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Brock women’s basketball defeat York Lions to open 2025 

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On Wednesday night at the Bob Davis Gymnasium, the energy in the air was electric as the Brock Badgers women’s basketball team opened 2025 with a dominant 69-54 victory over the York Lions.  

From the opening tip-off, it was clear this game would be a battle of defence for who is taking the win home, but the Badgers rose to the occasion and delivered an impressive performance.  

Fifth-year guard Angeline Campbell stole the show, putting on a shooting clinic that had the crowd on their feet. Campbell dropped an incredible 23 points, pulling down 12 rebounds and dishing out five assists in a well-rounded effort. Her highlight of the night? Knocking down seven three-pointers — an achievement that not only strengthened Brock’s offence but also set a new career high for the veteran guard. Each shot seemed to come from further out than the last, and with every swish, the energy from the crowd intensified.  

The Badgers also leaned heavily on the intense play of Madalyn Weinert, who was unstoppable in the paint. Weinert finished the game with a double-double, racking up 24 points, 14 rebounds and five assists. Her third-quarter performance was particularly impressive as she poured in eight points during a crucial stretch that kept York behind. Weinert’s ability to control the boards and attack the basket gave Brock the stability they needed to maintain their lead.  

The first quarter was a defensive grind, with both teams forcing turnovers and struggling to find their rhythm. Brock managed to get ahead 17-9 by the end of the frame thanks to timely buckets despite their defensive efforts at this point being mostly lacklustre.  

By the second quarter, however, the Badgers found their game. Campbell’s pair of deep triples had the crowd on their feet, and the team’s burst of defensive energy translated into fast-break opportunities. Brock went into halftime with a commanding 30-18 lead.  

York came out of the break determined to fight back, and their physical play tested Brock’s composure. But the Badgers didn’t flinch. Behind Weinert’s dominant play and baskets coming from the rest of the team, Brock weathered the Lions’ surge to end the third quarter ahead 50-36.  

The fourth quarter saw Brock firmly in control, answering every York basket with one of their own. The Badgers’ defensive discipline and ability to execute offensively ensured there would be no dramatic comeback. By the final buzzer, the scoreboard read 69-54, and the energy in the gym reflected the team’s dominant performance.  

Statistically, the Badgers outclassed York in nearly every area, shooting 36.7 per cent from the field compared to the Lions’ 27.4 per cent. 

Now, the Badgers look ahead to a matchup on Friday, Jan. 17, at home in the Meridian Center. The game will be streamed live on OUA TV. With the momentum from Wednesday’s victory, the Badgers are ready to make a statement on the road.  

St. Catharines divided on homelessness crisis 

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There is a growing divide among St. Catharines residents as homelessness reaches all new highs across North America. 

As the cold weather intensifies, most Canadians’ biggest concern is scraping off their windshield in the morning, or the frigid walk from their car into work. For the rapidly growing unhoused population in the Niagara region, the start of winter is much more consequential, signifying many more uncomfortable and restless nights outside in the freezing cold. 

On Jan. 1, Mat Sisco, the mayor of St. Catharines, acknowledged that housing issues and homelessness have reached crisis-level highs and that something must change. In an interview with the St. Catharines Standard, Siscoe said that helping those who are suffering is on his list of priorities in 2025. 

In November 2024, Siscoe was included as one of Niagara’s Big Three mayors to support the use of the Notwithstanding Clause (NWC) to remove homeless encampments. At a council meeting on Nov. 4, Mat Siscoe co-signed a letter along with 11 other Ontario mayors that explained their rationale for demanding the Premier override the Charter rights of vulnerable residents and invoke a rarely used legal measure. Welland Mayor Frank Campion indicated in a letter to the Premier that he was requesting the use of the NWC to assist Welland “in finding reasonable and compassionate solutions in addressing the complex legal, social, and public safety concerns and roadblocks.” PelhamToday stated that the clause is essentially “a way for governments to override the rights of their citizens.” 

One unhoused individual told CHCH News that “it’d be basically impossible to move right now, in this weather. There’s nowhere to go. Out here, everyone’s basically ripping each other off — it’s very hard, very hard living. The rent is insane, triple the price it was. Even if you have the money, you can’t get a place because you need good credit.” 

Homelessness in Canada is up 20 per cent since 2018 with the housing crisis pushing many people onto the streets. 

In the letter to the Premier asking for the use of the NWC, Mayor Siscoe said that the large population of unhoused individuals are resulting in “encampments on public land, up against people’s property or adjacent to schools. Whether anyone likes this fact or not, the reality is that encampments tend to have a much higher incidence rate of drug use, of human trafficking, possession of weapons and other illegal activity. We need to be able to prohibit encampments in areas of sensitive use.” 

Executive Director of the St. Catharines Salvation Army Juan Burry pointed out the reason why people desire to remove the homeless encampments: “If there is an encampment, it comes with a whole host of issues (such as) debris, behavioral problems.”  

St. Catharines resident Rob McConnell said to CHCH News, “We’ve found syringes, crack pipes, knives, human feces, used condoms throughout the neighbourhood. There’s prostitution, drug deals going on day and night. The use of drugs in plain view is an everyday occurrence.” 

In an interview with CHCH News, Mat Siscoe insisted that he’s still “pushing Niagara Region because that’s where those dollars are and they’re the ones that make the decisions.” As a lower tier municipality, St. Catharines is not responsible for social services such as housing, shelter and homelessness. 

Reporter Alicia Marshall has spent countless hours offering immediate help such as tents, blankets and food. She states in an article by The Pointer, “I can assure you, our unhoused think the government does not care. Our unhoused have no hope they will be able to access assistance and supportive living conditions. 

There’s no doubt any longer that winter has arrived, and with January’s biting winds comes concern for those without shelter and while supposed sympathy is there, a plan is not.  

What Trudeau’s resignation will mean for Parliament 

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Trudeau’s plan to resign has left Parliament in a prorogation period while the Liberal Party searches for a new leader in advance of this year’s election, which may come as early as this spring. 

On Jan. 6, Prime Minister Justin Trudeau held a news conference in Ottawa to announce his intention to resign as leader of the Liberal Party and Canada’s prime minister. 

Trudeau began his conference by reflecting on the Liberal Party’s accomplishments during their rule of Parliament over the past nine years, referencing efforts to fight for the middle class, support Canadians through the COVID-19 pandemic, work towards reconciliation, strengthen free trade, stand alongside Ukraine, protect the environment from climate change and solidify the economy. 

Trudeau went on to explain that Parliament “has been paralyzed for months,” calling for a new session of Parliament after Canada’s longest session in a minority government.  

With this justification, Governor General Mary Simon approved Trudeau’s decision to begin a prorogation of Parliament until March 24, meaning that Parliament’s current session will be terminated and will essentially remain paused until the new session begins. 

Alongside his decision to prorogue Parliament, Trudeau said that his reflection led him to the conclusion that he “cannot be the one to carry the Liberal standard into the next election” as he promised to resign as both leader of the Liberal Party and Prime Minister once his replacement is chosen. 

During the question portion of the news conference, Trudeau said that another Liberal leader will be “absolutely” capable of succeeding over opposing politician Pierre Poilievre of the Conservative Party of Canada. 

“We need an ambitious, optimistic view of the future, and Pierre Poilievre is not offering that, and I look forward to the fight as progressives across this country stand up for the kind of vision for a better country that Canadians have always carried,” said Trudeau. 

Since Parliament cannot progress while prorogued, the end of March is the earliest an election can be held. Although Canada’s election is not supposed to occur until October, the opposition parties have asserted their respective plans to call for an early election while sharing their thoughts on Trudeau’s decision. 

Poilievre posted a video on social media following Trudeau’s conference alleging that members of the Liberal Party are only attempting to oust Trudeau because “he is no longer popular enough to win an election and keep them in power” and called for an election as soon as possible. 

New Democratic Party leader Jagmeet Singh also shared opinions on Trudeau’s resignation at a news conference following Trudeau’s announcement. Singh said that both Trudeau and Poilievre are threats to Canadians and called Trudeau’s decision to prorogue Parliament “completely wrong.” 

Although the search for a new Liberal leader has just begun, many have begun to speculate about which candidates will run for the title. At the time of writing, economist and former Bank of Canada Governor Mark Carney, Nova Scotia MP Jaime Battiste, Ottawa MP Chandra Arya and Montreal MP Frank Baylis confirmed their intent to run. 

The $350,000 entrance fee and short campaigning time discouraged several other contenders from running, according to CTV News

However, those who do intend to run must declare so by Jan. 23 to provide ample time to campaign before the vote occurs on March 9. 

Trudeau’s full news conference can be found on the CPAC website

Trump’s top priorities approaching his return to presidency 

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With Inauguration Day steadily approaching on Jan. 20, President-elect Donald Trump has discussed his foremost priorities for the first days of his presidency. 

According to Republican senator Markwayne Mullin of Oklahoma, the Trump administration is preparing “almost 100 executive orders” to be signed when Trump returns to office. 

Though Trump has yet to solidify his plans for the first days of his presidency, here are a few issues that he has designated as being his top priorities in addressing as president. 

Immigration 

Ever since Trump was campaigning for the presidential election, he’s said that conducting nationwide mass deportation efforts will be of utmost importance in his next presidential term. 

In an interview with NBC News, Trump said that the administration’s first action when he takes over the White House will be to “do something with the border” that will be “very strong and very powerful,” though he did not exactly specify what will be done. 

Trump alluded that the immigration efforts will be directed toward undocumented immigrants, saying that there are “a lot of people” that should not be in the United States. 

Earlier on in his campaign, Trump also promised to conduct the “largest deportation effort in American history,” solidifying his plans to prioritize undocumented immigration when he returns to presidency. 

Taxes 

In his interview with NBC News, the President-elect said that revisiting the 2017 Tax Cuts & Jobs Act that he pushed forth in his first presidential term is the second paramount priority he plans to take action on when he returns to presidency. 

As several provisions in the act are scheduled to expire in 2025, Trump said that he will extend the act to avoid tax increases that will “anger a lot of people.” Trump also commended the act for providing America with what he views as “one of the greatest economies ever.” 

According to CityNews, the U.S. Treasury’s most recent analysis of the Tax Cuts & Jobs Act provisions under this extension would save “the top 0.1 per cent of earners” $314,000 and would amount to a cumulated $4.2 trillion over nine years. 

Tariffs 

After Trump won the presidential election, he posted on his social media platform Truth Social outlining his plans to impose a 25 per cent tariff on goods entering the U.S. on leading trading partners Canada and Mexico in an attempt to control alleged drug trafficking and undocumented immigration from the two bordering countries.  

Trump also shared another post where he said that China will face an additional 10 per cent tariff on top of any others he chooses to place upon their exports to the U.S., citing similar issues of alleged drug trafficking as the impetus. 

Despite many business analysts warning that the President-elect’s tariff plan will lead to higher consumer prices. Trump said he does not believe consumers feel the impact of tariffs and plans to make them an imminent reality to create “a level, fast but fair playing field” with the country’s trading partners and says they have made “a great economy” for the U.S. in the past. 

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Although Trump has listed a plethora of issues which he aims to combat in his first days returning to office, many of them must have support from Congress before they can materialize into law. Regardless, Trump’s lengthy executive order plans show that the President-elect’s administration is still looking to address these issues as soon as possible. 

The President-elect’s full interview with NBC News can be found on their YouTube channel. 

The Sundays’ “Reading, Writing and Arithmetic” remains an indie-pop classic after 35 years 

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The Sundays’ debut album Reading, Writing and Arithmetic was the band’s most commercially successful work for good reason. 

Released on Jan. 15, 1990, Reading, Writing and Arithmetic quickly asserted that The Sundays were going to leave an impact on the indie-pop sphere. In fact, music critic Ira Robbins said in his review of the record in Rolling Stone that the debuting band deserves “an honoured place” among the female-led pop groups of the late ‘80s to early ‘90s, listing the Cocteau Twins, 10,000 Maniacs and Everything but the Girl as fellow inhibitors of the genre. 

The album was also produced by Ray Shulman, an English musician who was most widely known for producing the work of Björk’s first band The Sugarcubes at the time. His affiliation with The Sundays’ single and debut album helped to draw in pre-existing fans of the genre, but it was the overwhelmingly positive reaction to the album that asserted its generic significance. 

The Sundays’ commercial success began with their single for Reading, Writing and Arithmetic, “Here’s Where the Story Ends.” 

The rhythmic guitar strum that opens the track has come to define The Sundays’ sound — second to Harriet Wheeler’s strong vocals and catchy lyrics. The use of light guitar and soft drums throughout the album pairs with Wheeler’s bright and clear voice to add a folksy touch to the indie pop genre and serves as a point of individuality within The Sundays’ take on the ever-growing genre. 

In an MTV interview with the Sundays’ main duo, who also double as husband and wife, vocalist Harriet Wheeler and guitarist David Gavurin said that their rise to stardom “happened really, really quickly” and was “incredibly lucky” despite their relative indifference toward the fortunes and privileges that come with fame. 

After 35 years, the album’s sudden rise to mainstream attention was replicated once again when the track “You’re Not the Only One I Know” grew increasingly popular on social media. 

Many of The Sundays’ upbeat tracks are best described as epitomizing the feeling when the sun finally shines after days of rain, immediately establishing an optimistic and blissful atmosphere. 

“You’re Not the Only One I Know” is one of these delightful tracks. It is unsurprising that this track can still garner the attention of many despite decades having passed since its release.  

Wheeler’s rhythmic repetition of the iconic lyrics “you’re not the only one that I know / and I’m too proud to talk to you anyway” backlit by soft guitar and drums has become the pillar of The Sundays’ early sound through its rise in social media popularity. 

According to Wheeler, the band approaches their lyrics not as stories but as “memories, if anything,” commenting on the lack of definite themes and messages in their lyrics on this album. 

Gavurin also described their lyrics as “images and impressions […] all bundled together with the music.” 

Using their lyrics for sound rather than outright storytelling allows them to create catchy tracks wherein Wheeler’s voice takes the central focus, not necessarily the lyrical content. 

Other notable tracks on the album are “A Certain Someone” and “My Finest Hour.” The former adds in some piano notes to give the song a more fast-paced feel behind Wheeler’s increasingly intense yet still melodic voice, while the latter epitomizes the jangly indie pop of its era. This is heightened by Gavurin’s quick strumming, bringing a sense of nostalgia to the track while the lyrics iconically embody The Sundays’ sound. 

Reading, Writing and Arithmetic is still an iconic debut after several decades because of The Sundays’ ability to enter the rapidly growing trend of early-‘90s influenced indie pop individualized by their unique folksy sound. 

The intersection of sports and business excellence  

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Athletes are no longer confined to the field — they’re building empires off it. Sports stars are leveraging their discipline and influence to become industry leaders, proving that success in sports can initiate business legacies.  

Michael Jordan — Jordan Brand  

Michael Jordan turned his on-court dominance into a business empire with the creation of Jordan Brand under Nike. What started as a sneaker partnership in 1984 evolved into a standalone global brand producing not just footwear, but apparel and accessories for athletes and fans. The brand generates over $5 billion annually and Jordan earns substantial royalties, making him one of the wealthiest former athletes.  

Venus Williams — EleVen by Venus 

Venus Williams founded EleVen, an activewear brand that focuses on creating stylish, high performance clothing for women. EleVen stands out for its emphasis on empowering women through confidence and self-expression, aligning with Williams’ own values as an athlete and advocate for gender equality.  

Shaquille O’Neal — Multiple Franchises  

Shaquille O’Neal has built a vast business portfolio by investing in franchising. He owns over 150 Five Guys, Krispy Kreme and Papa John’s locations, among other ventures. Shaq’s business moves have turned him into a global entrepreneur with interests across various industries.  

Cristiano Ronaldo — CR7 Brand  

Cristiano Ronaldo’s CR7 brand started with underwear and has grown into a global lifestyle enterprise. The brand now includes clothing, footwear, fragrances and even luxury hotels under the Pestana CR7 chain. Ronaldo’s business ventures capitalize on his global fanbase, blending his image of athleticism and luxury to create a brand synonymous with success.  

Dwyane Wade — Wade Cellars  

Dwyane Wade entered the wine industry with Wade Cellars, which produces high-quality wines from Napa Valley. Wade’s passion for wine led him to collaborate with top vintners to create a brand that merges sophistication with accessibility. His business highlights his ability to leave the sports world and enter an entirely different industry while maintaining his personal authenticity.  

LeBron James — SpringHill Company and more  

LeBron James co-founded SpringHill Company, a media conglomerate that focuses on empowering voices and creating entertaining content. The company, valued at nearly $725 million, has produced successful projects like Space Jam: A New Legacy and The Shop: Uninterrupted. LeBron is also a part-owner of the Boston Red Sox and an investor in Blaze Pizza, a fast-casual restaurant chain that has grown into one of the most successful in its category.  

Wayne Gretzky — Wayne Gretzky Estates  

Wayne Gretzky is the owner of Wayne Gretzky Estates, a winery and distillery located in Niagara-on-the-Lake, Ontario. The estate produces award-winning wines, craft beer and whisky, and blends Gretzky’s passion for quality with his Canadian roots. The business has grown into a landmark destination that offers tasting, tours and events. Beyond winery, Gretzky was a co-owner of the Phoenix Coyotes (now the Arizona Coyotes) and has held partnerships with brands like TD Bank and Rogers Communications to maintain his influence in sports and business.  

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The stories of athletes who transition into successful business moguls reveal a broader truth about the intersection of sports and enterprise: the qualities that drive excellence on the playing field — discipline, resilience and vision — are equally valuable in the boardroom. These individuals demonstrate that athletic success is not the end of a journey but the foundation for building something greater. As they redefine the limits of what an athlete can achieve, these ventures inspire audiences to see sports not just as a career, but as a platform to turn their business passions into something tangible.  

The power of representation in sporting spaces

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Representation in sports is about more than just who takes the field — it’s about creating opportunities so everyone can see people like themselves in spaces where their group has been excluded or underrepresented in the past.  

Representation in sports matters because it challenges deep-rooted inequalities and redefines who belongs in spaces traditionally dominated by one or a few groups. When athletes with diverse racial and cultural backgrounds, with non-traditional gender-roles and with physical-ability impediments succeed on a world stage in sports, it sends a powerful message that talent and determination can overcome the legacy of society obstacles. For marginalized communities, representation provides visibility and validation, proving that their voices, stories and identities have a place in a global arena. It creates a sense of belonging and encourages young people to dream bigger, knowing they can pursue ambitions that once seemed out of reach.  

Beyond individual inspiration, representation also pushes institutions to address systemic inequities. It forces conversations about bias in hiring, broadcasting and leadership roles, ensuring that change doesn’t stop on the playing field.  

A significant example where representation mattered was Simone Manuel’s victory at the 2016 Rio Olympics, where she became the first Black woman to win an individual gold medal in swimming. This achievement carried weight beyond the pool, as it confronted the long-standing racial disparities within the sport. Throughout time, systemic racism, segregation and socioeconomic issues have limited swimming facilities and opportunities for Black communities, contributing to a lack of diversity in competitive swimming.  

Manuel’s win was a memorable moment, both symbolically and practically. Her success challenged entrenched stereotypes about who belongs in the sport and inspired greater visibility for Black athletes in aquatic disciplines. Her achievement encouraged conversations about accessibility and equity in sports, which promoted increased investment in swimming programs for underrepresented communities.  

Simone Manuel has consistently shown the significance of representation through her achievements by addressing the underrepresentation of Black athletes in swimming. In a 2020 interview, she reflected on her journey as a Black woman in the sport, stating, “I think that my journey in the sport of swimming as a Black woman has been one with many trials and tribulations.” 

