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The music that shaped my summer ‘24 

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Every year, discussion about what the official song of the summer is runs rampant both inside and outside of the music community. While there may never be a clear answer on who exactly earned that title, as the leaves start to change colour, now is the perfect time to reflect on the music — both new and old — that shaped my summer of 2024. 

“104 Degrees” by Slaughter Beach, Dog: 

I discovered “104 Degrees,” written by the collective genius of indie rock band Slaughter Beach, Dog, towards the end of April, just as the Northern Hemisphere was reuniting with the massive, nearly perfect sphere of hot plasma we call the sun after seven long months of separation. While the song had long since made its rounds, having been released in 2017, “104 Degrees” felt fresh upon my first listen.  

Bursting with uncontainable energy, this brash track builds a colourful sonic landscape around a simple four-chord progression. While you couldn’t quite call the vocalization on this song anything more than a rhythmic style of speaking, the skillful layering of electric guitar, bass, drums and synth create a constant state of urgency that matches the narrative content of the lyrics. With each verse bookended by a series of intense drum fills, “104 Degrees” is like a runaway train and as the track abruptly ends, the listener is left in a state of disembodied confusion. 

While I am a fan of all of Jake Ewald’s many musical projects, “104 Degrees” and its iconic droning slide guitar would undoubtedly be the soundtrack playing at the end of the coming-of-age movie chronicling my final hazy summer as an undergraduate student.  

“Guilty as Sin?” by Taylor Swift: 

A fan favourite (or at least my favourite) from Taylor Swift’s newest album The Tortured Poets Department, “Guilty as Sin?” underscored the final days of my windswept spring and the early months of my languid summer with its synth-driven beat.  

Track nine on the original version of the album, “Guilty as Sin?” is a laid-back, rolling take on the confusion surrounding the early days of an all-consuming romantic connection. Swift shows off her lyrical prowess in this song, each eloquent word backed by Jack Antonoff’s signature airy synth style.  

The only new song here, “Guilty as Sin?” fought tooth and nail for its slot on the list, coming in as my most-played song in both May and June.  

“Road Regrets” by Dan Mangan: 

While I am admittedly unfamiliar with the rest of Dan Mangan’s discography, I am still going to ignorantly make the statement that “Road Regrets” is the singer/songwriter’s best song to date.  

The first track of Mangan’s quintessential album Nice Nice Very Nice, “Road Regrets” takes its listener on a raring, raucous musical journey to create its brash and chaotic sonic soundscape. Built on the back of impassioned and fervent acoustic guitar, Mangan layers pounding piano, smashing symbols and a bold bass line to create a nearly unnavigable auditory panorama. As the song builds, Mangan’s vocals grow more desperate, pleading and raw, but never overpowered by the circus of sounds convening below him.  

Completely untouchable in its pandemonium-like greatness, “Road Regrets” has consistently maintained its standing amongst a constantly changing landscape of my musical favourites, making it one of the most influential songs of my summer break. 

While I cannot say for certain which of these three impeccable tracks would take the number one slot for my song of the summer, I do know that they all, without a doubt, will be remembered eternally as the music that made these past few months so insurmountably great.  

Alanis Morisette’s “Jagged Little Pill” and the origins of irrepressible female rage 

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Everyone knows Jagged Little Pill, giving it the fitting placement of Alanis Morisette’s essential album as per Apple Music’s curation team.  

Growing up, songs like “Ironic” and “Hand in My Pocket” were always playing on the radio and if your Canadian Gen X parents were anything like mine, the rest of the album played on perpetual repeat during car rides. I distinctly it being the background to car rides home.  

I cannot recall a time in my life that I didn’t find Morisette’s drawling angst and eternal sarcasm catchy and coming up on the 30th anniversary of its release, Jagged Little Pill is still one of the most influential Canadian albums of all time.  

But the question becomes, what about Jagged Little Pill has made it so iconic? Is it the album’s muddy, distorted electric guitar backbone? Morisette’s guttural vocals and unrelenting lyrical brilliance? Or is it simply the fact that Alanis Morisette picked the perfect time to make her mark on the completely male-dominated genre of alternative music? While it could be any of these individual factors or a combination of them, Jagged Little Pill is undeniably a seminal example of female nerve.  

Often referred to as a feminist manifesto, Jagged Little Pill sold more than 33 million copies upon its release and went on to win various awards at the Grammys. The album’s release was a turn in a different direction for Morisette, whose prior (relatively unsuccessful) work had given her a dance-pop image and the moniker “Too Hot” Alanis. On a journey to share her truth, the album everyone has come to love today was formed. “I think [Warner] thought it was a little too caustic, and they were just afraid of how intense it was, to be honest,” Morisette told CBC. “And I said, ‘Well, I’m 19 and I’m intense.’” 

Opening with the tumultuous “All I Really Want,” Jagged Little Pill tells you exactly what it is all about within 60 seconds of its first track. Bursting through the gate with a thundering electric guitar and screeching harmonica, “All I Really Want” begs to be heard, just like Morisette. It was everything that everyone at Warner had worried it would be, but that’s what made it so good.  

Continuing with iconic tracks like “Hand in My Pocket,” “Right Through You,” “Ironic” and “Not the Doctor,” Jagged Little Pill is a masterpiece from start to finish. And while the album manages to bring its listeners all over the place throughout its 49-minute run time, the sonic atmosphere remains the same, making it one of those uniquely perfect albums you can play front to back without losing any of its angsty energy. 

Generative AI threatens Canadian democracy 

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As voters increasingly depend on social media and the public continues to get familiar with generative AI platforms, democracy relies on voters to sufficiently research the political claims they find online — leaving it with an unsteady fate. 

Generative AI’s most recent havoc on Canadian politics occurred after one of Pierre Poilievre’s rallies in July, when numerous posts popped up on X describing first-hand accounts of the rally. 

Upon further investigation, the posts were revealed to be written by bots coming from outside of Canada

The event propelled research into the abilities of free, public-use generative AI chatbots to spread political misinformation. 

According to a CBC News report, researchers at both Concordia University and the University of Ottawa found that many public-use generative AI systems would produce false accounts of political rallies held by a number of Canadian politicians if asked. 

University of Ottawa professor Elizabeth Dubois told CBC News that many generative AI chatbots’ skill in creating political misinformation signals “a gap in our regulatory system.” 

There have been many occurrences of AI being used to deceive voters online, most notably the rise in “deepfakes,” where artificial intelligence is used to mimic an individual’s face and voice and construct a realistic looking and sounding version of them saying virtually anything. There are countless deepfakes of Canadian politicians for both humorous and serious purposes. 

Regardless of the intent, all falsified political information is deceiving to voters who are not aware of how easily misinformation can spread online. 

The case of AI-generated textposts is particularly troubling, as posts on social media claiming to be audience members at a political rally seem far more subjective and difficult to prove as inherent efforts to spread misinformation. 

While AI-generated images are usually much easier to identify because they often have many inaccuracies and do not look fully realistic, AI-generated writing can be tweaked using specific prompts to outline what kind of tone, vocabulary and opinion the output should possess. 

The accessibility of unrestricted generative AI systems to the public will only continue to threaten and undermine Canadian democracy.  

Assuming all voters will conduct detailed research on every political comment they read online is unrealistic. It is especially difficult to fact-check something subjective like an individual’s experience at a rally.  

Although CBC’s reports outline that the AI-generated posts were not a sophisticated attack on Canadian democracy, the fact that the attack was easy enough to be conducted by those who experts deem as “amateurs” is concerning. 

Without proper regulations, AI chatbots give the public free reign to quickly produce realistic pieces of political misinformation, making it easier to manipulate the many voters who are unaware of the truth — or lack thereof — in the political information they find online. 

It is necessary that in the year leading up to the federal election, voters must search extra hard for the truth amidst the ease with which political misinformation can be spread online with AI and in general. 

Chappell Roan and the sacrifices that come with fame 

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Chappell Roan makes a lot of good points on the unacceptable treatment of celebrities by their fans. However, if she can’t handle basic fan behaviour, she shouldn’t have entered an industry that actively encourages it. 

After years of releasing music, Roan hit the media spotlight earlier this year and her career shows no signs of slowing down. With an aesthetic style inspired by drag queens and music often described as “campy,” Roan has cemented herself as a modern-day LGBTQ+ icon and an important pop figure. 

It’s worth mentioning that her music really is impressively catchy. It’s unfortunate, then, that her explosive fame would lead to consequences that Roan seemingly can’t handle. 

In a TikTok posted on Sept. 19, Roan described her unpleasant experiences dealing with fans in real life: 

“If you saw a random woman on the street, would you yell at her from the car window? Would you harass her in public? Would you go up to a random lady and say, ‘can I get a photo with you?’ And she’s like, ‘no, what the f—?’ And then you get mad at this random lady? Would you be offended if she says no to your time because she has her own time? Would you — would you stalk her family? Would you follow her around? Would you try to dissect her life and bully her online? This is a lady you don’t know. And she doesn’t know you at all. Would you assume that she’s a good person; assume she’s a bad person? Would you assume everything you read about her online is true? I’m a random bitch. You’re a random bitch. Just think about that for a second, okay?” 

First things first, it’s important to draw a very important distinction between what is “normal fan behaviour” and what is genuine harassment or abuse.  

When it comes to stalking celebrities, following them around, touching them without consent or reaching out to their families, Roan is absolutely correct: that type of behaviour is highly inappropriate no matter who you’re dealing with or how many followers they have online. No one deserves to be treated that way, and that includes celebrities. 

The issue with Roan’s statement is that she groups in fans who ask for photos with others that stalk her family. Whether she likes it or not, there is a notable distinction, and the former falls under the umbrella of typical fan behaviour. 

Perhaps the most glaring flaw in Roan’s argument is that she, too, is a “random bitch.” Unfortunately for her, when she enters the music industry and builds her career on holding the spotlight in front of tens of millions of admirers — especially when a central facet of her public identity revolves around the nuance of the LGBTQ+ community — she is absolutely not a “random bitch” to her followers. She’s someone they look up to with respect, admiration and support. 

Roan is right in the sense that her fans don’t know anything about her personally. It’s not hard to believe that there are some parts of her life she’d rather keep private, and she deserves every right to that privacy. However, to suggest that she is no different from any other random individual on the street is completely untrue. When you make a profound impact on the lives of others, it’s not unreasonable for them to want to take the opportunity to say hello if they see you in person. 

