAN-Canada Summit welcomed the implementation of the new ASEAN-Canada Strategic Partnership.  

The new partnership between Canada and ASEAN promotes multilateral support in different areas such as economic cooperation, political security and socio-cultural cooperation, among others. Notably, the partnership encourages the possibility of establishing a free trade agreement, known as the ASEAN-Canada Free Trade Agreement (ACAFTA). While negotiations for implementing ACAFTA have not yet concluded, the Joint Leaders’ Statement on the ASEAN-Canada Strategic Partnership emphasizes the economic need for collaboration through the conclusion of ACAFTA negotiations. 

Alongside the ASEAN-Canada Strategic Partnership, the Prime Minister strengthened ties to the region for trade purposes through the appointment of the first Canadian Indo-Pacific Trade Representative (CIPTR), Paul Thoppil. The role that the CIPTR is tasked to fulfill will involve the promotion of trade and investment between Canada and the Indo-Pacific region, while ensuring supply chain efficiency for all strategic partners involved. The diplomatic work that will unfold on behalf of Canada by the trade representative will be based in Jakarta, Indonesia.  

In addition to the appointment of a CIPTR in Indonesia, Trudeau established that an Export Development Canada (EDC) office will open in Jakarta on Sept. 25th. The EDC office in Jakarta is meant to boost the ability for Canadian companies to diversify in the region, while encouraging trade in areas such as clean energy, technology and agriculture. 

As a strategy to strengthen trade between Canada and the Indo-Pacific, the Government of Canada is also planning trade missions to the region. The Team Canada Trade Missions to the Indo-Pacific (TCTM) will carry out trade missions to various nations including Indonesia, Korea and Malaysia, among others. These trade missions will aim to showcase Canada’s competitive advantages to welcome further trade and investment between states in the Indo-Pacific and Canada.  

While the ASEAN-Canada Strategic Partnership prioritizes collaboration for economic growth, it also aims at peace and security.  

As stated by the Joint Leaders’ Statement, the partnership seeks to “enhance cooperation in maintaining peace, security and stability.” These factors are aimed at by addressing security threats in the region such as terrorism, transnational crime and non-proliferation. Likewise, the partnership outlines a joint commitment to promote “the non-use of force or the threat to use force, and the resolution of disputes by peaceful means, in accordance with universally recognized principles of international law.” 

Regarding financial contributions promised to the Indo-Pacific region, Prime Minister Justin Trudeau announced $10 million in funding for ASEAN Member States as part of Canada’s Mitigation of Biological Threats (MBT) in the ASEAN Region Program to support better prevention of biological threats and pandemics. Likewise, the federal government pledged $2.6 million through Canada’s Weapons Threat Reduction Program to support the work of the World Institute for Nuclear Security in providing safe nuclear use training across Thailand and Southeast Asia.  

Canada’s new status as an ASEAN strategic partner meets several objectives set by the federal government on Canada’s Indo-Pacific Strategy, released last November.  

Editorial: We are partially responsible for inherited injustices insofar as we don’t object to their continued effects on others

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People born after injustices done in the name of their country aren’t responsible for those injustices simply by proxy. But responsibility for the past policy actions of one’s own nation re-enters the discussion if we don’t object to their continued effects on others today, or structurally similar contemporaneous policies. 

A debate was held in early July on The Culture War with Tim Pool between supposedly centrist-commentator and proprietor of the show, Tim Pool; left-of-centre commentator Emma Vigeland, co-host of The Majority Report; and right-wing commentator Sean Fitzgerald, A.K.A. Real Social Justice Warrior.  

During the debate, the question of responsibility for foreign policy actions done by an individual’s own country before their being alive or being of voting age became a point of contention between Vigeland and Pool.  

This specific disagreement was a sub-argument within a broader disagreement about the United States’ – both Vigeland’s and Pool’s home country – funding of Ukraine’s defence against Russia’s invasion.  

Pool thinks the United States’ funding of Ukraine is another example of classic US global hegemony not unlike the various direct and indirect attempts to suppress democratic leaders from taking office in the 20th century in Latin America. Vigeland felt that Pool was making an equivocation because the US is funding the defence of a nation being unjustly invaded,; though she does throw in the caveat that she wishes there were more strings attached to the funding that specifically push for attempts at diplomatic resolutions.  

Vigeland then added an additional rebuttal, arguing that the United States made a commitment to Ukraine in 1993 that if they denuclearized they would be guaranteed protection from the US. Ukraine abided and gave up what was the third-largest arsenal of nuclear weapons in the world at the time. Vigeland argues that if the US doesn’t support Ukraine in some fashion, they would be telling all countries that denuclearization isn’t important.  

Pool then retorted that he wasn’t alive during the 1993 agreement and now his tax dollars are going into funding the defense of Ukraine and so it’s not fair to say that he should care about the agreement or feel any obligation to upkeep it.  

This is a fascinatingly confused premise because, logically speaking, it’s a reductio ad absurdum; is Pool saying that every time a person hits the voting age in their country that all policies enacted before that person’s birth ought to be renegotiated on that new voter’s behalf? Beyond the obvious logical oversight, though, Pool’s objection spurs a more interesting question on where responsibility for a country’s past actions – ones that passed through a democratic legislature, that is – sit relative to current citizens of that country who weren’t alive to vote on those actions.  

For example, it would be strange to say that Canadians born in the 21st century are still responsible for colonialism. However, to argue in favour of any contemporaneous legislation that omits or exacerbates the current issues facing Indigenous groups such as continued insecure living conditions on reserves or the lasting traumatic effects of residential schools, both of which are a part of the legacy of colonialism, would be yet another action in the canons of colonial oppression regardless of birthday.  

Additionally, unjust political actions don’t have to be affecting the same groups for them to be a continuation of the same legacy of political violence. Again, in Canada, the funding of and strategic partnerships with vicious governments abroad is in lockstep with some of the worst aspects of our past foreign policy.  

For instance, in the mid-1960s Canada diplomatically supported Indonesia’s General Suharto in a coup against the democratically elected Sukarno government. Suharto would go on to massacre hundreds of thousands of East Timorese as part of a supposedly anti-communist measure. Following the Suharto takeover in the Indonesian Archipelago, The Stabilization Plan was implemented by the Dictator’s administration which was a big win for direct foreign investors, including a few Canadian firms such as Inco. Inco was a nickel-mining company located in Ontario, which is now a subsidiary called Vale Canada Limited, that made a fortune off getting direct access to Indonesian markets. 

Now, plenty of Canadians today weren’t born during the Indonesia affair and therefore aren’t responsible by virtue of growing up in Canada. However, when Canada remains a major funder of arms for vicious regimes such as Saudi Arabia and Israel, the legacy of neoliberal-colonialist aggression is continued, and one side is either for or against that legacy.  

A Canadian voter who is in favour of “defending Israel” – an apartheid state with virtually no symmetry in its military power viz-a-viz Palestine – is not disconnected to the support of past brutal military regimes like Suharto’s Indonesia. Likewise, a Canadian voter born in this century who doesn’t stand ardently opposed to the Canadian government’s arms deals with Saudi Arabia, a monarchical nation which has been mercilessly killing the people of Yemen and abusing human rights domestically on a daily basis with actions like summary executions where homosexuality was a listed justification, is implicated in that same legacy of violence.  

Again, not being against these foreign policies as a Canadian regardless of birthdate absolutely involves a personal complicity in the Canadian genealogy of colonial aggression that, yes, stretches back to injustices like the backing of Suharto’s genocidal rule.  

To make the point clearer, it’s worth unpacking the philosophical aspect of the preceding arguments. 

To return to Pool’s stance, he views the issue philosophically from a deontological perspective. Deontology is an ethics that prioritizes an individual’s moral convictions. 18th century German philosopher, Immanuel Kant, is widely considered the highest exponent of deontology.  

Kant’s categorical imperative, the keystone concept to his ethics, holds that one must follow one’s moral principles not on the basis of the material consequences of those principles but on that fact that, according to Kant, the only way to universalize morality objectively was if it was treated as an absolute act of reason regardless of desire and the consideration of other’s moral systems. Or, to put it in Kant’s words: “Act only according to that maxim whereby you can at the same time will that it should become a universal law.”  

Pool has already expressed his partisanship to deontology as opposed to, say, utilitarianism which is an ethical stance that generally holds that moral actions should be weighed based on their effects to the collective well-being of everyone implicated by those actions. And it’s here that one can see how Pool’s hyper-individualistic view on inheriting one’s own nation’s past actions gets its ideological basis; the problem is that deontology is fundamentally ahistorical, that is it doesn’t take material dynamics and circumstances into consideration of what actions are acceptable. Instead, deontology looks to ground ethics in a universal rationality that has its final authority in the individual’s own willingness and obedience to a personal abstract rule. It’s abstract parasitism, not unlike capital itself.  

It’s really with the advent of Karl Marx’s philosophy in the mid-19th century that history and its impact on current material circumstances becomes a hermeneutic tool for parsing actions that are genuinely faithful to old Platonic notions of justice and truth. However, to the dismay of his many detractors, Karl Marx wasn’t a moralist. He thought about the contradictions immanent in the impersonal material structures that undergird the eruption of individual’s actions, whether considered “good” or “bad” in a vacuum.  

Therefore, it’s only in holding fast and superimposing on analogous injustices in the current moment the persistent structures that resulted in responsibilities failed in the past of one’s country, community or family that one can produce true redemption. Or, to quote Frankfurt School thinker Walter Benjamin’s Sixth Thesis from “On the Concept of History”:  

“To articulate the past historically does not mean to recognize it ‘the way it really was’… It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger. The danger affects both the content of the tradition and its receivers. The same threat hangs over both: that of becoming a tool of the ruling classes. In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it. The Messiah comes not only as the redeemer, he comes as the subduer of Antichrist. Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.” 

Laufey sings for the romantic in all of us on Bewitched

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Rating: 4/5

The Icelandic-Chinese jazz darling charms listeners on her sophomore record. 

As one of her generation’s most promising figures in jazz music, Laufey Jónsdóttir seems to have all the cards in her favour; she has released a number of hits, including “Let You Break My Heart Again” and “From the Start”; amassed a devoted following; and released a live album with the Iceland Symphony Orchestra. 

Like many stars that appear on the scene with hits, one can’t help but wonder how long it will be before they become ‘somebody that we used to know’. With her album Bewitched, Laufey avoids sophomore-slump and proves that she is a cornucopia of talent, and most certainly not a fluke. 

Opening the album is the cinematic track “Dreamer,” depicting a character that always yearns for more as an escape from the mundane humdrum of life. The track offers freedom to the listener’s inner child to never be tied down by responsibility or conventionality. In multiple verses, Laufey asserts that “no boy is going to kill the dreamer,” reminding the listener of the autonomy that comes with a vibrant imagination. It’s a gentle album opener that bounces over a chipper melody. 

The second track, “Second Best,” departs from the bright first track and wades into melancholy water. With a soft guitar and 6/8 rhythm, the song guides the listener in a dance as Laufey reminisces on unreciprocated love. It’s a sombre track that is equally pleasant to the ear as it is saddening. This theme is continued on the mystifying sister track “Haunted,” where Laufey progresses into a despair-filled yearning. Even though she knows she was not loved the way she loved him, she knows he will continue to haunt her imagination; a consequence of being a dreamer. 

The track “While You Were Sleeping” draws inspiration from folk music, with a steady guitar strum guiding the listener by the hand through Laufey’s memories. It’s an introspective track where she sheds light on the stage of falling in love where you realize truly how much you yearn for someone. The following track, “Lovesick,” builds on this idea, featuring one of the most memorable choruses from the album where Laufey admits how lovesick she is. 

 
The instrumentation of Bewitched also shows Laufey’s knowledge of music theory. Her ability to incorporate a variety of instruments feels like a puppet master pulling strings, ensuring everything is working as it is intended to. The melodies guide the listener through the sequences Laufey paints with her lyrics, manifesting in a cinematic fashion. 

A standout track from the album is the tender “Promise,” a crushing track about trying to distance yourself from someone, tying yourself in knots as you unsuccessfully try to let go. Laufey’s delivery comes across as a lament, highlighting the line, “It hurts to be something / It’s worse to be nothing with you,” and touching on the perplexing feelings of being lonely on your own but knowing this figure will cause even more heartbreak. 

As the album concludes with the title track “Bewitched,” a whimsical flurry of strings segue into a segment of simply Laufey and her guitar. In all the heartbreak and pensiveness that preceded the final track, the album concludes the same way it began – with a dreamer who has finally allowed herself to fall in love She’s giving her all to this person, evident in the sheer passion of the music. 

It’s common among fandoms to compare two artists, showing their teeth in defence of their favourite idols. Laufey, however, floats on a cloud above the battlefield. Her youthful approach to lyricism brings a breath of fresh air to jazz and welcomes newcomers to the genre. Her deeply soulful voice serenades listeners with echoes of past jazz icons like Peggy Lee and Julie London. Bewitched is an album with emotional weight and musical expertise, proving that Laufey is a figure in music that is here to stay for years to come. 

Olivia Rodrigo spills it all on GUTS

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Rating: 4.5/5

The rising star of pop, Olivia Rodrigo, has returned with an explosive sophomore album that solidifies her as a triumphant voice of Gen Z. 

Following the instant hits on her debut SOUR, Rodrigo immediately became one of the most talked about names in music. From popularity on TikTok to critical praise, Olivia’s claim to fame seemingly happened overnight. After the dust of internet hype settled, questions surrounding the future of Olivia’s career arose. For two years, she coasted on the overwhelming success of SOUR and has remained a popular name among young artists. 

Speculation about where Olivia would direct her career stylistically floated among fans and critics alike. In many aspects, her debut dipped its feet into the waters of various subgenres, like pop-punk on “brutal” and “jealousy jealousy,”never quite experimenting or committing to one. 

After two years, Olivia returned with her single “vampire,” a gut-wrenching ballad with a climax that asserts her turbulent response to betrayal and the feeling of being used at her age. The single demonstrated a commitment to musical growth, with a passionate vocal performance leagues above her previous work. Thus, the groundwork for a second album was laid down and her sophomore album GUTS was released on Sept. 8th

Around a month before the release of GUTS, Olivia released the single “bad idea right?,”a left-field pop-punk release following the ballad-inspired “vampire.” The track draws inspiration from the early 2000s pop-punk scene, following the trajectory of Paramore, Avril Lavigne and Hole, though never strays from the angst of its target audience: Gen Z. 

With an accompanying music video directed by artistic collaborator Petra Collins, the track shows a shameless dedication to the messy feelings that greet us at the gates of adulthood. Olivia’s dedication to embodying this in a character is a key reason why both the single and GUTS work in favour of what they seek to achieve. 

As the first non-single track, the album opener “all-american bitch” begins with a twangy, Americana guitar as Olivia serenades listeners with affirmations of who she is: “I’m as light as a feather, I’m as stiff as a board”. The piece transforms into a pop-punk explosion on the chorus as she continues to make her claims, but with an added touch of shamelessness. 

As opposed to submitting to the expectations of her as a woman, she asserts that she “knows her place” as a voice of influence among her generation. After the bridge, she crescendos into a scream that carries the frustration of girls and women growing up alongside her. The track shines a light down the album’s tunnel, illuminating what is to come — a cage fight between Olivia’s subdued folk side and her bombastic punk one. These extremes may seem hard to balance in a cohesive body of work, but Olivia referees the two effortlessly with the fullest intent that this is the music she wishes to make. 

At several points, the album returns to the ballads reminiscent of the SOUR era. The attention to her artistic improvement can be heard as she examines more complicated perspectives. On the track “lacy”, Olivia succumbs to her inferiority complex and fluctuates between despising the woman she envies and almost worshipping her on a romantic level. 

Of course, the ballads serve as fleeting moments before a following punk inspired track. The humorous “ballad of a homeschooled girl” would not be out of place in a 2000s teen comedy, following a protagonist that always “feels on the outside of an inside joke”. The edginess of this track may be off-putting to some, but it’s expected of Olivia at her age to experience these emotions. There is irony in knowing Olivia’s sheer popularity and the relatability of her music. If everyone feels ostracized from one another, perhaps we have no need to compare ourselves to the status quo in the first place. 