Manuel has taken proactive steps to promote diversity in the sport: in 2018, she signed a sponsorship deal with TYR Sport, Inc., which included an inclusion rider — a first in professional sports — ensuring that her partnerships extended meaningful opportunities to marginalized communities. Furthermore, in 2023, she launched the Simone Manuel Foundation to provide education and resources around water safety and swim readiness for BIPOC individuals, aiming to increase representation and inclusivity in swimming.  

Representation in sports is crucial because it fosters inclusion at every level of participation. It extends far beyond individual accomplishments — it reconstructs entire systems by addressing who gets to access resources, opportunities and platforms for success. When diverse athletes succeed, they become powerful symbols of possibility for communities who have long been isolated.  

Moreover, representation in sports matters because it fundamentally shapes how society views inclusion, equity and opportunity. It ensures that sports become a space where talent is valued over prejudice, and where participation isn’t determined by privilege. It challenges traditional norms by redefining who belongs in arenas, locker rooms and leadership positions. When the diversity of athletes reflects the diversity of the world, it sends a powerful message about the value of equity in all aspects of life.  

This visibility normalizes diversity and battles biases, creating greater acceptance and understanding across cultures. Representation in sports is not just about celebrating individual achievements — it’s about creating a ripple effect that inspires the next generation, pushes institutions to address inequities and builds a more inclusive and equitable future.  

BUSU BoD rejects referendum that would fund BIPOC and 2SLGBTQIA+ student centres on campus in November meeting 

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In their November meeting, the BUSU Board of Directors (BoD) rejected a PACHRED referendum, altered BUSU’s wellness policy and discussed some of the BUSU executives’ goals for the 2024-25 term. 

BUSU’s BoD had a lot to discuss on Nov. 26 during their nearly three-hour meeting. Here are some highlights from the BoD’s meeting, which you can see for yourself on their YouTube channel

PACHRED Referendum 

Sarah Pierson, an RA for the President’s Advisory Committee on Human Rights, Equity and Decolonization (PACHRED), and Monique Beauregard, the Manager of the Black Student Success Centre (BSSC) at Brock, filled much of the November BoD meeting with their presentation on a proposed student referendum. 

Joined by students Tiffany Muhindi and Clement Chibueze, the presenters explained that their purpose was to increase the funding of programs and services at Brock for Black, Afro-diasporic and 2SLGBTQIA+ students. 

This funding would expand the BSSC and establish a dedicated space for 2SLGBTQIA+ students: the QMUNITY Commons student centre. The referendum question they sought to ask the Brock population was: 

“Do you support a $4.90 per credit fee to support (1) establishing a ‘QMUNITY Commons’ centre for 2SLGBTQIA+ students and (2) increasing the funds for the Black Student Success Centre (BSSC), as outlined in the Memorandum of Understanding?” 

Pierson and Beauregard discussed the academic and professional importance of forming social networks during university, especially for those who face bias and discrimination based on their identity. 

Citing that queer and racialized individuals face increased levels of unemployment, rental discrimination, mental health struggles and suicide, they said Brock must grow in order to meet the present demand of its students. 

They pointed to an environmental scan of comparable Ontario universities which revealed that while Brock is ahead of the curve in providing services for Black students, the standard is relatively low and still leaves plenty of room for improvement to decrease the gaps between services for racialized and non-racialized students. 

The same scans also showed that Brock is behind the curve in providing services for queer and trans students, with no dedicated space for these individuals even if a few services are available through the Student Justice Centre (SJC), like free chest binders and breast formers, and Brock Pride, a student club offering programs and events. 

They cited “Brock’s institutional report on queer and trans students’ wellbeing and experiences on campus from 2019” — which isn’t readily accessible online — to confound this information, explaining that trans, queer and racialized students are predisposed to severe mental distress and therefore need specialized formal support services in a dedicated space. 

Muhindi, a peer assistant at the BSSC and an international student, helped explain what exactly the BSSC does for students by highlighting mentorship programs, tailored academic support services, career development opportunities, peer support and culturally informed counselling specifically catered to the needs of Black and Afro-diasporic students at Brock. 

Chibueze, a Senor Career Navigator at the CareerZone and Co-President of the Black Students’ Association (BLSA), provided some perspectives from students about the importance of the BSSC, focusing on the fact that everyone who utilizes its services has different experiences and perspectives, meaning the BSSC can always grow and improve to meet shifting demands. 

In terms of precise details, the presenters explained that the nearly $400,000 of yearly funding would help expand the BSSC’s previous services and establish the QMUNITY Commons and its associated supports for queer and trans students. Both budgets allotted significant portions — $112,436 from the BSSC and $59,424 from the QMUNITY Commons — for student employment. 

Pierson cited numerous global events as reasons for the necessity of these additional supports. These included: the international student caps in Canada producing uncertainty among international students; the 1 Million March 4 Children in Canada targeting trans and non-binary children; the Canadian public education sector targeting access to gender education in the classroom; and Trump’s presidential victory following a campaign built on transphobia, xenophobia, homophobia and racism. 

The BUSU BoD had a few questions regarding how services from these organizations differ from those already provided by Brock and BUSU, like the Food First program or Brock’s mental health services, which are ranked first in the country. Pierson and Beauregard said that their goal was not to replace any services but improve them, especially considering that BIPOC and 2SLGBTQIA+ students often require specialized, culturally relevant supports that are not already offered, like personal hygiene products, cultural food or counselling with people who know their struggles on a personal level. 

Board Chair Brielle Kaminsky wondered if they’d approached Brock for funding before BUSU; Beauregard said that the BSSC does receive funding from Brock, but this funding only covers so much. An example given by Beauregard showed that the BSSC was able to curate 60 care packages for students throughout the entire school year, but the BLSA alone has somewhere between 500 and 600 members. They just can’t meet the demands of students from Brock funding alone. 

The presenters left the meeting after answering some concluding questions, and the BoD deliberated in an in-camera session that lasted from 8:20 p.m. to 8:57 p.m. 

Due to the private nature of the BoD’s discussion, there’s no way of knowing why, but they ultimately denied the motion to send the request to a referendum in February with zero votes for, eight votes against and one abstention. 

For now, then, the BSSC will continue to operate as it had before and the QMUNITY Commons space will not be established. 

Wellness Policy 

BUSU’s Director of Governance and Advocacy, Kayleigh Rossetto, explained that the proposed changes to BUSU’s Full-Time Staff & Executive Wellness Spending Account Policy were minor. 

A benefit given to staff to help contribute to staff wellness, physical and mental health, the Wellness Policy was originally set at $400 annually per staff member — this being a fund additional to the standard student coverage — in 2017, and Rossetto explained that the proposed change to $500 was to account for inflation. 

The other significant change would reduce student executives’ funds from $1000 to $500 to promote equality among full-time staff members. 

Drop-in fees would be added to the list of eligible expenses under this change, a list that includes fitness centre memberships, personal trainers, exercise equipment like treadmills and weight machines, protective equipment like hockey pads and boxing gloves, vitamins and more. 

There were other minor changes to the policy to represent shifts in the process by which staff members could claim these funds, and after they were all explained, the motion went to a vote, which passed unanimously. 

Goals and Reports 

BUSU President Anusha Pahuja then answered questions about the Executive Goals report that was distributed among board members before the meeting. 

Her first planned goal aimed to help the Student Justice Centre (SJC) with the proposed student centre referendum, but since that motion failed, Pahuja skipped past it in the report. Other goals included: working with Brock’s Office of the Student Ombuds to increase student engagement; working with Brock’s Student Exchange program to increase student engagement; creating a resource bank to aid the process of club funding; conducting a “trending event” to increase student engagement with BUSU; preparing training sessions to help clubs maximize their budgets; and partnering with Niagara College to advocate on shared issue, among other goals that were not visible in the posted video. 

The BoD had a question regarding BUSU’s involvement in the Ombuds program, which BUSU General Manager Robert Hilson answered was given up by a previous cohort of the board, and a concern about the $55 fee associated with Brock’s exchange program, which Pahuja said she could tackle as part of the goal to increase engagement. 

Kaminsky inquired as to why this report had not been presented to the BoD earlier in the year, to which there were a few reasons including BUSU VPEA Mark Chrabalowski’s trip to Ghana in the summer and the variability of the executive team at the beginning of the term, but which a new accountability policy would prevent from happening next year. 

Following a brief, six-minute session in camera, Hilson gave his monthly report. 

Highlights of his report included an update on the new student space, which will cost an estimated $40.5 million and may begin construction in the summer; news of an agreement with Niagara Region Transit until 2028 with student fees increasing by 2.5 per cent each year; an update on Rossetto’s replacement in January when she goes on maternity leave; and an explicit reminder that The Brock Press had not yet posted their budget, audited financial statements, by-laws and meeting minutes on their website — most of which, save the by-laws which are in the process of revision first, have since been uploaded

The BoD had questions about the parking situation at Brock, in which there will be no free parking in the winter term and paid parking in the summer. Vice-Chair Charlie Martin suggested that BUSU should share this info with the student population, but Rossetto countered that posting about something out of their control only prompts a flooding of comments asking why that decision was made when it wasn’t BUSU’s decision — BUSU has accordingly not posted about the parking situation on their Instagram or News feed. 

There were some overlapping conversations about The Brock Press regarding its uploaded documents and BUSU’s concerns about its structure and operation. Rossetto mentioned a proposal she’d made with BUSU’s legal representative, but the board ultimately tabled any further discussions for their December meeting. 

After this, President Pahuja gave her report, which included updates about Brock’s launching of the Strategic Plan and International Strategic Plan, her meeting with Brock about the Food First program, and a reminder of BUSU’s new IG Lives and Office Hours at Isaac’s to enhance student engagement. 

Kaminsky mentioned her concern with the wording of VPUA Carleigh Charlton’s report, in which they said they were “not given the opportunity” to attend the OER Conference in person; she wanted to reiterate that while funding was not provided to Charlton for the conference, the opportunity to attend using their own funds was never relinquished. Board member Mohiz Imtiaz echoed these concerns, and Kaminsky asked Pahuja to discuss the matter further with Charlton. 

The lengthy meeting was adjourned at 9:55 p.m. with the promise of a full agenda for the upcoming meeting in December. 

Coldplay’s debut album “Parachutes” turns 25 this year 

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Coldplay’s third album Parachutes turns 25 years old this year.  

Released on July 10, 2000, Parachutes is the debut album of the now internationally renowned British rock band Coldplay. While the album didn’t constitute an entirely successful break into the music scene in North America, it quickly reached number one in the U.K. and has reached Platinum nine times since its release.  

In celebration of Parachutes’ 25th anniversary, let’s look back at three of my favourite songs from the album.  

“Sparks” 

“Sparks” quietly entwines with the sonic cohesiveness displayed in the record’s first three tracks, further developing the thematic kinship that Parachutes anthologizes in its 10-song run.  

As a whisht, ambling acoustic guitar line euphoniously unfurls, “Sparks” yawns to life. The smoky thrumming of an electric bass quietly becomes the mainstay of the song and its intonation a staple atmospheric instrumentation on the rest of the album. As “Sparks” reaches the end of its first verse, the perfect way Martin’s sonorous baritone complements the track’s tonal assonance is indisputable, rising and falling in waves of rich, decadent vocalization.  

The delicate twinkling of an ascending piano scale characterizes the track’s chorus, building harmonic tension as it climbs higher and higher. Yet, just when the scale is about to reach a perfect melodic crescendo, it falls off, dropping back to the initial note that began the ascension. By abandoning the completion of the musical phrase, the listener is left desperately yearning for resolution and begging for melodic closure. This need isn’t satiated until the end of the track’s final chorus when the progression finally reaches its highest note, resolving the incomplete melodic phrase and bringing the song to a satisfying conclusion.  

“Trouble” 

“Trouble,” the album’s sixth track, is a good example of songwriting that successfully mediates the inherent power struggle that can exist between robust instrumentation and vociferous vocalization in an intensely emotional song.  

A soulful, lamenting piano melody opens the song, its scarcely varying repetition veiled behind the resonant and full-bodied orchestration that suffuses the rest of the track. Its haunting, plaintive nature, while soft in the beginning, continuously builds as “Trouble” progresses, laying the foundation for the hypnotic, sonic atmosphere that characterizes the entirety of the song.  

By the end of the first chorus, uncomfortable moments of harmonic dissonance intertwine apprehensively with Martin’s melancholic vocals, croaking and cracked from pleading. These moments, while discordant and unharmonious, cohesively resonate with the emotional struggle presented in Martin’s narrative lyrics to pull the whole of “Trouble” together in a beautifully devastating bow.  

“Yellow” 

While “Sparks” and “Trouble” expertly exhibit the comprehensive tone of the record, it is only “Yellow,” the album’s hit single and arguably one of the band’s best songs, that can truly make sense of the ingenuity that wrought Parachutes.  

Although one may be fooled by the first few bars of the track, “Yellow” does not exist in the same melancholic, hushed microcosm that much of the rest of the album inhabits. Within moments of the song beginning, a detonation of musical mayhem shatters any preconceived notions developed during the album’s first three tracks, sending “Yellow” skyrocketing into a brand-new universe of sonic extremity.  

While moments of Parachutes’ quintessential stillness can still be identified in the track’s main verses, they are interspersed between cosmic explosions of musical innovation that send the listener on a wild goose chase of emotion. Punctuating these moments is a rough and raring electric guitar riff, thick with uncontrollable fervor and rich with unpolished intensity.  

As Martin sings of profound, unbridled love, the growling ferocity of the guitar line echoes his meaning back to him. In all of its chaos and quiet, “Yellow” is a perfect representation of the reality of romantic intimacy.  

Love is rash. Love is chaotic. Love is uncomfortable. Love is loud and quiet and angry and beautiful. Love is everything all at once.  

This is the story Parachutes is trying to tell and “Yellow,” in all its complexities, understands the profound intricacy of this message so acutely that it could never have been anything but a timeless hit. 

Everything you need to know about Twenty One Pilots’ Clancy  

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Click here to read the first part of this series, which focuses on the lore associated with Twenty One Pilots’ album “Trench.” Click here to read the second part of this series, which focuses on the lore associated with the album Scaled and Icy. Click here to read the third part of the series, which focuses on the lore associated with the “Overcompensate” music video.  

Twenty One Pilots are known for the in-depth lore attached to their albums. Here is everything you need to know about the lore associated with their most recent album, Clancy.  

Following the conclusion of the “Overcompensate” music video, Clancy, the album’s namesake and the story’s main protagonist, has arrived back on the shores of Trench after his treacherous journey across the Paladin Strait. Prior to this, Clancy and the Torchbearer had been stranded on the island of Voldsøy following the events of the “Saturday” music video, but by the time we are reunited with them in the “Navigating” music video, they are ready to set off on their journey to Dema.  

The journey across Trench is long and treacherous, but Clancy faces it alongside a few Banditos who met him on the shore and the Torchbearer — or so he thought. Along the way, he meets the real Torchbearer, who explains that the version of him that had been stranded on Voldsøy was simply a projection who was meant to guide Clancy back to Dema. The real Torchbearer had been gathering a large group of Banditos back in Trench the entire time, preparing for the fight they had ahead of them. 

In the “Paladin Strait” music video, after Clancy sharpens his Ned antlers — turning them into weapons — and dons his mask, stole and red tape, he and the Banditos start to make their way back to Dema to fight. Meanwhile, the bishops seize control of vultures using their powers of psychokinesis, allowing them to possess the bodies of the birds and see out of their eyes to gather intel on Clancy and the Banditos. The bishops are now aware of their plan and inevitable arrival in Dema.  

The Bishops (not including Nico), perform a massive psychokinesis ritual, possessing all the bodies of the Glorious Gone and forcing them to rise from their neon gravestones to create an army of zombies to fight against the rebels. Once the Banditos arrive in Dema, they begin to fight against the zombie army while Clancy sneaks into the city to locate the Bishops. He climbs their tower and finds them all there (minus Nico), and he quickly defeats them using his Ned antlers. As the bishops are defeated, the zombies fighting the Banditos outside the walls of the city all collapse, their minds no longer controlled. It is then that Nico, who has been suspiciously absent for much of this, appears and grabs Clancy by the neck, lifting him into the air.  

Arguably, Clancy has been one of Twenty One Pilots’ best-received albums and due to its heavy lore content, it has satiated much of the fans’ curiosity about the story of Clancy. Still, the lore is ongoing. As the Clancy World Tour progressed, the character of Clancy made several appearances and a recent release called “The Line,” from the official soundtrack of the second season of the show Arcane, seems to include Clancy content. Still, no official music video has been released so there is no way to know for sure where the story will go next.  

This article series is an ongoing in-depth look at the lore associated with the band Twenty One Pilots. To remain updated on this series, stay tuned to The Brock Press. 

The Top Ten Albums of 2024 

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Last year saw the release of numerous stellar albums. Of the many I listened to, here is my list of the top ten best of 2024. 

Honourable Mentions 

Cindy Lee – Diamond Jubilee 

St. Vincent – All Born Screaming 

Hurray for the Riff Raff – The Past is Still Alive 

Clairo – Charm 

Nala Sinephro – Endlessness 

Laura Marling – Patterns in Repeat 

Kali Uchis – Orquídeas 

JPEGMAFIA – I Lay Down My Life For You 

Nilüfer Yanya – My Method Actor 

Kim Gordon – The Collective  

10. Julia Holter – Something in the Room She Moves 

L.A. musician and composer Julia Holter is a master of musical worldbuilding. You could select any two albums from her discography, and they would each have their own distinct production style, lyrical choices and general structure. No two albums of hers feel the same, yet they all possess a similar otherworldly beauty.  

Her latest release Something in the Room She Moves is no exception to this and is perhaps her most experimental release to date. Holter interweaves ambient tones with chamber pop and occasional choir vocals to craft an abstract but notably grounded album. The longer songs specifically allow the listener to fully soak in the sonic landscape she crafts, using an array of instruments to simulate an alien environment bursting with life. Flutes and electronic percussion on “Sun Girl” and the title track act as bird-like calls, creating a chorus of meticulously produced sounds. Even more traditional “pop” songs — by this album’s standards — like “Spinning,” use these uniquely crafted soundscapes in place of conventional instrumentation, further proving that with this record, Holter delivered one of 2024’s most unique art pop albums. 

9. Adrianne Lenker – Bright Future 

Known for her work as the lead vocalist and songwriter of Big Thief along with her solo projects, Adrianne Lenker has come to establish herself as one of the finest songwriters of her generation. Her rich emotional intelligence channels through her songwriting, making her songs complex and precise to specific events in life.  

Her newest album Bright Future is a meditation on the human relationship with permanence and change. She quietly introduces this on the aching, cathartic opening track “Real House,” addressing how fragile security and mortality is. For a lot of people, the anticipation of grief lingers over their heads more than the steps of dealing with grief itself. The sheer thought of having to process grief after an upsetting event can induce long-lasting feelings of anxiety.  

The sinking, clammy anticipation before a scary movie; the thought of seeing your parents cry; imagining the pain of a breakup even if you’re in a loving relationship; the thought of dying young. These reflections create a powerful foundation for the songs to come.  

Lenker further nails this home with the following track “Sadness as a Gift,” one of her finest demonstrations of songwriting across her entire career. In the verses, she compares the coming and goings of relationships as changing seasons, each time thinking the current one will last before it inevitably ends.  

Although there is the risk of heartbreak in every relationship, Lenker embraces this potential sadness as a way to deepen her understanding of her partner and others at large. Bright Future is a project brimming with emotional catharsis and powerful flexes of songwriting, further adding to Lenker’s respectable track record as a songwriter. 

8. Allie X – Girl With No Face 

The ‘80s-synth-pop revival trend that emerged at the start of the 2020s has grown stale and in the past year, the trend seemed to fizzle out and lose traction altogether. Canadian musician Allie X may be late to the party with her latest album Girl With No Face, but this release couldn’t be a more outstanding exception from the watered-down sound now inherent to the trend.  