Again, a lot of Roan’s points hold merit. She has every right to say no to a photo, just like she has every right to say no to a hug. Fans who get upset with her for this are selfish, disrespectful and intrusive, to say the least. Celebrities deserve personal space just like anyone else. However, the act of asking for a photo or a hug from someone who’s made a deep impact on your life or personal identity is completely reasonable, and Roan’s ‘what the f—?’ response suggests she might not have been fully prepared for the career path she aligned herself with. 

It’s worth mentioning that Roan’s intense fame has rapidly ballooned, so she may need to take time to adjust to this sudden life change. However, by publicly insinuating that fans who have simply asked for a photo are somehow unreasonable, she’s directly insulted the very group of people that allowed her to reach viral success in the first place. 

Roan further clarified her points in a follow-up video posted shortly after her original statement: 

“I don’t care that abuse and harassment, stalking, whatever, is a normal thing to do to people who are famous, or a little famous. I don’t care that this crazy type of behaviour comes along with the job, the career field I’ve chosen. That does not make it okay. That doesn’t make it normal. Doesn’t mean that I want it; doesn’t mean that I like it.” 

Roan says she doesn’t care, but unfortunately for her, this is of no consequence. The reality of the situation is that it doesn’t matter whether she cares or not; fans will continue approaching her seeking an interaction regardless of her feelings on the matter. While stalking and harassment are certainly forms of abuse, the other interaction she refers to — namely, fans approaching her and asking for a photo — is an example of basic fan behaviour, and that’s simply a normal part of being a celebrity. It’s something that is inadvertently accepted when someone willingly pursues stardom. 

It’s understandable that Roan wants to have personal time where she doesn’t need to worry about greeting fans, but sadly, this is simply something you sacrifice when you become a celebrity. The fact that celebrities need to deal with paparazzi and nonstop fans isn’t exactly a secret, and it’s a risk anyone should be aware of before they pursue a life of fame. 

This isn’t to say that the mental health of celebrities doesn’t matter, or that they aren’t deserving of support in this struggle. This point does not devalue the importance of free time, and ultimately, Roan’s frustrations are completely understandable. 

But if this is a career path you’re choosing to follow, there are consequences you need to consider. It’s unfortunate that this is part of being a celebrity, but that’s just the way it is — whether you “care” or not. 

Badgers’ women’s soccer picks up first point of season

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The Brock Badgers women’s soccer team finished the weekend with a loss and a draw against the Western Mustangs, the fourth-ranked team in the country, to start the season 0-3-1. 

Game 1: Brock 0, Western 2 

In Friday’s opener at Brock’s Alumni Field, the Badgers had their share of chances but ultimately fell short after two second half goals sealed the 2-0 win for the Mustangs. 

Stefanie Young, Badgers’ rookie forward, ignited the Brock attack with two shots on target within the game’s first 12 minutes, forcing a pair of key stops by Mustangs’ keeper Sam St. Croix to deny the home side from opening the scoring. 

St. Croix was called upon twice more in the first half, rejecting Irelan Scanlon and Jenna Parris, as the Mustangs keeper had four of her seven saves in the opening half. Her goalkeeping counterpart, Brock’s Shae Mitchell, was also busy in the first half, picking up three critical saves to keep the match scoreless entering halftime. 

In the second half, the teams traded back-and-forth chances until Western’s 56th-minute substitute, Tessa Dubeis-Phillip, broke the deadlock in the 71st minute for her first goal of the 2024 season. 

Six minutes later, the Mustangs doubled their lead as Avarie Thomas converted from the penalty spot to seal the 2-0 Western victory. 

The loss didn’t come without opportunity as the Badgers finished the match with 12 shots, five of which were courtesy of Young and four from Sabrina Bisante — the Badgers’ Female Athlete of the Week for the week ending Sept. 1 — as they continue to look for an offensive breakthrough this season. 

Game 2: Western 0, Brock 0 

Sunday’s matchup ended scoreless at Western’s Alumni Stadium in London, resulting in the Badgers earning their first point of the season. 

However, the draw didn’t come without a sound defensive effort, including a stellar performance by Mitchell in between the posts to pick up the first clean sheet of her OUA career. 

Mitchell was called upon from the opening kickoff, defending against a pair of Mustang shots in the opening 30 seconds of the match, as the Western side was beaming with confidence seeking their fourth consecutive victory to start the new season. 

Moments later, the second-year goalkeeper denied Western’s Gabby Kohut and Mackenzie Bilotta as the Guelph-native made five critical stops in the opening 15 minutes of the match, facing 10 shots in the first half. 

The offensive dominance continued in the second half with the Mustangs earning a corner within the opening minute and forcing another decisive save by Mitchell to keep the match level. 

A trio of second half substitutions for the Badgers wasn’t enough to solve Western’s superior backline as Brock remained volatile for much of the match. 

The Mustangs finished the game with 16 shots compared to Brock’s five and nine corners versus the Badgers’ two. Mitchell came up with eight quality saves, her second-most in a game this season after earning nine stops on Aug. 30 in a 2-1 defeat against Laurier, keeping the game 0-0 until the final whistle. 

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Next up for the Badgers, who are in dire search of their offence having only scored twice in four matches this season, host the Algoma Thunderbirds next weekend, a team that they beat 2-1 and 9-0 last season — the most goals they’ve scored in a game since beating Algoma 9-1 in 2015. Kickoff is scheduled for 1 p.m. on Sept. 15. 

For more information about the Badgers women’s soccer team, head to gobadgers.ca. 

ICYMI: Every Canadian medalist at a historic Olympic Games

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The Canadian Olympic team captured a historic 27 medals (nine gold, seven silver, 11 bronze) at the Paris 2024 Summer Olympic Games, marking the most medals Canada has ever earned at a single non-boycotted Summer Games. With history in the making, here are the athletes who helped Canada achieve their historic medal count. 

Alysha Newman (Bronze – Pole Vault) 

Alysha Newman won her first Olympic medal, setting a new personal and Canadian record of 4.85 metres to win the bronze, her first medal at a major international competition since placing third at the 2019 Pan American Games. 

Camryn Rogers (Gold – Hammer Throw) 

Camryn Rogers successfully defended her 2023 World Athletics Championships gold medal to remain as the world champion in women’s hammer throw. The Richmond, B.C.-native had a gold medal-winning throw of 76.97 metres to finish atop the podium. 

Christa Deguchi (Gold – Judo 57 kg) 

Christa Deguchi won the gold medal in the judo 57 kg weight class in her Olympic Games debut to add to her growing trophy case. The 28-year-old now has 10 medals in major international competitions, including three gold and a silver at the Pan American Championships, two golds, a silver and a bronze at the IJF World Championships, and a gold at the 2022 Commonwealth Games. 

Eleanor Harvey (Bronze – Fencing Individual Foil) 

Eleanor Harvey of Hamilton won Canada’s first-ever Olympic fencing medal, defeating Italy’s Alice Vopli 15-12 in the bronze medal bout. 

Ethan Katzburg (Gold – Hammer Throw) 

Ethan Katzburg won Canada’s first gold medal in the men’s Olympic hammer throw competition ever, becoming the youngest winner of the event and the only thrower in the field that surpassed the 80-metre mark.  

The 22-year-old unleashed a throw of 84.12 metres on his first attempt — 4.15 metres ahead of second place, marking the largest win margin since the 1920 Olympics — as the 2023 World Athletics Championship gold medalist now owns the ninth-best throw in Olympic Games history. 

Ilya Kharun (Bronze – 100m Fly, 200m Fly) 

Ilya Kharun placed third in both the 100m and 200m butterfly in his inaugural Olympic Games. The 19-year-old finished the 100m race with a time of 50:45 and the 200m race in 1:52.80. 

Josh Liendo (Silver – 100m Fly) 

Josh Liendo beat fellow Canadian Kharun for the silver medal in the 100m butterfly event and was nine-tenths of a second away from the gold medalist, Kristóf Milák. Liendo, a native of Toronto, nearly doubled his medal tally, placing fourth in the 50m freestyle and a pair of fifth-place finishes in the men’s and mixed medley relays. 

Katie Vincent (Gold – Canoe/Kayak Sprint C-1 200m, Bronze – C-2 500m) 

Katie Vincent beat 2020 Olympic gold medalist Nevin Harrison to steal the C-1 200m Olympic crown and win her first career Olympic gold medal. 

Kylie Masse (Bronze – 200m Backstroke) 

Kylie Masse added another Olympic medal to her collection, finishing third in the 200m backstroke with a time of 2:05.57, just behind the gold medalist and new Olympic record-holder Kaylee McKeown at 2:03.73. The University of Toronto alum now has five Olympic medals after winning two silver and a bronze at Tokyo 2020 and a bronze at Rio 2016. 

Marco Arop (Silver – 800m)  

Marco Arop narrowly missed out on becoming an Olympic champion, finishing one-hundredth of a second behind the winner, Emmanuel Wanyonyi, of Kenya. Arop’s time of 1:41.20 set a new Canadian record and was the fourth-fastest time in the history of the Olympics — a massive improvement from his 14th-place finish in Tokyo. 

Maude Charron (Silver – Weightlifting 59 kg) 

Maude Charron, Canada’s opening ceremony flag bearer, captured her second consecutive Olympic medal, lifting 236 kg — 106 kg in the snatch and 130 kg in the clean and jerk — to win the silver. 

Men’s 10m Synchro Diving (Bronze) 

Rylan Wiens and Nathan Zsombor-Murray won their first Olympic medals, finishing with a score of 422.13 to win the bronze. The pair have now won four medals together, including a silver at the 2023 Pan American Games and 2022 Commonwealth Games, and a bronze at the 2022 World Aquatics Championship. 

Men’s 4 x 100 Metre Relay (Gold) 

Andre De Grasse, Jerome Blake, Aaron Brown and Brendan Rodney captured their third consecutive Olympic relay medal — bronze at Rio 2016 and silver at Tokyo 2020 — winning Canada’s first gold in the men’s 4 x 100-metre relay since 1996. The gold medal performance marked De Grasse’s seventh Olympic medal, tying him with Penny Oleksiak for the most Olympic medals by a Canadian athlete. 