During the creation of the album, Olivia knew that in order to evolve artistically she had to give light to every ounce of euphoria and angst. Had it been any other artist, the product of GUTS could have been lukewarm chaos. The glue that holds its jagged pieces together is Rodrigo’s unrelenting authenticity, making GUTS one of this year’s strongest releases and a noteworthy step in the career of this impressive young artist. 

Beyoncé brings new life to queer culture on stage

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Beyonce’s Renaissance World Tour is a euphoric celebration of queer spirit. 

On a warm summer night in late July 2022, Beyoncé released her seventh studio album titled RENAISSANCE, the first of an enigmatic three-act project. With little promotion or visuals surrounding the album, the genres she would venture into remained a mystery. It would soon be revealed that the album adopted styles of house music prevalent in the ‘90s ballroom vogue scene. The culture surrounding this music was pioneered by queer legends such as Kevin Aviance and Grace Jones, the latter of whom appears on the track “MOVE.” 

Following the album’s release, Beyoncé made a statement that RENAISSANCE is dedicated to her gay cousin Uncle Jonny, who helped raise her until his passing from AIDS. He is also referenced on the track “HEATED” in the album. During her acceptance speech at the 2023 Grammys ceremony, Bey expressed thankfulness to him and the queer community for inventing the genre. 

While RENAISSANCE as an album is coated top-down in influence from the queer spaces in the ‘80s and ‘90s, speculation on how the tour would bring the album to life kept the Beyhive buzzing. The finished product exceeded expectations in a supernova of fearless queer joy. 

Joining Beyoncé on tour is a cast of dancers of various body sizes and shapes all well-versed in the culture the album envelops itself in. Among these dancers is vogueing legend Honey Balenciaga, member of the House of Balenciaga in the ballroom community. 

During the tour’s final act following the performance of “PURE/HONEY,” Beyoncé’s dancers are given an opportunity to shine in a vogue ball set on stage. The segment allowed the dancers to show off various styles of vogue including both the old way and vogue femme. 

This approach allowed the dancers to elevate themselves as well. Beyond simply promoting Beyoncé, the Renaissance World Tour acts as a vessel for queer people to celebrate themselves and bring new life to the pioneers that fought to create a space for fearless self expression. 

Despite the tour’s impact on revitalizing queer legends, the threat of bigotry expressed towards LGBTQ+ people is still active. On July 29, 2023, a year after the release of RENAISSANCE, dancer and activist O’Shae Sibley was murdered in Brooklyn, New York. The 28-year-old gay man was vogueing to the album among friends when they were confronted by a group of teenagers. They ordered Sibley’s group to stop dancing, stating it was offensive to their religion. 

Sibley confronted the group and was eventually stabbed after an argument ensued; he was later pronounced dead in the hospital. The 17-year-old accused was charged with second-degree murder as a hate crime. 

The murder sparked outrage and heartbreak among the queer community worldwide. In the aftermath, Beyoncé herself displayed on her website, “Rest in Power O’Shae Sibley” in solidarity. Honey Balenciaga later shared her condolences on Instagram, stating “queerness does not kill, bigotry does”. She also provided resources for funding Sibley’s funeral via GoFundMe. On Aug. 4, a vigil and vogue ball were hosted at the scene of the attack, where hundreds gathered to honour his life. 

As the Renaissance World Tour enters its final collection of shows, queer people around the world have been given a spark to light the fire of interconnectedness in their community. Having grossed over $400 million USD, the tour has broken records as the highest-earning tour by a woman in history. While Beyoncé’s mastery as a performer proves she is born for the stage on this tour, her voice sings in tribute of queer legends that were otherwise unknown outside of the community. 

However, the tour is merely one stage in the fight against bigotry that queer people have been in for decades. If one thing is certain, the queer community will fight for one another, and the presence of bigotry will not break their soul. 

NFL Week 1 Recap: Potential Waiver Wire Adds

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Recap of NFL week 1 and potential waiver wire adds for fantasy football managers 

The opening week of the NFL season is always an exciting time for fantasy football enthusiasts. It’s a time when we get our first real look at how teams are utilizing their players and how off-season moves and injuries affect fantasy rosters. Week one of the NFL season in 2023 was no exception, and it provided plenty of valuable insights for fantasy managers. In this article, we’ll recap some of the most noteworthy developments from week one and identify potential waiver wire pickups to help you finetune your fantasy roster for week two and beyond. 

Running Back Reshuffling 

One of the most prominent storylines from week one was the shift in running back usage for several NFL teams. Fantasy managers who invested in these players or managed to grab them off the waiver wire could have a significant edge going forward. 

Tony Pollard (DAL): Tony Pollard stepped into the lead role for the Dallas Cowboys and dominated snaps. He played 32 of the possible 43 snaps in the first three quarters, showcasing his potential as a top-tier fantasy running back. Pollard’s performance and workload suggest that he could be a valuable asset for the foreseeable future. 

Kenneth Gainwell (PHI): Gainwell emerged as the every-down back for the Philadelphia Eagles, relegating D’Andre Swift to a backup role. Gainwell’s dual-threat abilities were on display as he ran the ball 14 times for 54 yards and caught four passes for 20 yards. Fantasy managers should consider Gainwell as a top waiver wire target given his lead role in the Eagles’ backfield. 
 

Kyren Williams (LAR): Despite Cam Akers starting for the Los Angeles Rams, Kyren Williams took the majority of the early-down work in week one. Williams’ performance, which included two touchdowns, indicates that he could be a great player moving forward. While backfield usage in Sean McVay’s offense can fluctuate, Williams is a compelling waiver wire option based on his week one performance. 
 

Wide Receiver Breakouts 

Week one also featured breakout performances by wide receivers who stepped up in the absence of key players. These emerging talents could be excellent additions to your fantasy roster. 

 
Puka Nacua and Tutu Atwell (LAR): With Cooper Kupp on injured reserve, Puka Nacua and Tutu Atwell seized the opportunity to shine for the Los Angeles Rams. Both players gained 119 receiving yards, and their usage as every-down players bodes well for their fantasy prospects. Fantasy managers should prioritize adding Nacua and Atwell to their rosters, especially if Kupp’s absence continues. 

Quentin Johnston (LAC): Despite being the fourth wide receiver on the depth chart for the Los Angeles Chargers, Quentin Johnston caught two of his three targets for nine yards. Johnston’s usage in 11 personnel could make him an intriguing waiver wire pickup, especially if he continues to see playing time in place of other Chargers receivers. 

Tight End Dilemmas 

The tight end position always presents challenges in fantasy football, and week one revealed some notable developments worth considering. 

Jake Ferguson (DAL): Jake Ferguson’s seven targets might suggest a breakout performance, but closer inspection reveals that his usage wasn’t as high as expected. Peyton Hendershot shared snaps out of 11 personnel, affecting Ferguson’s playing time. Fantasy managers should monitor this situation closely before rushing to acquire Ferguson, as rookie Luke Schoonmaker could see increased playing time. 

Darren Waller (NYG): Waller, who was limited by a hamstring injury, played significant snaps in the first half for the New York Giants. However, his usage declined in the third quarter as the Giants trailed by a significant margin. Waller remained Daniel Jones’ preferred target despite the injury. Fantasy managers should keep an eye on his status for Week 2, given his health is a concern.  
 

Assessing Trends  

Week one of the NFL season delivered a wealth of insights for fantasy managers. Whether it was running back reshuffling, wide receiver breakouts, or tight end dilemmas, there is plenty to consider when fine-tuning your fantasy roster for week two and beyond. 
 

As you assess your team’s needs and potential pickups, keep a close eye on players like Kenneth Gainwell, Puka Nacua, Tutu Atwell, Quentin Johnston, and other emerging talents who could provide a competitive edge in your fantasy league. Stay vigilant with your waiver wire strategy, and don’t hesitate to make bold moves based on current performances and trends. 

Brock Men’s Soccer stun defending champions in home opener

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Recap of the men’s soccer game vs McMaster 

The Brock Badgers men’s soccer team roared to life in their home opener, stunning defending OUA champions, the McMaster Marauders, with a 1-0 victory, on home turf at Alumni Field.  

In a match that had Badgers fans on the edge of their seats, senior winger Marc Iantomasi became the hero for the Badgers. He found the back of the net in the 74th minute, securing the triumph over the nationally ranked No. 9 Marauders. Third-year goalkeeper Taylor Miskolczi played a pivotal role in this victory, registering a clean sheet with two crucial saves. 

The pivotal moment in the game came when third-year striker Michael Solomon, who came on as a substitute in the 54th minute for Mateo Puentes, provided the assist for Iantomasi’s decisive goal. Puentes himself was instrumental, finishing the game with a pair of shots and adding a much-needed push to the Badgers’ offence. 

Although the Badgers sat back and did not have much of the possession, they displayed their offensive prowess on the counterattack throughout the game, outshooting McMaster 9-6. In the first half alone, they delivered three corner kicks, showing their intent to seize control of the match. On the other side, the Marauders were more aggressive in terms of fouls, committing 10 compared to Brock’s seven. 

The game was not without its share of drama, with several cautions and ejections. Amir Shirazi of McMaster received a caution in the 17th minute, followed by Joseph Guindy in the 44th minute. Luca Ragagnin from Brock was cautioned in the 67th minute, and Jacobo Cordon Cruz from McMaster followed suit in the 85th minute. In the final minutes of the match, Luca Danesi of Brock and Gianluca Spadafora of McMaster received cautions. 

The victory marked an impressive start to the regular season for the Brock Badgers, who improved their record to 1-0-0. On Sunday, the Badgers took on McMaster in Hamilton, but this time the Mauraders would be only ones to score, winning the game 1-0. The Badgers now sit at .500 after the first weekend of play.   

As the Badgers celebrate their triumphant home opener, the question on everyone’s mind is whether they can maintain their winning momentum throughout the season and potentially clinch the OUA championship themselves. With performances like this, they certainly seem poised for greatness. 

For more information on the Brock men’s soccer team visit gobadgers.ca 

Brock Women’s Soccer soar to victory against McMaster

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Game recap of women’s soccer game vs McMaster.  

It was a chilly Friday evening at Alumni Field in St. Catharines, but the action on the soccer pitch was red-hot as the Brock Badgers and McMaster Marauders women’s soccer teams faced off in their Ontario University Athletics (OUA) season opener on Sept. 8th. The match lived up to the hype, culminating in a thrilling 1-1 draw. 

The game kicked off with a bang as McMaster’s Alena Spehar found the back of the net just five minutes into the match. Victoria Orfei provided the crucial assist, catching the Badgers off-guard with a swift offensive maneuver. McMaster took an early 1-0 lead, setting the stage for a fierce contest. 

Despite the early setback, the Badgers refused to back down. Second-year striker Jenna Parris, a force to be reckoned with, spearheaded the Badgers’ offensive efforts. Parris, who tallied an impressive six shots on goal during the match, delivered when her team needed it most. In the 44th minute, she showcased her scoring prowess, slotting a precision strike past McMaster’s goalkeeper, Ali Mudie. Sabrina Bisante, a third-year striker, was credited with the assist. 

The intensity on the field was matched by the stellar goalkeeping performances. Emma Hendrie, the Badgers’ senior goalkeeper, showcased her skills with three crucial saves that kept her team in the game. Mudie, guarding McMaster’s net, was equally impressive, recording five saves in a challenging contest. 

While the match ended in a 1-1 draw at half, the action didn’t stop there. Both teams continued to press forward, seeking the elusive go-ahead goal. Grace Tawil, a third-year centre-back for the Badgers, posted three shots, reflecting her versatility as a player. Bisante and first-year winger Kate Halley also made significant contributions, each registering two shots. 

The Badgers dominated in terms of shots, outshooting McMaster 16-5. They also showcased their prowess in corner kicks, manufacturing six opportunities compared to McMaster’s three. The foul count was evenly matched, with both teams committing nine infractions, underscoring the fiercely contested nature of the game. 

The Badgers, then sporting a record of 0-0-1, played McMaster on Sunday, Sept. 10th at 1 p.m where they once again tied, with a tie of 0-0 making their record 0-0-2.  

Badger fans can catch the upcoming home game against Wilfred Laurier University on Sept. 16th at Alumni Field or watch on OUA.tv

For more information on the Brock women’s soccer team visit gobadgers.ca 

MrBeast’s cultural impact is destroying YouTube

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Online superstar MrBeast isn’t directly to blame for YouTube’s downfall, but his impact has been detrimental to the platform’s culture. 

To say that MrBeast is influential to today’s youth would be an understatement.  

MrBeast, whose real name is Jimmy Donaldson, has amassed a jaw-dropping 182 million subscribers on his primary YouTube channel as of writing. This makes him the most-subscribed individual on the platform, only beaten by the likes of a major music corporation, which Donaldson is eager to overtake

Donaldson’s immense fame can be credited to the outrageous stunts, challenges and giveaways that he performs in his videos. Last year, Donaldson stated that he spent at least $3,000,000 each month on his main channel, not to mention his various side channels and projects

Last week, longtime YouTuber Seán McLoughlin, better known as Jacksepticeye, revealed his belief that MrBeast has ruined the video platform. In a now-deleted post on X, formerly Twitter, Donaldson expressed his frustration with McLoughlin’s comments, calling the clip “insanely disrespectful”. While the two have since made amends, McLoughlin has still raised an interesting topic of conversation. 

While Donaldson’s willingness to financially help others is commendable, his video style and its growing popularity have ultimately negatively impacted the site’s culture – yet he is not directly at fault. 

With Donaldson’s ascent to the top, a swarm of MrBeast wannabes hoping to replicate his success have been on the rise. Many of these creators copy Donaldson’s style of focusing on expensive or large quantities of items, and like Donaldson, try to create video titles that are so outrageously impressive – “$1 vs $1,000,000,000 Yacht,’ ‘Last To Take Hand Off Jet Keeps It,” “I Gave My 100,000,000th Subscriber An Island” – that a viewer simply has to click. 

Unfortunately, not every one of these creators has mastered the art of combining an exciting video concept with compassion in the way Donaldson has.  

Take the channel Fidias’ video, with one video’s title proudly proclaiming “I Spent 100 Hours In The World’s Poorest Country”. In the video, Fidias attempts to experience life in the poverty-stricken country of Burundi. While the creator expresses some semblance of goodwill near the video’s end through a fundraiser, he has undeniably missed the point of MrBeast’s content through his attempt to make a game out of living life in poverty.  

Donaldson’s approach to challenge videos is different: his renditions force him to spend time in Antarctica, stranded on a raft at sea or even buried alive. The idea to use people living in poverty for a clickbait title is no less than dehumanizing, making visiting the country of Burundi seem like an entertaining challenge in order to accumulate views. 

While Fidias’ video idea was certainly degrading, it was at least original. The same cannot be said for those who create counterfeit versions of already-released MrBeast content. Take the Stokes Twins, who uploaded a video in which they attempt to win every prize in a theme park. This would certainly have been an interesting concept if MrBeast hadn’t done the same thing two years earlier. Perhaps you’re interested in watching Ian Boggs’ experience in Slab City, which is supposedly lawless – but you might as well watch MrBeast’s original version first.  

The list goes on and on, and each one of these copycat videos reeks of unimaginative greed. After all, if copying MrBeast’s ideas clearly brings in plenty of views, why bother creating any original concepts yourself? This removes any need for imagination and creativity, and instead relies on the hope that younger viewers who haven’t seen Donaldson’s original content (or simply don’t care about the nature of copycat content) will still drive up the video’s view count. 

These copycats extend around the world and cover many different languages, meaning those who don’t speak English might come across a copycat’s video without even realizing MrBeast exists. Just look at the Russian channel A4, who has amassed upwards of 47,000,000 subscribers despite being known in North America as a notorious MrBeast plagiarizer

Donaldson himself has complained about his legion of copycats, saying he regrets sharing “everything [he knows] about YouTube” and expressing disappointment that his content-creation tips haven’t been used for the positive inspiration within the space he’d hoped for. 

This issue extends beyond only this video genre and has led to an effect online users have dubbed the “MrBeast-ification” of YouTube. In short, many modern YouTubers have seemingly adopted the mentality that large production budgets are required to appeal to the site’s algorithm.  