Allie ignites life into the sleepy synth-pop revival sound, giving it a new face with this record. The lyrics are for the most part very blunt, save for more abstract cuts like the title track and “Galina.” There is a gritty analog quality to the production of these tracks that makes this approach to synth-pop more exciting and memorable, distinguishing Girl With No Face from the majority of throwback synth-pop songs produced this decade. 

7. Beth Gibbons – Lives Outgrown 

U.K. trip-hop group Portishead’s frontwoman, Beth Gibbons, marked a triumphant return to music with her debut solo album Lives Outgrown. Although well-established as the most iconic voice of the trip-hop genre, Gibbons enters new territory on this LP by dabbling in folk, chamber-pop, and a generally more acoustic sound palette.  

The album’s first single “Floating On A Moment” introduces the project’s themes of time and mortality. The song grants emotional release between its verses and choruses, but is produced in a way that always feels like it’s building up to something, translating the feeling of uncertainty Gibbons dwells on regarding where life is headed. Gibbons’ voice is timeless and instantly recognizable for those familiar with her work in Portishead, but perhaps this project only further proves her point.  

Distances between points in time — in the past, present and the future — are often closer than we may feel they are at a given moment. Lives Outgrown is a lush soundtrack for ruminating on how far we’ve come and where we’re going from here: a reminder that life is shorter than we tend to believe, but something we can exert agency over during our time alive. 

6. Vampire Weekend – Only God Was Above Us 

The indie darlings of the insufferable fedora-wearing, millennial-hipster era return with a glorious reflection on their personal mythos: Vampire Weekend’s Only God Was Above Us unfolds like a scrapbook, cataloguing the band’s personal journey from their early days until now. Although some may be exhausted by their constant use of nostalgia in both lyrics and melodies throughout this project, it’s never left half-baked. This is an album that can only exist after years of a band’s career, but it also camouflages into the various eras it references.  

Emerging from the band’s personal reflections comes the ability for the listener to reflect on their own past, and the narrative they choose to build for themselves. Vampire Weekend uses this album to grapple with generational conflicts both interpersonal and with others.  

The breathtaking centrepiece track “Mary Boone” addresses younger generations entering the world of adulthood, hungry to make a name for themselves and succeed. Still, it does not ignore the problems of previous generations who risked losing themselves in the pursuit of success. Only God Was Above Us reflects on whether these repeating occurrences are inevitable in this world or if by some miracle we can make a difference, ultimately resulting in one of Vampire Weekend’s finest albums. 

5. Beyoncé – Cowboy Carter 

Structurally, Cowboy Carter is arguably the music industry titan’s strangest project to date, shapeshifting from genre to genre across its sprawling 27-track runtime. Cowboy Carter is Beyoncé’s odyssey of the American genre, deconstructing limited, politically charged norms of understanding music.  

The grandiose opener “Ameriican Requiem” acts as her assertion into the playing field of country music, calling back to her history with Western culture — being born and raised in Houston, Texas. It’s a track with an immense thematic scope that blankets the entire album, and the perfect mirror to more sentimental, personal tracks like “16 Carriages,” a coming-of-age ballad that sheds light on the loss of innocence in growing up, marking the moment we realize the responsibility required to make it in the world.Of course, a criticism to the album could inquire why Beyoncé — being as untouchable and monolithic in pop-culture as she is — feels the need to address this conflict within country music altogether.  

The answer is simple: Why not?  

A Beyoncé country album is a ridiculously camp thought: just the idea of it generates the conversations she seeks to open up with Cowboy Carter. By using her power to provoke this, Beyoncé helps create space for future artists looking to enter any genre they may feel unwelcome in. 

4. Geordie Greep – The New Sound 

The U.K. artist’s first solo project following his work in rock band Black Midi is an exhilarating amalgam of progressive rock, jazz and Latin music.  

The New Sound is rather literal in its title. For Greep, this is a spiritual sonic successor to his work in Black Midi coming off the band’s last record Hellfire. The sound of this album being airy, free and at times busier than Hellfire. As per Greep’s lyrical work in Black Midi, The New Sound also features a variety of characters whose viewpoints are explored throughout the lyrics. What distinguishes these songs from Hellfire’s is their ability to completely musically change alongside the development of their characters.  

The third track, “Holy, Holy,” introduces the prideful image of a womanizer introducing himself to someone at a bar. The arrogant narrator pulls his latest conquest through his numerous accolades and seductive endeavours, fully convinced that he’s winning her over despite how comical his social ineptitude is. Having lured her in, he guides her to the bathroom to reveal in secrecy that he wishes to pay her to tell other women about how attractive he is to uphold his image and fantasy. Even worse, his confessions imply this is not the first case of this happening. A similar narrative is explored towards the album’s tail-end on the track “As If Waltz,” where we’re introduced to a burgeoning narcissist with the desire to fall in love with a sex worker, fantasizing about “saving” her before expressing his desire to control her further. 

One thing’s for certain: The New Sound may be lyrically dense, but it’s never dull. Greep exudes charisma and enthusiasm in his performances as some of the sleaziest, most pathetic characters imaginable. It’s not music you listen to for inspiration in the traditional sense, but it’s unapologetic and hilarious.  

What can you say? That’s entertainment. 

3. Jessica Pratt – Here in the Pitch 

The shortest album on this list by runtime is also one of the most quietly powerful and immersive ones. L.A. singer-songwriter Jessica Pratt paints hazy memories of idyllic, imagined periods of time in Here in the Pitch. This is orchestrated by her precise control over the album’s tone through lyrical and production choices.  

The third track, “World On a String,” is one of the album’s stronger cuts, drenched in nostalgia. Subtle musical elements of the track dictate its carefully crafted ode to ‘60s folk music, a sonic feast that intentionally feels slightly removed from the reality of the memories it borrows from, adding to Pratt’s meticulous musical web. Soft snare drum hits sneak into the mix of the final track “The Last Year,” offering just enough emotional release for listeners to feel catharsis in Pratt’s hopeful cooing of “I think it’s gonna be fine / I think we’re gonna be together / and the storyline goes forever.” Nonetheless, she restrains herself from providing complete release, as doing so would be a false promise. Pratt lets her voice and the accompanying music drift into the pitch-black night she’s seemingly materialized out of, leaving us with the sentiment that hoping is perhaps more blissful and gratifying than knowing. 

2. Magdalena Bay – Imaginal Disk 

While Allie X delivered a brilliant throwback synth-pop record, pop duo Magdalena Bay have always been oriented towards a hyperreal future. Their sophomore album, Imaginal Disk, differs from their usual ballpark by incorporating progressive rock sounds into their usual synth-pop style.  

The payout of this experimentation is an extraordinary album with an odyssey-esque storyline. Each song is full of unique character and serves the tracks around it, interweaving the narrative between them. Unpacking the full storyline now would be a disservice to the unforgettable listening experience the album provides, but generally speaking, Imaginal Disk is an allusion to metamorphosis.  

The album is a sonic journey with an extraordinary, gripping narrative interwoven between the songs. The duo outdoes themselves on these tracks, from the thumping synths and lore-heavy lyrics of “Image” to the triumphant, glam-rock sound of “Death & Romance.” By the end, the journey feels complete with one of the most satisfying closing tracks of the year. No idea is forgotten or left underdeveloped; it’s a project made with immense love and care deserving of far more appreciation in mainstream spaces. 

 
1. Charli XCX – BRAT 

BRAT has all the grandeur of an artist’s magnum opus, synthesizing the musical ideas Charli XCX has become known for throughout her various releases in the 2010s.  

It’s an album that couldn’t be done by anyone but Charli, whose knack for being ahead of the curb has garnered her critical acclaim and a loyal following but has also always kept her one foot outside the mainstream. The album is a complete outpouring of the conflicting emotions surrounding pop stardom that, between the tireless club anthems, is strikingly relatable. Charli may want to maintain her pop-star status, but that doesn’t mean her public image has to be entirely untouchable. BRAT is the manifesto of the people’s princess: a messy underdog we can’t help but root for. 

All this is to say that BRAT carries with it more far-reaching insights into the cultural landscape of current day, where the rapid accessibility of informationnaturally leads to ceaseless emotional fluctuation. In the middle of this stands BRAT, shamelessly contributing to the chaos while weeding out some of the excess fat and digging to the meat of these confusing feelings. It’s an instant classic in the age of brain-rot humour and fading subcultural references, working with the sticky hooks required to make an off-kilter hit these days instead of avoiding them.  

BRAT is a slick image of pop music’s potential, but also a reminder of Charli’s irreplaceability as an artist who has cemented herself among the pioneers of modern music. 

Badgers men’s basketball begin new year with thumping of Lions 

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The Brock Badgers men’s basketball team started 2025 strong with a massive 71-37 home triumph against the York Lions on Jan. 8 to win their fifth consecutive game and record their largest margin of victory this season. 

Second-year guard Davanté Hackett scored a game-high 17 points and five three-pointers, as rookie Ben Herbert contributed with a career-high 12 points and four threes while drawing four charges on the defensive end. 

Brock’s defence was the story of the first half, limiting York to only three field goals made on 18 attempts (16.67 per cent) and an appalling zero-for-11 from beyond the arc in the opening quarter. 

At the other end, the Badgers made nine field goals on offence which included three threes, as a 10-0 run by Brock midway through the frame gave the home side the early 21-7 lead after the first quarter. 

In the second, the Badgers continued to excel on both ends of the court, limiting the Lions to only two points in the quarter while managing to score 14 points to go up 35-9 entering halftime. 

With momentum in Brock’s favour, the Badgers started the second half as the first one ended, scoring 10 field goals and six three-pointers in the quarter — the highest of any quarter in the game in both categories. 

Nils Gesmann got the party started with a floating layup before the threes started raining down. Hackett scored a trio of triples, Herbert nailed a pair and Anthony Heyes added one as the Badgers scored 26 points on an efficient 45.5 per cent shooting to expand their lucrative lead. 

With Brock up 61-18 entering the fourth and the game out of reach, the Lions began finding their shooting stroke, but it was too little, too late. 

York closed the game outscoring the Badgers 19-10 in the final quarter, but Brock’s sizeable advantage kept them victorious to win their fifth straight home game against the Lions at the Bob Davis Gymnasium. 

The Badgers finished the contest shooting 34.1 per cent from the field (28-82) compared to the Lions woeful 21.3 shooting percentage (13-61), while winning the three-point category with 13 makes (32.5 per cent) versus York’s two (8.3 per cent). 

Brock also got contributions up and down the lineup, receiving strong production from their bench with 50 bench points as the Badgers scored 12 second-chance points, 24 points in the paint and 12 points off 14 York turnovers to seal the victory. 

The next home game for the Badgers is the annual Paint the Meridian Red showdown against rival McMaster Marauders at the Meridian Centre on Jan. 17. Tip off for the women’s game is at 6 p.m. with the men’s battle following at 8 p.m. 

Tickets can be bought at ticketmaster.ca. 

Can’t make it to the game? Follow The Brock Press for postgame recap and analysis. 

NFL MVP Race: Allen, Jackson highlight star-studded field 

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With the conclusion of another electrifying NFL regular season comes another hostile debate: Who deserves to be named the league’s regular season Most Valuable Player (MVP) for their play over the last 18 weeks of football? 

There’s plenty of star power to choose from and many storylines to highlight, but there can only be one winner. 

Here are my top five MVP favourites of the 2024 regular season. 

5. Jared Goff, Quarterback (Detroit Lions) 

After an impressive performance in the season finale on Jan. 5, which secured their second-straight NFC North title and the coveted number one seed in the NFC with a 31-9 statement win over the Minnesota Vikings, Jared Goff solidified himself as an MVP candidate by leading the Detroit Lions to an impressive 15-2 record. 

As one of only two teams in the league to win 15 games this season, Detroit’s stellar offence led by Goff in the backfield ranked among the league’s best offences in 2024. The Lions’ offence finished first in points per game (33.2) and total touchdowns (70) as well as second in yards per game (409.5), while Goff ranked second amongst quarterbacks in passing yards (4,629), completion percentage (72.4 per cent) and passer rating (111.8) as well as fourth in passing touchdowns (37). 

Goff has also shown a knack for living up to the big moments, including six 300-plus passing yard games this season — tied for the second-most this season — highlighted by a 494-yard, five touchdown performance in a potential Super Bowl preview versus the Bills in week 15. 

While the 30-year-old’s play has been inspirational for a team destined to make their first Super Bowl appearance ever, Goff is likely a longshot to win the award, underlining the gap between himself and the other quarterbacks on this list. 

4. Saquon Barkley, Running Back (Philadelphia Eagles) 

2,000 rushing yards — that’s the mark that Saquon Barkley achieved this season to become only the ninth running back in the history of the NFL to reach that milestone and the first since Derrick Henry in 2020. 

With 2,005 rushing yards in 2024 to go along with 278 yards in the air, Philadelphia’s gamble in signing the veteran free agent has significantly paid off after the Giants refused to pay the 27-year-old in the offseason. 

Now, New York wishes they re-signed Barkley, who clipped 176 rushing yards in a return to MetLife Stadium — one of his league-leading 11 games this season where he surpassed 100 rushing yards in a game — as the former Penn State back led the league with 125.3 rushing yards per game. 

Barkley’s season-high 302 scrimmage yards in a win against the Los Angeles Rams was the most scrimmage yards in a game by any back or receiver this season, which helped the Eagles claim the NFC East division title. 

In any other year, Barkley would deserve to be higher on this list and possibly win the award for the historic season he’s had, but the players ahead have had even more stellar seasons in their own regard. 

3. Joe Burrow, Quarterback (Cincinnati Bengals) 

It wasn’t long ago that the Bengals were 4-8 and halfway to Puerta Vallarta for the offseason, but Joe Burrow, destined to lead his team to the playoffs, rallied five consecutive wins to close the season. 

The Bengals ultimately missed the postseason after the Broncos defeated the Chiefs in week 18, but despite the heartbreaking end to the season, Burrow had one of the most sensational seasons by a quarterback in the 21st century. He led the NFL in passing yards (4,918) and passing touchdowns (43) — recording the eighth most passing touchdowns in a season since 2000.  

He also recorded a league-high seven 300-plus passing yard games, including 412 yards in a 39-completion, four-total-touchdown performance in the penultimate game of the season against Denver to show his aptitude for playing up to the occasion in the big moments. 

His stellar quarterback play led the Cincy offence to tally the sixth most points per game this season (27.8), making them the only team that missed the playoffs to crack the top 11 in that category.  

Had the Bengals qualified for the playoffs, the narrative of leading a mediocre team into the playoffs would’ve been in Burrow’s favour as he likely would’ve leapfrogged into the top spot. But since MVP voters place a lot of stock into the end-of-season standings, a 9-8 football team that missed the playoffs doesn’t scream MVP winner despite the individual statistics Burrow has to back him up. 

2. Lamar Jackson, Quarterback (Baltimore Ravens) 

Lamar showed this year that he isn’t a one-trick pony by showcasing his passing abilities, which complement his highlight-reel speed and shiftiness that allows him to dance around opponents. 

The two-time MVP led the Baltimore Ravens to their second straight AFC North title, passing the Pittsburgh Steelers who had commanding control of the top spot for much of the season.  

In their late-season matchup against the Steelers in week 16, which gave Baltimore control of the division, Jackson threw three of his career-high 41 touchdowns on the season, ranking second to only Burrow in that category. 

The Louisville product also hit career highs with 4,172 passing yards (sixth in the NFL), 245.4 passing yards per game (11th in the NFL) and 316 completions (15th in the NFL), significantly outperforming his MVP-winning statistics from a season ago. 

Although Jackson’s statistics should excite the number gurus, one thing that is against him winning his second consecutive MVP is voter fatigue, where voters seemingly shy away from giving a player the same award in two straight seasons. Since 2000, there have only been three instances of players winning back-to-back MVP awards — Aaron Rodgers in 2020 and 2021, and Peyton Manning in 2003 and 2004 as well as 2008 and 2009 — but Jackson hopes to be the fourth back-to-back winner of the century. 

1. Josh Allen, Quarterback (Buffalo Bills) 

While the four guys ahead of Josh Allen have better statistics than the Buffalo quarterback, the Bills’ star has been finding success without the offensive weapons that the other quarterbacks have. 

After losing Stefon Diggs and Gabe Davis in the offseason, the Bills’ leaders in receiving yards and receptions from last season, Allen continued and even elevated his play this year without any Pro Bowl backs or receivers at his disposal. 

Allen finished the 2024 campaign with the fourth-most total touchdowns (41) and the most rushing touchdowns amongst quarterbacks (12), while getting sacked the second fewest times (63) and throwing the fourth fewest interceptions (6) this season. 

The 28-year-old also led the Bills to beat both number-one seeds, the Kansas City Chiefs and Detroit Lions, by scoring a combined 78 points in those two games as Buffalo averaged the second most points per game with 30.9. 

He also added to his bag of tricks this year, throwing a passing touchdown to himself to become the first quarterback in NFL history with a passing, rushing and receiving touchdown in the same game, defeating last season’s Super Bowl runner-up 49ers in the process. 

Their 35-10 thumping of San Francisco on Dec. 1 clinched the Bills’ fifth-straight AFC East title and may have solidified Allen as the MVP winner for the 2024 season. 

The MVP award will be announced at the NFL Honors on Feb. 6, ahead of the Super Bowl on Feb. 9. 

For more information on the NFL, visit nfl.com. 

24 Ontario colleges give strike notice 

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The Ontario Public Service Employees Union (OPSEU) gave a strike notice for 24 Ontario colleges. 

On Jan. 3, the union OPSEU gave a five-day strike notice for 24 Ontario colleges including Niagara College, York University’s collegesSeneca, Algonquin and Humber College. College faculty are most concerned with workload, a topic the union has been trying to address for years. 

The union requested a no-board report from the ministry of labour last month, kick-starting a 16-off period which ended on Jan. 4. 

OPSEU is currently in the negotiation stage with the College Employment Council (CEC), but it does not seem that things will be resolved quickly. Former president of OPSEU and Laurentian University professor David Fasciano pointed out in a CTV News Report that “the way faculty workloads are assigned was determined in the 80s.” More than 40 years old, these workloads do not take into consideration technology like the computer, internet, video calls, online courses or other online preparation. 

In an email to CTV News, the College Employment Council CEO Graham Lloyd said the union’s demands ignore financial realities like low enrolment, government policy changes and higher costs. 

OPSEU’s list of requests includes a 25 per cent reduction in teaching times for professors and instructors. This would mean an average of less than 9 hours per week of class time according to College Employer Council. In a post on X, OPSEU shared that a 2021 auditor general’s report found that Ontario colleges had become dependent on international student tuition. They add that the government has “starved this sector for years.” 

On Jan. 7 OPSEU posted an update: “Ontario’s colleges will narrowly avoid a strike this term: faculty signed a MOA today with significant benefit gains, particularly for their 75 per cent precarious membership, and has agreed to resolve outstanding items in med-arb. 

The strike has been averted for the time being, and students are relieved. OPSEU’s message in their last post claims that Doug Ford is the root cause of the problem, and that he’s “gambling away Ontario’s future.” 

You can find the full list of colleges in the OPSEU here. 

Editorial: DOGE and the economic aristocracy of the Trump administration 

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Elon Musk’s advisory commission to President Trump, DOGE, wears a mask of populism to legitimize what can only be described as economic aristocracy.   

If you have the displeasure of following Elon Musk’s account on X, the social media site he acquired in 2022, then you’ve certainly seen him repost video clips of neoclassical economics and contemporary conservatism darlings Milton Friedman and Thomas Sowell with his own praising captions over whatever they are pontificating about.  

It’s quite often the case that these Musk-endorsed clips see the two late public intellectuals spouting some neoconservative cultural or economic theory. It’s well documented that both Friedman and Sowell have serious flaws in their arguments for free-market principles, so much so that going through examples of these intellectuals’ theoretical misgivings here seems redundant.  