Mixed Doubles Tennis (Bronze) 

Feliz Auger-Aliassime and Gabriela Dabrowski defeated Dutch duo Wesley Koolhof and Demi Schuurs in straight sets, 6-3, 7-6 (2), to win Canada’s first Olympic tennis medal since 2000. Auger-Aliassime nearly added another medal to Canada’s historic count in the men’s singles competition, finishing fourth in the draw. 

Phillip Kim (Gold – Breaking) 

Phillip Kim, a.k.a. B-Boy Phil Wizard, won the first ever men’s breaking competition at the Olympic Games, defeating Frenchman Danis Civil 23-4 to win his fourth gold in a major competition. 

Skylar Park (Bronze – Taekwondo 57kg) 

Skylar Park, the three-time Pan American Championship gold medalist, defeated Lebanon’s Laetitia Aoun 2-0 in the bronze medal contest to place third, winning her first career Olympic medal. 

Sophiane Methot (Bronze – Trampoline) 

Sophiane Methot followed up her 2024 FIG World Cup bronze medal performance, placing third in her inaugural Olympic Games. The Longueuil, Q.C.-native scored 55.650 points, 0.14 points ahead of China’s Zhu Xueying, to finish on the podium. 

Summer McIntosh (Gold – 400m IM, 200m Fly, 200m IM; Silver – 400m Freestyle) 

Summer McIntosh had an incredible summer, becoming the first Canadian to win three gold medals at an Olympic Games and only the third Canadian swimmer to win two or more golds at an Olympics, joining George Hodgson (1912) and Alex Baumann (1984).  

After winning a silver in the 400m freestyle, the then 17-year-old took the world by storm, setting a new Olympic record in the 400m individual medley (2:06.56) and 200m butterfly (2:03.03). The Toronto native also won the 200m individual medley event, joining Penny Oleksiak (2016) as the only Canadian Olympian to win four medals at a single Olympic Games. 

Women’s Beach Volleyball (Silver) 

Melissa Humana-Paredes and Brandie Wilkerson won Canada’s first-ever women’s beach volleyball medal, as the former York Lions’ volleyball stars finished second in the competition. 

Women’s Canoe/Kayak Sprint C-2 500m (Bronze) 

Katie Vincent doubled her medal haul in Paris, joining teammate Sloan MacKenzie to place third in the C-2 500m competition, six-tenths of a second behind the Ukrainian team to finish in the bronze medal position. 

Women’s Eight Rowing (Silver) 

Jessica Sevick, Caileigh Filmer, Maya Meschkuleit, Kasia Gruchalla-Wesierski, Avalon Wasteneys, Sydney Payne, Kristina Walker, Abby Dent and coxswain Kristen Kit — who is from St. Catharines — captured the silver medal with a time of 5:58.84, finishing ahead of the British and behind the Romanians for second place. 

Women’s Rugby Sevens (Silver) 

Canada’s rugby sevens team captured Canada’s best ever result at the Olympic Games, winning a silver medal after a narrow 19-12 loss to the back-to-back Olympic champions, New Zealand. 

Wyatt Sanford (Bronze – Boxing 63.5 kg) 

Wyatt Sanford captured his fifth straight medal at a major competition. The 25-year-old followed up his gold medal- winning performance at the 2023 Pan American Games with a bronze, after defeating Uzbekistan’s Ruslan Abdullaev 4-1 to place on the podium. 

Inked in the history books, the Canadian Olympic team will look to rewrite history once again when the 2028 Summer Olympic Games head to Los Angeles.  

For a full list of results from Paris 2024, head to olympics.com. 

Charli XCX’s “BRAT” is a timely vision of pop music’s future 

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Score: 5/5 stars 

The U.K. pop star’s latest album is effortlessly cool and demonstrates her knack for being ahead of the curve. 

If you’ve scrolled through any corner of the internet or social media during the past three months, you’ve surely encountered a certain shade of vomit green, in most cases paired with an unfocused black lowercase type in the centre.  

This captivating eyesore of a pairing was coined by the cover artwork to U.K. artist Charli xcx’s latest album BRAT, released on June 7. Though previously known for her 2014 hit “Boom Clap,” Charli has long been a prolific figure in the alternative pop music scene with several acclaimed releases and a loyal cult-like fanbase, deemed “Charli’s angels.” 

To fans and critics, Charli’s approach to pop is regarded as a cut above the norm, laying the groundwork for the hyperpop subgenre which is characterized by exaggerated pop elements and aggressive synths. The plasticized nature of the hyperpop sound straddles the line between satire and legitimacy, a simultaneous parody of pop music’s consumeristic pandering and an intentional, artistic vision of what it could be. 

Musical technicalities aside, what BRAT achieves in today’s pop culture landscape is a 360-degree view of cult pop stardom and an inquiry into what it means to be a “relatable” artist. Its grandeur feels like the beginning of a vibe shift in pop music, but Charli reminds listeners that she’ll always be one step ahead. 

An element crucial to the BRAT ethos is the feeling of exclusivity, being “in the know.” Charli exercised this prior to any album title or cover artwork announcement by creating a private Instagram account with the username “360_brat” in August 2022. 

She began teasing a new album at the end of 2023, with audio snippets of the lead single “Von dutch” on TikTok and a Boiler Room DJ set. Perhaps no better representation of the BRAT era’s exclusive quality is the limited tour for the album, with only seven dates in total.  
The ongoing “brat summer” meme that followed the album’s release thrived off exclusivity and urgency: making the most of your time and getting in the club while there’s still room. It’s a brilliant marketing strategy that promoted both the album itself and Charli’s reputation as a cultural auteur. At the end of August, Charli confirmed on X (formerly Twitter) the eternal death of the meme with the message, “goodbye forever brat summer.” 

Returning to the music itself, the album opens with “360,” a bouncy, concise track that touches on the essence of what it means to be, well, “brat.” Throughout the song, Charli pays tribute to various figures in her inner circle, including actress Julia Fox, model Gabriette and her longtime producer and collaborator A.G. Cook.  

The effectiveness of the song as an opener is built on both its undeniable, earworm-level catchiness and just the right amount of irony to still be likeable.  

The references Charli makes are to people many would not know — influencers and models heavily local to New York City and L.A. alone — though her sardonic tone implies an expectation that one should know, there’s also a palpable subtext of making fun of this expectation. The post-ironic tone addresses the relevance of people in the underground scene, but also feels like an earnest tribute to these last bastions of dying subcultures. 

The second track, “Club classics,” sets the tone for the album’s aggressive club sound, with wonky bass and additional tributes to her creative collaborators. It’s no surprise why it was released as the album’s second single alongside “B2b,” both serving the purpose of keeping musical momentum at their respective places in the tracklist. 

The brassy confidence of the first two tracks is quickly shot down by “Sympathy is a knife,” where Charli speaks on her insecurities around sharing a space with another, more commercially successful female peer in the industry who she “couldn’t even be if she tried.” Despite the reassurance she receives over being different from this individual, it’s difficult for the sympathies not to sting. 

This same theme is examined later in “Girl, so confusing,” a tribute to the dynamic women in music, and the way they might feel after being pit against each other by fans. After weeks of fan speculation, the individual addressed in this track was revealed to be Lorde through a remix, whom Charli was often confused with as an ongoing internet meme inspired by a spoof interview

In each verse she toys with the complexities of relationships between women, the feelings of similarity and difference and being at an awkward standstill at the mercy of fan narratives. She leaves with the idea that maybe the confusion is what they have in common. 

A track largely overlooked in the collection is “Talk talk,” an approachable, straight-forward pop anthem where Charli sings from a place of anxiety wondering if an on-and-off partner of hers will speak to her in the club after a period of silence. It’s an anthem for the messy tension of the situationship age, always on the verge of bursting into something bigger, ending with the line “shall we go back to my place?,” confirming that he did, in fact, talk to her. 

Few other tracks are quite as dynamic as the album’s centrepiece, “Everything is romantic,” which begins with lush synths and strings before rocketing into an up-tempo Brazilian funk melody. Maybe there truly is nothing more to the lyrics than just aesthetic impressions — maybe Charli would criticize the need to make sense of the song — but there is worthy commentary to be made about the snapshots she uses to paint the scene.  

There is a shared element of transience among the objects and activities she lists off. From “early nights in white sheets with lace curtains,” to “winding roads doing manual drive,” she paints an idealized scene relying on the feelings evoked by snapshot moments. Even the rush of getting a “bad tattoo on leather tanned skin” exists in the moment itself. In part it feels like a testament to modern age aesthetics, for instance the satisfaction one might get scrolling a Pinterest board for summer fashion inspiration. 

After the thumping techno bass, the track opens into ambience once again, finishing with the repetition of the line “fall in love again and again.” This drills home the mantra of romanticizing the fleeting nature of things and falling in love with the mere idea of romance again and again.  

It should come as no surprise that BRAT has been hailed as Charli’s most emotionally vulnerable album to date. On several tracks the lyrics flow as a confessional stream of consciousness.  

On the album’s first ballad, “I might say something stupid,” she addresses insecurities over feeling unwelcome in the realm of industry fame, being “famous but not quite.”  

The theme of industry success returns on “Rewind,” where Charli calls herself out for previously never thinking about Billboard music charts but wondering again on how deserving she is of commercial success. This sentiment is reintroduced in the track “Mean girls,” which challenges the expectations placed on artists to be virtuous people.  

It’s no coincidence that the track was inspired by Dasha Nekrasova of the controversial Red Scare podcast, challenging the perceptions and expectations people have about iconographic figures as being good role models. Can artists create good art without worrying about the peaking eyes of morality? Charli shrugs at that notion. After all, a banger is a banger.

Brattiness aside, the album’s narrative makes it hard not to root for Charli’s success. One of the strongest emotional moments is the ballad “So I,” a tribute to the late SOPHIE, a collaborator and friend.  

Instead of purely dedicating the track to SOPHIE’s death, she redirects the attention to her own mistakes, such as pushing her away and being uncommitted to plans, a mistake too late to take back. It’s undoubtedly not an easy thing to admit, but she moves forward by acknowledging the advice bestowed upon her, playing on SOPHIE’s track “It’s Okay to Cry.” 

BRAT’s final ballad and penultimate track, “I think about it all the time,” serves as an effort to put a lid on Charli’s doubts around industry success, redirecting her mental energy to the prospect of motherhood, aging and wondering if she’ll ever run out of time to achieve such things.  

Her ruminations oscillate between wanting freedom from the responsibility of raising a child but worrying her career will not provide her with lasting meaning. It’s a touching sentiment on the perpetual question of parenthood, though it serves a larger purpose of addressing the universal feeling of time passing us by. 