Additionally, creators prioritize Donaldson’s filming and editing style, which involves a lot of shouting at the camera, consistent text on screen and rapid-fire jump cuts. Before long, each of these creators’ videos begin to blend into each other, and they feel like soulless attempts to exploit the algorithm through eye-catching titles and thumbnails rather than inspired and original works of digital art. 

Compare this with the period of YouTube that allowed McLoughlin to rise to fame. While there have always been problematic creators on the platform, it felt as though many popular YouTubers were making content for a different reason – to engage with fans, explore their topics of interest, collaborate with others and have fun. I believe that McLoughlin’s era was one of creativity and inspiration, and while there are certainly still many YouTubers who keep hold of this ethos today, the content market has become oversaturated with those who simply hope to become the “next MrBeast.” 

Despite this, I would disagree with any claim that Donaldson is directly responsible for YouTube’s current state. Donaldson is clearly passionate about YouTube and continues to grow through his incredibly creative ideas. Donaldson seems to have a creative mind unlike any other on the platform, displayed through his consistent creation of original yet entertaining video concepts. Despite his video style becoming plastered all over the platform in an attempt to appeal to the algorithm, Donaldson is arguably more emblematic of old YouTubers in the sense that he is passionate about making original content.  

The issues plaguing YouTube today are not the fault of Donaldson; rather, those who are uninspired and hope to rise to fame through someone else’s creativity are to blame. It is unfair to blame MrBeast for his constant innovation – those who actively make the content that is hurting YouTube’s culture are the ones who should be held accountable. 

Andrew Tate’s views are gross, but they’re not surprising

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Content warning: sexual assault, human trafficking, misogyny, child abuse 

Andrew Tate’s misogynistic views are reprehensible, but to anyone who is aware of his childhood experience, they shouldn’t come as a surprise. 

Andrew Tate has gained infamy because of his hateful views on women, among other things. In the past, he was banned from X (then Twitter) for saying women who had been sexually assaulted should “bear responsibility”. The self-proclaimed misogynist has described women as “intrinsically lazy.” Not to mention, he and his brother Tristan are currently awaiting trial in Romania after being charged for crimes including rape and human trafficking. 

The way that Andrew thinks about women is degrading and disgusting, especially as a new generation of teenage boys find his content and begin looking up to him. Although there is plenty to be said about Andrew’s despicable comments and actions, upon learning about his childhood, his views become less surprising. 

Andrew’s father, Emory Tate, was a renowned chess player seen by many as a fantastic tactician before his passing in 2015. In 2007, he received the designation of International Master, besting grandmasters and winning state championships in the process. In the chess world, he was a force to be reckoned with. 

Whenever Andrew speaks of his father, it is with great respect and admiration. 

“My father was a massive influence on my life. I think I had the best father on the planet,” Andrew said on his podcast. “I think he was the smartest man who’s ever walked the earth bar none. Smarter than me by 100 times.” 

While Andrew’s descriptions of his father might make Emory seem like a positive father figure, his childhood stories paint a different picture. 

“Up until the age of 10 I saw my dad once a week,” Andrew posted on X. “Then I saw him once or twice a year. I was raised by my mother. My father raised me over the phone. I was STILL AFRAID of him, 3000 miles away. ‘I’ll fly today and hurt you boy.’ I obeyed my mother, due to fear of my father.” 

While at first glance it might appear as though Andrew is opening up about a traumatic experience, this post is actually a demonstration of respect towards his father. Andrew was raised with the belief that young boys should fear their fathers, and this is his attempt to publicly appreciate Emory’s brutal nature. 

But children shouldn’t have to live in fear of their parents. This fear can easily affect a child’s development and mental health, among risking various other forms of psychological damage. Yet, Andrew admires his father for instilling him with this fear – and it doesn’t end there. 

Andrew posted about the time he asked his father if he could beat Bruce Lee in a fight, to which Emory said that he could have easily defeated Lee. When young Andrew dared to question this, his father would respond intensely. “This is a world of MEN,” Andrew recalls his father telling him. “You are a BOY. A CHILD. Nobody gives a f— what you think.” 

Looking back, Andrew not only respects his father’s answer, but he also agrees with it. “Thinking back, as with every single story I think back about my dad. He was right,” Andrew continued. “Wtf do 5-year-olds know about combat? Be the f— quiet.” 

The list of Andrew’s saddening childhood stories goes on and on – and they just keep coming

A post that particularly stands out is one in which Andrew recalls a childhood experience – one where he innocently enjoyed a girl’s company. 

“I took a girl called Jessica home to my house after school,” wrote Andrew. “We rode the school bus together, I musta been around 9. We played Super Nintendo. She stayed an hour and left. [My dad said,] ‘Oh, you playing on your own now? This your only girl, son? Why isn’t there a line outside?’” 

This post reveals a major factor that helps explain Andrew’s misogynist attitude: Emory raised his son to believe that girls cannot simply be friends and that he must always be on the lookout for the next opportunity to attract a sexual partner. If there was any possibility that Andrew could have grown up to respect women, his father’s indoctrination killed it. 

Andrew didn’t draw his bigoted conclusions from thin air – he wasn’t ever taught that women deserve respect; instead, he was made to feel foolish for wanting to be friends with them. He grew up with the false notion that men must be tough and brutal, and those who aren’t feared have failed at being men. From a young age, he was brainwashed with misogynistic views and raised to believe that men should seek out women to make food and clean the house. 

Andrew Tate hates women because it’s all he’s ever known. 

None of this is a justification for Andrew’s behaviour. His mentality is abhorrent regardless of his childhood experience because it still belittles women and teaches a new generation of boys to follow in his footsteps. Let it be perfectly clear that I vehemently oppose his thoughts and actions. 

Despite the factors that likely contributed to Andrew’s current outlook, it’s worth noting that he still chooses to be so. It is evident that he has not considered the feedback of those who oppose him, instead adopting a mentality founded on ignorance and arrogance. This is why he, and not his father, is ultimately to blame at this point – his father’s behaviour simply provides some context for Andrew’s misogynistic origins. 

Andrew Tate’s opinions on women are despicable, but they didn’t come out of nowhere. Looking past the hatred that consumes Andrew today reveals a side of him that is often forgotten. Andrew is not just a hateful misogynist attempting to radicalize the next generation of boys; he is a broken man who spends every day of his life desperately yearning to please his father, even beyond death. 

AI is threatening the art world, but it doesn’t have to be that way

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Artificial intelligence (AI) has the potential to support humanity’s creative endeavours, but it currently paints a dangerous risk to the artistic world. 

Over the last year, public conversation over AI has grown thanks to services like ChatGPT. The explosive popularity of image-generating programs like DALL•E mini contributed to this growth by allowing anyone with an Internet connection and access to the site to prompt computer-generated images of any concept they might dream up. This idea has since expanded into programs able to create fully-fledged pieces of art, even capable of representing a variety of artistic styles and mediums. 

This is a mind-blowing idea. The ability to think up any phrase and have the near-instant generation of a never-before-seen piece of art has never been historically possible. Image generators could eventually be used to benefit humanity by supporting the creative process – the possibilities are truly limitless. If nothing else, it can be fun to sit down and see a few silly concepts come to life on screen. 

But when AI is used immorally, it puts human creativity at risk – something we’ve already begun to see. 

While the art created by AI might be original in the sense that the final product has never been seen before, it can’t create images from nothing. In order to bring words to life, AI first needs to understand what those words mean, and it does so by quickly scanning thousands of pre-existing images to derive its understanding of different concepts. 

This makes sense when creating a new design. For example, if one entered “an avocado armchair” into a program like DALL•E mini, the program would first need to scan images of various chairs and avocados respectively before it could begin to generate an image that would fulfil the user’s request. 

However, as things currently stand, this is dangerous for artists. If a user requests a piece of art depicting a certain subject in a specific style, the AI must first scan through human artists’ pre-existing work to combine them together into something new. In other words, AI isn’t creating these works itself, it’s using the uncredited work of human artists to essentially create an elaborate collage. 

When humans rip off others’ work and don’t provide credit, they often get criticized for it (and rightfully so), so why should AI be treated any differently? Without the thousands of years’ worth of human art that has wound up online, AI would have nothing to construct its projects from, and this type of generation couldn’t exist. 

Worse yet, there is no way for a human artist to know that their work has been used by AI. The “inspiration” taken from their work might be so minor within a generated piece that there would never be any way for the artist to tell that their work directly contributed to the final product. 

Add in the fact that there have been auctions on AI art with the most expensive reaching $432,000 USD and the problem worsens. This art, while impressive from a technological standpoint, is now being sold without credit or payment to the original artists who made the work possible. 

I would argue that this has become a form of artistic plagiarism. Again, if a human being were to ever create artwork solely by combining the works of others without giving credit – and then gain substantial profits from it – there would be public outcry. But because of AI’s novel and technological nature, many seem to give it a free pass for the same offence. 

AI art isn’t just stealing from artists, however; it’s beginning to actively intrude upon spaces where artists should be allowed to express themselves. AI art has begun appearing in art galleries, with a museum in Amsterdam devoted entirely to AI art. 

AI art has even won art competitions against human artists. In cases like these, generated art composed of humanity’s work seems to be earning more recognition than people who are adding to the pool of content that AI will eventually steal from. 

In these examples, we see warning signs that AI may end up taking the place of human artists, and it begins by stealing their opportunities and recognition. 

While AI art has received a lot of backlash within the artistic community, many continue to consider it an exciting entry into the world of art. This intrusion is propelled even further by those who discredit human artists in the process, such as Adam Hencz of Artland Magazine, who claims that “AI seems to understand the secrets of artistic genius better than we do ourselves.” This statement is especially ironic considering the “artistic genius” that AI supposedly knows so much about can only exist because of the original art that humanity has created throughout history. 

This mentality isn’t just ignorant, it’s actively dangerous to artists, who deserve credit for their work and recognition in the industry. This is similar to the concern that automated computers such as self-checkouts are taking human jobs – the concern that artists are being pushed out of their own space and having their own work plagiarized and used against them is completely legitimate. 

As aforementioned, there are methods through which AI could be integrated into society in a way that benefits humanity. For this to happen, AI would need to support the creative process rather than take charge of it. For example, product designers could use AI to create an early visualization of a potential concept and then work on bringing the final version to life. Architects might eventually use AI to illustrate potential ideas before beginning an original draft. Even artists may want to use AI for creative inspiration before beginning work on their own piece, using technology in a way similar to an artistic muse. 

In each of these examples, AI is used as a creative companion to support humanity’s creative work. But when an image is simply generated as a final piece and then a computer program is left to receive the recognition and accolades, it doesn’t support creative minds – it makes an attempt to replace them. 

Using AI for image generation has potential to change the way humanity interacts with technology, but if it doesn’t start being used constructively, it poses a threat to the future of human creativity. 

Brock clubs come together at the BUSU Community Fair

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Despite the heat, dozens of clubs took to recruiting at the BUSU Community Fair, the first clubs-based event of the school year. Those who attended got a chance to discover the diversity of clubs at Brock, but those who missed out still have time. 

Every year at the start of the fall term, BUSU runs an event where clubs can advertise themselves and recruit new members. This year, the event ran on Sept. 5th and 6th at the Weather Station Field in front of the Plaza building. 

Of the 90+ clubs ratified with BUSU, 65 clubs had tables set up at this year’s Community Fair, with 33 on Sept. 5th and 32 on the Sept. 6th. There were not only BUSU-ratified clubs present, but other Brock clubs as well. For many students, meeting a club’s executives and talking about how a club operates is the best way to see if they synergize. For those who didn’t get a chance to attend, a list of clubs can be found on BUSU’s website

ExperienceBU is a reliable resource for students looking to find more information about Brock clubs, as they can find upcoming events, join clubs with the click of a button and see news updates released directly from club leaders. 

There was entertainment and prizes for all at the Community Fair, with street performers and live musicians, fun swag from local vendors such as the Pen Centre and Foundry Lofts, and various games and activities for those interested. Some clubs performed live on the Weather Station stage, and the BUSU Clubs table had a large Plinko board with a variety of prizes. 

On Sept. 6th, Brock’s Got Talent 2023 finalists James Wilson and Sienna Garda gave a live acoustic performance. There was also an ice cream eating contest presented by 4th Avenue’s Marble Slab Creamery, with the winner consuming his litre of ice cream in less than two minutes. 

Students were able to receive their Universal Bus Passes (U-Pass) which are compatible with the St. Catharines, Thorold, Niagara Falls, Welland, Fort Erie, Pelham and Niagara Regional Transit Systems for free as part of their mandatory ancillary fees. 

For those who couldn’t make it, BUSU will have tables set up until Sept. 15th for students to collect their U-Pass. These tables are located between the Goodman School of Business and the Student-Alumni Building; students will need to present their student cards to receive a U-Pass sticker. After Sept. 15th, students can visit the BUSU Reception Desk on weekdays from 8:30 a.m to 4:30 p.m to receive their U-Pass, which is located upstairs in the Student-Alumni Building (where Isaac’s and Union Station are located). 

Clubs provide students with some of their most memorable experiences at Brock and immerse them in an environment of people who share the same passions, like Taylor Swift, Model UN, or Dungeons & Dragons. The Community Fair had something for everybody, and it was only the first of many club-related activities at Brock. 

Fire continues to wreak havoc on Canadian forests, and doesn’t look to stop anytime soon

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Canada is experiencing its worst wildfire season to date, and it doesn’t look to be improving anytime soon. 

Like many parts of the world – such as Greece, Russia, Hawaii and Spain – Canada is experiencing a wildfire season like no other, continuing the trend of worsening forest fires seen over the last few years. 

According to Magan Carty of CBC Radio, over 15 million hectares of Canadian forests have burned in 2023, “shattering the previous record of 7.6 million hectares in 1989 as well as the 10-year average of 2.5 million hectares.” 

This is the result of 6,118 reported wildfires as of Sept. 4th, including the Donnie Creek wildfire in June, which was the largest wildfire on record in B.C., spanning just under 6,000 square kilometres – an area of land larger than the province of P.E.I. 

These fires have displaced a staggering number of Canadians. Carty estimates “nearly 200,000” have been evacuated nationally thus far. The most recent and well-known of these mass evacuations occurred in mid-August in Yellowknife

Over 20,000 people were ordered to leave the city as a fire burned only 15 kilometres from its limits. Nadine Yousef of BBC News explains how Angela Canning, a resident of Yellowknife, needed to camp out for 17 days in Fort Providence, a town three hours away. Residents were finally permitted to return home when the evacuation order was lifted on Sept. 6th. While the flames were not extinguished, firefighters were able to keep them contained and away from the city.  

Uday Rana of Global News discusses how forecast maps from Natural Resources Canada show that fires could continue into autumn, and perhaps even winter. Manitoba is projected to experience the worst of it, but “above-average” fire activity is also projected to affect Western Ontario, Eastern Alberta and Saskatchewan. 

This means smoke and smog can also be expected to continue clogging North American skies, with the worst of it seeming to affect the U.S. An up-to-date resource for tracking air quality and smoke from wildfires can be found here

NPR conducted interviews with various experts to get a better understanding of how and why these wildfires are so hard to control. Daniel Perrakis, a fire research scientist, put heavy emphasis on climate change as a factor: “We’ve got drought levels that are if not unprecedented, at least in the extreme category, and the fire season’s [arriving] early.” 

The article also explains how Canada’s vast size, much of which is composed of remote forests, can be nearly impossible to control when there are no roads or infrastructure. This combines with what Perrakis calls “crown fire behaviour,” when strong winds can make fires “spread out 50 metres a minute, 70 metres a minute — 20 or 30 kilometres a day,” making the situation incredibly volatile and dangerous. 

The threat of fire, smog and smoke looms overhead. Thousands of people are being affected, and Canadian forests are still burning despite the regular wildfire season coming to an end. 

If you wish to support Canadian wildfire relief efforts, a list of organizations has been compiled by CanadaHelps. Donations can help people struggling in the aftermath of wildfires, as well as displaced/injured people and their pets. 