Thinking about why Musk finds these thinkers’ ideas to be true is, however, an important endeavour in untangling the psychological complex that the multiple-company CEO possesses seeing as he has saddled up to the MAGA movement and Trump as a key advisor to the U.S. executive branch. 

DOGE (Department of Government Efficiency), which Elon Musk is heading alongside former presidential election runner-up Vivek Ramaswamy (who made his fortune on a miracle drug scheme for dementia medication), has as its raison d’être the exact kind of approach to politics that would come from uncritically assuming the arguments in favour of unfettered capitalism from Friedman and Sowell are correct: that the government should be as lean and non-interventionist in market interactions as possible so that the free market can work its magic. But the free market in this conception  — as not only the best method for producing and distributing goods and services, but as a social Darwinist sorting mechanism — is separating out as it were the rational, worthy and valuable against their counterparts.  

This kind of thinking has at its heart the metaphor of the invisible hand from the 18th century pioneering economist Adam Smith, who famously said that market interactions by self-interested individuals lead to the best outcomes for society despite no formal planning of the incentives of the system being involved.  

Sound a bit like wishful thinking? If so, one only needs to look to a phenomenon like the 2008 financial crisis to see that largely unregulated self-interested financial actors (bankers, investors, etc.) will screw over the whole of society for short-term gains before regular folks figure out that the invisible hand theory is fanatical.  

And yet this flawed thinking is what Musk and Ramaswamy — two unelected bureaucrats who now have advisory positions over the most powerful person in the world — think is true and plan to implement in policy. Concretely, what this ideology means, as the DOGE leaders and Trump have made clear, is deregulating, restructuring and lobbing off entirely essential government agencies like the Consumer Financial Protection Bureau, which protect millions of Americans from predatory business practices and provide basic welfare. 

But I’m not going to litigate these policy proposals one at a time here (they’re disastrous). What I find fascinating is trying to get at the heart of Ramaswamy and Musk’s views of themselves and Republicans’ views of them and DOGE.  

In essence, these billionaires see themselves as aristocrats — able, in their minds, through sheer economic power to implement a massive overhaul to the entirety of the U.S. government simply by virtue of their fortunes.  

The not-so-subtle subtext of Musk’s endorsement-tweeting of various Friedman and Sowell speaking tapes alongside his ascension to lead Trump advisor is that if one takes the basic political-economic principle held by Friedman and Sowell — that the market uninterrupted is a smooth-functioning social-sorting machine that rewards rational and productive actors — then Musk clearly views himself and his billions as being a reflection of his superior rationality and worth as a human being. No doubt Musk is an intelligent man in specific domains in engineering, but to argue that his every dollar of net worth is somehow meritocratically justified — a perfect reflection of his status to society — is absurd for a number of reasons.  

First, much of Musk’s net worth is locked up in speculation; his investor appeal is strong as he is notorious for overselling the capabilities of his products and company ambitions. Recently, Musk even predicted we’ll have a million people settled on Mars by 2050 (his Mars predictions have always been spotty, but they do attract investors to SpaceX).  

A more important flaw with this asinine belief is that it underplays how the actual labourers at Musk’s multiple companies are integral to the success of his various companies at a monetary level; without them, there would be no products to procure profit in the first place.  

Mind you, Musk’s two major companies SpaceX and Tesla both have high-profile scandals revealing serious workplace abuse, and he himself seems to see most of his workers as disposable peasants he can lord over. A neoliberal politico-cultural landscape such as ours which reifies the idea of the genius individual who triumphs over the mediocre masses to make a name for themselves probably doesn’t really help with Musk’s obvious superiority complex over the workers at his companies. However, even with this cultural bias in the coverage of Musk in the corporate Western media, one has to seriously have a problem if they can look at Musk’s fortune and the brutal scandals of worker abuse that have cropped up under his governance and think he’s that socially valuable.  

Of course, it’s not hard to see why Musk feels himself to be legitimate in heading a committee like DOGE. The real curiosity arises in all the Americans on the political right who don’t seem to be concerned about this clear infringement of basic democratic governance.  

The important question, then, is: How does an enlightened 21st century population not revolt at the very idea of economic juggernauts like Musk waltzing their way into highly powerful government-influencing positions without some form of election?  

Part of the answer, no doubt, is that the Democrats’ continual selling out of the working class has made many in the U.S. upset and lose faith in the power of accountable democratic governance.  

This same dynamic was largely why Trump won in 2016 as well. If there’s anything regular people hate more than being exploited by elites, it’s when those same elites claim to be progressive heavyweights, as if acting in the footsteps of MLK Jr. while, in especially recent times, continuing the status quo and ceding territory to right-wing framing on key issues like the border; this was the vice sin of the failed Kamala Harris campaign.  

But another part of the answer to this question goes to something not so new: capitalism’s inherent drive to instability, chiefly in terms of wealth and income inequality, has not been reckoned with in the U.S. or the global public consciousness, largely due to the elites’ continued efforts to distort this truth. 

The result of such a lack of fully cognizing our economic system’s failure to deliver prosperous and equal lives on a sustainable earth is that social mythologies predicated on repression and ignorance which serve the few winners of such a disastrous system cover over this failure, and the right eat up this ideology far easier.  

Seeing as the Republican party is the party of big business, these social mythologies are ever-more explicitly held and acted on by Republicans as a self-preservation propaganda tool for the party’s business elite.  

For Republicans, capitalism works. And for MAGA specifically, the only issues that arise from capitalism are when Democrats interfere with it, or it’s co-opted by Democrats through “wokeness.”  

To return to the question I posed earlier, we can now attempt a more precise answer: Musk is not viewed, by himself or by his fellow Republicans, as an arbitrarily drawn aristocrat, but as what I am inclined to call an economic aristocrat that gains his legitimacy to rule not through the ballot but through a vague populist appeal and economic domination.  

If this sounds paradoxical, that’s because it is.  

Populism is, after all, a political tactic which seeks to appeal to ordinary people who feel dominated by ivory tower elites; how on earth, then, could the CEO worth hundreds of billions of dollars not also be such an elite who has nothing in common with a population where 60 per cent of its citizens live paycheque to paycheque?  

Frankly, he’s not — but Musk is viewed by Republicans as trustable sheerly through the technocratic credentials that his economic domination over American society affords him. In fact, he’s trusted so much that for Republicans, he’s worthy of circumventing a clear conflict-of-interest position in advising a sitting president while having the business stakes he does in the same economy he can now influence from the executive branch.  

This is, again, because Republicans lick the boot of America’s business elites and come to believe the economic system they exist in is fair, and that any economic shortcomings they’ve felt are the result of corrupt and woke Democrat elites.  

While many have been quick to throw around the term fascist to describe DOGE, I wouldn’t go there quite yet, but it certainly is fascistic. The eschewing with democracy and allying the highest level of government with the power of business elites by an executive who has proven he has little care for the proper procedures of a functioning democracy, as the Jan. 6 riots he provoked demonstrated, should evoke the F-word from even careful commentators of the current U.S. political landscape.  

Elon Musk is now undeniably a modern aristocrat, but instead of some pretense to a royal line of descent like in the feudal age, modern aristocrats like Musk gain their governmental power through the face of faux-populism and the wealth they accrue through technologiceconomic exploitation and domination.  

I saw a meme recently online that did a side-by-side of Elon Musk holding his son at a press conference (something he is quite fond of doing in front of the press) next to a shot from the 2007 character-study drama There Will Be Blood, a film which follows the life of the ruthless and misanthropic oil baron Daniel Plainview. The shot from the film in the meme is of Plainview holding his (illegitimate) son at a business meeting which he does cynically throughout the film to seem like an ordinary man to potential business partners. The caption of the meme sardonically reads: “How are you guys falling for this.” This might seem silly to take seriously, but after a little chuckle I realized it’s an utterly apt comparison.  

Now — and I’m only half-joking — we have four years to see what a person with a Daniel Plainview-like complex will do as advisor to the president of the most powerful country on earth.  

Hollywood has a live-action movie problem 

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How far will studios go to cash out on live-action adaptations of classic, animated films? 

In November of last year, Universal Pictures announced a live-action adaptation of the 2010 animated fantasy film How to Train Your Dragon. For a fanbase as loyal to its source material as How to Train Your Dragon, a collective, negative-leaning question mark seemed to appear over the heads of everyone who heard the news. 

Over the past decade or so, there has been a trend in larger studios adapting classic animated films. The chief perpetrator being Disney, whose adaptations include The Little Mermaid, The Lion King, The Jungle Book, Mulan, Aladdin, Beauty and the Beast and many more. 

Sure, maybe the decision to adapt How to Train Your Dragon film to live action could be justified if doing so would include features not achieved by animation. However, several shots in the trailer, most noticeably Hiccup’s first encounter with Toothless, are replicated shot-by-shot to the original, with Toothless’ animated model looking essentially identical. 

The live-action adaptation formula was novel during its inception, but at its core, it is an easy, reliable money-making tactic for studios. No matter how many people choose to boycott live-action films on principle, the general love for classic films will almost always be a sure-fire path to box office success. The live-action adaptations of Beauty and the Beast, Aladdin and The Lion King all surpassed a billion dollars in revenue at the box office. With numbers like that, it’s wholly unsurprising that Disney and other studios choose to rely on the live action formula. 

Essentially, the re-production of animated films is no different than re-releasing the original films to studios in an attempt to garner more money. With the initial audience of these older films largely grown up, studios are able to attract new audiences by releasing the same film with the slight difference of live action versus animation. Perhaps a reason studios do this is because typically cartoons are seen as “for kids” and a more realistic approach to movies will therefore attract teenagers and older crowds to their movies.  

An interesting experiment moving forward would be to release an entirely 2D-animated film akin to the Disney’s beloved classics. The sheer novelty of doing so may grant them popular success and acclaim, but by the looks of the current pedestrian state of affairs, the chances of that happening are slim, especially before Disney adapts other, newer animated films. If a How to Train Your Dragon adaptation wasn’t already close enough to its original film for DreamWorks, Disney plans to release a live-action version of 2016’s Moana in 2026, which received a sequel just last month. 

All this aside, How to Train Your Dragon is still a beloved story that many hold dear in their hearts as fundamental to their childhood, so a live-action adaptation isn’t the most egregious occurrence in the world compared to others alongside it. That said, the shift towards adapting more modern, 3D-animated films which younger generations grew up with is a strategy that may soon lose steam among more loyal fans of these films and even the general public. Still, as long as studios continue to dominate the box office, it may be wise to board the shutters and brace for another wave of Frozen merchandise following a potential live action adaptation down the road. 

Robert Eggers crafts a stylish adaptation of “Nosferatu” 

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Score: 4/5 

“Does evil come from within us or from beyond?” Robert Eggers’ Nosferatu asks with all the gothic horror immersion needed to portray such a question on the big screen effectively.  

How capable are we of committing atrocities? Do we have it in us to do such a thing, or are we pushed to do so by the environments of our world?  

When filmmaker and widely acclaimed horror auteur Robert Eggers announced he was working on a rendition of the classic vampire story Nosferatu, it sparked immediate life into the horror community. For many, Eggers has established himself as a reliable but exciting director with a distinct style and eye for the craft of filmmaking. After years of waiting, Eggers finally released the film on Christmas of last year. 

Originally a silent film and illegal adaptation of Bram Stoker’s gothic horror novel Dracula, Nosferatu tells the story of Ellen Hutter, a young woman haunted by the shadowy Count Orlok, a lustful vampire. After emigrating from his home in Transylvania and acquiring an estate nearby, Ellen’s connection to the count grows stronger, resulting in devastating consequences to the world around her. 

With three acclaimed, beloved films under his belt (The Northman, The Lighthouse and The Witch), Eggers is guaranteed a loyal fanbase, but adapting a story as prolific and well known as Nosferatu was never an easy task. Furthermore, Dracula, the source material, has already been adapted numerous times in cinema. 

Despite these daunting odds, Eggers crafted an exquisite, sleek rendition of the tale that feels equally dedicated to honouring the story’s history as it is to introducing a fresh take on it.  

The film’s tone is matched by its dim lighting. Scenes are often lit solely by the dim glow of candlelight, shrouding spaces in darkness. This choice is simple, but greatly helps with immersion, and is a strategy Eggers has used in his other films. The film also uses backlighting to create silhouettes and a pale-blue, unsaturated tint to scenes, creating a black-and-white effect that pays homage to the original 1922 silent film. 

A notable characteristic across Eggers’ filmography is his consistent, unwavering control over mood and atmosphere. Each film incorporates camerawork, lighting and direction in ways that serve the needs of each respective story. Nosferatu is no exception, being perhaps his most stylish film to date with some of 2024’s most visually stunning shots. The synergy of style and expertly shot scenes shines right from the film’s first act when Ellen’s husband Thomas, played by Nicholas Hoult, embarks on a foreboding journey to Count Orlok’s home, a gothic castle tucked away in the shadowy, jagged peaks of Transylvania’s mountains. 

Throughout many cultures, vampires have long been associated with eroticism. The act of surrendering oneself and one’s blood — a source of life — to an inhuman being is a thought both exciting and terrifying. It is a symbol of forbidden desire shunned by societal norms. In many modern vampiric tales, the vampire is depicted as incredibly humanoid, removing some of the fear and monstrosity associated with these creatures. 

Eggers’ rendition of Count Orlok, played by Bill Skarsgärd, dismantles all associations with conventionally attractive appearances of vampires brought about by stories like Twilight. Here, the vampire is something to fear: a monstrous undead beast with an appetite for blood whose sole purpose is to absorb the life energy of humanity. He is more physically imposing and commanding of space than previous iterations, such as the 1922 version. Unlike Count Dracula and other renditions of vampires in fiction, a bite from the Nosferatu does not grant victims a chance at undead life. He is a predator in the food chain with the intent to kill and feed. 

Lily-Rose Depp literally puts her whole body into an impressive, physically demanding performance as Ellen. Like all good possession-horror performances, she contorts, writhes and utters inhumane noises, but in quieter moments, she manages to control how much she wishes to reveal about her character’s troubled emotional core. 

Perhaps a greater sickness than the plague the Nosferatu brings to humanity is the all-consuming sexual shame that devours Ellen following her initial encounter with the count. Not even a loving husband or devoted friends can free her from it, her connection to the Nosferatu is the only catharsis she is granted for feeling this shame in day-to-day pleasant society. 

A Nosferatu is a loathsome, possessive beast that torments her as much as he gives her the freedom to feel this shame. He is a monstrous destroyer of innocence that ultimately recognizes Ellen’s desire, symbolizing the demonization of sexual deviance in a world guided by the condemnation of sin. Count Orlok may consume blood to satiate his physical desires, but Ellen’s shame is his lifeline to her. He hungers for her, feeding off her shame in hopes that she will surrender herself to him. 

This reintroduces the initial question: is Count Orlok, the Nosferatu, a supernatural entity conjured by Ellen’s own internal nature or something beyond her very being that caused her to feel this way? The answer is never clear-cut.  

Orlok is both a manifestation of evil and Ellen’s shadow: a reminder of the shadows slithering within all of us, the desires and curiosities we crave to fulfil. Perhaps we satisfy these desires by engaging with art, analyzing and dissecting stories of violence, horror and suffering. We are expected to remind ourselves that these stories are fictitious, thus removing us from a degree of accountability for engaging with them. But in doing so, are we merely controlling what naturally lurks inside us?  

Nosferatu asks us if we have the courage to confront our capacity for darkness and the hidden parts of ourselves the world may deem abhorrent. Perhaps doing so may be the only antidote to combat far more tangible evil lurking in the peripheries of our world. 

Athletes that are about to change the game in 2025 

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As the sports world evolves, new wave athletes will redefine the industry across a variety of athletics. 2025 is shaping up to be a year of fresh talent and game-changing performances. This article dives into the names you need to know — rising athletes, their impressive records and their potentially lasting impacts on their respective sports.  

Elias Osei — Basketball (Ghana) 

Elias Osei has already built an impressive record in Ghana’s national development league, where he’s been dominating both ends of the court. In the 2024 season, he averaged 22 points, 11 rebounds and 4 blocks per game, leading his team to the league finals. Osei also set a league record with a 35-point, 15-rebound performance in that single game, demonstrating his ability to take over under pressure. Defensively, he’s consistently led the league in blocks and defensive rebounds, earning him recognition as one of the league’s top defensive players. Known for his dominant presence on the court, he’s already caught the attention of NCAA scouts and is poised to join a top U.S. college program in 2025.  

Malaika Johnson — Track and Field (USA) 

Malaika Johnson has quickly established herself as one of the most impressive young talents in track and field. At just 20 years old, she’s already making her mark. In 2024,. Johnson clocked 10.83 seconds in the 100m and 21.89 seconds in the 200m, making her the fastest U20 sprinter in U.S. history. She dominated at the U.S. championships, winning gold in both events, and anchoring her team to a record-breaking relay performance. Johnson’s explosive starts and top-end speeds have drawn comparisons to current sprinting legends, and she’s expected to make a major impact at the Paris World Championships in 2025. With her sights set on Olympic gold, Johnson is a name to remember in the coming years.  

Ahmed Khalil — Soccer (Canada)  

Ahmed Khalil is emerging as one of Canada’s brightest soccer prospects. The 18-year-old midfielder has been making news in the Canadian Premier League with his exceptional vision and ability to control the tempo of the game. In the 2024 season, Khalil recorded 10 assists and 7 goals, earning him the league’s Young Player of the Year award. His standout performances have been consistently recognized, with several European clubs expressing interest in signing him. Known for a tactical awareness beyond his years, Khalil is poised to become a key figure in the Canadian national team setup as they prepare for the 2026 World Cup.  

Zoe Carter — Ice Hockey (USA)  

Zoe Carter is quickly becoming a household name in women’s ice hockey. At just 20 years old, the skilled forward has been a standout in the NCAA, where she led her team with 28 goals and 35 assists in the 2024 season, earning her a spot on the All-American team. Known for her exceptional puck control, Carter has already drawn comparisons to some of the greatest players in the sport. Her leadership on and off the ice has made her a rising star, and she’s expected to make an immediate impact when she transitions to professional hockey. With her sight set on representing Team USA in international competitions, Carter is one to watch in 2025.  

Olivia Park — Tennis (South Korea) 

Olivia Park is a rising star in the world of tennis, already making a name for herself at just 18 years old. Known for her aggressive baseline play. Park has climbed the WTA rankings rapidly, reaching the top 100 in 2024 after impressive performances in major tournaments. Her breakout moment came at the 2024 US Open, where she advanced to the fourth round, defeating two top-20 players along the way. Park’s ability to stay composed under pressure has earned her a reputation as a fierce competitor. As she gears up for her 2025 season, many are predicting she will break into the top 50 and establish herself as a consistent force on the tour.  
 
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As the sports industry enters 2025, these stars are poised to leave their mark on their fields. These athletes embody the future of sports, so keep an eye on their journeys — they’re not just making headlines;, they’re creating the stories that will define the years ahead.  

Stories of LGBTQ+ athletes excelling today 

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LGBTQ+ athletes are making significant strides in sports, proving that authenticity and excellency can go hand in hand. In an industry historically hesitant to embrace diversity, their courage to live openly is reshaping the cultural landscape of sports and creating an atmosphere for a more equitable future. These stories shed light on LGBTQ+ athletes who excel in their fields while promoting change and developing a greater inclusivity in sports worldwide  

Brittney Griner  

Brittney Griner is one of the most dominant centres in WNBA history, having earned eight All-Star selections, two Defensive Player of the Year awards, and a WNBA championship with the Phoenix Mercury. Griner came out as gay in 2013, just before being selected as the No. 1 overall pick in the WNBA Draft. At a time when LGBTQ+ representation in professional sports was still rare, her decision to live openly was courageous. Griner faced criticism and discrimination but used her platform to advocate for LGBTQ+ rights, becoming a role model for athletes who aspire to live authentically. Her advocacy gained even greater significance following her 2022 detainment in Russia. While imprisoned for nearly 10 months, Griner’s identity as a Black, gay woman in an international spotlight underscored the challenges faced by marginalized groups. Her eventual release, secured through diplomatic efforts, gained global conversations about equality and justice.  

