Score: 4/5  Djo summons new musical directions for his third studio album, a mostly successful venture that capitalizes on the success of the softer sounding “End of Beginning.”

With 35 years passing since its release, the Cocteau Twins’ Heaven or Las Vegas remains an undoubtably iconic piece in the band’s discography and alternative pop music at large. 

Score: 2.5/5  Go watch A Minecraft Movie in theatres. Yep, that’s it. That’s the review.

After three decades, Björk’s sophomore album remains as vibrant as ever. 

Even if you haven’t already heard of Black Mirror, you’ve almost certainly been living through it. Black Mirror, Netflix’s hit anthology series created by Charlie Brooker, explores the dangers of technology through an array of thought-provoking episodes, asking a series of “What if?” questions that leave you questioning everything you know about humanity and our overreliance on technology.  

Score: 4/5  Being the first installation of a two-album conceptual project from Men I Trust this year, Equus Asinus is a tranquil work that matches the band’s well-worked sound.

The Vertigo Music Festival was an electric showcase of local musical talent, highlighting the importance of community in these dire days of political division. 

So, you’re a novice Canadian writer looking to see your name in print.  

With the end of the at-one-time weekly comedy podcast Cum Town recently being made official by its hosts, a reflection on its cultural significance and, as a fan, an ode to its unique comedic character seems past due.  

When I stumble out onto the ice-covered sidewalk of Queen Street East from the warmth of the packed streetcar, I have only two things on my mind: Josh Jenkinson and a ride back to Union Station.