COVID-19 is on the rise again, but the worst of it remains in the past

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The COVID-19 Pirola variant poses a threat to Canada’s post-pandemic veil of safety, but the overall situation will likely not descend to the same levels as before. 

In August, a new, heavily mutated COVID-19 variant was discovered. Officially named BA.2.86 and unofficially named Pirola, the variant has been responsible for an increase in COVID-19 presence in Canada, with over 30 mutations – a similar number as the fast-spreading Omicron variant of last year. 

There has been a significant increase in hospitalizations due to COVID-19, with the number of patients occupying hospital beds rising from 1,723 to 2,125 in the two weeks from Aug. 16th to Aug. 29th. This number has recently shown signs of plateauing, as it only rose from 2,125 to 2,165 from Aug. 30th to Sept. 5th. However, in an interview with CTV News Channel, Dr. Dina Kulik explained how returning to school and other indoor social events brings “the risk of getting COVID along with RSV and/or flu at the same time.” 

No Brock student is keen to relive the nightmare that was mid- and post-pandemic university life, but no matter what happens, the worst is behind us. The world was blindsided by the sudden rise of COVID-19 in 2020 and had no time to prepare for a pandemic of such immense scope, but now we’ve had three years of experience. 

Online learning has become integrated into many professors’ classes as a result of the pandemic, so if the situation becomes as dire as it did three years ago, teachers and students alike will have a far easier time transitioning to remote learning. The response will be far swifter than before, making it easier to contain the spread.  

Many people can expect their immune systems to be less susceptible to the virus. As stated by Kelly Grant of The Globe and Mail: “The vast majority are safer from COVID today than in the early years of the pandemic, thanks to a combination of vaccine and infection-induced immunity.” Vaccines and booster shots are proven to be safe and effective at preventing serious illness, hospitalization and death as a result of COVID-19 exposure. 

Brock students can get vaccinated by booking an appointment with the local pharmacy. The University also saw plenty of visits from the Ontario government’s GO-VAXX mobile clinic last year, making the process even easier. 

More importantly, though, the mindset around illness has changed in the last three years. Professors are a lot more accommodating when it comes to sickness, and it has become easier in many cases to catch up on missed work, especially in an online or hybrid classroom where meetings are recorded. Students can even come to class remotely now if they’re able, given the professor is accommodating to such situations. 

Despite the safety nets now in place, students would be wise to remain cautious amidst these rising cases of the Pirola variant. If you’re sick or recovering from an illness, consider staying home or wearing a mask when you attend class. Above anything else, stay safe. Many students may prefer to leave COVID-19 behind and never think of it again, but unfortunately, that stance is not realistic. It is still around, and still in Canada. Keep an eye on the news, stay informed and keep yourself healthy. 

Argonauts crush Tiger-Cats in annual Labour Day Classic meeting

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Toronto Argonauts continue their strong season with a massive Labour Day Classic victory against rival Tiger-Cats.

The Toronto Argonauts dominated the Hamilton Tiger-Cats 41-28 in the 52nd edition of the Labour Day Classic between the two teams to take a commanding lead in the Canadian Football League’s (CFL) East Division after week 13 action. 

The Argos were looking to continue their marvellous season with aspirations of extending their CFL-best record to 9-1, while the Tiger-Cats were looking for their fifth win of the season to stay afloat with Ottawa and Calgary for the pivotal final playoff spot. 

Toronto came out eager in hopes of securing their second straight Labour Day Classic victory after strong play in all three aspects of the game. 

The special teams bolstered the offence early as Boris Bede’s 28-yard field goal, and a big return by Javon Leake on the next Argos possession, set up Chad Kelly’s offence in a great position for another score. 

The former Indianapolis Colts and Denver Broncos quarterback, fresh off of signing his 3 year/$1.865 million extension with the Double Blue, led his offence into the end zone. A jet sweep play to Kurleigh Gittens Jr. set up Andrew Harris’ two-yard touchdown run to extend the lead to ten. 

The defence continued the team’s magnificent play in the first quarter as defensive back Jamal Peters intercepted Taylor Powell’s pass attempt to once again give the offence great field position. 

On the very next play, Kelly rolled to his right and aired one out to an open DaVaris Daniels for a 33-yard touchdown reception, solidifying the 17-0 Argos lead after the opening quarter. 

However, the hometown Tiger-Cats were relentless despite the large deficit against their QEW rivals. 

Hamilton’s defence stepped up in the second quarter, preventing the Argos from adding to their tally. 

Their special teams, courtesy of kicker Marc Liegghio, were monumental in the quarter giving them much-needed points that raised the spirits of their fans and players in The Hammer. The ex-Western Mustang kicker missed slightly left of the goal posts on his first field goal attempt resulting in a single-point rouge, which was followed by him nailing the 37-yarder to cut the Argos lead to 17-4 at halftime. 

Hamilton continued their late first half momentum into the second half. 

The Ti-Cats’ offence converted two 3rd & 1’s to extend their opening possession as they pushed down field. Terry Godwin II’s 17-yard touchdown catch cut their deficit to seven after his team missed the two-point conversion. 

Toronto responded after a lengthy five-plus minute drive, as A.J. Oullette had three big carries preceding Damonte Coxie’s seven-yard touchdown, once again extending the visitor’s lead. 

Hamilton quickly responded with another Liegghio field goal, cutting the Argos lead to 24-13 entering the fourth quarter. 

Each team traded touchdowns to begin the fourth quarter, resulting in the Tiger-Cats attempting an onside kick with just under five minutes remaining. 

The onside kick attempt was unsuccessful and was ultimately disastrous to Hamilton. 

The 2022 Grey Cup Champions reverted to some late-game trickery as running back Oullette completed his first career passing touchdown to Dejon Brissett. That touchdown put the game out of reach affirmenting the Argonauts’ 15th Labour Day Classic win against their East Division rivals. 

The Argos and Tiger-Cats will meet for the fourth and final time this season in Toronto at BMO Field on Sept. 23rd. The entire CFL schedule can be found here. 

Badgers’ men’s hockey set to host Ohio University in a pair of exhibition games

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Brock Badgers men’s hockey team welcoming the Ohio Bobcats for two exhibition games this weekend.

The Brock Badgers men’s hockey team will start their 2023-24 season with a pair of exhibition games against the Ohio University Bobcats at Canada Games Park on Friday, Sept. 15th at 6 p.m and Saturday, Sept. 16th at 12 p.m. The matchup will surely be a test for the Badgers as they are preparing for the start of the OUA regular season on Oct. 6th

Ohio University competes in the American Collegiate Hockey Association’s (ACHA) Division I, which is the highest level within the ACHA. 

The Bobcats finished the previous regular season in 5th place in the ACHA Division I standings with 56 points after winning 28 of their 35 games. 

A big reason for their success is due to their now-sophomore Luc Reeve’s 75 points (34 goals, 41 assists) in only 33 games last season, which ranked second-most in the league. 

Defenceman Sam Turner will also pose a problem for the Badgers given his playmaking abilities from the point, registering 57 assists in 68 games over two seasons to go along with 19 goals. 

Reeve, Turner and the Bobcats are a perfect early season challenge for the Badgers, who are hoping to rebound from their tough quarterfinal series loss last season to the Windsor Lancers. 

Brock ended the 2022-23 campaign winning 19 of 32 games, accounting for a .594 winning percentage. 

Jacob Roach leads the way for the Badgers, having recorded 22 assists and 32 points in 26 games a season ago, which ranked second in the OUA in both statistics. The former Guelph Storm forward was named an OUA first-team all-star, OUA West MVP and U Sports second-team all-Canadian for his performance. Head coach TJ Manastersky will look for the Brooklin-native to repeat and surpass his stellar 2022-23 season if the Badgers hope to compete for the Queen’s Cup. 

In chasing the Queen’s Cup, Manastersky will be using the matchup against the Bobcats as an early season evaluation of players that could fill the void left by Adam Berg, who signed a contract with the Cincinnati Cyclones of the East Coast Hockey League (ECHL) in March. 

Berg led the Badgers in goals scored a season ago with 15 of the team’s 100 goals, leaving a hole at the top of the lineup. 

Among the potential options to replace Berg are newly recruited forwards, Cale Sanders, Riley Gannon, Matthew Duarte, Ryan Stepien, and Holden Rogers. 

Sanders is a winger from Alberta and has played in the Western Hockey League (WHL) for both the Regina Pats and Prince Albert Raiders. 

Gannon also played in the WHL with the Victoria Royals, registering 77 points over four seasons in the British Columbia capital. 

Duarte is a 6-foot-4 winger who racked up a career-high of 21 goals and 59 points during the 2021-22 season with the Hamilton Kitty B’s of the Greater Ontario Junior Hockey League (GOJHL). 

Stepien played for the Ontario Hockey League’s (OHL) Kitchener Rangers, Saginaw Spirit and Oshawa Generals, and is transferring from the University of Prince Edward Island. 

Rogers is also a transfer student from Toronto Metropolitan University who played for the Hamilton Kitty B’s, Milton Menace and Brantford 99ers in his junior career. 

The Badgers are also welcoming new goaltender Connor Ungar and defencemen Jonah Boria and Ryan Thompson. 

Ungar has played in the WHL for the Brandon Wheat Kings, Red Deer Rebels and Moose Jaw Warriors, and is coming off a solid season with the Warriors where he registered a 2.58 goals against average and a .925 save percentage. 

Grimsby-native Boria helped the St. Catharines Junior B Falcons of the GOJHL win the Sutherland Cup in 2022. 

Sanders is also an OHL alum, having played for the North Bay Battalion, Erie Otters and Sault Ste. Marie Greyhounds with a large 6-foot-3 frame, which should prove to be a benefit to the Badgers on the back end. 

All the new recruits and returning players on the roster are hoping to make a good impression this weekend in hopes of earning the trust of the coaching staff and ultimately have a positive impact on the Badgers’ run to provincial and national success in 2023-24. 

Information regarding the Brock Badgers men’s hockey team can be found here. 

Canada men’s basketball team qualifies for the Olympics after enormous win against Spain

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Canada men’s basketball team headed to Olympics for first time in 24 years after beating Spain

“We’re going to the Olympics, baby!” 

Those were the words proclaimed by a dancing R.J. Barrett after Canada’s 88-85 victory versus the reigning World Cup Champion Spain, clinching an Olympic berth for the first time since 2000. 

Canada qualified for next year’s Paris 2024 Summer Olympic Games by finishing as one of the top two Americas countries at the 2023 FIBA World Cup of Basketball. 

Of the Americas teams, Mexico and Venezuela were eliminated in the first round, and losses earlier in the day by Puerto Rico, Dominican Republic and Brazil set up the clinching game during the evening against the Spaniards. 

The game had intensity from the opening tip as both teams alternated made baskets for much of the quarter, ending the first ten- minute frame tied at 21. 

Spain found its momentum in the second quarter as Santiago Aldama scored seven of his twenty points to open the quarter, helping the 2022 EuroBasket Champions to take control of the game. 

A costly mistake by newly-signed Houston Rockets guard Dillon Brooks also contributed to the Spanish lead. With 3:11 remaining in the first half, Brooks was called for an unsportsmanlike foul on Spain’s Willy Hernangomez just as Juan Nunez scored a three-pointer. 

As a result of the foul, Hernangomez shot two free throws, Spain retained possession of the ball, and Nunez’s three-pointer counted. That seven-point possession led to the number one ranked team in the world being up ten at half, but the pendulum soon began to swing in Canada’s favour. 

The Canadians were electric from the start of the third quarter as they stormed back with a 17-4 run in just over five minutes, taking the well-deserved 55-52 lead. 

Spain didn’t back down, going on their own 21-7 run after that to go up 12 after 30 minutes of basketball. 

However, Canada was relentless and fought back once again. 

Brooks came alive offensively in the fourth, going three-for-three from deep, including a crucial three-pointer with 1:19 left in the game to tie it up at 80. 

Canada continued that momentum into the next Spain possession as they forced a Spanish turnover giving the Canadians the chance to take the lead with under a minute remaining. 

All-star point guard Shai Gilgeous-Alexander had his defender in isolation as he hit the crossover followed by the step-back jump shot to sink the go-ahead bucket, which was likely the biggest shot in Canadian basketball’s recent history. 

Gilgeous-Alexander then hustled on the defensive end, as the TCL Player of the Game stole the ball from Dario Brizuela which led to the intentional foul giving him two free throws. The Hamilton-native made both of his free throws, tallying 30 points in the game and extending the lead to four. 

There was no looking back for Team Canada as they earned the massive victory and a coveted berth in the Olympic Games. 

At those Olympic Games, the Canadians are hoping to have an even stronger team than the one at this World Cup, which beat 2020 Olympic Silver Medallist France by 30 points. 

The team is currently led by seven NBA players; Shai Gilgeous-Alexander (Thunder), Dillon Brooks (Rockets), Nickeil Alexander-Walker (Timberwolves), Luguentz Dort (Thunder), Kelly Olynyk (Jazz), Dwight Powell (Mavericks) and R.J. Barrett (Knicks), but are hoping to have an even stronger contingent of NBA stars in a year’s time. 

NBA Champion Jamal Murray (Nuggets) elected to withdraw from the roster, citing the need for rest and recovery following his long 2022-23 season which ended with a title in late June. 

A starting backcourt of Murray and Gilgeous-Alexander would be one of the best in the tournament as both players averaged over 20 points per game in the NBA last season – they are a cornerstone of the future of Canada Basketball. 

Golden State’s Andrew Wiggins (Warriors) is another all-star who would likely slot right into the starting five if he chooses to participate next summer. Wiggins missed much of last season, plagued by personal issues, but still scored over 17 points per game to go along with five rebounds and shooting just under 40 percent from three-point range. 

Whether or not Wiggins, Murray and others decide to play for Canada, the national team is in a great position to be well-represented on the world stage and compete for the gold medal. 

For more information about the Canadian senior men’s national team, click here. 

Why Brock clubs are the best way of making friends on campus

When beginning your university career, one of the most nerve-wracking processes that students go through is finding new friends. 

The learning curve for interacting with new people on campus is overwhelming and scary for many, but it doesn’t necessarily have to be that way.

If you were stressing about your social life at Brock, fret no more because the clubs offered on campus, and the lovely people within them, will offer avenues to start meeting new people. As intimidating as it may sound, all it takes to find a new friend or community is simply showing up to events offered by the clubs you are interested in.

Why?

Because everyone involved in the club/s of your interest wants the same thing you do, which is to create meaningful connections with like-minded people and to have fun while doing so.

An added benefit that comes with consistently attending club events is the fact that your personal and professional skills will be highlighted. Sooner rather than later, you will find yourself improving your leadership skills, your organization skills and your networking abilities, through your club involvement. That said, what is better than meeting new friends while gaining skills that you can advertise on your LinkedIn?

The best part about the clubs at Brock is the fact that there is something for everyone, which means that no matter what club you choose, you will find people who resonate with you. As of now, there are more than 100 ratified clubs on campus, categorized under 9 “pillars”: academic, cultural, political, advocacy, community development, religious, arts, general interests and well-being.

Once you are ready to embark on your friend-making journey at Brock, the most important step will be to sign into the Experience BU website. You will do this with your student email and password. Once you do so, you will be able to browse through the different student organizations at Brock. If you find an organization that catches your eye, click on the “join” button to request acceptance into the club, and you should receive an email confirmation once you are admitted as a member.

Alternatively, once the school year starts you will be able to attend the yearly Clubs Fair happening during BadgerFest. At the event, you will be able to visit different club tables, talk to the club executives and sign up for memberships. The details for the time and place for the Clubs Fair, and Badgerfest as a whole, will be announced on the orientation week website soon.

From then on, it is recommended that you keep tabs on the student organizations that catch your eye through their social media accounts or even the Experience BU website (under the events tab). Staying in the loop is important because some clubs offer weekly meetings while others might host events monthly.

Student organizations at Brock are notable for their ability to cultivate tightly-knit communities, and with such a variety of clubs, everyone can find a place to belong and create new relationships. Once you find an organization to involve yourself in, don’t be afraid to say to the many unfamiliar faces in your club, because there is a high chance that they are looking for a friend that is just like you.