Jason Collins  

Jason Collins made history in 2013 when he became the first openly gay active player in one of the major North American men’s professional sports leagues. His announcement in a personal essay published by Sports Illustrated was a memorable moment. At the time, Collins was a 12-year NBA veteran, known for his role as a dependable teammate. Collins’ decision to come out was met with a wave of support from fellow players, coaches and public figures, including former President Barack Obama. His courage broke a long-standing silence surrounding LGBTQ+ representation in men’s professional sports. Beyond his historic announcement, Collins has become a prominent advocate for LGBTQ+ rights. He has worked with organizations like the Human Rights Campaign to promote equality and inclusion and continues to mentor young athletes navigating their identities.  

Quinn  

Quinn is the first openly nonbinary and transgender athlete to win an Olympic gold medal. A key member of Canada’s national soccer team, they played an instrumental role in their team’s victory at the Tokyo 2020 Olympics, where Canada defeated Sweden in a dramatic penalty shootout during the final. Coming out publicly as nonbinary in 2020 was a moment that brought visibility to transgender athletes in professional sports. Despite the challenges of navigating a highly gendered industry, Quinn has remained steadfast in advocating for inclusivity and representation. On the field, Quinn is celebrated for their exceptional midfield control, as they have consistently been a crucial part of Canada’s success on the international headline, bringing leadership to every game. Off the field, Quinn is a vocal advocate for policy changes that promote equality in sports, including fair treatment of transgender athletes. Their courage and authenticity have inspired many individuals while demonstrating understanding and acceptance in the sports world. 

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These athletes exemplify the powerful intersection of authenticity and athletic excellence proving that representation matters in sports. By living openly and advocating for inclusivity, they don’t just reshape their own legacies but also challenge outdated norms. Their achievements remind us that progress in sports isn’t just about what happens on the field but also about creating spaces where everyone feels comfortable enough to excel.  

Brock students should look beyond the Campus Store to save money on textbooks 

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Textbooks are necessary for most university courses but getting them from the Campus Store can break your bank account. Here’s how to get the most out of your textbooks by looking past the standard avenues. 

With the winter term beginning, new classes have released their course materials on the Brock Campus Store website. While these textbooks are often required, they can be quite expensive for struggling students, especially after the holidays. With hundreds of dollars to spend on books on top of tuition, some students may be tempted to forego their textbooks and tackle their courses without them. 

This, however, is a poor alternative, as having access to textbooks is often integral to student success. Luckily, there are other ways to get your textbooks without spending exorbitant amounts of money. 

First and foremost, the cheapest and best way to get textbooks is through the Brock University Library, which costs exactly nothing. The Brock Library has a large selection of books often used in courses, and if it doesn’t have what you’re looking for, you can request a copy from university libraries across the country. Better yet, the loan period for these books is often an entire term, meaning you don’t have to worry about returning the books before you’re done with them or renewing them too often. 

The scope of the library system Brock students can access is staggering, and it’s a waste not to utilize it to offset the cost of your textbooks. The St. Catharines Public Library is less likely to have everything you need, but it is another free, local service worth checking out for course materials if you’re okay with shorter loan periods. 

If you’d rather own your textbooks, there are many options to buy them besides the Campus Store, especially if you don’t mind getting them second-hand. Of course, the Campus Store offers used books which can be more cost-efficient, but there are other ways that can be even less of a financial burden. 

The Book Outlet, an online-only bookstore that used to have a physical location in St. Catharines, doesn’t sell second-hand books, but they do sell books at a major discount. Their selection is limited, so they might not have what you want, but the search function is simple and books there are often 50 per cent less than sale price or cheaper, so it’s definitely worth looking, especially for novels. 

If you have friends in your program, it is always worth asking them if they’ve taken the class. Whether they want to give, loan, or sell their textbooks to you, this is a great way to get course materials. Plus, then you can talk to them about the class to get pointers about the professor and the material. The only way to know is to ask. 

Similarly, you can search on second-hand websites like Facebook Marketplace or Kijiji. Many Brock students are already in St. Catharines, so it makes sense that there’s a bountiful market of textbooks for students, sold by students. Second-hand stores like Value Village can have what you want by this same method of reasoning, but it’s less likely. I’ve gotten lucky though, so you might too. 

Second-hand bookstores like The Write Bookshop in downtown St. Catharines might have what you’re looking for, but you’ll have to do a lot of searching and you may very well strike out. The prices are worth it though. 

Don’t get me wrong, the Campus Store is incredibly convenient — they get you everything you need in one neat little cardboard box — but you pay for that convenience, even if that just means paying the standard price. Even big chains like Indigo sometimes offer sales on the books you need if you look hard enough, and when you’re trying to find discounted books, any savings are good savings. The Campus Store doesn’t have sales on books unless your professor has negotiated something directly with a publisher, which doesn’t happen terribly often. It’s just a matter of carefully considering your options and choosing what’s best for you. 

It’s usually better to have the exact version of a textbook as the one on your course list, especially when there are different editions or versions of that book. Different printings of the same content are less of an issue, but different page numbers may trip you up. Some professors are stricter about this, so be sure to check your syllabus, but to me, saving money is more important than nitty-gritty details. Saving money is worth a bit of hassle, and if your professor is strict about a specific edition for use in papers, you can always borrow a classmate’s copy for citations — this is easier if you have friends in your class, but that just goes to show how important it is to make connections! 

I like to keep a copy of my textbooks, especially ones in my major, but usually they are never opened again, collecting dust on my shelves or tucked beneath my bed. This is where selling your used textbooks comes into the picture, placing you on the opposite end of any second-hand resources I’ve already mentioned. 

You could sell your textbooks to a friend, put them online, or turn them into a used bookstore and get cash or credit toward your winter term books — The Write Bookshop does this, and you’re likely to find other places that do, too. 

The Campus Store has a buyback program, but it is quite useless, only handy if you’re looking to get rid of your old textbooks. You can get a quote for your books on their website, but it is only going to be a fraction of what you paid for it. For example, I bought a book last term for roughly $30, but my quoted return is only estimated at $1.50. At that point, I might as well donate it. While more expensive books will likely yield higher return prices, some students agree on the subreddit r/brocku that the buyback system is unreliable and not worth it. Taking the selling process into your own hands will give you the best bang for your buck, presuming there isn’t an online code associated with your textbook. In that case, you’re trapped in the system. 

Luckily, the system seems to be shifting toward the trend of OER (Open Educational Resources). Many of my professors have shifted to using free, digital resources in their classrooms thanks likely to the efforts of BUSU through their OER Adoption Grant program, which rewards faculty members for adopting OER practices and for which BUSU VPUA Carleigh Charlton recently won the Student Award for the 2024 Open Education Award for Excellence. 

Hopefully, OER is the future of textbooks at Brock and around the world, but for the time being there are still steep costs that can be somewhat circumvented using the methods I’ve listed. Each of them has pros and cons, but you have to weigh them for yourself. 

The Campus Store may be the most convenient avenue for buying and selling your course materials, but there are cheaper alternatives if you don’t mind working for it. Believe me, your wallet will thank you. 

Kevin O’Leary is a traitor to Canada 

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Kevin O’Leary’s support in spurring on Donald Trump’s quest to merge Canada and the U.S. is nothing short of traitorous to his country and indicative of a complete disregard for his homeland’s desires. 

This comes in the wake of U.S. president-elect Trump’s comments over wanting to transform Canada into the “51st state.” While these comments have been dismissed as a joke by Canadian Public Safety Minister Dominic LeBlanc, they become increasingly concerning every time the temperamental and short-sighted president-elect mentions the possibility on Truth Social

As if that wasn’t enough, Canadian multimillionaire and Shark Tank star Kevin O’Leary has taken it upon himself to negotiate on his country’s behalf in support of Trump’s twisted vision. 

O’Leary’s support of a U.S.-annexed Canada seems to be motivated by a strengthened economic union between the two countries — in other words, it will likely mean more money in his pocket, even if it comes at the expense of what everyday Canadians want for themselves including access to universal healthcare. 

O’Leary claims “at least half of Canadians are interested” in the idea of joining the U.S. This baffling claim is verifiably untrue given that a recent poll suggests only 13 per cent of Canadians are interested in Trump’s idea of merging the countries. 

Whether O’Leary is flat-out lying or he actually somehow believes this to be true remains uncertain, but what is clear is that he’s speaking almost entirely on his own behalf while claiming to represent the interests of many Canadians. 

It’s one thing to voice your opinions online. It’s another thing entirely, however, to use your massive wealth to artificially insert yourself into the direct conversation. 

O’Leary has announced his intention to visit Trump at Mar-a-Lago to move this conversation forward, effectively speaking on behalf of 40 million people that didn’t elect him and clearly don’t share his interests. The fact that an unelected citizen can join such an important conversation simply through wealth alone shouldn’t come as a surprise, but it’s especially frustrating when dealing with an individual as volatile as Trump. 

O’Leary’s behaviour isn’t just selfish, it’s undemocratic. The Canadian people have not asked for him to represent them on the global stage. In fact, it’s safe to say that they don’t want him to, something they made explicit when he ran in the Conservative leadership race in 2017. 

Should Canadians not be concerned that we’ve got a failed politician talking to Trump about how he can further line his own pockets at the expense of our country and the rights that we enjoy? It’s no secret that money talks, and if Trump’s recent relationship with Elon Musk is any indication, the president-elect will be more interested in speaking to the rich O’Leary than listening to the desires of the general population. 

In fact, O’Leary’s self-insertion into this situation is not unlike Musk’s recent inclusion in the U.S. government. Like Musk, O’Leary is an unelected citizen that is being promoted to take part in major governmental decision-making conversations not because of his intellect or political history, but because he’s got enough funding for Trump to raise an eyebrow. 

This recent trend in the mega-wealthy inserting themselves into political conversations sets a dangerous precedent for the future of politics and should be concerning to everyone who isn’t a government-elected official or doesn’t have vast amounts of money to their name — in other words, the vast majority of regular citizens. 

O’Leary’s evident disregard for the people of his homeland, and his lies about what they are hoping to gain from this conversation, should be viewed as traitorous to his country. Despite his egocentric intent, it’s fine for him to have his own views on this situation, but to attempt to speak on behalf of his country when his ideas are clearly misaligned from theirs goes beyond selfishness — it’s downright betrayal. 

So, on behalf of the 87 per cent of Canadians who aren’t interested in Trump’s little “joke” — it’s time for O’Leary to simply butt out. If the Canadian population wasn’t interested in his representation eight years ago, they certainly won’t be interested in it now. 

Kevin O’Leary, it’s time to drop the political charade and get back on television. This deal gets a no from us. 

Beast Games: the only game show to leave “games” as an afterthought 

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Score: 2/5 

This review is based on the first four episodes of Beast Games, which will air its remaining six episodes by Feb. 13. 

MrBeast has had every right to hype up his new Amazon Prime Video game show Beast Games

It’s a huge moment in YouTube history, with a massive budget and creative control given to an online influencer by a streaming platform other than YouTube for the first time. When MrBeast calls this project unprecedented, he’s not joking around — this has the potential to revolutionize the creator economy and give more influencers the opportunity to experiment with high-budget shows on streaming platforms in the future. 

It’s such a shame, then, that this highly ambitious series came with such flawed execution. 

As MrBeast, real name Jimmy Donaldson, stands atop his specially constructed tower shouting instructions to the hundreds of contestants waiting down below, it’s hard not to be taken aback by the sheer magnitude of the YouTube titan’s latest project. The impressive sets and machinery used throughout each episode didn’t come cheap: it’s reported that the series’ budget is around $100 million USD thanks to Donaldson’s partnership with Amazon. 

But Donaldson is no stranger to large spectacles, as many of his 341 million subscribers (as of writing) will tell you. When he’s not giving away outrageous sums of money through his elaborate challenges, he’s spending seven days stranded on an island, building 100 wells in Africa and paying trained assassins to hunt him down. He regularly has access to large budgets, and to the man’s credit, he usually knows how to make a good show out of it. 

But as Donaldson has stated several times, Amazon gave him his largest budget ever, so it was time for him to put on his biggest show yet. Within the first four episodes of Beast Games, Donaldson has shown off 1,000 functioning trapdoors, a makeshift village complete with a tower and housing, and a $1.8 million private island he’s prepared to give away to a contestant. On top of all that, he’s already given away millions of dollars to contestants and we’re not even halfway through the season. 

That’s why it was so surprising when I was left with one question throughout my viewing of the show’s opening episodes: 

Why am I not impressed? 

After all, MrBeast’s YouTube content has blown me away in the past. In particular, his recreation of season one of Netflix’s Squid Game left me amazed after my first viewing, as did many other videos on his channel. It simply didn’t make sense that the project with his largest budget yet could leave me the most unsatisfied — a problem when the man’s entire persona is built on impressing viewers with his over-the-top stunts and escapades. 

The problem with Beast Games is that Donaldson seems to have put all its budget into its spectacle without much room left for genuine substance. 

Imagine you’re seated in a grand colosseum surrounded by large flamethrowers blasting fire into the night sky. An orchestra is playing a thumping drumroll as thousands of audience members sit in anticipation of an amazing show. The stars watch down from the heavens as two contestants enter the massive arena and meet in the centre. You hold your breath, prepared for a life-changing battle between the competitors — when out of nowhere, they both sit on the ground cross-legged and start playing an everyday game of rock-paper-scissors. 

That’s what it’s like watching an episode of Beast Games

See, MrBeast can spend as much as he wants on impressive set pieces and huge machinery, but that doesn’t change the fact that the actual games feel like they were designed mere moments in advance. The games played throughout the show — you know, the entire purpose of the competition — constantly feel half-baked and unpolished, like they were thrown together as an afterthought long after the sets had already been constructed. 

The large tower that stands at the end of the village is used as the centrepiece of the show’s second episode, but it hardly feels essential to the games that are played there. Most of the games feel like they could have worked in an open field or a middle school gymnasium, but were placed in a special tower just to make them feel more exciting than they actually are.  

Sure, the contestants might be standing in a tower made specifically for this show, but that doesn’t change the fact that one game is simply an oversized version of throwing a ping pong ball into a cup, or another where they simply need to catch balls before they touch the ground. 

One particularly egregious moment happens when MrBeast has his contestants leave the tower to play a game of general trivia, featuring such riveting questions as “who founded Amazon?” Donaldson’s visible surprise at how well his contestants perform at these braindead-easy questions should form an indication of how ill-prepared he and his team were when it came to putting together legitimate tests of skill that required any semblance of effort to develop. 

Speaking of lazy challenge design, it’s also worth mentioning that a significant portion of the “games” played throughout these first few episodes are self-elimination challenges, which means that they require selfless contestants to eliminate themselves so that other players can move on in their stead. 

There’s certainly a place for self-elimination challenges in this type of game show, and when used effectively they can be some of the most emotionally effective segments of these series, as any viewer of Squid Game’s marbles episode will tell you. Self-elimination challenges can and should be an excellent psychological game for contestants that reveal their true intentions. 

The problem is that self-elimination challenges should be used sporadically to maximize the shock value on contestants and viewers when they’re revealed, not consistently used in place of more traditional challenges that test players’ skill and ability. When too many challenges are based on self-elimination, they begin to feel like a lazy cop-out meant to replace direct challenges that, again, require effort or genuine thought to develop. It also eventually begins feeling like more people have left by self-elimination than through direct challenges, which makes the whole production feel cheap. 

Whether this flawed challenge design is a result of laziness, lack of creativity, flawed time management or something of a combination, it’s all very frustrating, especially since it’s coming from MrBeast. The creator has become somewhat known for his creative YouTube challenges that test contestants’ willpower and skill, so it’s a shame to see his largest budget ever squandered on a bunch of games that feel like they came out of first grade orientation day. 

Compare these undercooked challenges to those from Squid Game, a clear inspiration behind Beast Games. In Squid Game, much of the set design is a large, intentional part of the specific games that have been selected. 

Red Light, Green Light isn’t played in a stadium simply for the sake of spectacle, it’s because the game requires a large playing ground for contestants to move freely. Tug-of-War isn’t played over a gaping pit just to look cool, it’s because contestants need a place to fall if their team fails. Glass Bridge is perhaps the most obvious example in which the set itself is the game, as stepping on the wrong tile will leave a contestant plummeting to their doom. 

Obviously, Beast Games differs from Squid Game in that the former is trying (with varying degrees of success) not to injure or harm its contestants, so some of those exact set choices would probably be ill-advised. However, there’s still a clear difference between the two shows in that Squid Game chooses sets that are thoughtfully intrinsic to the games that have been chosen, while Beast Games feels like its sets are only grandiose because its designers couldn’t figure out where else to spend their massive budget. 

There’s no denying that Beast Games is impressive on a technical level, but the main problem is that it feels like all the attention went toward its sets while the games feel like they were thrown together five minutes before playing them. The fundamental misunderstanding by Donaldson and his team is that for a game show to become truly enthralling, the games should remain at the core of the experience, not feel like an afterthought. 

Beast Games could have the largest budget in the world, but if its producers don’t know how to spend it, then the spectacle has fallen apart before it’s even begun. 

Ex-Badger Connor Ungar named ECHL Goaltender of the Week 

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Former Brock Badger Connor Ungar has been selected as the ECHL Goaltender of the Week for the week ending on Dec. 29. 

The Fort Wayne Komets netminder recorded a perfect 3-0-0 record during the week, stopping 89 of 94 shots he faced in three starts while registering a 1.60 goals against average and a .947 save percentage. 

Ungar made 18 saves in a 4-2 win over the Indy Fuel on Dec. 27 before making a season-high 39 stops the following night in a 4-1 victory against the Cincinnati Cyclones. He ended his spectacular weekend with a 32-save performance against the Fuel on Dec. 29, which included denying Indy from scoring on all four shootout attempts in a 3-2 triumph. 

The Calgary native now has nine wins this season, which is tied for ninth most in the ECHL, and has a 9-5-0 record with a 3.12 goals against average and .890 save percentage. 

His trio of weekend wins now gives Fort Wayne 18 wins in 28 games this season (18-9-1) as the Komets sit fifth in the ECHL’s Western Conference and second in the Central Division. 

Ungar is in his first season with the Komets, the ECHL affiliate of the NHL’s Edmonton Oilers, after signing with the Oilers in March following an impressive rookie season to lead the Badgers to the U Sports National Championships. 

The 22-year-old set a Brock record last season with 20 regular season wins, the most wins by any goaltender across the country during the regular season, finishing the 2023-24 campaign with a 20-6-0 record. Ungar was also amongst the province’s leaders finishing with the fourth-best goals against average (2.15) and save percentage (.932) while registering the second-most saves (767) and logging the second-most minutes with 1561:12 spent in the crease. 

Ungar’s most noteworthy performance came in the National Championship quarterfinal matchup against the UNB Reds where he stopped 41 of 44 shots on goal — many of which were high-danger scoring chances — in a spirited loss to the undefeated national champions. 

His dominance at the backstop of the Badgers’ net led to him winning the U Sports Rookie of the Year, OUA West Goaltender of the Year and OUA West Rookie of the Year awards while being selected as the Badgers’ 2023-24 Male Athlete of the Year. 

Prior to elevating his game with the Badgers, Ungar spent five seasons in the WHL, playing for the Brandon Wheat Kings, Red Deer Rebels and Moose Jaw Warriors. In 87 games, he registered a 53-20-5 record while tabulating 2.57 goals against average and a .917 save percentage, including three shutouts. 