The touching sentiment of “I think about it all the time” is, rather humorously — or crudely — contrasted by the explosive closing track “365.” Beginning with a keyed-up interpolation of “360” before descending into something adjacent to ‘90s acid techno, the song is a welcome member to her near flawless lineup of closing tracks since her 2017 mixtape Pop 2. What these album closers share is their dissolution into the production, “365” ending on a bulldozer of a drop.  

There’s no abundance of meaning to be extracted from the track, but what more is there to say? BRAT keeps its sentiments airtight, deliberately leaving room at the end to “keep bumpin’ that,” if you catch her drift. 

With the amount of investment made for selling BRAT as a “club album,” there are a comfortable amount of moments that break up the high energy expectations one would have. Ironically, the end product could not have represented the emotional experience of being in the club scene better. 

Ultimately, BRAT is a tribute to the elixir of confidence, self-doubt, euphoria and overthinking coursing through our system. It’s a reminder that even the girl who always seems to be on the V.I.P. list has endured her fair share of questioning whether she deserves to be there. BRAT hits nearly every mark in encapsulating this essence, and Charli has made it known that she’ll always have more tricks up her sleeve to move the needle in her favour.  

Take BRAT as an invitation to stick around and find out. 

Your mindset is what makes university significant

University can be the most transformative time in your life, if you allow it.  

I’ve been a student at Brock for over four years now and I’ve written for three Beginner’s Guide publications in the past here at the Press. My last three contributions to this special edition of the paper were either technical guides or unorthodox advice you wouldn’t hear anywhere else. 

Seeing as this will be my last Beginners’ Guide instalment, I want to go broad and use my now undergraduate-length experience as a student at Brock to impart what I would consider the most important advice I could give a first-year student. At a glance, this advice is fairly straightforward: it’s your choice to make university significant or not. In other words, making university worthwhile is a mindset. 

Higher education is becoming more expensive every year. What’s more is that working in the field, or an adjacent field, related to what you studied in university is also hardly a guarantee for many graduates.  

Given that university today is a much larger investment than ever before with student loan debt at unspeakable levels, it is more important than ever for students to make use of every iota of resource the university offers to maximize their experience. This means a diametrically opposite attitude to that of clocking in and out, a familiar mode of being for anyone who’s worked a menial job.  

Students going through the motions is something I’ve seen far too much of in my time at Brock, and it’s depressing.  

The student who maximizes their university experience is someone willing to experiment with potential opportunities through things like joining clubs, making connections with professors and TAs, looking at student-only employment and volunteer options — like here at the Press — and studying what unique programs and courses the university has to offer.  

Another piece of advice related to having a productive mindset about university is don’t waste your electives on so-called “bird courses” for easy high marks. Instead, look for courses that seem genuinely interesting to you for electives. Even if courses that interest you prove to be harder than a bird course, curiosity is a far better motivator than boring ease.  

I’d wager that the student who chooses electives that excite them will end with as high a grade as if they had selected courses that they heard were easy. Even if this isn’t the case, there’s still more to gain from doing an elective that interests you, as you will probably remember the information instead of just regurgitating it for the sake of a mark. This could mean an elective you choose because you’re interested in it has a higher chance compared to a bird course to open up new pathways for what you want to do both in university and post-graduation. 

Next, for those in programs that require lots of readings and analytic seminars based on readings, do the entire reading. I would even recommend doing a required reading twice if you have the time. Being able to follow the reading material of a course closely each week means less cramming come exam time as the information will have soaked in each week. Furthermore, when you have a good grasp of the readings for a course, seminars can be much more fruitful experiences.  

While on the topic of course requirements, I can’t stress enough how important attending lectures are.  

It sounds rather obvious, but the amount of lecture skipping I’ve seen in university is shocking. To be fair, this is not always the students’ fault as some professors got used to reuploading lectures they recorded from the COVID-19 period instead of conducting a new lecture each week, making it less desirable to attend lectures because they lack a lively contemporaneity.  

But still, in cases where there are in-person lectures, remember that your professor is an expert in their field. While not every professor is a talented lecturer — some just go through the movements unfortunately — disciplining yourself by attending a boring professor’s lectures has knock-on effects in terms of learning to stick to a schedule and avoiding the habit of procrastination.  

Boring lectures aside, remember that a professor being able to guide you through a subject using their expertise is largely what you’re paying for. Therefore, it’s wise to treat lectures as the pilgrimage sites of your university education.  

While many of these pieces of advice may seem like cliches given that a lot of them, no doubt, have been constantly recited to you by parents, high school advisors and so on — their apparent simplicity betrays their absolute essentiality in making these next three or more years some of the most significant in your life.  

New to Brock and looking to make some friends? Try these three things

Living off-campus and worried about making friends this fall? Look no further! Here are three tips to help Brock’s newest students make connections with other Badgers this September. 
 

Attend BadgerFest: 

BadgerFest, Brock University’s Welcome Week, commences on Sept. 1 with Brock’s student union’s (BUSU) annual Glow Party at Weather Station Field. If the Glow Party isn’t for you, BUSU will hold a variety of events throughout the week to welcome both new and returning Badgers to university life.  

While these large events can sometimes be daunting to new students, they are a great way to meet up with other first-years who are also looking to make friends before the fall semester has truly begun. Incoming Badgers shouldn’t be concerned about going to these Welcome Week activities alone. It is completely normal to attend solo, and it is often easier to meet new people when you aren’t hindered by the intimidation of being a part of a group of students who already know one another.  

When you attend a BadgerFest event, you’re likely to open the door to new connections with people. While not everyone will be lucky enough to meet their lifelong companions during their first week as a Badger, for many off-campus students, these icebreakers are the perfect way to put yourself out there and test the waters of university life.  

Join a club: 

Brock University is home to over 100 student-run clubs, all of which are an essential component of student life. All off-campus students should feel encouraged to join a club this semester as it is an excellent way to meet like-minded people, but with so many options, it can be difficult to narrow down which group is perfect for you.  

As part of BadgerFest, BUSU will hold its annual Community Fair on Sept. 3 and 4. At the Community Fair, many of Brock’s clubs will be represented by their executive teams at club-specific booths. Students are encouraged to peruse these tables, asking questions and getting to know the leaders of each team, as well as the mission and values of the clubs they are interested in joining.  

For many upperclassmen, being a member of a club has provided them with the opportunity to form friendships that will last a lifetime. If joining a club isn’t for you, over 3000 students attend the Community Fair every year, making it a great place to meet new people.  

Scope out on-campus events: 

Once the semester is underway, it might feel as though all opportunities to meet people outside of class have gone out the window, but this is far from true. BUSU and its many clubs will hold various events throughout the semester, providing students with the perfect occasion to make new connections.  

New Badgers should regularly check ExperienceBU.brocku.ca, a page that compiles all of Brock’s many opportunities into one easily accessible calendar. There are a multitude of events promoted on the ExperienceBU page, and many of them are free. Students can filter through the postings using key words, themes or dates, but it can also be helpful to simply scroll through to see if anything catches your eye.  

Whether academic, philanthropic or just for fun, these events are another way to meet new people who share similar interests or values.  

For many students, both on- and off-campus, getting to know the people sitting beside you in class can be difficult. First-year courses are often very large, impersonal and un-specialized which can hinder the intricate art of conversation.  

While dorm life provides many new students with a group of built-in best friends there are plenty of ways those living off-campus can meet people who will make their university life even more memorable.  

A short catch-up on what’s happened at Brock since we’ve last been in print 

Welcome to Brock! You’ve got 60 years’ worth of history to catch up on, but don’t worry— here’s a summary of all the most important events that have occurred in the past few years. 

You may remember in March 2020, a little incident literally stopped the presses and ended our 56 years of print, all of which can be found in our new digital archive

Although we haven’t been in physical print since the start of the COVID-19 pandemic, The Brock Press has continued to bring news to students as a digital paper. 

For your sake and ours, let’s go through all the big stories at Brock that are being printed for the first time to get a better understanding of where Brock University is right now and what that means for students. 

2020–2021: Where we left off 

On March 17, 2020, the Ontario government declared a state of emergency which saw Brock University and every other non-essential public centre in the province shut down. Brock University rapidly suspended face-to-face classes and residence students were given 2 days after the state of the emergency to move out of their dorms. International students who couldn’t go back to their countries were given accommodations. 

On July 15, BUSU and the GSA both agreed to reduce ancillary fees for students to mitigate student financial stresses. Bus pass fees, advocacy fees and BrockTV’s budget were also reduced by 25-50 per cent.  

BUSU President Asad Jalib reminded students to “stay safe and be smart.” 

In early 2021, BUSU made large investments in mental health services and access to menstrual products

In February 2021, BUSU held an election and former VP of Finances and Administration Rafay Rehan became the new BUSU President. 

Brock went into a Stage 1 lockdown after a COVID outbreak led to 22 individuals being infected by noon on March 27.  

Emma Kirwin signed off for the last time as Editor-in-Chief of The Brock Press and Noah Nickel takes the reins. 

Over the summer of 2021, the Ontario government pulled $400 million from OSAP, leading OUSA to successfully “wage war” against the clawback. The Ontario government paused its clawback on OSAP indefinitely.  

Brock returned to in-person classes on campus for the 2021 Fall term. The residence move-in and month-long BadgerFest also commenced in September 2021. Of the 14,000 members of the community that completed Brock’s vaccination declaration process, over 99 per cent are vaccinated. 

Despite the complexity of hybrid learning, students generally felt optimistic about returning to campus. 

“Having the opportunity to be back in person has been quite beneficial to my studies so far,” said David Osorio, a first-year kinesiology student in 2021.  

However, some controversy arose over the need for mandatory vaccinations on campus. Students also criticized BUSU and Brock’s responses to the issue.  

2021–2022 

In September, BUSU hosted an online town hall for students to ask questions and get to know the local candidates ahead of the 2021 Canadian Federal election.  

In November, the Zone Fitness Centre reopened with social distancing restrictions.  

The Niagara region voted to integrate all municipal transit systems into one regional transit authority, making student bussing a much simpler process.  

Brock’s president announced that due to the omicron variant, Fall exams after December 16 would be cancelled and Brock would switch back to online learning until January 30. 

The Ontario government announced all Ontario schools would resume in-person learning on January 17. This led to a short panic where students frantically raced to get accommodations near campus or drop out of their programs.  