How to become a note-taking and task management pro

Many students going into their first year of university frequently wonder what the best way of organizing their university tasks might be, or if there are any well-trodden strategies to enhance their note-taking abilities.

If you find yourself ridden with similar questions, this article will thoroughly explain everything you need to know about organizing your life and your notes before you set foot on campus.

It needs to be recognized that becoming a more organized individual tends to be difficult for students because it requires them to establish new practices in their lives. However, this should not be discouraging, since there are great benefits that come along with embracing better time management and organization strategies, such as increased productivity and a higher likelihood of meeting deadlines.

Take a deep breath, and feel free to employ the tips outlined below to begin organizing your life, university tasks and notes. Remember also to take the most sustainable organizational approach for your mental health needs; what works for some may not work for others, and that’s OK.

Tip 1: Get a planner!

The most valuable tool for transitioning from a chaos-ridden life to a more balanced student experience is a student planner/agenda. Most, if not all, university students have incredibly tight schedules, and keeping track of multiple courses and commitments is no easy task. For this particular reason, using organizational resources like planners or online programs can be extraordinarily life-changing for busy students.

Before you go out and splurge on a student planner, you have to figure out if you prefer writing down your tasks on paper or through digital methods.

If you prefer paper agendas for keeping track of your tasks, these have the added benefit of improving concentration and helping you better remember the tasks you wrote down.

A few options available for those who favour paper agendas include the weekly-monthly planners with set designs and templates or a blank bullet journal that can be designed from scratch to accommodate your lifestyle and creativity.

If you choose to manage your responsibilities digitally, you can take advantage of software such as Google Calendar or online planners designed for university students. For instance, the Amethyst & Garnet Student Planner is a great choice that can help you track your assignments, projects, and overall schedule to increaseproductivity.

Tip 2: Use your planner for everything

You heard correctly, everything.

Your class schedule, work schedule, due dates, gym schedule and any other to-do that you might forget to complete unless you write a reminder should all go into your planner.

For those who are not used to doing that, it might seem a little tedious until you get the hang of it. Building the habit of jotting your responsibilities in your planner is incredibly advantageous because it will help you visualize the amount of time you will dedicate to university, work or student organizations. Once you understand your commitments on your weekly schedule, it will be much easier to designate time for socializing with friends, while being confident that you will have time to tend to your assignments.

Tip 3: Note-taking like a pro

After organizing your daily life with the help of a planner, you will likely

want your class notes to reflect the same degree of organization and usefulness as your student planner. Similarly, you should examine once more if a digital note-taking software such as Notion would be most convenient for you, or if you would prefer to bring out your pens and highlighters during lecture to take notes that’s fine as well.

Single-handedly, the key to writing exceptional notes for your courses is getting rid of distractions as much as possible. For instance, if you bring your laptop to your lectures make sure that the only tab open is the one you are using for your notes, and if possible, deactivate push notifications to avoid getting side-tracked. Likewise, if you bring a notebook or binder to class, silence your phone and put it away to avoid doom-scrolling on social media during class.

Similarly, colour coding and adding personalized symbols on one’s notes is highly recommended, for a better understanding of the material.

For instance, you could highlight relevant things with a green highlighter, and star symbol the concepts that need more clarification. It might sound odd, but having visually pleasing notes that simultaneously help you in your revising process can completely change the way you study and decrease the time you spend doing so.

Managing the commitments that come along with being a university student shouldn’t leave you feeling depleted and unmotivated at the end of the day. Quite the opposite. You should aim to feel empowered with the help of the correct organizational techniques, such as time management with a student agenda, or even colour-coding for a heightened note-taking experience.

Once you find what works best for your educational needs, managing all your responsibilities will feel like a walk through the park.

Easy money-saving tips for university students

Let’s face it: on average, university students are close to broke. That’s why these money-saving tips are important for managing your personal finances this academic year. 

The rising cost of living combined with the financial burdens tied to being a university student make it as important as ever for students to be wise with their money. 

While the following tips will not completely fix the structural reasons behind many students’ financial struggles, the aim is to highlight strategies to save money as a university student and to start the process of becoming financially literate if you didn’t grow up in a context that instilled those lessons.

Create a budget and stick to it

The simple act of setting financial limits on different expenditures is an essential habit that all students should begin practicing. Budgeting allows you to limit spending your money on non-essential items while also giving you greater control over your financial present and future.

One of the most freeing aspects of setting a budget for yourself is that you can truly take control of your finances. Do you want to set money aside monthly for a few subscriptions? You can; Do you want to prioritize saving money to pay for tuition? That’s entirely in your control with a budget. If you set limits and goals for yourself, you can hopefully make space for the things that matter most with your money.

A good starting point to craft your personalized budget is to consider different budgeting methods. One strategy is to model your budget off the 50/30/20 rule. This budgeting mechanism suggests allocating 50 per cent of your income to needs, 30 per cent on things that you want, and 20 per cent towards savings and investments. Alternatives to the 50/30/20 rule include systems such as zero-based budgeting, and the cash envelope system, among others. Be sure to find a budgeting system that you are content with and can stick to. 

Seek free services on campus 

A substantial perk that comes with studying at Brock are the many amenities and free services you can take advantage of. These include benefits like counselling and free food, meaning that you have a wide array of free services at your disposal.

Some valuable services and amenities to use include the Universal Bus Pass (U-Pass), personal counselling services at Brock, and the gym (The Zone). These perks are offered at no additional cost for Brock students, meaning you can save money on transportation, mental health services and fitness.

The Brock University Students’ Union (BUSU) also offers resources for students at no cost, including tax clinics and programs to fight food insecurity across the student population through the Food First Program.

Student Discounts

Another great way to save money as a student is through student-exclusive discounts offered by Brock and through other avenues such as Student Beans. These student-exclusive discounts are a great tool to save money on everyday needs and fun purchases, making it easier to fit shopping into your budget. 

As for discounts offered for Brock students, BUSU partners with establishments such as the Pen Centre’s Shoppers Drug Mart to offer Brock badgers a 15 per cent off discount for most regularly priced items. Show your Brock student ID and PC Optimum Card upon purchasing and enjoy the discount.! 

You can also access preferred insurance rates as a Brock student for car, travel and home insurance from TD Insurance. Insurance tends to be an expensive fixed cost for many, meaning students can benefit from the Brock-exclusive rates at TD Insurance.

On another note, online services such as Student Beans unlock a wide array of online and in-store student discounts for thousands of brands. These include a 20 per cent off deal for H&M, free shipping on orders over $35 at Best Buy and 25 per cent off Under Armour backpacks.

Saving money is challenging yet essential particularly for university students. All hope is not lost, though. 

Acting purposefully with money and diligently seeking new methods of saving money can make a huge difference in students’ finances and lifestyle.

A quick breakdown of your student schedule

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Getting a handle on university life can be challenging at first. Something that can be especially tedious as a newcomer is figuring out what all the bits of information packed onto your Student Schedule (SS) means.

The following is a general breakdown of the SS to help clear up any confusion and get you ready to both plan and find your courses at the right time and place, as well as understanding the character of your courses.

Let’s start with how to access your SS in the first place. First, you’re going to head to Brock’s website and click on the “menu” tab placed at the top right of the webpage. From there you’ll see a series of tabs listed under “quick links.” Select the one called “my.brocku.ca.” Use your campus ID and password to log in to the student self serve portal and then find “student schedule” listed under the navigation menu on the left side of the page.

Immediately on your SS you’ll see that things are broken down into columns representing days of the week and rows representing the times of any given day. It’s important to remember that the times displayed in the rows are depicted in military time so you’ll have to take away a value of 12 from anything past midday to get that time in PM. If you’ve registered for your courses already you’ll see them slotted in the table so long as you have the correct session and year — the menus of which are found underneath your name at the top of the page — applied for said courses.

The schedule page already has a legend at the top explaining what the different colours for your course blocks mean, so we’ll skip that.

More important is what the rows of codes mean within the blocks. The code on top is the format for the delivery of the course; whether that’s a lecture, seminar lab or tutorial will be designated by the abridging of the name of that form of delivery (SEM, LEC, TUT, etc.). Just under the format name will be the course name itself or subject code. Every course offered at Brock and its subject code can be found here.

Under that will be the course code which has a lot going on with each symbol. Be it a letter or number, these symbols tell you about the year level, credit value and department code for your course. You can get a grasp on what those mean in specific and a whole bunch of other stuff around courses and registration here.

Next under is the locational code for courses that are taking place on campus. The letters in the code are often an abridged version of a specific building name, all of which can be visualized online using Brock’s Interactive Campus Map and cross-referenced with their code using this list. The following numbers of the code signify floor level and room number relative to the given building.

Finally, the bottom code values that are placed in brackets have to do with the duration and classes offered for your course. The D values are based on the session your courses are offered in, whether that’s the summer, winter or fall sessions is determined by the numbers attached to the D. The S values have to do with different classes offered for the same course. For example two ECON 1P92 classes are offered in D2, one that has two hour-and-a-half lectures each and another one that has one three-hour lecture. The one with two lectures is ‘S01’ while the one with one longer lecture is ‘S02’.

This just about covers everything related to the schedule in broad outline. If you are still confused about particular things related to timestables and registration you can contact the Office of the Registrar here.

Good luck navigating come September for all incoming Badgers!

Why your university experience matters

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Being a Brock student in 2022 means that you are a global exception, most people on Earth do not go to university.

 Historically, the university has facilitated the best aspects of our humanity and you are now a part of that legacy.

The university in the sense that we understand it today, that of being a degree-awarding community of scholars and teachers without any necessary ecclesiastical ties, emerged in the year 1088 AD in medieval Europe in the form of the University of Bologna in Italy. A document formed at this particular university that set it apart from its more church-bound antecedents called the Constitutio Habita. The document was a charter that allowed scholars from different societies to travel freely into the Italian border in search of the University’s educational services.

In 1988, 900 years later, roughly 400 universities signed a document called the Magna Charta Universitatum in Bologna which is still being signed by educational institutions to this day around the globe. The document ensures the principles of educational freedom that were foundational to the development of the first university.

Now, it would be nice if said notions of educational freedom warranted a crack down on the pernicious for-profit practices that have come into play with the corporatization of the university in the last few decades in North America. Practices, by the way, that see students swimming in debt which creates residual class barriers to higher education. But I digress.

The main point is that you are now a part of this global community of scholars who have been a part of upholding the commitments of educational freedom for nearly a millennium.

Another consequence of the corporatization of the university mentioned above is that corporate atomization — the divide and conquer attitude that the international, profit-maximizing, private sector is known for — becomes reflected in educational practices and aspirations. The clock-in clock-out attitude that gets students to their degrees so they can hopefully find a stable job, while understandable from a practical standpoint, erodes a lot of what makes the university magic.

Getting lost in curiosity, exploring different interests, rebuilding the self; these are things that are sorely missed when university becomes a chore or simply a means to an end. It’s a tragedy that young people are dropping out of university at record rates. Especially when a lot of my own anecdotal evidence suggests that it has to do with not feeling like you have “your thing” when everyone else does.

Many people are probably familiar with a phenomenon specific to those who are in university but who don’t have an occupational end goal in sight. I’m speaking of the proverbial “I have no idea” that’s often enunciated with an ideologically instantiatied wince or nervous chuckle in response to the question of what said person is planning to do after their time at university is up. Anything tantamount to an “I don’t know” in response to that question should be said with glee and would be understood as a celebratory exclamation at the thrill of unhindered intellectual exploration.

So my challenge for you, incoming Brock students of 2022, is to not forget about getting lost on purpose. Embrace the university as an end in itself to the best of your ability and you will be in step with the spirit that has preserved these institutions as integral sites to the development of our collective humanity for the last nine centuries.

A guide to second hand shopping in St. Catharines

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Living on your own has many stressors, one being the high cost of living as a student. 

Learning to manage your expenses can take a lot of weight off your shoulders as someone who’s new to being an independent student.

A part of starting life as a University student is often moving out and living on your own for the first time. There is a lot to look forward to about this aspect such as the increased freedom, opportunities to form new friendships and integration into the culture of student life. However, freedom often comes at a price. An excellent way to manage your expenses as a student is to buy used items when you can.

If you don’t know where to start with second-hand shopping, worry no more because here at The Brock Press we have put together some suggestions for second-hand shopping in the St. Catharines area.

Book Outlet Store

If you are a big reader, Book Outlet is a must-see. Since 1994, Book Outlet has been Canada’s largest discount bookstore, offering a massive selection and up to 90% off publisher’s list prices. Found on 340 Welland Avenue, Book Outlet’s store is North-East of St. Catharines downtown and right off of the Queen Elizabeth Way.

Value Village:

Value Village is always a staple of thrift shopping, with over 300 stores across Canada, the U.S and Australia. If you’re looking to find a lot of clothes, Value Village is a great place to start. What they might not have in terms of being overly stylish, they more than make up for in terms of selection. The St. Catharines location is just North of downtown on 360 Ontario Street East.

Plato’s Closet

Plato’s Closet is another well-known chain of second-hand clothing stores. Though more expensive than Value Village and with less selection, Plato’s Closet tends to have more recognizable brands and some very nice clothes that don’t break the bank. There is a Plato’s Closet in Glenridge on 210 Glendale Avenue, right across the street from the Pen Centre.

Goodwill

Goodwill, like Value Village and Plato’s Closet, is a thrift store that is common in most cities. The St. Catharines location is only about a block away from Plato’s Closet on 228 Glendale Avenue. Goodwill is very similar to Value Village in that they have a large collection and very low prices, especially in comparison to other thrift stores. Goodwill mostly deals in clothing, but also has a selection of appliances, which can be a boon for students looking to save on items that can normally be costly.

Grandma’s Basement

Though they are unfortunately closing their doors on Sept. 11, Grandma’s Basement is a great second-hand vintage store right in the St.Catherine’s downtown on 144 St. Paul Street. Grandma’s Basement primarily sells feminine clothing. They also deal in a wide range of vintage items including accessories like jewelry and bags, decor, art, and kitchen & dining pieces. They can be a little on the pricier side as second-hand shopping goes, but if you are in the St.Catharines area before the 11th, Grandma’s Basement is worth checking out.

Roly Poly Records & Vintage

The last location on our list is Roly Poly. Another store in the St. Catharines downtown, which at 314 St. Paul Street, is just up the street from Grandma’s Basement. Though there are several other record stores in St. Catharines, Roly Poly specializes in second-hand records, making it much more affordable. They also carry a variety of vintage clothing, collectables, accessories and jewelry, most of which can be seen on their instagram, @rolypolyrecords.

Budgeting can be one of the biggest difficulties for new students. It requires planning, foresight and often thinking about expenses you didn’t have to worry about when living with supportive parents. In spite of that, now that you know the right places to look, you can find a good deal for the comforts you have grown accustomed to.

How to make the perfect study playlist

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Music acts as a soundtrack to our lives. Various genres, instruments and styles may determine our mood and outlook on daily life, so having the right playlist for studying can make all the difference.

Finding the perfect music to listen to while studying may require doing some research. The ideal study playlist will look different for everyone. Below you will find a number of music genres and artists to help craft a study playlist that will help you succeed in your studying habits.

Ambient Music

Sometimes lyrics in music can be distracting when the task at hand is to read, write and focus in general. For this, ambient music will serve as an ideal choice for study sessions where deep focus is required.

The goal of ambient music is to use long tones to cultivate an atmosphere. Various sounds – sometimes reminiscent of nature – are used to make this genre less conventionally musical and more abstract, letting the listener craft their own mental image of the music. Streaming platforms like Spotify have curated playlists under the genre, including Wild Ambience, with music mimicking the natural world. Popular artists of this genre to explore are Aphex Twin, Ichiko Aoba, and Brian Eno.

Lofi Hip Hop

Commonly dubbed as study music, Lofi Hip Hop makes for a great addition to your study playlist. The repetitive beats can serve as an anchor to whatever your task at hand is. Several mixes for studying can be found on YouTube, with channels like Lofi GirlFeardogand chilli music providing frequent uploads. Additionally, some channels offer 24/7 radio mixes, so you never have to worry about choosing a new video in the middle of a study session.

Classical

As the foundation of modern music, the term classical music serves as an umbrella for multiple eras of music including the baroque and romantic periods. Due to the size of this genre, it can be difficult to know where to start.