With numerous games under his belt across major junior, collegiate and minor league hockey, Ungar continues to make strides towards pushing for an NHL roster spot. His Goaltender of the Week honour is evident in the growth he’s made and the success of the Badgers men’s hockey program in developing young hockey players into talented professionals. 

For more statistics and information about Connor Ungar, visit echl.com. 

It’s time for Brock University to do better with parking 

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Brock University administration may soon find themselves wrapped up in another parking controversy after they quietly made (and unmade) parking paid during the spring and summer terms.  

This past summer, Brock University made the highly controversial decision to enforce paid parking in all on-campus lots until 9 p.m. during the fall and winter terms. In years past, parking had been free and accessible to all after 6 p.m., something that many students utilized for evening classes or late-night study sessions. Just like many other car owners enrolled at Brock who are unwilling to pay for a costly permit, I was very frustrated when this new policy was announced.  

Parking passes are astronomically expensive, and if you aren’t planning on parking on campus every day, they are certainly not worth your money. At Brock, the most expensive parking permit is for Lot 1, which costs $770 annually (September to April) or $455 for the fall term. Daily parking at Brock costs $4 an hour or $14 for the day and the price for a monthly Lot 1 parking permit is $120. For many full-time students who are paying a nearly $8,000 tuition bill, the expenses related to a parking permit are out of the question.  

Furthermore, it would be remiss not to note that in comparison to other universities in Ontario, the price for a Brock parking permit is quite high. 

At Western University, the only parking pass available is the student green pass, which allows students to park in nine different lots. This pass costs $612.51 annually ($157.49 cheaper than the Brock permit) and $302.26 per term ($152.74 cheaper than the Brock permit). At the University of Waterloo, the cost of a monthly parking permit is $208.50 ($246.50 cheaper than the Brock permit) and the most expensive daily parking option is $8 ($6 cheaper than Brock’s daily parking). At McMaster, students can park in Lot M for $55 a month ($65 cheaper than Brock’s monthly permit) and even at Queen’s, a university notorious for its high expenses, parking permits are sold at $117.52 per month ($2.48 cheaper than the Brock permit). Of course, Brock does not have the highest parking pass on the market, but it is noticeably higher than many other universities in the province.  

When the choice to get rid of complimentary parking from 6 p.m. to 9 p.m. blew up in the faces of Brock officials earlier this term after wide opposition from Brock students and BUSU executives, they updated their new parking policy in response.  

The result?  

A parking rate of $6 was put in place in Lot D for the evening and parking was made free after 6 p.m. in Lot 2 for the fall term. While some thought this was a victory, I’m still not certain. For students attending classes late at night, especially young women like myself, it is often frightening to walk long distances across campus alone in the dark and because of this, I still often paid the $6 to park in Lot D. For me, the money was worth my safety and my own peace of mind.  

While I cannot say for certain whether Brock administration considered this scenario when making the only free parking in the farthest lot from campus, I’m quite sure fears such as mine have been incredibly beneficial to them financially. On top of that, members of the community who attend events like varsity sports games or other communal gatherings, many of which take place after 6 p.m., are now forced to pay for parking to participate, making the university even more cash.  

Still, as the months went on, student outrage regarding the parking change died down and apathy set in. It was then that Brock administration spotted their opportunity to quietly update the parking services page displaying parking rates, notifying students that unless they had already purchased an annual permit, they would have to purchase a new parking pass if they wanted to park their car on campus during the summer months — or so we thought.  

It appears that any official word that Brock was changing summer parking from free to paid has disappeared from the Parking Services website. Still, while the official parking website no longer states that parking will be paid during the summer months, it is clear that something is still amiss. 

A snapshot of the parking services website from Wayback Machine taken on April 20 shows that regular annual permit parking at that time was valid until April 30, as that is when the free summer parking went into effect. Now, the regular annual permit parking is valid until Aug. 31, suggesting that parking in the summer will be paid. Furthermore, when one attempts to order a parking permit, the website now states: “New for 2024 – All Annual Non-Residence Permits are now valid through to August 31 at no additional cost.” This update also suggests that paid parking from May to August will soon be announced.  

If all of that wasn’t a clear enough indicator, a parking update from The Brock News posted on Nov. 19 clearly states that “effective Tuesday, April 1, 2025, a permit or paid parking via the HONK app will be required for spring and summer parking from 8 a.m. to 4 p.m. Monday to Friday.” This article seems to be the only place this parking update is explicitly outlined on any official Brock website.  

It is clear that Brock will soon have to announce this shift towards paid parking during the spring and summer. While they may be hiding from it now, likely due to the backlash they received from their choice to extend paid parking until 9 p.m. during the school year, the writing is on the wall.  

This decision is deplorable. While I recognize that Brock is facing a $37 million operating deficit, which represents roughly 10 per cent of the university budget, it is reprehensible that the administration is attempting to make that money off the backs of students, especially considering many of those students have already been put in significant debt as a result of the price of tuition.  

On top of that, this school year alone, I paid over $1,000 in course and session ancillary fees. At least some of that money must be going to the budget that the university is so desperately trying to balance, right? Well, it’s not clear that it is.  

While parking may seem like a small part of university life, it is an incredibly expensive part, and it is only growing pricier. Students deserve to be able to afford to park on campus. Students who choose to park on campus also deserve to feel safe getting to their cars at night. Finally, students deserve honesty and responsibility from their post-secondary institutions when it comes to financial matters. Right now, Brock University is failing at all of these things.  

It’s time to do better, Brock.  

Polarization is a dangerous way to collect votes 

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The tendency for right-wing Canadian politicians to grossly demonize the left through allegations of widespread radical “wokeism” shows that the incitement of political polarization — especially through misinformation and fearmongering — is overly relied upon in our political discourse and this brings negative consequences to voters. 

On Jan. 2, Conservative Party of Canada leader Pierre Poilievre said in an interview with conservative psychologist Jordan B. Peterson that Prime Minister Justin Trudeau has led Canada under “authoritarian socialism,” claiming that Trudeau aims to control “every aspect of your life.” Peterson agreed, saying that Trudeau “clearly has narcissistic personality characteristics” and calling the Liberal Party “far-left socialists,” not centrists. 

However, when defining Trudeau’s so-called radically left efforts, Poilievre frequently cites his attempts to push forth stronger gun laws, decriminalize drug use and impose a carbon tax while he himself releases carbon emissions by frequently travelling to “luxurious global destinations,” referring to the Prime Minister’s frequent trips to expensive tropical resorts

It is of less importance to share my personal stance on these issues — and Trudeau’s leadership overall — but rather to interrogate if they are indictive of the authoritarianism and radicalization that Poilievre alleges.  

Although some voters may view Trudeau’s beliefs as leaning toward the left, his overall time in office has been anything but radical, let alone radically leftist or socialist. 

The progress of Trudeau and the Liberal Party has been centre-to-left leaning — some left-leaning policies include the Canadian Dental Care Plan or the evolving Pharmacare Bill, for example — but it is undoubtably not indicative of a move toward full socialism in the slightest. 

Poilievre’s latter quote, wherein he says that Trudeau taxes carbon emissions yet has his own large carbon footprint from luxurious travel, demonstrates Trudeau’s hypocrisy but is not representative of any leftist ideology, which is where the problem lies.  

If Trudeau does not fit the characterizations made by right-wing politicians, including Poilievre, then the purpose of drawing attention to his non-existent radicalism is purely to cultivate an association between any leftist ideology with danger and fear in the minds of the electorate. 

As every opposing politician to Trudeau has pretty much exhausted talks of the Prime Minister’s leadership being unproductive and weak, they have turned to radical, mostly false or exaggerated characterizations of the left to sway voters to the right in advance of the upcoming election.  

Poilievre has continued to attack anything he deems “woke,” which he defines as anything “designed to divide people by race, gender, ethnicity, religion, vaccine status and any other way one can divide people into groups,” and has continued to fuel mass defunding threats and increasingly aggressive characterizations of the left on a broader scale. 

However, Poilievre is inciting more division by characterizing the entire centre-left political sphere as dangerously radical.  

The more exaggerated or downright false claims of leftist radicalization Poilievre makes in relation to the current centre-left politicians in power, the more he stigmatizes the idea of not only having an actual leftist government, but also those who believe left-leaning political ideologies in general. 

This is evidently a tactic to imply that self-proclaimed “common sense Conservatives” are the only viable option in the upcoming election, but it fosters deeper polarization between the left and the right as it forces voters to loyally assign themselves to a singular category. 

This act has consequences not only for leftist politicians and groups, but for voters themselves. By perpetuating a stigma of radicalization and danger towards an entire side of the political spectrum, many voters may end up voting for politicians not because they support their policy decisions or values, but because they are either afraid of being categorized as a “leftist” or they misunderstand the values of leftist politicians because of the massive amount of misleading information pushed forth by Conservative politicians like Poilievre. 

The tendency for politicians in Canada and the West at large to rely on inciting fear and strengthening polarization just to collect more votes speaks to their lack of strength policy-wise with the electorate and ultimately breaks down the fundamental principles of our democracy. 

Chrystia Freeland resigns from Trudeau’s Cabinet 

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Former Finance Minister and Deputy Prime Minister Chrystia Freeland announced her resignation from Prime Minister Justin Trudeau’s Cabinet on Dec. 16 after her reassignment to a different position. 

In her letter to Trudeau shared via X, Freeland wrote that her resignation is “the only honest and viable path” forward after Trudeau asked her to adopt a new position in the Cabinet instead of continuing as Canada’s Finance Minister. 

According to reporting from Bloomberg, Trudeau told Freeland that he no longer wanted her to serve as Canada’s Finance Minister and ushered her into a role wherein she would no longer run a department within Parliament. 

Bloomberg sources say that Freeland perceived this act as a “major demotion” and ultimately chose to resign a few days later — just hours before she was set to present Canada’s Fall Economic Statement. 

The letter to Trudeau suggests disagreements between the two members of Parliament leading up to Freeland’s resignation. Freeland said that she and Trudeau had been “at odds about the best path forward for Canada” during the weeks following Donald Trump’s electoral win in the United States. 

The fast-approaching Trump presidency has been a major point of discussion in Canadian Parliament. Freeland cited Trump’s “aggressive” economic approach — including his tariff threats on Canadian goods — as a “grave challenge” that must be given adequate attention. 

Freeland said that it is of utmost importance that Canada matches Trump’s aggression in their response to his threats, saying that the solution to this challenge includes “pushing back against ‘America First’ economic nationalism” to maintain Canada’s financial stability. 

Following this statement, Freeland said that the Canadian government should avoid “costly political gimmicks” so they can save reserves in the case of an imminent tariff war between the two countries. This concern holds relevance to the recent financial decisions of the Liberal Party, like Canada’s GST holiday and the uncertain $250 rebate that may come this year. 

Freeland suggested that Parliament should continue to prioritize the issue of financial tension between the United States and Canada and craft a “true Team Canada response,” but she warned Parliament to only proceed with the best interests of Canadians in mind. 

Freeland signalled to the widely held suspicion of the motives behind government decision-making, writing that Canadians “know when we are working for them, and they equally know when we are focused on ourselves.”  

Freeland followed this statement by repeating her concern toward the threats that are looming over Canada in advance of the United States’ Trump presidency, writing that the way Parliament deals with aggression and conflict between the two countries will redefine how Canadians view the Liberals’ leadership, for better or worse. 

The letter concludes with Freeland writing that the current state of relations between Canada and the United States have informed the way she approached government spending throughout the fall, saying that the capacity for “flexibility” within Canada’s finances was her top priority. 

According to CBC Radio Canada, Freeland’s resignation left many Liberal MPs frustrated with Trudeau. At the caucus meeting following Freeland’s resignation, some MPs told Trudeau to reconsider resignation as well. 

Despite Freeland’s resignation from the Cabinet, she will continue to work as a Liberal Member of Parliament and plans to run for the seat she currently holds in Toronto once again in the next election. 

South Korea’s worst plane crash in decades 

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A South Korean airplane crash killed 179 people on Dec. 29. 

On Dec. 29 at 9 a.m., the Jeju Air flight 7C 2216 crashed at Muan International Airport in southwestern South Korea after returning from Thailand. Of the 181 people on board, only two people survived, making it the country’s deadliest plane disaster since 1997 and one of the worst in aviation history. This wais the fifth Boeing plane crash of 2024. 

According to ABC News, the pilot sent a distress signal that said, “Mayday, mayday, mayday, bird strike, bird strike, going down.” The plane ascended and made a 180-degree turn before it descended. After crash-landing at the airport, the plane slid down the runway until it hit the embankment at the end, which was used to house navigation equipment. On impact with the barrier, the plane burst into flames. The embankment housed a localiser and an antenna system that emitsted radio signals to guide aircraft toward the runway, an essential for safe landings. 

Investigations are still underway concerning the late touchdown of the plane and the lack of landing gear deployed (both wing flaps and wheels). 

On New Year’s Eve, the U.S. National Transportation Safety Board sent investigators to South Korea to help uncover more information on the case. 

A horrifying video captures the moment of the crash. 

Bird Strike 

Collisions between birds and aircrafts are very common, but are very rarely linked to fatal plane crashes. Two minutes before the distress signal, air control warned the plane of a possible bird strike. Engines can stall or shut down if birds are sucked into them, but typically pilots have time to account for this. With the warning from ground control, a safe emergency landing should have been possible. The sudden 180-degree turn and lack of deployed landing gear may suggest a malfunction, and South Korea’s acting president Choi Sang-mox ordered an emergency inspection of the country’s entire airline operation system. 

Choi declared a week-long period of mourning, with flags flying at half-mast. Several memorials have been set up at the location of the craft and other parts of the country. 

Survivors 

Both survivors of the plane crash are flight attendants who were seated by the back of the plane. 

A 33-year-old man with the surname Lee suffered multiple fractures and is under special care due to the possibility of total paralysis but is conscious. Ju Woong, the director of the hospital, told ABC News that although Lee is “fully able to communicate” and there was no indication of memory loss, Lee was not yet questioned about the details of the crash at the time of writing because Ju believed it wouldn’t be helpful to the patient’s recovery. 

The other survivor, a 25-year-old woman identified as Koo, is reportedly in stable condition with injuries to her ankle and head. 

Hundreds of the deceased’s loved ones have been camping out at the Muan International Airport, full of grief and anger. Police superintendent Na-Won-o explained that the identification process of the bodies was slow “due to officials taking their time to carefully identify all 179 victims, whose bodies were badly damaged in the crash.” One grieving man asked if the bodies would be put back together, while another wished for the victims’ remains to be released as they were. But with some remains “too scattered to be recognised,” Na said officials wanted to do the best they could at collecting and matching as many bodies as they could. 

The airline’s chief executive Kim Yi-bae said in a news conference on Dec. 31 that “the plane and its pilots were cleared to be flying before the landing.” While the reason for the late touchdown and lack of landing gear is still being investigated, many blame the airport for the disaster. According to Forbes, the airport’s 2024 operating manual acknowledged the embankment was “too close.” CEO of Aero Consulting Experts Ross Aimer told Reuters that the embankment was the central reason for the disaster, and it “shouldn’t have been there.” 

Kim says the families will be compensated, but that does very little to dim the tragedy for the victims’ loved ones. 

Five different New Year’s traditions from around the world 

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People all around the world celebrate New Year’s Eve in various ways. Here are five traditions from different cultures used to ring in the new year.  

Canada and the United States — Watch the ball drop in New York City 

In North America, specifically in Canada and the United States, it is very common for people to watch the ball drop in New York City’s Times Square. This tradition began at the end of 1907 when the owner of the New York Times, Adolph Ochs, created the countdown to the ball drop to bring attention to the newspaper’s new office and to replace what used to be a huge firework spectacular. The ball was originally designed by Artkraft Strauss and has been updated four times since to include new technology.  

Spain — Eat 12 grapes 

The tradition of eating 12 grapes, called las doce was de la suerte, was born in Spain in the late 19th century. This tradition has since become increasingly popular online and has been changed and adapted for the times. Still, the heart of it remains the same: between the stroke of midnight and 12:01, you must eat 12 green grapes to have good luck in the new year. The story of this tradition’s origin is debatable, but some believe that it started when growers in Alicante had an impressive harvest and had to find a way to sell all their grapes.  

Scotland — The first footing 

In Scotland, one New Year’s tradition is the “first footing,” which says that the first person to cross through the doorway into one’s home after the stroke of midnight sets the tone for the rest of the year. The best kind of the first footer is someone with dark hair, and it is traditional for the first footer to carry a lump of coal. While all the other traditions seem self-dependent, the first footing is the luck of the draw. You’ve just got to hope that it’s a handsome and mysterious stranger and not your boring Aunt Sue.  

Japan — Eat soba noodles 

Some Japanese people start the new year by eating soba noodles, a tradition that dates back to the Kamakura period. Historically, Buddhist temples would hand out these noodles to the poor, and because the noodles are firm in texture, it is believed that chewing them symbolically separates, or breaks one away, from the year that has just passed.  

Greece — Hanging an onion outside the front door 

A popular tradition in Greece is to hang a squill onion from the island of Crete on your door. After the New Year’s Day church service, an onion is purchased and brought home to be hung from a doorway inside the house. Onions represent growth and rebirth, and they are also an important symbol of fertility. Its place in the home helps facilitate growth and rebirth in the upcoming year.  

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While many countries have ascribed New Year’s traditions, celebrating the new year usually has more to do with the actions of individual people rather than their cultural background. Still, it is exciting to learn about and participate in the New Year’s traditions that have become popular in other places in the world so that we can better understand one another going into 2025.  

Coldplay’s “X&Y” turns 20 this year 

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X&Y, Coldplay’s third album, is turning 20 years old this year.  

Released on June 6, 2005, X&Y was a huge commercial success for Coldplay, who skyrocketed to fame in 2002 following the release of their second album Rush of Blood to the Head. As a result of its success, people around the world waited in anticipation for X&Y, which quickly became the best-selling album of 2005.  

In celebration of X&Y’s 20th anniversary, let’s look back on my two favourite songs from the album. 

“Square One” 

The choice to open the album with “Square One” clearly displays the crucial kind of influence Chris Martin wanted X&Y to have on the world of music.  

Punctuated by warped and phasing synth, the track relies on a futuristic, celestial sonic atmosphere as its backbone. The experimental melodic foundation of “Square One” glimmers, twinkles and rings and while outer space is technically silent, the song’s intro sounds quite like NASA’s sonification of the Milky Way.  

By the time the track reaches its first chorus, it has skyrocketed its listener into previously unknown territory, a new and distant galaxy exploding into existence in a magical array of multi-coloured magnificence. As “Square One” continues to unravel, a gritty bass line aptly intertwines with a racing, raucous guitar refrain, eliciting some kind of magical transmutation that sends the song spiralling into absolute consummate chaos. Just when you’ve decided that the only place the track could be headed is complete cataclysm, the unadulterated melodic disorder that characterizes “Square One” falls off completely, replaced by the twinkling, starry synth that brought the song to life four minutes earlier. The journey is over and you are back at square one.  

“Fix You” 

“Fix You,” the album’s fourth track, is another unbelievable anthem. While vastly different from “Square One,” the musical choices made on “Fix You” solidify the overarching sonic story that Coldplay was trying to tell with X&Y.  

The track opens with a rich, full-bodied organ line that establishes an echoing, ecclesiastical atmosphere. This initial line is soon paired with a second, brighter harmonium, which establishes a new and seraphic kind of polyphony. While sonically, “Fix You” has nowhere to go but up, the two organ lines introduced in the first minute never falter, maintaining their waltz in breathtaking harmony for the rest of the track. 