In January 2022, the Sociology Student Association created the BIPOC caucus to promote awareness, education and support of social justice, community building and healing for racialized students.  

… 

2022 BUSU Sexual Assault controversy 

On February 12, a document was anonymously posted to the r/brocku subreddit accusing the then-current BUSU VPFA and presidential candidate running in the February BUSU election of sexual assault. Screenshots showed the VPFA claiming they would abuse their power to get a woman from Niagara College into Brock. 

On February 13, BUSU made a statement about the situation on Instagram denying all allegations, telling students to stop “harassing” candidates and recommending students review candidate profiles to get a better understanding of “the changes that they want to make.” This Instagram post was deleted a few hours later after massive student backlash. 

On February 14, BUSU posts a new statement apologizing for the last statement not being supportive of survivors of sexual assault. The presidential election was postponed and the VPFA with sexual assault allegations was put on a leave of absence. 

On February 15, a sit-in at Union Station was planned by @brockusafehaven the following day and a “Letter to BUSU” was posted protesting BUSU’s conduct regarding the sexual assault allegations.  

Allegations of former BUSU president Asad Jalib sexually assaulting a 19-year-old with another member of the Sigma Chi fraternity came out at the same time. 

BUSU made another statement on February 24 agreeing to an external investigation into the allegations after a significant push from Brock students. The investigation only followed the VPFA’s sexual assault allegations, not the former BUSU President’s allegations. 

On March 31, the investigation of the controversy concluded that “allegations of sexual violence against the VPFA were unfounded.” 

It was discovered that some students with connections to BUSU participated in a “smear campaign” against various members of BUSU which led to a political “bushfire.” 

There was also evidence that BUSU deleted several comments on their Instagram posts regarding the investigation. 

… 

Starting March 1, BUSU began offering free breakfast to students as part of the Food First Program every Tuesday and Thursday morning. 

On March 31, a student running for BUSU President by special nomination uploaded a self-promotional video to r/brocku, claiming they would “guide us out of the political failures.” The self-nomination failed to get the necessary signatures. 

With little promotion from BUSU, Faten Darbaj was elected president of BUSU with only 9.7% of the vote on April 7.  

Brock maintained mask mandate and vaccination requirements into the 2022 Fall term. 

Noah Nickel signed off for the last time as Editor-in-Chief of The Brock Press and Holly Morrison takes his place. 

2022–2023 

BUSU and the GSA aimed to bring student life back to campus with one of the biggest BadgerFests in history. 

“Our BadgerFest events have been planned specifically for the students of Brock as an opportunity to meet new friends, have fun and get to know campus,” said Faten Darbaj, 2022 BUSU President. 

Brock’s Campus Store returned to accepting in-store customers after three years of online-only orders. 

Brock attempted to overcome the spike in STIs among university students in relation to lifted COVID-19 restrictions. 

Despite the joyous attitude of more students returning to class, many students faced significant financial problems.  

In October, anti-women atrocities in Iran sparked a Solidarity Rally for Iranian Students at Brock University. 

Temporary study booths in the Rankin Pavilion near the Tim Hortons got some mixed reactions from students.  

On October 27, in response to the Sexual Assault controversy, BUSU held a referendum to:  

1) Turn BUSU executive roles into hired positions without elections. 

2) Turn BUSAC into an advisory council without administrative powers. 

3) Increase the Board of Directors to 13 members.  

BUSU also committed to greater transparency and all Board meetings are now supposed to be recorded and uploaded to BUSU’s YouTube channel. 

BUSU pressured students to vote “yes” on the referendum with a caption that read “we need you [the students] to ratify these bylaws so we can move forward with a better way to support student.” Despite vocal opposition from the students, the referendum passed, ending 58 years of democratically elected student presidents at Brock.  

BUSU President Faten Darbaj resigned on November 2. 

“I decided to resign because the environment is extremely toxic and corrupt,” said Darbaj in a statement on her Instagram story. 

“They wanted me out & I tried fighting it, but at the end of the day I’m not able to do my job serving the students when my time is being consumed by fighting off bullies and constantly trying to prove myself.” 

BUSU made no comment on Darbaj’s resignation. 

In March 2023, Brock launched their LINC program to help entrepreneurial student start-ups reach their full potential. 

BUSU held a referendum on March 30 to approve changes to their new student centre plan. The referendum failed to meet quorum and did not pass. 

On May 1, BUSU hired James Maxwell-Barillas, former Sports Editor for The Brock Press and Chair of BUSU, to be the new president. 

Brock announced masks will no longer be mandatory as of April 23, 2023. 

Over the summer, Brock Dance club faces allegations of bullying a dancer, telling her to “get off the stage” and creating an unsafe environment. The dancer provided an exclusive interview to The Brock Press on her experiences.  

Holly Morrison signed off for the last time as Editor-in-Chief of The Brock Press and Haytham Nawaz takes the mantle. 

2023–2024 

The Brock Press Board voted to become a workers’ cooperative, partly in response to the abuses of a former non-student Business Manager, bringing us back to our student-run and worker-owned roots but now as an incorporated organization. 

BadgerFest, Community Fair and Clubs Carnival all aimed to be even bigger than last year and were a massive success to students.  

The conflict in the Middle East ignited tensions at Canadian universities and student-led solidarity rallies at Brock.  

In November, a photo posted on r/brocku of a slideshow presented by Chabad at Brock in a series of workshops about antisemitism was called “Islamophobic” and criticized online. It was revealed in a Press’ exposé that hurtful comments were made by a Chabad at Brock presenter that targeted a Palestinian student. 

In November, Brock’s President Lesley Rigg declared an unprecedented $37 million operating deficit, representing roughly 10 per cent of the institution’s budget. The deficit is caused by the PC Party of Ontario’s policy to eliminate free tuition for low-income students and put provincial debt onto the backs of colleges and universities. The Ontario government’s reinvestment in post-secondary did little to mitigate the deficit. 

… 

In February, the Canadian government announced a cap on the number of international students allowed in Canadian universities. This led to uncertainty among Brock’s international student community and Brock’s financial situation. 

Brock cut funding to its MRP stream graduate programs and students spoke out in their defence. After a letter from CUPE 4207 is sent to the Board of Trustees, some MRP programs are restored. 

In April, OPRIG at Brock also experienced defunding, but promised to continue their activist work in the Niagara region. 

In June, Brock for Palestine protested Brock University’s Convocation and sent a letter to Brock’s President with a list of demands to “acknowledge and condemn Israel’s genocidal acts.” 

In May, BUSU hired a new executive team including current BUSU President Anusha Pahuja. BUSU deleted their Instagram announcement of this rehiring after the VPSS resigned in July. 

… 

And now you’re caught up! Hopefully, this brief recap will help you to understand just where Brock is right now.  

What the future holds is up to you. If you don’t like the news, go out and make some! 

An overview of off-campus study spots in St. Catharines

Although Brock’s campus provides many picturesque study spots, a change of scenery can help to inspire some extra motivation and focus.  

Studying comes easier when paired with fresh coffee, delicious treats or beautiful views found around St. Catharines. 

Whether you need a break from campus or you’re looking to explore Brock’s surrounding cityscape, here are a few study spots to visit in St. Catharines. 

Mahtay Café and Lounge 

Found at 241 St. Paul Street, Mahtay Café and Lounge has an environment that is perfect for inspiring productivity. The cafe takes pride in their commitment to provide a safe space for all people since their opening in 2011. Not only do they have an exquisite menu of food and drink options, but they also house products made by small local businesses. 

Mahtay’s biggest appeal to students is their flexible hours. The café opens at 8 a.m. every weekday and 9 a.m. on weekends. During the week they stay open until 9 p.m. On Fridays they stretch their hours to midnight and on Saturdays they close at 10 p.m. The café’s hours benefit students with different schedules, providing all-day off-campus study time. 

Mahtay Café and Lounge’s full menu and more information can be found on their website

Caffe Gatti 

If you are looking for a secluded café in St. Catharines’ downtown area, look no further than Caffe Gatti on 3 Race Street, located off Carlisle Street beside the FirstOntario Performing Arts Centre. 

Caffe Gatti is a small European-style café with an affordable menu selling everything from sweet treats like specialty lattes, bakery items and gelato to savoury meals like homemade pizza, sandwiches and salads. 

Caffe Gatti is open from 9 a.m. to 5:30 p.m. from Tuesday to Friday, 9 a.m. to 5 p.m. on Saturday, and 10 a.m. to 4 p.m. on Sunday. The café is closed on Monday. 

The quieter atmosphere of this café paired with the calming jazz instrumentals you will likely find floating through its seating area make Caffe Gatti a great place to focus and get productive. 

A full menu, customer testimonials, and more information can be found on Caffe Gatti’s website. 

Balzac’s Coffee Roasters 

Located on 9 Lock Street, Balzac’s can be found in the small town of Port Dalhousie in the north end of St. Catharines. Although the café is further away from campus than other choices on this list, it is worth the journey. With both indoor and outdoor seating overlooking the historic town, Balzac’s Coffee Roasters offers a peaceful atmosphere that is perfect for ticking off tasks on your school to-do list. 

According to their website, Balzac’s Coffee Roasters aims to provide a space that embodies the culture of Parisian cafés.  

Balzac’s drink menu has many options and includes unique seasonal beverages. The café is open from 7 a.m. to 6 p.m. daily. 

More information about Balzac’s Coffee Roasters can be found on their website

Lakeside Park 

If you are looking to do some unplugged studying, Lakeside Park is a convenient outdoor spot for students to get focused in nature. Located at 1 Lakeport Road, a two-minute walk from Balzac’s Coffee Roasters, Lakeside Park provides a beautiful view of Lake Ontario. The park has a large pavilion beside the pier shading many picnic tables looking onto the water. 

This spot is best for taking advantage of sunny days while keeping up with your assignments. 

–– 

Despite the beauty found within Brock’s campus, it is healthy to spend time in new spaces. Exploring off-campus study options is a great way to become familiar with the welcoming local businesses and beautiful scenery that St. Catharines has to offer. 

Brock Badgers are returning in August, and they’ll need your support 

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There are many reasons why Brock students should support the school’s varsity teams this season. As a new student to Brock, having the opportunity to support the Badgers and be a part of Brock sports’ history is something that students shouldn’t take lightly. 