To begin, figure out which instruments are most pleasing to your ears when trying to relax or focus. There are multiple playlists on Spotify made for specific instruments categorized by mood, such as Shimmering Strings, Atmospheric Piano, and Peaceful Piano. The playlist of your choice will be determined by the mood you seek to cultivate during your study sessions. Piano is often a go-to for calming the mind and encouraging focus. Composers like Chopin and Liszt are known to be piano virtuosos of their time and are an excellent place to begin in this genre.

Soundtracks

The same way music serves as a soundtrack to our daily lives, soundtracks from various mediums are a worthy addition to your study playlist. Soundtracks are often stylistically different depending on what medium they were crafted for. Therefore, the ideal soundtrack will be determined by the mood you need while studying, be it action based or slow and sentimental.

A soundtrack album may serve as a playlist of its own, since the music is made to be listened to as one. Some popular composers of soundtracks to explore are: Hans Zimmer (known for Interstellar), John Williams (known for Star Wars), Ennio Morricone (known for The Good, The Bad and The Ugly), and Joe Hisaishi (known for Spirited Away).

World Music

If vocals are something you seek for listener engagement but you find yourself distracted by lyrics, a good option is to explore music of different languages. This provides you with the listener engagement and familiar structure of pop music, but also prevents you from having lyrics in your own language distract you from reading or writing. Furthermore, you can explore genres in other languages to suit your music tastes in your native language. Doing this also provides the opportunity for cultural exploration and discovery.

All in all, the cultivation of your ideal study playlist will be determined by the individual, and the only way to explore new tastes is to jump in headfirst to new genres, styles, and artists. The priority should be to experiment and find out what study habits and music work best together to help you achieve academic success.

An introvert’s introduction to life at Brock

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The transition period into university life can be an adjustment for everyone. For introverts, this period of establishing a new routine may be particularly challenging.

As an introvert, the desire for socialization often fluctuates, making it a challenge to establish connections in the bustling environment of university life while balancing academics. From finding a comfortable study location that suits your needs to figuring out how to establish relationships, this guide will provide you with the foundations of navigating Brock as an introvert.

First, Brock University’s campus is large, offering a variety of unique spaces for studying or simply finding a moment of calm in your day. Located in the Schmon Tower is Brock’s main library, the James A. Gibson Library, which is considered the most popular space for studying on campus. The library has a volume-level system for each floor ranging from group study to quiet and silent floors for those seeking solitude. The library also provides group and individual study spaces, which can be booked on the university library’s website. The library’s desks are designed to keep your study space private, making this a perfect space for focused study as well as a peaceful way to break up your day between classes.

Not all studying needs to be done in the library, though. The top floor of the Plaza Building has many seating areas and stays relatively quiet. Additionally, it is conveniently located near several amenities like the Campus Store, The Daily Grind, and Union Station.

Forming connections for introverts is often an area of challenge. Ideally, we all want to meet people who share our interests but being put into a new social space can be daunting for the introvert. ExperienceBU provides a list of ongoing events and clubs to join, with many clubs having spaces online where socializing is less threatening to an introvert’s social battery. Several unique clubs have online groups such as Discord to communicate outside of club activities. I found joining these to reduce the level of intimidation that comes with meeting others in person. For students living off campus, this can act as a gateway to social life on campus for students with a desire to feel more involved.

Market Hall is Brock’s largest dining space, and subsequently the busiest. Market Hall attracts many students each day for its variety of dining options. If eating in a quiet space is a priority, Brock’s campus has various spaces that can be made into a comfortable dining location that works for you. Located on the first floor of the BUSU building is Union Station. While lively, the dining area does quiet down from time to time and may feel less intimidating. Located one floor up is The Daily Grind Café, a quieter alternative to Marketplace Hall for grabbing a coffee on the go or sitting down for a snack, without sacrificing an inviting and positive atmosphere.

For introverts, entering an unfamiliar environment like university comes with many challenges, but the rewards can be bountiful. Establishing a comfortable routine that works for you is the key to making university work for you as you begin this exciting next chapter of your life.

If ever you require additional help, Brock also offers counseling services for appointment bookings and text services through the My SSP app. More information can be accessed through the Student Wellness and Accessibility Centre.

Video game music: an unlikely yet versatile study tool

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Video game music could be the study tool that gets you through an intense university workload.

As you enter your first year of university, you may find the workload far greater than it was in high school. This means you’ll be spending a lot of time at your desk, at the library or at a cafe, with your eyes glued to the screen of your laptop, or perhaps your neck craning down at a book for hours on end. The workload is not always easy, and while you may already have a strategy to get through it — whether that be a movie playing in the background or copious amounts of coffee and energy drinks — video game music may just be your best bet.

Music in general is a lot of people’s go-to for cranking out a study session, but I’ve found that when trying to focus, my favourite songs end up more distracting than helpful. Consider a party scene in a movie: the speakers blare singers’ voices during the dance sequences, but as soon as the main character starts a conversation, the music fades to the background and the lyrics all but disappear. If they didn’t, it would be too confusing to try and make sense of what our character was saying.

Lyrical music tends to get in the way of your thoughts rather than helping to sustain them. The only exception to this in my experience is when I know a certain album so well that it fades to the background of my thoughts, and I end up listening to the same songs again and again. But that’s not always fun, and this doesn’t work when I’m stuck doing a project I’m just not that interested in. That’s where video game music comes into play.

If lyrical music is too distracting, instrumental music of any kind can help sustain your focus — some may choose to listen to soundtracks from their favourite movies or classical music.

However, video game music has another element going for it. Game soundtracks are specifically engineered to maintain your focus as you play through its levels, wander around its environments or battle its most fearsome foes. What’s more, different songs are created for different occasions, and these situational tracks can help you accomplish various elements of your studying.

For example, background music used in-game for when your character is walking through a field or having a conversation is perfect for when you are studying or working on an assignment that you can afford to take your time on. This music works because it gives you a melodic thread to hold onto while your thoughts are free to focus on the task at hand. It maintains your focus but keeps you calm.

On the other hand, there will be instances when you’ve left an assignment until the last minute and need to cram a week’s worth of work into a handful of hours.

Enter boss music.

Boss battles are typically moments of intense focus and tension, where you must apply everything you’ve learned up until that point to conquer a major challenge. As such, the music is designed to enthral you and keep you focussed but also to instill a sense of urgency. Using it in crunch times can be incredibly helpful and can keep you at a fast pace when you have no other option.

You can make two playlists contrived from your favourite games. One might be a steady, relaxing playlist filled with field music. The other could be filled with boss music or other intense songs for when that crunch time inevitably comes.

This strategy helped me a ton in my first year, especially as I was still getting used to the sheer amount of weekly assignments and large projects nearer the end of the term. Time management is still important, but it can be difficult.

Having a study playlist as a backup, filled with music that helps you focus — in casual times but especially in those high-stress moments — will help you as you tackle your first year. There will be moments that test you, just like the toughest bosses ever conceived in video game history, but you will conquer them.

An ex-procrastinator’s guide to time management in university

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University comes with a heavy workload, and if you’re a procrastinator like I was, effective time management is the only way to prepare for this new normal.

High school was no easy feat, but as you read the syllabi for your courses in the first week of class, you may be overwhelmed by the sudden increase in work. Many courses will have weekly seminars, labs or other such classes. Additionally, they may sport weekly assignments for those classes, several large assignments such as essays or reports, regular tests and possibly two exams. This isn’t an exhaustive list, but if you’re a full-time student you’ll have three or more courses, all of which have similar requirements in terms of work.

All these assignments tend to get away from you rather quickly, especially amidst the excitement of your first year at university. Many students have crammed for an exam the night before or attempted to write a 4000-word paper in its entirety a few hours before the clock strikes 12. Luckily, there are a few strategies you can use to get ahead of assignment sprinting, and they’re pretty easy.

Firstly, read your courses’ syllabi. It may seem obvious, but the syllabus is an underused tool when it comes to course management. It includes every ounce of information you might need about due dates, late policies, readings and more. Take the time to read it in your first week. You will not see a lot of work at the start of the term, but this can change in an instant.

Another easy thing you can do in your first week is make a few schedules. I usually make two: a weekly schedule with all my classes and their room numbers to avoid opening the nightmarish student portal on my phone while I’m wandering through hallways already five-minutes late, as well as list of every single assignment and task I must do for all 12 weeks of the term.

Creating a list of assignments organized weekly instead of monthly helps you to stay ahead of upcoming deadlines and gives you a crystal-clear image of how much time you have left. Monthly calendars are helpful, but they can be deceiving. The last thing you want is to coast through September only focusing on weekly assignments, only for the calendar to flip, leaving you to realize you have three big assignments due in the first week of October. I’ve been there, and I’m telling you—you don’t want that.

I tend to use paper for my weekly schedules, but you could also create a spreadsheet or find another strategy that works best for you. Reading the syllabus and scheduling your upcoming assignments will make the term transparent so projects don’t sneak up on you. Just be sure to make a special note if there is any assignment that seems abnormally large.

The most important thing you can do — and you’re going to roll your eyes — is get started on assignments early. This is a simple strategy, but arguably the most important. A 4000-word essay may not seem like a lot of work, but when you only have a few days or hours to finish it, this task becomes monumental, if not impossible. Do yourself a favour and get started at least a week in advance, but preferably earlier—especially if you have multiple assignments due in the same week.

Even just coming up with an idea can give you a jumping-off point when it’s time to write, but consider this: 4000 words is a lot to write in a night or two, but if you gave yourself two weeks in advance, or ten days if you don’t count weekends, that’s only 400 words a day. Start an extra week earlier? 267 words a day. And this doesn’t even account for the days when you’re feeling good and you’re able to bang out a thousand words or more. When you give yourself time, you allow yourself to think about your ideas. Sometimes your first idea isn’t the best one, but it gives you a clear path to a better one with a bit of editing. Doing a project last minute means you must stick to your guns even if the original idea is flawed. 

Don’t get caught in the trap of little assignments. It can feel incredibly rewarding to get them out of the way, but they eat up a lot of time and it’s easier to rush a page of seminar participation notes than an entire lab report. In the worst-case scenario, failing a weekly assignment may yield two percent off your final grade, while a big one could cost you upwards of 40 percent or more.

Treat asynchronous courses the same way: some will have hard due dates and others won’t, but the only thing worse than cramming a final project in a few days is cramming an entire course worth of projects in a few days.

Finally, if you need help, all you have to do is ask for it. Brock holds workshops, but it can be as easy as emailing your professor or TA to run a concept by them or visiting their office hours to get some pointers. Sometimes projects are going to get away from you, and odds are you’re going to misjudge your time at some point or another, even with these strategies in place.

If you have a big project due in a week or several due on the same day, you can always ask for an extension. Many professors are accommodating when it comes to extensions, particularly when you ask well in advance of the due date, if only a few days before. You should not expect to find mercy if you’ve left it to the very last minute or the day of the deadline. Give yourself time and be realistic about how much you think you can accomplish under intense pressure. After all, no marks can be deducted for an assignment that’s finished early.

By using these strategies, and coming up with ones that work for you, you may find that the university workload is significantly more manageable than you originally thought. The amount of work itself will never change, but by scheduling your time and keeping track of deadlines, you will keep yourself from procrastinating and stressing to finish work last minute, as I used to do.

A new home for writers at Brock? The Creative Writing Club starts up again on Sept. 13th

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Having trouble finding a safe and welcoming place to share their writing, first-year students Cameron Sauder and Gabriel Piessens were disappointed. Now in their third year, the two have created the place they had always been searching for at Brock. 

The Creative Writing Club, founded by co-presidents Sauder and Piessens in 2022, is the place for writers of every form to come together and share their art. “I write prose,” Sauder said, “but we’ve had poets, songwriters, screenwriters, and more come to our meetings.” The club is open to all students, including those just starting their journey as writers. It doesn’t matter what form or tradition you’re coming from in you’re writing, only that you enjoy it and want to meet like-minded people. 

“[Gabe and I are] both writers and we had been looking forward to working with a group of like-minded people, but we never found it,” Sauder said about the creation of the club. As a result, Sauder and Piessens chose to create the space they had been looking for. “Writing can be a very solitary form of art, and tough to keep at in between the stresses of a university course load,” Sauder added. He and Piessens hope that the club can provide a space for writers to work on and share their work. 

Meetings run once a week on Wednesdays from 10 a.m to 12 p.m in the BUSU Clubhouse. Meetings provide students with time to work on their ongoing projects or other works that fit the Creative Writing Club’s monthly prompt. The club also hosts discussion groups on topics such as imagery, dialogue or setting in the hopes of facilitating conversation that can help writers grow. 

When it comes to events, last year was a very busy year for the Creative Writing Club. “For me, the opportunity to share my ideas and stories with a group of people who will listen is the best one the club provides,” Sauder said. Additionally, the team has put on poetry readings, travelled to Toronto for workshops and completed a writing all-nighter. They hope to bring back most of these events this year as well as run others. 

“My favourite part of running the club is seeing the same passion for writing in others that burns in myself,” said Sauder. “Not only does the group motivate me to chase my own passions, but it also allows me to see other perspectives and art forms.” The passion and comradery of the team allowed Sauder to step out of his comfort zone and do things he never thought were possible. 

“It’s helped me change the way I think about writing,” Sauder said. “It’s not just about churning out books. It’s about enjoying the journey and exploring yourself along the way.” 

More about the Creative Writing Club and their events can be found on their Instagram @brockcreativewriting or their Experience BU Page.  

Inhaler takes Toronto by storm with another sold-out show

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Toting a sound that is cool yet tight and hardcore, Inhaler’s music earnestly throws indie rock back in the face of their audience. The front man, Eli Hewson, is the perfect mix of the swagger of Arctic Monkey’s Alex Turner and the suave persona of Elvis, bringing together rock and roll’s many facets into one performance. 

The band returned to play another show promoting their Cuts and Bruises album as they wrapped up their tour to take a lengthy break from being on the road. The set list was similar to that of their previous show, showcasing songs from both Cuts and Bruises and It Won’t Always Be Like This, their first studio album from 2021. 

Inhaler used intricate guitar riffs and pounding drums to fill any space they play. Their music turned a scattered group of strangers into a well-acquainted mosh pit of energy. The crowd at the Sept. 8th show ranged in age from groups of teenage friends to middle-aged couples, all of them going just as hard as the person standing next to them. Energy buzzed from each audience member to the next and when one person started to dance, the people standing next to them had no choice but to join it, creating an involuntary groove. 

Initially formed in 2012 in Ireland, Inhaler consists of four members: Eli Hewson (vocals and guitar), Josh Jenkinson (guitar), Robert Keating (bass) and Ryan McMahon (drums). Known for their alternative and indie rock sound, Inhaler has played all over the UK, Europe and North America since releasing their first single “I Want You” in 2017. 

On Sept. 8th, the band returned to Toronto to play at History after a brief six-month departure, with their last Toronto show having played on March 21st. Since playing at The Mod Club Theatre in 2019, the band has returned three other times to the Queen City and each time, the venue size has increased. The last time the band was in Toronto, they played at The Danforth Music Hall, a venue that can hold up to 1,500 people. In just six months, they’ve made the upgrade to History, a venue that can hold almost double that amount. 

Starting with crowd-pleaser “These Are the Days”, the band brought a new level of energy to their vibrant sound. Rolling over the crowd, the groove moved methodically, never rushing unnecessarily or overtaking Hewson and his raspy croon. 

Deeper into the set list, “Cheer Up Baby” and “My King Will Be Kind” saw Jenkinson’s pushy guitar complimenting McMahon’s rash drumbeat. The crowd was suddenly pulled in as if they were participating in an intimate preview rather than a 2,000-person concert. Keating’s bass, while almost forgotten under the populated sound of the whining guitar and snare hits, kept the whole thing standing; his uninterested stare drawing intrigue. 

While the band’s setlist consisted mostly of singles and their greatest hits, it kept the audience engaged and never let the energy slip. Wrapping up with a hard-hitting encore of “Just to Keep You Satisfied” and “My Honest Face”, the band stepped off-stage with a look of purpose and genuine gratitude. 