By the end of the first chorus, a delicate, dancing piano stave hints at what is to come: complete and utter melodic pandemonium. The addition of an electric guitar line and a series of rapid and clattering sixteenth notes played on the crash cymbal creates an almost anxiety-inducing mania that quickly explodes into musical mayhem. As Martin’s warm baritone harmonizes with itself in overlapping choral euphony, “Fix You” reaches new heights, allowing X&Y to take its place as one of the best albums to come out of the early 2000s.  

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While Coldplay admits that their opinion of the record has soured over time due to the turbulent dynamic that surrounded its production, I believe that X&Y is some of their best work. Other tracks from the album such as “Talk,” “Speed of Sound” and “Til Kingdom Come” also prove this album’s musical worth, solidifying just how impressive X&Y was in 2005 and how important it will continue to be in 2025.  

My favourite books from 2024 

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Throughout 2024, numerous long-anticipated books from countless genres were finally released. 

Several prized authors released new texts while newer authors asserted their success in the literary world. Looking back on the literary releases of 2024, here are a few reads that stood out to me. 

Intermezzo by Sally Rooney 

As a long-time fan of Irish fiction author Sally Rooney’s work, I can confidently say that Intermezzo lived up to the high expectations I cultivated after reading her earlier works over the years. 

Most famously known for her coming-of-age fiction-turned-television series Normal People, Rooney has a talent for writing about all the relationships in our lives in a unique and captivating manner. While her earlier texts, namely Normal People and Conversations with Friends, mainly surround characters in their twenties navigating romantic love and daily life, Intermezzo takes a different path. 

Following the tumultuous lives of and the relationship between two brothers Ivan and Peter after their father’s passing, Intermezzo explores how grief can infiltrate every aspect of one’s life and can sometimes be even more isolating when it is shared. 

As the grief shared between the two brothers draws out the underlying issues in their own relationship, Ivan and Peter are forced to confront the unsatisfying truths in their individual lives to make amends with each other. 

Rooney’s blueprint style that appears in all her novels, wherein she covers several perspectives of the same event by different characters then diverges into their daily lives, works especially well in Intermezzo as it displays just how deeply grief cuts into one’s experience of social life. 

Intermezzo was a highly anticipated book release this year, and despite its mixed reviews, it was a notable read for me. 

Blue Sisters by Coco Mellors 

Two years after releasing her first novel Cleopatra and Frankenstein, 2024 brought the release of Coco Mellors’ Blue Sisters

Another story of grief and family, Blue Sisters follows three estranged sisters navigating the unexpected death of their fourth sister as they respectively struggle with addictions, losses of control and personal defeats.  

Contrasting from Intermezzo, Blue Sisters has a closer focus on familial struggles and sisterhood. The novel explores how the depth of one’s personal struggles can quickly become entangled with the relationships to those closest to them.  

Throughout the novel, the three sisters must deal simultaneously with their shared grief and the differing chaos in their respective personal lives to collectively find resolution. 

I had been anticipating the release of Mellors’ second novel since I read Cleopatra and Frankenstein in 2022. Mellors has a talent for writing personal struggles and emotional undoing in a manner that is not corny but entirely raw.  

My admiration for Mellors’ novels roots less within her stories and more within her signature vivid writing style that Blue Sisters maintains. 

Didion and Babitz by Lili Anolik 

As an avid reader of Joan Didion and a relatively new fan of Eve Babitz, Anolik’s biography Didion and Babitz had been high on my reading list this past year. 

The biography looks through the lens of Babitz to present an image of how Didion was perceived and discussed throughout the era in which they wrote, ultimately revealing more about the two literary figures in the process. 

Though Anolik has an obvious admiration for Babitz, having authored Hollywood’s Eve before venturing into the relationship between Babitz and Didion, my personal interest in the two figures made the biography still as enjoyable and intriguing because of the new perspectives it shed light on regarding the relationship between the two women. 

Didion and Babitz faced criticism for Anolik’s account of Babitz and Didion’s relationship solely relying on the word of Babitz, thus approaching Babitz with praise and Didion only through the veil of Babitz’s perspective. As a fan of Didion’s, I can see where this critique is coming from, but the author’s personal interest in Babitz made the biography insightful to me as a reader who was less familiar with her perspective on this era.  

However, I would agree that the biography focuses more on Babitz and how Didion fits into the era she wrote within. 

Ultimately, Anolik’s Didion and Babitz was a memorable read for me in 2024 as a faithful Didion fan and recent Babitz reader. 

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2024 brought the release of several fantastic books from all sorts of genres. Although this list includes only a few of the great books released this year, there are countless others that left an impact on their respective genres and the broader literary world. 

“Babygirl” is an erotic thriller with a tastefully human core 

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Score: 4/5 

The latest film from Dutch filmmaker Halina Reijn is a hypnotic examination of power dynamics and a vulnerable exploration of sexuality. 

The trailers for Babygirl set the film up for bizarre expectations. For one, it’s almost comically jarring to leap from a tame workplace montage with the festive Nutcracker theme playing to a secret kiss between a powerful CEO and her intern. In many ways, the film is everything you’d expect it to be and accomplishes what it sets up for itself, but it also challenges you to leave your expectations at the door. Babygirl evolves into something far more complex than what it begins as, never rewarding you with a cookie for thinking you have it all figured out.  

Starring Nicole Kidman and Harris Dickinson, Babygirl is a clever film that leaves you scratching your head, but nonetheless entertained, inviting you back in to try to understand its peculiar rhythm. 

Romy Mathis is a high-ranking CEO determined to maintain her position at the top. She is, and always has to be, in control of all areas of her professional and family life. On top of this, she is expected to be a powerful role-model for younger women seeking to climb the ranks and conquer the corporate world on their own.  

She seemingly has it all together, having everything one could want in a sleek, sterilized, corporate dollhouse. However, beneath her calculated exterior lies a deep-rooted sexual frustration, a desire to blow it all up with her back turned to the flames. Her perfectly organized worldview changes upon meeting Samuel, an aloof intern far younger than her whom she begins an affair with, granting her the sexual satisfaction she’s longed for.  

A film of this nature could easily feel exploitative if crafted by the wrong hands, but Reijn portrays sexuality with unflinching humanity that is as exciting as it is healing. Through the affair, Romy — and in turn the audience — are presented with the experience of recognizing one’s true wants and needs, removed from any constraints like social status, age or presentation. It’s cathartic and refreshing to watch sexuality written for the screen in such a humanizing and understanding way. No matter how scandalous the nature of the affair feels, there is a clear exploration of consent presented on screen that never feels preachy or removed from lived experiences. 

Kidman achieves a stroke of acting brilliance here. It’s an odd performance to have in her filmography but is nonetheless an exciting addition to her work. It’s a performance that grants a steely control of her character’s world and subsequently, the freedom to portray total emotional vulnerability all at once. Looking at her work thus far, it’s fair to say Kidman has solidified herself as one of the greats, but films like Babygirl show she still makes exciting choices, taking bold chances on challenging roles that demand complete surrender and empathy. More often than not, her dedication to her work makes these moves pay off in her favour. 

Where the film risks deflating its risky excitement is its third act, where the “lose-it-all-with-one-phone-call” level stakes feel removed from how the film solves its conflicts, which feels somewhat unrealistic. The conclusion is definitely rewarding and cathartic after you’ve journeyed alongside Romy, but it certainly retracts some of the “thrills” of its erotic thriller status. 

That said, a film like Babygirl could not be more essential in this age of growing cultural conservatism, where the ironic, comedic condemnation of sexual exploration has seemingly circled back to an actual undoing of progress made in this area. 

St. Catharines Fire Services receive under $50k in funding 

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To improve firefighters’ safety and upgrade St Catharine’s 911 system, The St. Catharines Fire Services will be awarded about $50,000. 

The St. Catharines Fire Services will receive just under $50,000 this January as part of the historic three-year $30 million program announced in the 2024 Budget to prioritize firefighter health and safety.  

Deputy Fire Chief Andrea DeJong explains that this funding will give them “the tools to help reduce our firefighters’ exposure to the harmful long-term effects of fire-related contaminants and chemicals.” 

Firefighters face exposure to hazardous gases and chemicals that greatly increase their risk of cancer. Cancer kills firefighters at a rate up to four times higher than the general population. Every year, 50 to 60 Canadian firefighters die of cancer, half of them being from Ontario. 

This funding will allow St. Catharines Fire Services to buy new gear and specialized washing and drying equipment that will help decontaminate their gear to reduce the long-term effects of fire-related contaminants. 

The Fire Services has also partnered with the Niagara Regional Police and Niagara Parks Police to upgrade to a new and improved 911 system, called Next Generation 911 (NG911). The new emergency call-handling solution technology is now required by the Canadian Radio-television and Telecommunications Commission (CRTC). The first phase of NG911 will allow communicators to receive and respond to texts and future phases will allow photos and videos to be shared, and the second phase will have an upgraded GIS mapping system to allow for enhanced location specifics. Constable Tyler Bell-Morena started the 911 awareness campaign in early 2024. Mississauga has noted a drastic decline in 911 wait times since NG911 launched last February. The wait time for 911 dispatch was 85 seconds in March of 2023, and dropped down to 11 seconds in October 2024.  

Bell-Morena noted the substantial decrease in wait times, saying “it’s a huge win for our organization and the way we’re able to deliver emergency services.” The goal for Bell-Morena is zero wait time. 

NG911 sends automated callbacks, allowing call communicators more time to answer and screen 911 calls. 

Peel Regional Police Chief Nishan Duraiappah describes the call-takers as “the first of the first responders,” adding that they do “remarkable” work. 

Besides sending aid and helping the caller to calm down and deal with first steps like immediate first-aid or removing themselves from danger, 911 communicators are crucial to the safety of first responders. When dispatch takes place, communicators conduct address checks and look for previous occurrences and any weapons registered to the address that could prove to be vital information. Even when doing something as seemingly trivial as traffic stops, the communicators work to run license plates, ensuring criminals are caught and police officers are being safe. 

It should be noted that 911 is for emergencies only, in which a crime or fire is taking place or immediate medical attention is needed. For non-emergencies such as reporting a crime or checking up on an investigation, you can call Niagara Regional Police at (905) 688-4111. 

Where do the Badgers stand in the OUA entering 2025? 

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As the calendar flips to 2025, so does the varsity sport schedule as teams resume play following the exam and holiday break. 

With the Badgers returning to action in January, here is where the Brock men’s and women’s hockey, basketball and volleyball teams stand in the OUA entering the new year. 

Men’s Hockey – 6th in OUA West (7-7-3 record) 

After finishing fourth in the OUA a season ago and qualifying for the U Sports National Championships, the Badgers are in a rebuilding stage with the departures of key players this offseason. 

Stepping up in their absence has been Holden Rogers, The Brock Press Male Athlete of the Month for October, who has scored a team-high 11 goals — the fifth-most in the conference — accounting for nearly 24 per cent of all Brock goals this season. Rogers’ stellar play, which includes game-winning goals in two of the first six games to open the season, led the Badgers to a 4-0-2 start but the teams’ goal-scoring has dried up since October. 

In the five games that closed the 2024 portion of the schedule, the Badgers only scored seven times, dropping four of those contests. 

With big games forthcoming in January to close the regular season, including a head-to-head matchup in Toronto against the TMU Bold — the second-placed team in the division — to open their 2025 schedule, the Badgers eagerly search for their early-season scoring touch to salvage a playoff spot. 

Women’s Hockey – 6th in OUA West (4-7-1-1 record) 

The theme for the Badgers for the last year and a half now has been their lack of goal-scoring, relying heavily on their goaltenders to keep them in games. 

The Badgers have only managed to score more than three goals once this season in a 5-1 triumph over the Varsity Blues on Halloween and have scored the third-fewest goals in the OUA this season with 25 in 13 games. 

Of those 25 goals, 11 have been on the powerplay — the lone bright spot on attack this season — as the Badgers powerplay percentage ranks second in the province, a significant improvement from being fourth-lowest as it was a season ago. 

But Brock needs a five-on-five spark, looking to generate their even-strength offence which starts with putting pucks on net. The Badgers sit second to last in shots on goal this season with 344 and need their offensive leaders to provide a jolt in 2025 as they look to crack into the top five in the division and qualify for a playoff spot. 

Men’s Basketball – 3rd in OUA Central (7-3 record) 

The Badgers continue to ride the wave that led to a surprising Wilson Cup Final appearance last season, as that same adrenaline has carried into the 2024-25 season. Brock won four straight games and six of their last seven games overall to close the 2024 schedule, which included blowout wins over Laurier and Algoma. 

Brock remains one of the province’s best teams defensively, allowing the fifth-fewest points per game while limiting opponents to the third-fewest rebounds per game — a testament to the defensive-minded identity of Willy Manigat’s team. 

Offensively, the Badgers have a balanced attack with only one Badger, Davante Hackett, averaging over 10 points per game, with different Brock stars showcasing their offensive weaponry on any given night. 

Brock’s widespread offence will be featured in pivotal January clashes, including the annual Paint the Meridian Red game against the McMaster Marauders at the Meridian Centre on Jan. 17 and a Wilson Cup rematch in Kingston versus the Queen’s Gaels on Jan. 25. The Badgers have unfinished business and look to end 2025 with their first provincial title since the 2021-22 season. 

Women’s Basketball – T-1st in the OUA Central (7-3 record) 

There may be a new coach at the helm of the women’s basketball program, but the results have remained the same for the Badgers, who have won seven of 10 to open 2024-25, including their first five to begin the Shae Dheensaw era. 

Last season’s OUA Women’s Basketball Player of the Year, Madalyn Weinert, is off to another fiery start. The country’s leader in points per game from a season ago is continuing her MVP-form, ranking third in the OUA in points per game (18.4), fourth in rebounds per game (9.9) and second in blocks (19), showcasing her two-way game in leading the Badgers to success at both ends of the floor. 

The Badgers sit seventh of 18 teams in points per game with 69.2 points a night while sitting sixth in field goal percentage, hitting 36.3 percent of their shots on 253 field goals so far this season. 

Brock looks to continue their strong start to the year in the second half, which includes four must-see matchups against rivals TMU Bold and McMaster Marauders — the two teams on their tail in the division race — as the Badgers look to win the OUA Central for the second consecutive year. 

Men’s Volleyball – 10th in OUA (4-6 record) 

It’s been an uphill battle for the Badgers this season, with last season’s fourth-place finish being a distant memory as Brock has lost six of their last eight, including two separate three-game losing streaks. 

But it hasn’t all been negative for the Badgers. 

On attack, the Badgers sit in the top of the conference in many categories including second in kills per set (11.51) and hitting percentage (.256), fourth in kills (426), assists per set (10.76) and aces (56), and fifth in total assists (398). 

It’s when the Badgers don’t have the ball — defence — that has been problematic/ Brock ranks in the bottom echelon in the OUA in numerous stats such as 11th of 13 teams in digs (284) and total blocks (55), as well as 12th in digs per set (7.68) and blocks per set (1.47), which explains many of their misfortunes on the court. 

Unfortunately for the Badgers, the schedule doesn’t get any easier, as they begin 2025 with a home pair against the OUA-leading Windsor Lancers on Jan. 18 and 19, with two matchups against the second-placed York Lions on the horizon for February. 

Women’s Volleyball – T-3rd in OUA (8-2 record) 

The Badgers are off to another sensational start, looking to win their fourth straight Quigley Cup as OUA Champions. 

The ninth-ranked team in the country has shown no signs of slowing down despite the graduation of last season’s OUA Women’s Volleyball Co-Player of the Year, Sara Rohr, who was also named the Badgers Female Athlete of the Year. Instead, fellow setter Mackenna Knox has risen to the occasion, leading the OUA in assists per set (10.03), while teammate Emily Foest ranks fourth in kills (133) and sixth in kills per set (3.33). 

As a team, the Badgers rank within the top three in the OUA in nearly every statistical category, sitting second in kills (488), hitting percentage (.241), points (651.5), block assists (119) and blocks per set (2.3), while ranking third in kills per set (12.2), assists (435), points per set (16.3), blocks (2.3) and serve receptions (715). 

Brock’s entertaining style of play should excite fans as another women’s volleyball playoff season is around the corner and the Badgers hope for a long ride to the national championships again. 

For a complete games and events schedule for all Badgers’ teams, visit gobadgers.ca, and stay up to date by following The Brock Press all season long. 

Summer McIntosh wins Northern Star Award after memorable 2024 

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Teen swimming phenom Summer McIntosh ends a remarkable 2024 season being named recipient of the Northern Star Award (formerly the Lou Marsh Trophy), awarded to Canada’s top athlete during each calendar year. 

The 18-year-old soared to new heights in 2024, dominating in the pool at the Summer Olympics while adding to her already impressive resumé with a noteworthy performance at the World Aquatics Championships. 

McIntosh dazzled in front in the Paris Olympic crowd, winning three gold medals — a Canadian single-Olympic Games record — and a silver, while setting two world records. Her four total medals helped her join Penny Oleksiak as the only Canadians to win four medals at a single Games, as McIntosh was the first swimmer since Oleksiak in 2016 to win the award and the ninth swimmer overall. 

She set a world record in the 200m individual medley with a time of 2:06.56 while also setting a record in the 200m butterfly, finishing the race in 2:03.03. 

The Toronto native added another first-place finish in the 400m individual medley — an event in which she set the world record earlier in the year at the Canadian Olympic Trials — and finished second in the 400m freestyle. 

Her standout performance earned her the honour of being the Canadian flag bearer for the closing ceremony, a nomination from the Canadian Olympic Committee that is awarded to the Olympian who performed exceptionally at the Games.  

But McIntosh wasn’t satisfied with just Olympic triumph. 

The former Etobicoke Swim Club member set a new standard in December’s FINA World Aquatics Championships, finishing the competition with three gold medals, a silver and a bronze, while setting three world records in Budapest. 

McIntosh swam to glory in the 400m individual medley (4:15.48), 200m butterfly (1:59.32) and 400m butterfly (3:50.25) events, setting short course world records — 25m length pool as opposed to Olympic-size 50m length — in all three events. 

She added to her lucrative medal haul in 2024 with a second-place finish in the 200m backstroke and placed third in the 4x100m relay with teammates Oleksiak, Mary-Sophie Harvey and Ingrid Wilm. 

Her successful 2024 season with a combined nine medals between the Olympics and World Championships earned her 2024 World Aquatics Female Athlete of the Year honours while being named The Canadian Press Female Athlete of the Year to go along with her Northern Star Award as the country’s top athlete. 

The Northern Star Award is awarded annually by the Toronto Star in consultation with journalists countrywide. 

The finalists for 2024 included Connor McDavid, who led the Edmonton Oilers to the Stanley Cup Final; Natalie Spooner of the PWHL’s Toronto Sceptres, who led the league in scoring and won the inaugural league MVP; Ethan Katzburg, who became Canada’s first hammer throw Olympic champion and the youngest hammer throw gold medalist of all-time; and Shai Gilgeous-Alexander, who was the recipient of the 2023 Northern Star Award and led the Canadian men’s basketball team to their first Olympic appearance since 2000. 

Sports fails that became legends  

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While the sports world often celebrates its most iconic moments, there’s another element that’s equally memorable: the unforgettable fails. These moments remind us that even the best athletes aren’t immune to mishaps, and sometimes they make sports even more entertaining.  

The infamous butt fumble  

The “Butt Fumble” stands as one of the most hilarious moments in NFL history. It occurred on Thanksgiving Day in 2012 during a highly anticipated matchup between the New York Jets and the New England Patriots. Jets quarterback Mark Sanchez was the star of this unforgettable blunder.  