When the Badgers’ women’s volleyball team captured their third straight Quigley Cup Championship last season in front of an exhilarating Brock crowd, students, faculty members and fans alike witnessed history as they became the first team to win three consecutive titles in 20 years. 

Decked out in red, white and navy blue – the colours of the Brock Badgers – students showcased their school spirit and Brock pride. With over 1,000 people inside the sold-out gymnasium and many more watching online at oua.tv, a free streaming service for all OUA games, the entire Brock University community came together to celebrate that moment. 

“It was surreal being at the [Bob Davis Gymnasium] watching our women’s volleyball team beat rival McMaster to win another championship,” said a now second-year student. “I can’t wait to watch Brock’s best athletes again next year,” they added. 

Luckily, students don’t have to wait much longer to watch the Badgers in action as they begin the 2024/25 season. 

The Brock men’s and women’s soccer teams open the Badgers’ season with a doubleheader against the Laurier Golden Hawks on Aug. 30th at Brock’s Alumni Field. 

In rugby, the women’s squad – led by 2023 OUA Player of the Year Paige DeNeve – begins their season against the reigning OUA Champion, Queen’s Gaels, in Kingston on Aug. 31st, while the men’s rugby team starts their quest for the Turner Trophy on Sept. 7th at home against the McMaster Marauders. 

On the ice, the puck drops on a new season on Oct. 3rd and 11th for the men and women respectively, but not before the Steel Blade Classic returns for its 24th edition.  

In what has become a hallmark event of homecoming weekend, especially for first-year students, the Brock community fills the Meridian Centre – the home of the OHL’s Niagara Ice Dogs – to support the Badgers men’s hockey team as they battle the Guelph Gryphons. 

This year, on Sept. 20th, the two squads renew their historic rivalry as the Badgers seek their 15th win in Steel Blade Classic history. They’ll need your support as they “Surgite!” – the university’s motto meaning “push on” – to victory. Be sure to show off your favourite Badgers’ hoodie, t-shirt and hat, and maybe you’ll meet a few (or 4,000) new friends along the way. 

In January, that same electrifying atmosphere will return for Paint the Meridian Red, as the Badgers’ men’s and women’s basketball teams battle their McMaster Marauders counterparts at the Meridian Centre on Jan. 17th

But before the two teams look ahead to January, they will first seek a strong start to the season when they host the Gryphons on Oct. 24th

The men’s team will be looking to avenge their heartbreaking OUA Final loss from last year and hoist the Critelli Cup for the third time in program history. On the women’s side, 2024 OUA MVP Madalyn Weinert and company look to begin the Shae Dheensaw era on a high note as the new coach begins her first season at the helm of the Badgers’ women’s basketball program. 

Sticking on the hardwood, the men’s volleyball team begins their first full season under Ian Eibbitt on Oct. 25th in Kingston against the RMC Paladins. Meanwhile, the back-to-back-to-back women’s volleyball provincial champions will look for a fourth straight title as their Quigley Cup defence begins at the Bob Davis Gymnasium on Nov. 1st against the Gaels. 

On top of all that start-of-season excitement, students can enjoy all exhibition and regular season home games free of charge, with tickets to those events available at brocku.universitytickets.com

There’s no better way to start your Friday and Saturday evenings in St. Catharines than attending a (free) game in support of one of the province’s best athletic programs.  

Many athletes, such as Logan Thompson (Washington Capitals), Connor Ungar (Edmonton Oilers), Sara Rohr (FC Porto), Sauli Lianga (Uppsala) and others have gone professional, showcasing the strong contingent of Brock athletes and the strength of the Badgers program. On a nightly basis, students are privy to watching tomorrow’s professional superstars don the Badgers logo across their chest today. 

With many reasons to support your Badgers this season, we look forward to seeing you flaunt your Brock swag as the teams seek an unforgettable season full of victory and triumph! 

From post-game analysis to pre-game previews and everything in between, The Brock Press is the home to everything Brock Badgers. Stay up to date with weekly articles detailing the fate of the Badgers all season long. 

The biggest lie you’ve been told about university

Incoming university students are often led to believe that professors and lecturers don’t care about their students’ success, but in nearly all cases, this simply isn’t true. 

As I was gearing up to begin university, a trusted person warned me that in university, teachers wouldn’t see me as an individual, I would be “just a number.” Looking at what little I knew of university education, this seemed like the truth, and it was frightening as a soon-to-be freshman. 

And who could blame me? Universities like Brock often contain massive lecture halls that fill up with hundreds of students — none of whom know each other’s names — taking notes as a professor spends hours lecturing in the middle of the room. This setup can certainly be intimidating and might make a professor seem unapproachable to those with individual concerns or questions. 

In reality, a shockingly high number of professors do care about their students’ success, and the only thing stopping them from helping individual students is the fact that their students are too afraid to approach them. 

Contrary to what the intimidating lecture hall dynamic might have you believe, professors are not untouchable deities meant to be feared. Many are simply waiting for you to ask questions or seek support for their course, but you must make the move if you want their help. 

If speaking up in front of 100+ students sounds like an impossible task, fear not. Approaching a professor doesn’t necessarily mean asking questions midway through a lecture, it can simply mean sending them a personal email after class or — better yet — attending their office hours, the day and time of which they’ll have posted either in the course syllabus or on their Brock website profile. 

Things like email addresses and office hours are resources specifically put in place to help you succeed. This is why it’s always worth closely examining your course syllabus to find appropriate methods of contacting your instructor. 

Some courses — usually those filled with hundreds of students — will break up the class into seminar groups and assign each group a teaching assistant (TA).  

Professors may request that students seek help from their TA before coming to them personally. In most cases, this isn’t because a professor doesn’t care about their students, it’s simply because they have so many students that it would be impossible to tend to each individual concern. Be mindful of these situations so you respect your instructor’s request and approach the correct person. If this is the case, your professor will likely specify this during an introductory class or somewhere within the syllabus. 

Yet, even in these cases, your professor still likely cares deeply about your success. They can be in direct contact with your TA if a student’s concern requires escalation. That being said, a professor with a large course requiring TAs might still offer personal office hours. 

It’s worth mentioning that not every professor will have a caring mindset. As is the case in any industry, there will always be a few bad apples who don’t care about the quality of their work. But to assume this of all your professors is a mistake, one that may stop you from seeking support from genuinely empathetic educators who want to guide you to success. 

Despite what you might have been told, you’re more than just a number, and this is a fact that many of your professors recognize. Now the ball is in your court — reach out when you need help and give professors and TAs an opportunity to help you succeed. 

Decoding you through your residence building  

Your dorm isn’t just a place to stay, it’s where your Brock adventure begins. 

As a third-year Brock student, I’ve discovered an enlightening truth about on-campus residences: your building reveals hidden secrets that speak volumes about your personality.  

Brock University offers six residence buildings for first-year students: DeCew, Vallee, Earp, Residence 8, Lowenberger and Village. Each residence provides its own special qualities that ensure there’s an ideal place for every new Brock student to call home.  

DeCew 

DeCew is the ultimate spot for making lasting friendships and unforgettable memories.  

Whether you’re enjoying the privacy of your own room or sharing a space with a roommate, you’ll always have access to a dynamic common area where this interaction is guaranteed.  

If you’re living in DeCew, you’re all about making the most of every moment with friends. Whether you’re studying, playing card games or kicking back with drinks at home, if your friends are around, you’re right there with them creating what will be lasting memories.  

Vallee 

Vallee is a haven for those who cherish their own space. With only a wall shared with your roommate, Vallee offers you the ideal balance of privacy and community.  

If you’re in Vallee you’re all about independence and you relish making the most of your own space. You are used to setting your own schedule and are excited to explore the freedom university life offers.  

Earp 

Earp is the definition of a cozy nook with personal spaces and a fireplace lounge. It is the perfect setting for those chilly winter months. The warm, inviting atmosphere makes for a relaxing place to call home away from home.  

If you’re in Earp, you love to cozy up and just chill. Whether you’re enjoying some alone time or hanging out with friends you look forward to moments of relaxation. You Anticipate a peaceful sanctuary to unwind after a busy day of classes or at the end of a hectic week.  

Residence 8 

The new and improved Residence 8 offers students the quintessential dorm experience with a contemporary twist. Each room is spacious and inviting, filled with shades of blue that create a welcoming atmosphere.  

If you’re in Residence 8, you love having company over and hosting legendary get-togethers. You’re the one who creates spontaneous memories for your friends, and you naturally take on the role of the organizer in your friend group.  

Lowenberger 

Lowenberger provides students with a busy residence where there’s always something happening. The halls are alive with activity so you’re sure to encounter something interesting as you make your way from the dining hall to your room. 

If you’re in Lowenberger you love a busy social life; you’re always ready for the next plan. You’re the one who texts the group chat to ask what the evening plans are. With an endless social battery, you are the person who keeps your friend group busy.  

Village  

Village offers the perfect blend of calm and excitement. With four bedrooms in a two-story townhouse, it strikes the ideal balance between a peaceful day and an active social space. The people you meet here will be a part of your campus life and lasting memories for years to come.  

If you’re in Village, you’re definitely going out on a Friday night. You love meeting new people and plunging into social scenes, never shying away from anyone new. Blending into the background isn’t your style, you’re always in the heart of the action.   

– 

As you sail through your journey at Brock University, remember that your residence is more than just a place to live, it’s the foundation of where your university story begins. 

No matter which residence you’re staying in, each one brings out a part of your personality. Whether you’re discovering new traits or embracing old ones, university life is all about self-discovery and living on campus will give every student the chance to do just that.  

How to get the most out of your university experience 

Your time at Brock can and should be more than just struggling through classes. 

I hear many people say that university doesn’t really prepare you for your life, that it’s just a factory pumping out miniature professors and tossing them into the world, only for them to look around and say, “now what?” 

If you just looked at the courses offered at Brock and assumed that university was all about academics, this may feel true, especially for someone who doesn’t intend to be a scholar upon graduation. But university is much more than that. This is three or more years of your life we’re talking about. 

For students who’ve come straight from high school, university is the beginning of a new stage in life, the time you become an adult and truly begin to understand what that title means. You’ll come to find that nobody really feels like an adult, they just suddenly have to do “adult things.” For those students, university will take up nearly a seventh of their lives to date, and to be apathetic about it is to squander one of the best opportunities you’re likely to get. 