Eli Hewson may be the nepotism baby of rock and roll, but he and Inhaler certainly don’t lack in quality as a result. 

Self-discovery and… disco? A look at Maddie Bomhof’s People in a Graveyard Among Others at 3:00 AM

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For Maddie Bomhof, a fourth-year Dramatic Arts student at Brock University, the creation of her show People in a Graveyard was not a straightforward path. The most recent iteration of the show came together following a slow five years of drafting and editing. 

“The writing process for this piece began around the central image of a person sitting on a bench with bloody hands and another person coming along and sitting beside them [and not seeing] the blood,” said Bomhof in the show’s program. The show has grown-out substantially from that original image, but Bomhof hopes that the show will leave the audience with questions about perception, perspective, perseverance and what it all means in the end. 

Set in Sunny Mount Cemetery, People in a Graveyard follows ghosts Boo (played by Frankie Turco) and Loo (played by Zakk Milne), as well as some other presently living folks, on a journey of self-discovery, pain, love, hate, passion and unexpectedly, disco. 

Upon entrance, audience members are greeted by the ghosts themselves and treated to a pre-show act that highlights an uncomfortable relationship between characters Shae (played by Tyra Hayward) and Markus (played by Luke Huffman). 

The set design was simple but effective, featuring only a bench and two graves (belonging to the corporal bodies of Boo and Loo). Had the set been any more extravagant, the small theatre would have felt crowded, taking away from the actors and the script. 

Although hidden behind sheets with eye holes for most of the show, the characters of Boo and Loo still shine brightly, and not just because of their ghostly powers. As a result of their costumes, Turco and Milne had to rely on just body language and voice to convey the story they were trying to tell, something both actors did stupendously. 

Turco, who played nervous and soft-spoken Boo, spent most of the show hunched over with his hands clasped against his sternum. This greatly contrasted Milne’s open and tall posture as Loo, setting up the power imbalance between the two that becomes central as the play goes on. Turco excelled at Boo’s whimpering and unsure tone while Milne filled the space with Loo’s aggressive New Yorker accent. The use of both actor’s lone voices impressively conveyed a great deal about both characters despite only seeing their actual faces at the end. 

Throughout the show, Boo and Loo interact with Shae, a wounded young woman who has accidentally killed her abusive boyfriend Markus in self-defence. When the character of Shae was introduced in the pre-show act, actress Tyra Hayward got a little lost playing against her fellow actor Luke Huffman, whose take on the character of Markus was bold but slightly overpowering. 

When Shae was introduced to Ernest (played by Benoit St. Aubin) though, the two actors’ chemistry instantly brought the characters to life. The quiet and meek Shae played well against Ernest, a kind old man with a wildly outlandish past. Both actors brought out the best in the other as their characters formed a friendly rapport throughout the show. 

This bond made Shae’s death even more tragic. Hayward and St. Aubin’s connection truly made the scene special and allowed for a tender moment of reflection for the audience. 

Boo and Loo go on to have a run-in with graverobbers Dax (played by Grace Labelle-Scott) and Jay (played by Michelle Shortt). Despite rarely leaving the stage, Labelle-Scott and Shortt’s performances often got overshadowed by the other things that took place. This is likely due to the size of the stage, which sometimes felt cramped with three stories taking place all at the same time. 

The small stage did allow for the connection between the characters to shine, highlighting intimate touches and words shared between the two that ultimately would have been missed in any other theatre. Labelle-Scott and Shortt did the best with the material they were given but unfortunately, Dax and Jay’s story felt rushed in comparison to the other two pairs. 

Although he spent the least amount of time on stage, it would be remiss not to mention the character of Daisy (played by Alex DeCicco). On top of his solo commentary, DeCicco’s interactions with other characters, namely Ernest, Dax and Jay, added a fair amount of comedy to the show. His comedic timing was impeccable, bringing a chuckle to some scenes that felt like they ran a little too long. 

Overall, People in a Graveyard Among Others at 3:00 AM was a well-done student production. While certain story elements fell flat in certain places, the bulk of the show spoke to the comedic genius of both the show’s actors and its director. 

Finally, it is important to note that all ticket sales from People in a Graveyard will be donated to Tru Faces, a non-profit organization that works towards raising disability awareness. Specifically, this money will help build their ambassador program whose goal is to build a group of like-minded disability advocates to help in the community. 

In many ways, this is the stand-out element of this project. While theatre is very much about the entertainment of others, it is also about making a difference in the community it exists within. People in a Graveyard Among Others at 3:00 AM undoubtedly achieved this and more. 

For more information about the drama department and active productions at Brock, follow @miwsfpa on Instagram or visit their faculty page at brocku.ca. For more information about Tru Faces, follow them @TruFaces. 

Exciting ways to have fun and stay active at Brock

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Brock University is more than just an academic institution. It is a place that offers students a well-rounded post-secondary experience which includes a variety of programs, facilities and spaces for physical activity and fun recreational use.

Here are some ways that Brock University students can stay physically active on campus.

Intramurals

Intramurals are a fun and engaging way to promote physical well-being, but also social and mental wellness too. Playing on a team with friends and making new ones during a basketball game can be a great way to exercise while having fun.

With a plethora of sports to choose from, intramurals are suited for everyone’s preferences and abilities. There are also unique sport offerings such as inner-tube water polo, Spike ball and beach volleyball among many others. The only question will be which sports to choose from with so many options. Brock Recreation provides a great solution with their Extreme Intramural League, which consists of a different sport each week to satisfy multi-sport enthusiasts.

Registration for the fall leagues runs from Sept. 8th to Sept. 13th for the outdoor leagues, and Sept. 15th to Sept. 20th for the indoor leagues.

The Zone

The Zone is a highly regarded, 15,000-square-foot campus gym that suits all workout preferences regardless of training level. There is an abundance of new gym equipment that targets every muscle group, and an assortment of dumbbells from five to 100 pounds. The Zone will surely provide that optimal muscle burn for those looking for an intense workout.

The second level of The Zone has a variety of cardiovascular equipment, including treadmills, ellipticals, stair masters, upright bikes, recumbent bikes, total body trainers, spin bikes and an indoor rower. For those that want to take it to the next level, there are also spin classes in the Spin Studio where an instructor leads an intense but fulfilling workout.

With flexible that allow students to work around their schedules and classes, The Zone is a perfect place to stay active before, after and in between classes. For newcoming women at Brock, The Zone offers three times a week to promote and encourage physical activity among women in a safe and welcoming environment.

Outdoor Spaces

Brock University is located atop the Niagara Escarpment, surrounded by trees and natural scenery. Within this is the Bruce Trail, which connects Brock University to Niagara Falls and northwest to Tobermory. Going on a hike gives students a calming way to be outdoors and take in all the beauty that the Brock campus has to offer. On a fresh autumn day, there is no better place to be than on the trail with friends, exploring the campus, and watching the blue jays or cardinals fly by.

Beside the trail, located west of the Walker Complex and The Zone, is the Alumni Field and multiple grassy areas that are available for use when there is no varsity game or practice. Whether you’re kicking a ball or playing an intense game with friends for bragging rights, the fields offer Brock students a fun way to be outdoors with friends and stay active.

There are also four tennis courts on campus, two basketball nets, squash courts, an aquatics centre, rowing centre and more. Regardless of preference, Brock University is sure to have the facilities, programs and spaces available to ensure that every student stays physically active during their studies.

A full list of Brock Recreation facilities can be found here.

Three valuable courses that can have a positive impact on students’ future

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Brock University provides students with an array of elective courses to choose from in many different and unique fields of study, many of which are a must-have when it comes to changing your outlook on the world.

Though options are plentiful, it may be daunting to pick just a few as there are so many that are unique. Here are three courses worth picking that are bound to have a positive impact on Brock students’ futures regardless of their field of study.

LABR 1P94, Workplace Rights & Equity

Workplace Rights & Equity is a first-year course in the Labour Studies department that can serve as a half-credit towards the three required context credits.

This course teaches students their fundamental rights as a member of the Canadian workforce by discussing employment standards, labour rights, workplace health and safety, discrimination and human rights protections. Students learn the similarities and differences between different kinds of workers in modern society such as employees, dependent contractors, independent contractors, migrant workers and gig-economy workers. Students also learn where their ideal industry and job may fall among those options.

It is important for students in any field of study to understand that labour laws are universal. Taking this course will provide students with important knowledge on their workplace rights as members of the Canadian workforce, which can have a long-lasting positive impact on their lives.

IASC 2P01, Foundations of Project Management

Foundations of Project Management is a second-year course in the Interactive Arts and Science program.

This course teaches students strategies for planning and implementing project plans by encouraging collaboration and communication among project members. By examining the risks and constraints project managers face in a pressure-filled environment, students will learn various methods to overcome those constraints through the use of project management technology and organizers, such as a Gantt chart.

As a result of the technology and organizers learned, this course is perfect for all students to take as the organization, time management and leadership skills learned in the class can be applied to all careers and lifestyles. Acquiring an enhanced knowledge on these skills and others can propel students into becoming effective managers, leaders, co-ordinators and facilitators in their chosen field.

ENTR 2P51, Entrepreneurship Basics

Entrepreneurship Basics is a second-year course in the Entrepreneurship Studies stream.

This course teaches students the process of turning a plausible idea into a prosperous business. It takes students through each step of the process, such as performing an industry and feasibility analysis, creating a business model and business plan, consulting industry experts, assessing the appropriate legal and ethical concerns and more. The class highlights common mistakes made by entrepreneurs and common obstacles they face, teaching students’ ways to overcome those obstacles without jeopardizing their business.

This course is perfect for students who aspire to start their own business, and for those who envision having a personal side hustle while at Brock University.

The content of this course is also beneficial to the masses, as the same philosophy that surrounds a business can also apply to one’s personal brand within their industry. Learning ways to promote a personal brand and overcome obstacles can be extremely beneficial for students in all fields of study who want to establish and grow their reputation within their desired industry.

Brock University is an excellent institution for students with a variety of interests, since it provides students with the flexibility to take their degree while simultaneously taking other courses that are of interest, and beneficial to them.

Every course’s corresponding date and time offerings can be found here.

Brock University’s best study spots

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Having the right study spot can make all the difference for academic success at Brock. 

Brock University provides a lively academic environment for its student body. Students who are dedicated to academic performance are continuously looking for the best study spaces on campus. There is a study location that suits every student’s preferred learning style, whether they favour calm outdoor settings or lively indoor ones. Here are some of Brock’s top study locations. 

James A. Franklin Library  

For most students looking for a focused study atmosphere, the library is their first stop.  It’s a haven for those seeking knowledge thanks to the huge collection of books, and digital resources. There are a varieaty of study spaces available in the library, including solitary corners, study rooms for groups, and quiet areas. You’ll find a perfect area in this cutting-edge located in Schmon Tower whether you prefer solitary or group study sessions. 

Matheson Learning Commons  

The Matheson Learning Commons is located on the first floor of the James A. Franklin Library and is a great facility created to meet students’ academic needs. It’s a terrific location for students who need access to specialized software or collaborative learning tools because it’s outfitted with the most recent technology and plenty of study spaces. Academic counsellors and peer tutors are also available to those seeking help. 

Isaac’s Bar and Grill 

A lot of students enjoy studying at this campus restaurant. When it’s not busy, Isaac’s provides a calm setting where you can work while having a meal or a cup of coffee. It’s a welcoming place to catch up on readings or work with classmates because of the atmosphere and pleasant lighting. Isaac’s can be found in the Student Alumni Building.  

Rankin Family Pavilion  

The Rankin Family Pavilion is the ideal location if you enjoy studying outside. This pavilion, which is surrounded by Brock’s beautiful vegetation, features picnic tables and outdoor seats. It’s the perfect place to study while taking in some fresh air on nice days, especially if you bring a cushion or blanket for extra comfort. 

Cairns Complex  

Numerous study spaces, including the Cairns Atrium and Thistle Complex, are housed at the Cairns Complex. It accommodates a variety of study preferences with a combination of quiet corners and busy shared areas. Many students like the Cairns Atrium because it is a beautiful location, surrounded by plants, and filled with plenty of natural light. 

Academic Department Lounges 

At the University, many academic departments have created spaces just for their department’s students. These areas promote a strong sense of community and offer a setting that is suitable for concentrated study and networking with classmates who have similar academic interests. 

The Pond Inlet 

A beautiful study spot on campus is the Pond Inlet, which is a part of the Mackenzie- Chown Complex. This peaceful spot offers a lovely view of the campus pond and offers a calm ambience that can aid in concentration and stress reduction during rigorous study periods.  

Guernsey Market:  

Guernsey Market is an optimal choice if you want the ambience of a busy cafe while studying. The market has a variety of food vendors, which fosters a lively environment that some students find to be productive. Guernsey Market is located in Thistle Complex.  

Brock provides an array of study spaces to cater to every student’s unique preference. Whether you strive in a bustling enviroment or seek solitude for deep concentration, you are sure to find the perfect study spot on this lovely campus. Remember to experiement with different locations to see which one works best for you and make the most out of your academic journey at Brock University.  

Here is what to expect from the United Nations’ 78th General Assembly

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From Sept. 5th to Sept. 26th, the United Nations General Assembly (UNGA78) will reconvene for its 78th session. Serving as the primary policy-making organ of the United Nations, the General Assembly will host all 193 UN Member States to discuss matters relevant to global sustainability.

The 78th Session will encompass the General Debate spanning from Sept. 19th to Sept. 26th, where Heads of State reunite to deliver speeches relevant to the priorities of their respective state in accordance with the theme of the debate. 

As stated by the president-elect of the General Assembly, Dennis Francis, the overarching theme of UNGA78 will be “Rebuilding trust and reigniting global solidarity: Accelerating action on the 2030 Agenda and its Sustainable Development Goals towards peace, prosperity, progress and sustainability for all.” 

Simultaneously, various side events and High-level forums will take place as part of the 78th session. These include the Sustainable Development Goals (SDG) Summit, and High-level dialogues in areas of finance, climate action and others. 

From Sept. 18th to 19th, the SDG Summit will convene to review the 2030 Agenda for Sustainable Development, adopted in September 2015 to combat global issues such as climate change, poverty and inequality. Currently at the halftime mark to accomplish the 17 Sustainable Development Goals by 2030, the SDG Summit will strive to review global progress towards the goals while enticing states to recommit to the agenda. 

On Sept. 20th, the UNGA78 will host High-level dialogues on Financing for Development, Pandemic Prevention, Preparedness and Response, and a Climate Ambition Summit. These political forums will be followed on Sept. 21st by a Preparatory Ministerial Meeting for the Summit of the Future, as well as the High-level Meeting on Universal Health Coverage. 

Last, a High-level Meeting on the fight against tuberculosis will occur on Sept. 22nd, making it the second High-level UN meeting discussing tuberculosis. 

All upcoming UNGA meetings will go live on the UN Web TV Website. To hear the upcoming UNGA78 General Debate speeches live, click here. 

In defense of the true crime genre

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True crime content is massively popular across media yet is often met with resistance or judgement. Unfortunately, certain pieces of true crime media such as Dahmer-Monster: The Jeffrey Dahmer Story distort the genre by over-empathizing with the perpetrator.

True crime content is massively popular across media yet is often met with resistance or judgement. Unfortunately, certain pieces of true crime media such as Dahmer-Monster: The Jeffrey Dahmer Story distort the genre by over-empathizing with the perpetrator.

It would be naïve to pretend that all true crime content can produce a positive impact. 

Similarly, I find it equally naïve to disregard the entire genre rather than consuming it responsibly and in a victim-honouring way. 

True crime, at its best, can provide us with a greater sense of awareness about our own society. The genre lends itself to raising awareness of the dangers that we can encounter, or even highlight how efficient—or inefficient our justice system is. 

The origins of true crime 

Originating circa 1550 in Great Britain, the first publications reporting on capital crimes quickly gained popularity among literate people. These publications were typically circulated as pamphlets. Other forms of crime narratives, such as ballads or trial accounts, were also prevalent in the creation of the genre. 

Notably, the tone used in these pamphlets came in a spectrum. While some publications relied on remaining strictly informational, others relied on sensationalizing the criminal’s actions and psyche. Similar to modern true crime content, the lack of a uniform tone throughout the genre remains. 