The play began like any other. Sanchez took the snap and prepared to execute a handoff. However, the play quickly unravelled when a miscommunication with his running back left Sanchez with no one to hand the ball to. In an effort to salvage the situation, Sanchez decided to run the ball himself. As Sanchez rushed forwards, he collided headfirst into the backside of his teammate, offensive lineman Brandon Moore. The impact knocked Sanchez off balance and caused him to fumble the football. To make matters worse, the Patriots’ defense recovered the fumble and returned it for a touchdown. The entire sequence unfolded in just seconds, but the play was immediately dubbed the “Butt Fumble” by fans and the media. The Butt Fumble’s legacy was further immortalized when it earned an extended stay atop ESPN’s “Not Top 10” list as the worst play of the week for 40 consecutive weeks.  

Tear-away chic  

During a 2019 game between the Los Angeles Dodgers and the Toronto Blue Jays, Cody Bellinger’s pants decided they’d had enough. Sliding into third base after a bases-clearing double, his belt snapped and his pants gave up mid-slide, leaving him standing proudly at third in just his undershorts. Social media dubbed him the game’s MVP — not for his RBIs but for his “Most Valuable Pantslessness.” Fast forward to 2024, when history repeated itself in even more dramatic fashion. Now playing for the Chicago Cubs, Bellinger’s slide into third during a game against the Arizona Diamondbacks ripped his pants entirely thanks to MLB’s controversial uniforms, which players had jokingly referred to as “tear-away chic.” The unfortunate incident left Bellinger once again exposed.  

Hoop takedown  

During Shaquille O’Neal’s rookie season in 1993 when the Orlando Magic faced the Phoenix Suns, Shaq, already 7’1” and 325 pounds, had been dominating games all season, but no one could have predicted what was about to happen next. As the ball zipped into Shaq under the hoop, he turned, planted his massive frame, and went for a dunk that could only be described as apocalyptic.  

The rime didn’t stand a chance.  

The entire backboard collapsed — glass shards rained down, the shot clock came tumbling down with it and the support stanchion buckled like it had been hit by a train. Maintenance crews had to bring out a replacement hoop, which took over 30 minutes to install. Shaq definitely milked the moment, entertaining fans by mimicking Hulk-like expressions. What made the incident even funnier was that this wasn’t a one-time event. A few weeks later, Shaw did it again in a game against the New Jersey Nets, this time causing the entire hoop to collapse and the hydraulic lift to give out. At this point, the NBA had no choice but to redesign its backboards, implementing reinforced structures specifically because of Shaq’s unprecedented strength.  

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These aren’t just blunders — they’re stories that break through the intensity of competition and remind us why we love sports long after the final whistle. Sometimes, it’s not perfection that makes sports memorable, but the humanity behind the game.  

When competition turns into conflict  

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Rivalries are the heartbeat of sports, turning games into unforgettable moments. Here’s a glimpse at some of the most historic clashes that shaped the world of competition.  

These rivalries exhibit the intensity and determination of athletes competing at the highest level, while also capturing the emotions that resonate with fans around the world. Each clash tells a story of ambition, conflict and legacy.  

Mike Tyson vs. Evander Holyfield  

The rivalry between Tyson and Holyfield reached its peak in 1997 during one of the most bizarre moments in sports history: the “Bite Fight.”  

The lead-up to the fight was already steeped in tension. Tyson sought redemption after losing to Holyfield in their first bout the year before, a defeat that dented Tyson’s image as an unstoppable force.  

The Bite Fight began with Tyson aggressively attacking, but Holyfield’s defense proved impenetrable. Adding to Tyson’s frustration, Holyfield’s frequent headbutts — deemed accidental by the referee — left Tyson agitated. By the third round, that frustration boiled over. In an unprecedented act, Tyson bit Holyfield’s ear during a clinch, tearing off a piece of cartilage and spitting it onto the canvas. Referee Mills Lane deducted two points from Tyson and allowed the fight to continue, but Tyson, seemingly unrepentant, biut Holyfield again moments later. The fight was stopped and Tyson was disqualified. The aftermath of the fight was just as dramatic: Tyson faced public outrage and was fined $3 million, along with having his boxing license temporarily revoked.  

Detroit Pistons vs. Indiana Pacers 

In 2004, the Pistons hosted the Pacers in what started as an intense regular-season matchup but ended in an all-out brawl. With just 45 seconds left in the game, the Pacers were leading comfortably, 97-82. The game seemed all but over until a hard foul by Pacers forward Ron Artest on Pistons centre Ben Wallace sparked confrontation.  

Wallace retaliated by shoving Artest, igniting a pushing match between players from both teams. Officials and coaches managed to separate the players, and Artest, in an attempt to de-escalate the situation, lay down on the scorer’s table, removed from the chaos. The peace was short-lived as a Pistons fan in the stands hurled a cup of beer that struck Artest, causing the situation to explode.  

Artest charged into the stands, swinging at the fan he thought was responsible, and chaos erupted as other Pacers players, including Stephen Jackson, joined him in the scuffle. Fans retaliated, throwing objects and engaging in physical altercations with the players. The scene quickly spiraled out of control, with chairs being thrown, and pandemonium unfolding both on the court and in the stands. The brawl resulted in the game being called off, with fans storming the court and security struggling to regain control. The aftermath was dramatic as well. The NBA handed out some of the harshest suspensions in league history: Artest was suspended for the remainder of the season (86 games), Jackson received a 30-game suspension and Jermaine O’Neal was suspended for 15 games.  

Serena Williams vs. Maria Sharapova  

The rivalry between Willaims and Sharapova stands out as one of the most compelling narratives in tennis history — not because of its balance on the court but because of the drama and tension that surrounded it.  

It all began in 2004 at Wimbledon when a 17-year-old Sharapova shocked the world by defeating Williams in the final, a victory that seemed to herald the arrival of a new challenger to Serena’s dominance. Sharapova followed up this upset with another win over Williams later that year at the WTA Finals, igniting the belief that their head-to-head battles would define a generation of tennis.  

However, what followed was a streak of dominance by Williams, who won 20 consecutive matches against Sharapova from 2005 onward, reducing their rivalry to a one-sided affair on the court. Their matches were always highly anticipated, thanks to their different styles of play and tensions off the court. The rivalry took a sharper turn when Sharapova, in her 2017 autobiography, claimed Serena held a grudge after her Wimbledon loss, a claim Serena dismissed as irrelevant.  

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These rivalries demonstrate that sports are more than just games — they are theatres of emotion. They remind us that rivalries are the essence of competition, capturing not only the skill of the athletes but also the passion that defines the world of sports. These stories will continue to resonate, inspiring fans and fueling debates for generations.  

Welcome back Badgers, enjoy these fun January activities 

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Lots of Brock clubs and organizations have plenty of fun activities planned to welcome Badgers back for the new year. 

After what was hopefully a relaxing and festive winter break, Brock invites you to start the new year by jumping back into the action. The next four weeks are packed full of fun activities for students. Students should be sure to bring a valid Brock student card to participate in these exciting events. 

Poster Fair: Union Station Jan. 6 – 10 

From Monday, Jan. 6 to Friday, Jan. 10, BUSU’s poster fair is back. From 11 a.m. to 7 p.m. Monday to Thursday and 11 a.m. until 4 p.m. on Friday, check out the huge variety of posters in the Union Station. With a wide range of sizes, themes, colours and styles, students are sure to find something to decorate their rooms with. There’s no registration required and it’s open to all Brock students. 

Crafts and Hot Chocolate: Market Hall Jan. 9 

From 12 p.m. to 2 p.m. on Thursday, Jan. 9, SWAC and Student Life are hosting a craft session in Market Hall. After customizing your own hot chocolate, you can relax with painting, colouring, bracelet-making and more. Bring a friend or come meet new people as you unleash your creativity. 

Brews and Board Games: Isaac’s, every Thursday until April 

Isaac’s Lounge invites you to come hang out, enjoy weekly menu and drink specials, and choose from a variety of board games on Thursdays from 3 p.m. until 7 p.m. Don’t forget your valid student card and come with an appetite; you must purchase a drink or meal to play. There is a game time limit of 90 minutes per group. 

Pottery Painting and Pizza: Isaac’s Jan. 13 

Starting off Frost Week, BUSU’s annual welcome week back into the school term, is BUSU’s Pottery Painting and Pizza, a paid ticketed event with limited seating. Pottery is provided by local pottery store Crockadoodle, and the $5 ticket includes a piece of pottery, paint supplies and pizza. After the event, Crockadoodle will cure all the pottery items in a kiln, and an email will be sent to you when your piece is ready for pick up. Pick up will be at the BUSU Front Desk during office hours. 

During each Frost Week event, students can keep an eye out for the secret QR Poster and scan for a chance to win a gift basket valued at over $600, with a $200 Best Buy gift card, a $200 Foot Locker gift card and over $200 in Brock Campus Store items. 

Tuesday Clubs Fair, Trivia and Sexy Bingo: Jan. 14 

On the second day of Frost Week, students can meet new and returning clubs at the Clubs Fair at Union Station from 11 a.m. to 4 p.m. or head to Isaac’s for a fun game of trivia from 5 p.m. to 7 p.m., the first of a weekly event going on every Tuesday until April. Trivia is limited to four students per team and for Isaac’s customers only. The first-place team gets a $75 Walmart gift card, second place gets a $50 Uber Eats card, and third place gets $30 to Isaac’s Lounge. After Trivia, Isaac’s is hosting Sexy Bingo with local drag icon Vanity a la Mode from 8 p.m. to 10 p.m. Tickets are free, but spots are limited, and with $1,200 in prizes up for grabs, you don’t want to miss this popular event. 

Ice Skating at Canada Games and Collage Craft: Jan. 15 

From 10 a.m. to 2 p.m. on Wednesday, the third day of Frost Week, there is a free open skate at Canada Games Park. Skate rentals are available but limited. This is a free drop-in event and no registration is needed, but remember to bring your Brock card. The first 200 students to attend this event will receive a free pair of BUSU mittens. BUSU is also hosting in the evening a “New Year, New Me! Collage Making” event at Isaac’s with special guest host @paperbananas. This event is also free, but tickets are limited. Free pop and snacks will be available throughout the evening as you work on your own personal vision boards for your New Year’s resolutions. 

Free Hot Breakfast: Jan. 16 

Drop by Union Station on Jan. 16 from 7:30 a.m. until 10:30 a.m. (or until the food runs out!) for a full plate of fresh pancakes, sausages, eggs, crispy potatoes, juice, coffee and fruit. This event is part of the Food First Program which aims to address the growing issues of food and health insecurity among Canadian post-secondary students. 

Follow BUSU on Instagram and keep an eye on Brock’s ExperienceBU page for more information on these events and more. 

The best Christmas movies of all time, according to me 

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As the winter wind howls and exam season looms, it’s time for me to reflect on some of my favourite and most nostalgic holiday movies.  

The Nativity Story 

Picture this — you have just turned four years old. It’s nearly Christmas break, and you’re just wrapping up your fourth month of junior kindergarten. At school, it’s a red-and-green day and you bounce from classroom to classroom making nativity scenes out of popsicle sticks and winning strangely religious games of bingo. Soon, you find yourself in the library, the lights dimmed and a movie playing. The movie? The Nativity Story, featuring relative unknown Oscar Isaac.  

You’ve missed the first half — these stations are only 30 minutes long after all — but you wander in around the time that King Herod decrees all boys under the age of two should be slaughtered. Then, the movie proceeds to show in graphic detail exactly how this act was conducted. As you squint your eyes shut in horror, your hippocampus and prefrontal cortex decide that this is the perfect moment to finalize their development of the set of mature neuro-structures associated with the formation of autobiographical memories. While you sit flabbergasted that that the librarian has yet to realize that this movie is not appropriate for children, your brain is filing away its first ever memory! 

When I said that these Christmas movies made me nostalgic, I wasn’t kidding.  

Although 17 years later, I have yet to see Catherine Hardwicke’s 2006 The Nativity Story in full, I would be remiss not to include it on this list. I mean, what’s more nostalgic than a person’s first memory? While I wouldn’t recommend showing it to any child under the age of eight for the fear of traumatizing them for life, I still find it to be an interesting, more nuanced take on the classic Christian origin story (from what I was unlucky enough to see).  

The Polar Express 

While nonetheless horrifying for children under the age of five (don’t even get me started on Santa’s elves), The Polar Express is likely much closer to what you expected to see on this list. My family and I have watched this film every Christmas Eve for as long as I can remember, and while it was a heck of a lot more exciting when I believed in Santa Claus, I’m still not quite ready to give the tradition up.  

The Polar Express truly manages to bring together all the best bits of the Christmas movie genre. Its heartwarming story and heavy emphasis on the power of belief and wonder is beautiful and an incredibly necessary message to convey to children during the holidays. Even as an adult, the showstopping soundtrack makes it literally impossible to not shed a tear. The animation was truly ahead of its time and Tom Hank’s performance is still wildly impressive to this day.  

Bah, Humduck! A Looney Tunes Christmas 

While there is a good probability that only a niche audience will relate to my undying love for this holiday film, it can’t be ignored. For a long time, I thought my memory of it was the result of some feverish dream, but I stumbled upon the illegally burned DVD my grandfather pirated for me in 2006 a few years ago and I’ve never looked back.  

As you can tell, I seem to have been somewhat traumatized by Christmas movies up until this point, and usually any take on The Christmas Carol would end with the same result. Yet Bah, Humduck! A Looney Tunes Christmas somehow finds the perfect balance between absolute nightmare fuel and the most ridiculous cartoon you have ever seen in your life. The movie’s humor is versatile, the animation is impressive for its 2006 release date, but most importantly, it is truly the campiest thing I have ever witnessed.  

The incredible violence endured by Daffy Duck playing the role of Scrooge, who spends the entire film being battered, bruised and crushed into a concerningly thin pancake on multiple occasions is somehow comically genius. Almost better are the ridiculous antics of side characters like Porky Pig and Bugs Bunny, who end up in comically absurd situations. It’s so stupid, yet so entertaining.   

You’ve Got Mail 

I’ve got to start by saying that You’ve Got Mail isn’t a Christmas movie. I’m aware of that, yet it feels so all encompassingly Christmas-coded that it has to be on this list. In fact, as I’ve gotten older and outgrown a lot of the movies I watched as a kid, You’ve Got Mail has remained and taken its place as my favourite movie to watch during the holidays.  

Its warm colors and cozy vibes make it the perfect film to watch when it’s freezing cold outside. Meg Ryan and Tom Hanks are undoubtedly the best rom-com couple to ever grace the screen (see Sleepless in Seattle for further proof) and New York City will never again be as beautiful as it is in this film. Every year, I take my cold-weather fashion inspiration from Kathleen Kelly and one year, I got so into the film that “If Only” from the movie’s soundtrack was my number one song of the year. I cannot figure out how to express my undying love for this film in words, and even though I think it’s only Christmastime for about 15 minutes in the movie, You’ve Got Mail is the most nostalgic holiday movie of all time for me. 

What to know about the Liberals’ GST holiday 

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If it is passed into law, the GST holiday could provide a two-month tax break on a plethora of consumer items. 

On Nov. 21, the Government of Canada put out a news release outlining their latest venture to help provide Canadians with relief from the rising cost of living. Though the government recognizes that they “can’t set prices at the checkout,” they proposed new legislation, Bill C-78, asking for a two-month Goods and Services Tax and Harmonized Sales Tax (GST/HST) break that would be applied to “groceries and holiday essentials” to help Canadians save money. 

The tax break period is proposed to occur from December to February, as the holidays often cause a surge of costs for Canadian families.  

According to the statement, if the bill gets passed into law, Canadians will see “an estimated $1.6 billion in federal tax relief.” 

Businesses would be expected to remove the GST or HST from children’s clothing, including baby bibs, blankets and children’s winter accessories; children’s footwear, diapers, children’s car seats and print newspapers; books, excluding magazines, sales catalogues, some colouring books, books designed for writing in and more; Christmas trees as well as other decorative trees; many food and beverages found at the grocery store; restaurant meals; video-game consoles and select children’s toys. 

The full list of items, which outlines specific exclusions, can be found in the Government of Canada’s news release on the holiday. 

The news release outlines the significance of the proposed legislation especially in relation to the ever-rising cost of groceries, which has been one of the more noticeable consequences of the rising cost of living in Canada. 

The two-month tax break promises to make “essentially all food GST/HST free” so all Canadians can benefit from the government’s efforts to bring down daily costs. 

The news release also outlines that the GST/HST costs would be relieved on the importation of any of the covered items if they are imported during the two months in which the tax break will take effect. 

The tax break would be automatically applied to any of these goods at the register, so there will be no tax on the final price. 

There were mixed reactions to the proposed bill in Parliament. Pierre Poilievre, leader of the Progressive Conservative Party, warned that his party would be voting against the bill. 

Poilievre said the bill is only coming from desperation on behalf of Trudeau, who has “lost control but [is] trying to hold on to power.” 

He went on to call the bill an “irresponsible and inflationist […] tax trick” and said that his party will not show their support of it in Parliament. 

The Bloc Québécois sided with the Conservative Party and agreed that they were not supporting the bill, calling it an effort for “the Liberal government […] to buy votes.” 

Despite the Bloc and Conservative’s opposition toward the GST holiday, the bill was passed by a majority in the House of Commons on Nov. 28, bringing it closer to being passed through into law. 

Bill C-78 must still pass through the Senate for it to occur this month. If passed, the tax holiday will take effect from Dec. 14 to Feb. 15, 2025. 

Trump threatens 25 per cent tariff on Canadian goods 

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U.S. president-elect Donald Trump threatened to increase his planned tariff on Canadian goods to 25 per cent, leading to prompt meetings with Prime Minister Justin Trudeau in an attempt to facilitate negotiations. 

On Nov. 25, Trump made a post on the Truth Social platform outlining his plans to charge Mexico and Canada with a 25 per cent tariff on goods that enter the United States. 

In the post, Trump said that the tariff will be “one of [his] many first Executive Orders” to be signed on Jan. 20 when the presidential transfer of power occurs. 

Trump cited the “ridiculous open borders” where the U.S. connects to Canada and Mexico as a reason for the tariff, saying that the countries allow the flow of illicit substances, “in particular fentanyl,” as well as “illegal aliens” into the U.S. 

He said that the two countries have the “absolute right and power to easily solve this long simmering problem” and said that the increased tariff will be the solution. 

If Trump instates the 25 per cent tariff, experts suggest it will be economically costly for Canada. 

The threat has already begun to ensue chaos in Canada, with impacts being seen in the dropping value of Canadian currency as the government considers their next move. 

Ian Lee, an associate professor at the Sprott School of Business at Carleton University, told CBC News that the threat “is just completely bad news” and could have overwhelming impacts on the Canadian economy. 

He noted that two-thirds of Canada’s GDP is dependent on trade and that the U.S. is Canada’s most significant trade relationship, emphasizing the possible catastrophe that could come from added costs. 

Many Canadian politicians also showed concern to Trump’s proposed tariff. 

In a post on X, Premier Doug Ford called the proposed tariff “devastating,” asking Trudeau to facilitate a “Team Canada” response and urgently craft a plan forward. 

Trudeau mirrored this response, deciding to meet with Trump on Nov. 29 in West Palm Beach, Florida, to discuss the proposed tariff. 

Trudeau commented that he and Trump had “an excellent conversation,” but did not say whether the 25 per cent tariff was off the table. 

Trump echoed Trudeau’s sentiment in a post on Truth Social where he described the meeting as “very productive.” Trump said the two discussed the drug crisis, illegal immigration, Fair Trade Deals with American workers in mind and the trade deficit between the two countries, among other topics important to the relationship between the U.S. and Canada which Trump plans to address during “and before” his time in office. 

Trump said that Trudeau “made a commitment to work with [the U.S.] to end [the] terrible devastation of U.S. families” as a result of the drug crisis. 

Despite the lack of resolution on the topic of the 25 per cent tariff, the seemingly positive state of Canada-U.S. relations signals some optimism in preventing a decision that professionals agree could only do harm to both the trade relationship between Canada and the U.S. as well as Canada’s economy.