Joining one of Brock’s 100+ clubs can make for some of the most well-rounded student experiences due to the sheer multitude of interests available and the friends you make along the way. What’s more, there are numerous employment opportunities on campus that can influence your future and help you hone professional skills, and the political scene at Brock provides even more avenues to explore. 

With so many extracurricular options at Brock, it’d be a waste of these three or more years not to at least try something. 

If you’re going to get the most out of your time at Brock, you must be vocal. During the years you spend here, not everything will be perfect. This is why making yourself heard through protest, formal letters and other forms of activism should be encouraged. If you’re struggling with something, odds are someone else is too, and even if by some chance nobody else is, your needs are still valid. 

Recent forms of inspiring and commendable student activism include the many pro-Palestinian protests since conflict broke out in the Middle East, including Brock for Palestine’s recent silent protest at convocation

Another example is the protests conducted by Brock students last term when the university disproportionately cut funding to MRP stream graduate programs to combat its $37 million deficit, a deficit that will more than likely continue to affect students this year. 

Activism will always be a core part of the student condition, and staying informed is always the first step in fighting for what you believe in. 

One of the key organizations at Brock to watch is BUSU. When it comes to student affairs, the Brock University Student Union is the big cheese, the governing system over all things undergraduate.  

On their website, BUSU states that their mission is to “create the best student experience ever” by “deeply understanding the evolving needs of students; enhancing the educational, social, and personal lives of students; advocating on behalf of and with students, internally and externally; providing resources, services, and support to enrich the student journey; [and] fostering welcoming and inclusive student communities.” 

This is embodied in many ways, including student services like the U-Pass and the Student Health Plan, advocacy initiatives, BUSU-ratified student clubs and events on campus, which can be found on ExperienceBU. BUSU also determines how a portion of student fees – a combined $48.82 per credit, or $244.10 as part of the flat fee for full-time students – are spent. 

All this is to say that BUSU – alongside many other facets of this university – works for the students. Thus, your voice as a student is important. Student representatives have seats on BUSU’s Board of Directors, the Brock Senate, Brock’s Board of Trustees and even on The Brock Press’ Board of Directors. Even students who aren’t active contributors to student government can and should voice their opinions on what’s going on at Brock, especially if they feel underserved or undervalued. 

As always, The Brock Press will continue to keep you informed on what’s going on in the school and in the community.  

As your newspaper, The Brock Press strives to express the student voice at Brock. If you have a story you want told, grievances or compliments regarding the school or your experience as a student, our Editor-in-Chief, Haytham Nawaz, can be reached at hnawaz@brockpress.com, and as the News Editor, I can be contacted at csauder@brockpress.com

University is a once-in-a-lifetime experience for most people, and to watch it pass idly by would be incredibly unfortunate and nigh irresponsible. So, reach out, and remember that no matter what happens, this is your university. 

CUPE 4207 Solidarity Rally raises awareness about CNIs as Conciliation extends into May 

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This article is an update to the story of the CNIs in CUPE 4207 and the Conciliation meeting. To read the article written before the meeting, click here. 

CUPE 4207 held a Solidarity Rally for CNIs at Brock as Conciliation went underway. 

Early patrons of the Solidarity Rally on April 4 were greeted by Ron Walker, a Political Science TA and member of CUPE 4207’s first unit. 

CNIs are real nurses who do real nursing and deserve a fair wage, said Walker as he held a CUPE flag and Solidarity Rally poster. 

Inside the International Centre, CUPE representatives, CNIs and other supporters gathered and conversed. A self-serve breakfast bar provided coffee, tea, pastries and breakfast sandwiches, with vegan options available. 

In the hour before the Conciliator arrived, the members of the Unit 4 Bargaining Committee, including Darlene Polich, Monica Hlywka, Rebecca LaRocca and Phil Wachel, were eager to explain just why this meeting was so important. 

Polich described how this is a contract years in the making, with discussions about CNIs joining CUPE starting nearly three years ago, and the creation of Unit 4 occurring in 2023. Part of why this is so important is because of the drastic increase in CNIs over the last decade, with 2017 only seeing about 15 CNIs compared to this year’s 50. 

Hannah Van Eek, a third-year nursing student at Brock, could support this. She said that because of the nursing shortage in Ontario, she’s seen more and more nursing students coming to Brock, with the year before her being 80 students, her year being 160 and the year below her being around 220. The program is growing, she said, but it cannot do so without CNIs. 

CNIs are responsible for the experiential component of the Brock nursing program, a component that is simultaneously necessary for students to learn and which has attracted many students to Brock, including Van Eek. 

The job entails an intimidating workload: 12-hour shifts on the floor supervising up to eight students at a time, on top of carrying out traditional nursing duties, grading, lesson planning and ensuring student success. The responsibilities rival that of a standard Registered Nurse (RN), yet the contract wage of CNIs at Brock is significantly less. 

Despite the University’s financial troubles, Unit 4 described how it was actually in Brock’s best interest to pay the CNIs a market-rate wage. Since the nursing shortage is becoming such a big issue as many nurses reach retirement age, an age where many nurses enjoy moving into CNI work, more schools – including colleges – are beginning to offer nursing programs that pay CNIs the market rate. 

There’s more competition these days, said Hlywka, and nurses are being pulled all over the province to work. 

Van Eek fears a nursing program at Brock without any CNIs. Clinical experience has taught her the most out of any of her courses, she said, providing her with in-person and hands-on learning. However, she said that the challenges she and other students often face on the floor, including moral and ethical dilemmas, would be significantly harder to overcome without the CNIs there to guide and assist when needed. 

At the rally, emotional bonds were not only evident between CNIs but also between them and their students. When the Conciliator arrived, Unit 4 was pulled away and the rally participants were left talking amongst themselves, about the CNIs, the contract and other, unrelated topics. 

Conciliation continued into April 5, which CUPE 4207 reported was very productive, with all of the outstanding articles agreed to except for the wage settlement. By 5 p.m., both parties agreed that a third date for Conciliation was needed, the date of which is still undetermined but estimated to take place during the beginning of May. 

With the wage settlement being the most important topic of negotiations, a conclusion to this process is not yet visible. However, the agreed-upon third day of Conciliation is a hopeful decision, not quite so good as finalizing a contract, but one in which CNIs can continue to work and support their students for now. 

Day three of Conciliation will bring more news, but for now, it’s business as usual. 

Djo’s Twenty Twenty is a psychedelic experience that deserves the same attention as “End of Beginning” 

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Djo’s debut album Twenty Twenty is a worthwhile experience for fans enjoying his recently viral “End of Beginning.” 

Anyone on TikTok will likely know “End of Beginning,” the heart-throbbing song that’s taken the app by storm. If you know “End of Beginning,” you may also know that Djo, the song’s creator, is none other than Joe Keery, who plays Steve Harrington on Stranger Things

But I’m not here to talk about that. I’m not even here to talk about DECIDE, the album that “End of Beginning” comes from – though you should listen to that. The sequence from “Change” to “Go For It” is magnificent and amidst the body-swaying bangers on the album, “End of Beginning” is honestly one of my lesser favourites. 

I’m here to talk about Twenty Twenty, Djo’s neo-psychedelic debut album, a bizarre and beautiful auditory experience from start to finish, which feels like the highs and lows of a drug trip. It harnesses the same emotional core that has attracted folks to “End of Beginning” while leaning into strange and wonderful places. 

A lot of fans online say that “Showtime,” the album’s opener, is their least favourite song on the album. Well, no duh, it’s an opener. It exists as a framing device for the songs to come, yet it’s delightfully silly and somewhat decrepit, with the manipulated, drawling voice repeating and then moaning “Showtime” over sluggish guitar chords. The intro feels like it takes place in a back-alley carnival, cheap and dirty but also unbelievably entertaining. 

“Personal Lies” builds around a strong and catchy instrumental melody that guides the song into a euphonious sound near the end. Over it all, Djo sings in a fun staccato tone, playfully bringing up unsafe substance use but equally writing it off: “I failed to notice when I blew past my limit / And then I lied about it, said I didn’t.”  

The bridge is a riffing guitar solo that features just a touch of that psychedelic wriggle. Overall, the song and its effect on the album is best described by the line: “I caught a current and I’m floatin’ away.” 

As we float through the carnivalesque and sombre “Tentpole Shangrila,” we are shown some of the disturbing downsides of living life in the clouds, specifically in showbiz. “Let me down, this is freaking me out / All of this attention turns the glamorous on its side,” Djo sings at the song’s beginning. By the song’s end, after acknowledging that he’s changed and wants to go back, his lover says she doesn’t recognize him. 

After that abrupt ending, the album continues to float through “Just Along for the Ride,” a song that feels like a stoner’s road trip. The end of the first chorus feels akin to a deep exhale, or a summer wind in your lungs, but then the song returns to its plucky guitar. Lyrics like “So rest your head / And go to bed / But they won’t let him” feel like an exhausted acknowledgement of a life on the road defined by drugs and burnout. 

“Chateau (Feel Alright)” is the last and best of the gloomy songs in this lineup, with its disjointed harmony and hazy, romantic lyrics representing the peak of a drug trip. And yet, the song begins with the lyrics, “Help, something’s wrong with me.” Sure enough, after the daze of the repeated chorus at the end, the song crashes into harsh static. 

The next single on Twenty Twenty is almost my favourite, though another song coming up just ekes ahead. “Roddy” begins in the cadence of a lullaby and grows into a mournful combination of synth, choir and guitar as Djo reflects on the repercussions of that earlier trip: “One drink’s what led to the change / Out on my own, kicked out of the show.” 

The song takes a sudden shift after the seeming revelation of, “And somethin’ struck me, it struck me deep,” as the choir takes over and a disjointed voice says “Amen / I said ‘Amen’” over and over again. Then the song is taken over again by a groaning, groove-inducing synth track, all the while the voice keeps trying to remind us that he’s saying “Amen.” This feels like inevitability at its darkest; Djo wants to change, to grow from this experience, but nobody is listening to him. “I said, ‘Amen!’” 

“Ring” feels like the epitome of the Djo alter-ego, which gets explored further in DECIDE. This droning, staccato voice makes for a fun listen before the song picks up with bravado and barrels into a killer, fuzzy guitar solo. The second half of the song is essentially a repeat of the first until the song regresses into the substance-laden psychedelics of, “Slowly shrink away.” The casual conclusion of this song quickly distorts into a creepy, melted version of itself before a voice commands, “Stop,” and the next song begins. 