True crime’s Achilles’ Heel 

True crime content often fails to be meaningful when it is created to become sensational and shocking to audiences. It is impossible to defend pieces of true crime media that display gruesome recounts of murder or violence without caring for revictimizing those affected by it.  

As said by Sarah Stern from The Varsity regarding the entertainment industry and true crime:“It is clear that the entertainment industry has no interest in respecting victims of violence. Instead, the industry cares more about romanticizing violence so that it can line its own pockets.” 

If the public passively allows media companies such as Netflix to produce sensationalized true crime content, the genre will continue to fall flat amongst those who hold higher standards for the content they consume. 

Issues that originate from true crime content, when it is not made considerately, are not to be underestimated. Still, the flaws prevalent in the genre should not prevent one from seeking content that can remain respectful to the victims and their families involved. 

Where true crime shines 

The true crime genre is so distinguishable from other genres of storytelling for its ability to help the audience empathize with unfortunate, yet real life circumstances. Sure, many fictional stories may be able to generate empathy from the audience towards the characters, but never to the degree of true crime. 

The greatest expression of true crime can balance detailed recounting of crimes without stripping victims and their families of their human dignity. Many independent true crime content creators ensure that they have the victims’ families consent before telling their story, while others donate to the victims’ families directly. In doing so, they show the upmost respect for victims, and make an effort to always honour their legacy. 

True crime stories that are told respectfully and without romanticizing or excusing the perpetrator’s behaviour bring awareness to the most heinous injustices in our society.  The genre serves as an avenue to highlight the darkest sides of people, and in many cases the equally heinous negligent behaviour that the justice system often engages in. While tragic and shocking to hear about victims’ lived realities, it should serve to empower the audience to be vigilant of the world around them and to ask more of their justice system for the victims in their own community. 

Many may gravitate towards the genre for morbid human curiosity, but I argue that long-time followers of true crime cases have a greater motivation—to hear the stories of those who have been left voiceless and to demand more from our justice system to prevent others from becoming victims themselves. 

Mitski reimagines the depths of love on her new singles “Heaven” and “Star”

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On Aug. 23rd, alternative pop artist Mitski released two new singles, “Heaven” and “Star” off her upcoming album The Land Is Inhospitable and So Are We. The record, set to be released on Sept. 15th, follows her wish for her music to “shine love long after she’s gone.”

The upcoming 11-track record was created with collaborators familiar and unfamiliar to Mitski’s discography thus far. While the artist produced the record with longtime producer Patrick Hyland, she simultaneously worked with Drew Erickson for the orchestra arrangements in songs such as “Heaven.” Equipped with a 17-person choir and musical influences such as Scott Walker, Mitski’s newest album is set to revolutionize her place in modern indie music. 

While these songs are just reaching Mitski’s audience for the first time now, the singles “Heaven” and “Star” have been in development for several years. As explained by the singer in her “Behind the Songs” YouTube videos, “Heaven” and “Star” were written years before their release, but only now has she been able to find the right production style for the songs.  

“Star” instantly sets itself apart as a unique step in Mitski’s career. The song starts with a mellow tone dominated by Mitski’s voice, and slowly reaches a crescendo as the orchestral arrangements wash over the singing. The production on this track serves not only to create an enriched experience but also as a catalyst for the message Mitski is communicating; Mitski compares love to starlight, regardless of whether the stars have died, the light they shine is worth appreciating.  

In the same way, past loves may still be worth looking back on. The instrumentals included in this track perfectly mirror the significance of the song, making it easier for listeners to immerse themselves in the musical universe that Mitski is creating. in “Star”. 

The sister track “Heaven” takes a more genre-bending approach, ultimately guiding Mitski’s discography in a new direction. The most accurate way to describe “Heaven” is that it somehow mixes a slight country edge with a more atmospheric, orchestral sound. Surprisingly, the production is effortless and inviting despite encompassing a slightly different sound than a usual Mitski joint. 

 According to the artist herself, The Land Is Inhospitable and So Are We is her “most American album” thus far and “Heaven” is a great example of the new direction taken on the album with its genre-shapeshifting alongside a discernable country derivation.  

Intoxicatingly romantic, yet tragic at times, “Heaven” stands out as the kind of song to listen to after a long summer day, or perhaps laying on the grass while contemplating one’s relationship to love and nature.  

“Heaven” and “Star” promise the audience a revolutionary shift to come in The Land Is Inhospitable and So Are We.  

Don’t sleep on these summer 2023 albums

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The following summer albums are some of this year’s strongest releases featuring various genres and an array of styles despite many of them being largely underrated. 

Noname – Sundial 

The Chicago born rapper, poet and activist returns after five years with ferocity on Sundial. With a runtime of half an hour, Sundial packs a swift punch and never overstays its welcome. Noname tackles contemporary themes of political power, gender politics and America’s glorification of its military through the lens of a young black woman living in the America that has been handed to her. On the track “namesake”, she references the Super Bowl Halftime Show and her own experience at Coachella, scolding herself for falling in line with the very systems she criticizes and swearing to herself to do better.  

In all its aggression, however, Sundial still provides a casual enough listen with Noname’s signature jazz-infused hip-hop which would not be out of place in a quaint café.  

Noname straddles an authentic, coming-of-age narrative style as someone asserting their place in the world with a disconnected voice of revolution – the frustrated youth in a frustrating world. As an album, Sundial doesn’t mince its words as it takes the names of everyone, including its own creator. 

Amaarae – Fountain Baby 

Ghanaian artist Amaarae kicked off the summer with her sophomore album Fountain Baby, which is an instant classic of afrobeat music and afrofuturist art. Amaarae’s flirtatious soprano coos glide over the tracks with a continuous element of intimate sensuality. The confident swagger she exudes is irresistible and at times hypnotic; when she wants you to get on your feet and move, you abide by her commands.  

The cleverly written single “Co-Star” is a clever diss-track with an astrology theme. Between horoscope puns and unfiltered criticisms of each sign, the track is self-aware, making it playful in nature. The throbbing Afrobeat drums drives the danceability of this song throughoutwhile being occasionally seasoned with harps and synthesizers to create a unique, joyous summer anthem.  

Genesis Owusu – STRUGGLER 

Ghanaian born Australian artist Genesis Owusu doesn’t succumb to the curse of a “sophomore slump” on his follow-up release STRUGGLER, where Owusu crafts a unique melting pot of genres. The opening track “Leaving The Light” sets the scene of the album with an urgent synth bass beat, aptly fitting the story of the album as Owusu sings from the perspective of a roach running through a mysterious hellscape, unsure of what has him in pursuit, simply referring to it as a “cat”.  

Owusu’s vocal performance is equally as intriguing as STRUGGLER’s production choices, blending a melancholy post-punk sound similar to Molchat Doma with a commanding spoken delivery in the same field as JPEGMAFIA. The blend of these two make for an unexpectedly addicting quality. The rhythm of this album works in the favour of the story it seeks to tell, remaining consistent yet never dull courtesy of Owusu’s eclectic vocal delivery and lyrics.  

STRUGGLER is a release that may be under the mainstream radar, but nevertheless shows an evolving artist with a dedication to the art he creates. 

ANOHNI, Antony and the Johnsons – My Back Was a Bridge for You to Cross 

Returning with her band “Antony and the Johnsons” after 13 years, the British artist ANOHNI releases the heartbreaking experimental rock album My Back Was a Bridge for You to Cross. At the album’s gates, the listener is greeted with an image of queer drag icon, activist and revolutionary Marsha P. Johnson, a name that strikes close to the hearts of queer people, evoking emotions of power, respect and sorrow. 

The opening track “It Must Change” serves as a blanket to the album’s themes of change, fight and heartbreak as one watches in helplessness and acceptance as time’s arrow drives the world into more despairing problems. Throughout the track, ANOHNI reassures the listener through spoken word passages that the world they are born into is their only world. The only way to stop the darkness from swallowing them whole is to keep their flame from going out, as difficult as that may be. My Back Was a Bridge for You to Cross may be a somber listen, but the importance and power behind ANOHNI’s words are not to be overlooked. 

“Barbie” Film Review

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Since teasers for Barbie debuted months prior to its release, the impression of a dazzling, humorous comedy left a strong imprint on predictions about the film. As full-length trailers were released, these predictions were solidified. However, Barbie surprised audiences with a heartfelt reflection on womanhood, what it means to be a human, and to tell your own story. 

Set in the pink plasticity of Barbie Land, Margot Robbie plays the role of stereotypical Barbie, who after a series of unusual events ventures into the real world to repair the relationship with the girl that is playing with her trans-universal doll. 

The vibrancy of Barbie Land is contrasted by the dull, muted shades of the real world.  

Barbie’s journey into the real world represents a loss of innocence in an alternative coming-of-age manner. Realizing the truths of the real world and the prejudices women face turns out not to be the most vibrant and joyous process, which causes Barbie to spiral into dread and shame. The feeling that her identity as a Barbie, a symbol of empowerment among girls and women, has amounted to no change results in the primary question she must face: what was she made for? 

Accompanying Barbie on her journey is Ken, played by Ryan Gosling in a career best supporting performance. Throughout the film, Ken acts as an antagonistic figure who experiences his own transformation alongside Barbie.  

Upon entering the real world, his reaction is in stark contrast to Barbie’s. Feeling empowered by the hyper-chauvinistic experiences of the patriarchal real world, Ken goes on to assert similar power over the Barbie Land, using patriarchy as an unhealthy way of coping with his feeling of inferiority towards the Barbies. 

Ken’s character arc serves as a representation of the boys we grew up with who willingly exploited the system of patriarchy that seeks to elevate them even at the expense of women. Barbie and Ken’s journey back to Barbie Land represents a sort of healing of an inner child, unlearning the notions they previously believed to be true pertaining to how the patriarchy manipulated them. In order to set the record straight and undo their wrongs, they must return to where they began. 

At the end of the film, Barbie is left at a crossroads of where her own story must go. In a conversation with the creator of the dolls, Ruth, Barbie expresses how she doesn’t feel like a doll, and asks for permission to be a human. Ruth states how she does not need permission, and that the power to be the creator of ideas is all in her hands.  

This sentiment is one of the film’s most powerful, as it eliminates the question she was faced with during her crisis. She doesn’t need to know what she was made for; the fact is that she was made, and that she is both the idea and the imaginer. 

Barbie is an amalgamation of many polarizing elements. It’s nostalgic but forward thinking; radiant but dim; camp but impressive; clever but heartfelt. It is a film with an airtight narrative and a complete, satisfying character arc that leaves the audience laughing through tears.  

Films in popular cinema that are successful at straddling these extremely polarized themes are rare, making Barbie an instant classic. 

What’s on at the Film House this month

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For the month of September, The Film House has several independent film screenings scheduled that are geared towards curious Brock students with a passion for independent cinema.

Ticket prices are $9.50 for general admission and membership tickets are $7.50. Memberships can be purchased for $35 and are valid for a year upon purchase. Members of The Film House are granted access to discounted tickets for screenings and events. 

The films being played include: 

Theater Camp (dir. Molly Gordon, Nick Lieberman) 

Screenings: Sept. 12th, 22nd 

This comedy film starring Broadway actor Ben Platt (Dear Evan Hansen) focuses on an ensemble of quirky, unconventional camp counselors as they embark on a mission to keep their beloved theater camp running while their owner is in a coma. 

The Unknown Country (dir. Morissa Maltz) 

Screenings: Sept. 13th, 17th 
After being struck with grief from the loss of her grandmother, the young Tana receives an unexpected invitation to her cousin’s wedding. Tana hits the road on an introspective journey where she is given the chance to reflect on her family and the legacy her grandmother has bestowed upon her. 

Cool Runnings (dir. John Turteltaub) 

Screenings: Sept. 16th 

Every month, The Film House is known to revisit classic films. The sport comedy film Cool Runnings will be played on Saturday, Sept. 16. Four Jamaican bobsledders dream of competing in the Winter Olympics despite never seeing snow. Determined, they seek help from a former champion set to redeem himself. 

This screening is part of The Film House’s ‘Go Team!’ community screening, sponsored by the Niagara Ice Dogs, Welland Jackfish and Niagara River Lions. Community screenings may also feature guest speakers before or after screenings or panels for the audience to ask questions to local community groups associated with a sponsored screening. 

Pee Wee’s Big Adventure (dir. Tim Burton) 

Screenings: Sept. 21st 
Part of their ‘Classics and Cocktails’ event series, the Film House will be showing the slapstick classic Pee Wee’s Big Adventure, where eccentric icon Pee Wee Herman sets out on an adventure to uncover his missing red bike. The screening is intended to honour the life and career of Paul Reubens. 

Additionally, in celebration of Halloween, The Film House will also be hosting their annual screenings of The Rocky Horror Picture Show on Oct. 27th and 28th. Tickets can be purchased from The Film House website

Toronto Blue Jays 2023 Season: A struggle at the plate

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Blue Jays struggles at the plate, concern heading down the stretch

As the 2023 MLB season unfolds, the Toronto Blue Jays find themselves facing an alarming trend – the struggle to generate offense.  

Despite having a roster packed with talent and potential, the Jays have been unable to take full advantage of games against supposedly weaker opponents, as evidenced by their recent encounter with the Colorado Rockies. 

On a Saturday night in Denver, the Blue Jays started strong, racing to a commanding 5-0 lead after just two innings. It appeared that they were poised for an easy win against a Rockies team that has been languishing at the bottom of the NL standings. However, what transpired over the next few innings would leave Jays fans frustrated and concerned. 

Lefty starter Yusei Kikuchi took the mound for the Blue Jays but struggled through 4.2 innings, allowing the Rockies several opportunities to claw their way back into the game. Kikuchi’s performance was far from his best, as he surrendered six hits and six runs (two earned), walking four batters along the way. 

Errors in the field added to Toronto’s woes, with infielder Ernie Clement committing two costly errors that directly led to four unearned runs for the Rockies. It was a stark reminder of how much the team missed their injured All-Star shortstop, Bo Bichette. 

Even reliever Yimi Garcia, who is usually reliable, faltered when he entered the game with runners on base, walking the first batter he faced in the fifth inning. This walk loaded the bases, setting the stage for Brenton Doyle’s bases-clearing triple that gave the Rockies a 7-5 lead. Three walks, all with two outs, proved to be the undoing of the Jays’ comfortable lead. 

In the fourth inning, with the chance to break the game wide open, star slugger Vladimir Guerrero Jr. meekly grounded out into an inning-ending double play. Instead of seizing the opportunity to secure the win, the Blue Jays squandered it. 

The game’s outcome was emblematic of the Blue Jays’ season-long struggles at the plate. Despite the early offensive bright spots, such as Kevin Kiermaier’s 438-foot homer, the team couldn’t maintain their momentum. They issued six walks, unforced errors against an opponent on a five-game losing streak. 

While this one game might not have had a significant impact on their wild-card race, it showcased a recurring issue for the Blue Jays. Good teams don’t open up 5-0 leads on weaker opponents only to relinquish them. The Jays are in a position where they need to make up ground in the standings, and such performances are inexcusable. 

The defeat in Denver was a part of a wild night in the American League wild-card race, with all four contenders experiencing various degrees of craziness in their respective contests. The Yankees managed to hold on for a 5-4 win over the Astros, while the Mariners secured an 8-7 win over the Mets. The Twins scored three runs in the 10th inning to defeat the Rangers 9-7, allowing the Jays to remain 1.5 games behind Texas for the final wild-card spot. 

Despite the defensive lapses and struggles on the mound, the Blue Jays made a late push in the ninth inning. George Springer and Davis Schneider set the stage for a potential comeback, but Guerrero Jr.’s fly ball to shallow center couldn’t bring home the tying run. Ultimately, the Blue Jays fell short in their rally attempt, highlighting their inability to capitalize on scoring opportunities. 

As the 2023 season progresses, the Blue Jays must address their offensive struggles if they hope to make a playoff push. While they possess the talent to compete with the best, their inconsistency at the plate and lapses in key moments have held them back. With the wild-card race heating up, time is running out for the Blue Jays to find their offensive groove and capitalize on winnable games.