The next two songs, “BBNG” and “Mortal Projections,” are unremarkable. “BBNG” has a fun synthy interlude and an 8-bit romantic aesthetic. “Mortal Projections,” on the other hand, is a heartbreak tune that feels immediately darker, with a gothic opening on the synth and lyrics like, “Thinking that I might pack it up and throw it all away.” They’re both good songs, but nothing particularly stands out. 

Speaking of not standing out, “Total Control” is probably the least impressive song on the album. It feels more like an 80s infomercial, or like a creepy guy in an elevator is whispering at me to “Relax, relax, relax, relax, relax, relax, relax.” Overall, it doesn’t entirely work for me, but at least it precedes a certified banger. 

“Flash Mountain” is the most rock song on the album, characterized by heavy guitar riffs and confident lyrics, like Djo himself is standing atop Flash Mountain as he performs. At the same time though, the song feels light. Its lyrics imply a triumph over substance, with some saying, “I don’t want it / I don’t need it / Better off without it / I won’t use it / I’ll abuse it.” The bridge consists of a killer segment that builds up on harmonizing guitars before crashing cymbals join the fray, then quickly transitions to a whiny guitar and settles back into the groove of the song. This is a departure from the album, but I love it. 

Finally comes “Mutual Future (Repeat),” a moving and beautiful song when listened to in the dead of night with headphones and closed eyes – also, this one is my favourite. 

The song begins with a lone guitar picking out the tune of the melody, a melody that Djo takes his time joining into with, “Mentally unprepared for the future that I’m livin’ in.” His soft voice and the gentle, almost ukulele-esque guitar combine to pull on the heartstrings of anyone listening. This is a love song, yet it feels tragic. 

During the bridge, Djo’s crying “I want you / Baby, I need you” feels deeply intimate. As it continues and the guitar joins, the bridge spills over musically and emotionally as the final repeated riff of the album floats the listener back into that summer breeze they started in, now rich with love, memory and hope. 

And at the end of the song, if you didn’t catch the repeated riff from “Showtime,” you will discover that this album is cyclical, looping back on itself so you can listen all over again: a dark message in an album that seems to deal with substance abuse and the repetitive cycle of addiction, even if the last song is beautiful. 

If you like the 30 seconds of “End of Beginning” that everyone is hearing on TikTok, you will probably love the 45 minutes of Twenty Twenty. Listen to DECIDE as well, especially if you’re into more energetic songs. There’s nothing better than listening to an album front to back, just as an artist intended. Djo seems to understand this, as the “Change” to “Go For It” sequence and cyclical nature of Twenty Twenty seem to imply. 

Regardless, this album is an experience that deserves all the same attention as “End of Beginning.” 

NHL Playoff race heating up as season draws to a close

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Now entering April and with every team having seven or fewer games to play, the NHL’s playoff picture is starting to come into focus. However, with many teams still not clinched and meaningful games still to play, there is plenty of intrigue remaining for these last few weeks. 

The Eastern Conference final two: do you even want to make it? 

While most of the Eastern Conference’s top teams clinched playoff berths on April 5th, the battle for the third spot in the Metro Division and the last wild card spot is still a dogfight – if you can even call it that. 

The Red Wings, Islanders, Capitals and Flyers are all in solid positions for the last two spots, but they just keep losing.  

Coming into the 5th, there was a slim difference between all the teams’ playoff chances. The Islanders were ahead by a hair (45 per cent), closely followed by Philadelphia (44.5 per cent), Detroit (43.4 per cent) and Washington. The latter three teams all played that day with a chance to claw their way back into contention. Naturally, they all lost.  

The four teams are a combined 16-17-5 in their last ten games, which over the course of a full season would put them in line for roughly 78, which would currently be eighth-last in the entire NHL. 

The Flyers—who began the season miraculously overperforming expectations—have likely had the worst go of it, crashing back to earth, and losing eight straight games.  

The Capitals aren’t far behind, losing six straight before beating the Red Wings on the 10th. At this point, if Washington made the playoffs, they would be one of the most shocking teams to ever qualify for the NHL playoffs. Boasting a –40 goal differential, the Capitals have been outscored at a higher rate than every team in the NHL save for the Canadiens, the Blackhawks, the Blue Jackets, the Ducks and the Sharks, the five worst teams in the league.  

Possibly the most hilarious outcome of this comedy of errors is the re-emergence of the Pittsburgh Penguins. 

To put it lightly, the Pens were poor for almost the entire season. Entering March 27th, the Penguins held a 3.6 per cent chance of qualifying for the playoffs and were all but counted out.  

Since then, Pittsburgh is 6-1-3 in their last 10 and have improved their playoff chances to 44.7 per cent with the losses by the Wings, Caps and Flyers.  

The East is primed for a very funny conclusion.  

The Wide-Open West: 

As of the 5th, four Western Conference teams have clinched: the top three teams in the Central Division (the Stars, Avalanche and Jets) and the Canucks.  

Outside of those teams, there is still so much that can happen.  

The Oilers have the most points and games in hand, making them the most likely candidate to clinch next. However, they’ve looked so-so in their past 10 games, and after a mediocre trade deadline, they are also a great candidate to get caught.  

The next two teams in the Pacific—the Knights and the Kings—are both breathing down the Oilers’ neck. 

Vegas, after a slow first half, has rebounded at the right time following a massive overhaul at the deadline. Less than a month ago, their playoff chances were barely over 70 per cent, but have won six of their last ten and have been flip-flopping with the Kings for third in the division. 

While the Kings have faltered at times over the last few weeks, they have chugged along at around a 95 per cent playoff probability for about two months, having banked sufficient points pre-trade deadline.  

While not a powerhouse, the Kings are still a sneaky-deep team. The Kings have both Philip Danault and Pierre-Luc Dubois down the middle, giving them strong centre depth. With the emergence of Trevor Moore, the return of Viktor Arvidsson, and the ever-dynamic Kevin Fiala, LA also has three balanced scoring units. Throw in the Byfield-Kopitar-Kempe unit’s arrival as one of the best top lines in the NHL, the Kings could pose a serious threat, either in the waning days of the regular season or into the playoffs.  

While the Kings can still fight for third place in their division, the Central wildcard is all but guaranteed to be the Nashville Predators.  

The Preds are solid right now, but unfortunately play in likely the NHL’s strongest division, leaving them outside the divisional race.  

While the Preds may not be a young, flashy, high-octane team, they are nevertheless exciting.  

At 33, Ryan O’Reilly has returned to peak form, playing tough minutes and elevating his teammates as a first-line, matchup centre. His linemate, Filip Forsberg, is also at the top of his game, hitting career-highs in both goals (43) and points (89). Roman Josi is also quietly having a Norris-calibre season, sitting third among defencemen in points, second in even-strength points and first in goals.  

Outside of their top guys, Nashville’s depth has stepped up, even if they’re not exactly filling the net. Gus Nyquist and Thomas Novak are both having excellent seasons while coach Andrew Burnette has coaxed stellar defensive play out of the rest of his lineup.  

What’s scary about this team is that they’ve managed to perform this well while their most important player—goaltender Juuse Saros—has been little better than league average, a drastic underperformance from one of the NHL’s star goalies. 

Especially if Saros can recover, they can make things very interesting for their first-round playoff matchup.    

NHL Draft Preview 

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While most of the NHL’s upper-class have secured playoff berths over the past week, nine teams have secured a much worse fate: mathematical elimination. For these unlucky (or straight-up pitiful) few, there remains a small light at the end of the tunnel: the NHL Entry Draft.  

Let’s take a look at some of the top young talents available for the NHL’s bottom-feeders in June.  

First Overall: San Jose Sharks 

The 2023-24 campaign for the Sharks has been nothing short of disastrous, but all will be forgiven should they land the first selection of the draft.  

Best Player Available (BPA): Macklin Celebrini:  

Celebrini has been the clear-cut top option since the first day of the season and has done nothing to dissuade scouts across the league. Celebrini has been one of (if not the) best players in NCAA hockey this year as a freshman and is a finalist for the Hobey Baker, the prize for the top college player of the year.  

At 6’0”, Celebrini isn’t huge, but he is physically adept, aggressive with the puck, and has several highly coveted tools. Celebrini is fast and agile, has a cannon of a shot, an excellent puck handle, and excellent playmaking and IQ to boot. While it may take him a season or two to adjust to the NHL pace—especially with a weak supporting cast on whichever team he lands—it is easy to see him becoming a dynamic, offensive first-line centre at the next level.  

Two: Chicago Blackhawks 

Despite Connor Bedard’s rookie year, the Blackhawks were miserable this year. Should they add another top-two pick to their team to go along with Bedard, Kevin Korchinski, Frank Nazar and Oliver Moore, they’ll have one of the best young cores in the league to build around.    

BPA: Ivan Demidov: 

Demidov is clearly the best player available after Celebrini. While he may fall in the draft because he is Russian, there is no one in this draft other than Celebrini with higher upside.  

Demidov is the textbook definition of dynamic. What sticks out immediately is his puck handling, which is otherworldly, allowing him to make plays that pull fans out of their seats and defenders onto their asses. He combines this with a strong shot, high-end skating, and both vision and playmaking abilities, all complimented by his ability to create space for himself through his handle.  

Demidov can be guilty of doing too much, and—playing in a lower-tier league—he’s often able to get away with attempts that he certainly will not at higher levels. hat said, he is one of the most skilled, toolsy players to be available at the draft in the past five years, and any team that passes on him risks sincerely regretting it.  

Three: Anaheim Ducks 

The Ducks have been mired in a five-year rebuild and are likely to appear in the top three for a second straight year. Will 2024 be the year they get the final piece of the puzzle? 

BPA: Berkly Catton:  

This is where the field opens up and where this article may begin to diverge from consensus. Aytrom Levshunov and Cayden Lindstrom are who are likely viewed as the two best players for this slot, but, like Demidov, Catton is such a dynamic player that his skill is hard to pass on.  

Catton finished his regular season in the WHL as the top-scoring prospect in all of Canadian junior hockey with 54 goals and 116 points in 68 games. He plays a lot of minutes and is heavily relied upon by his team (which accounts for some of his high-scoring numbers) but also has tremendous skill.  

Catton is a triple-threat offensive player, boasting a high-end transition game, both in his speed and agility, an almost sixth sense for playmaking, and a quick, accurate shot. His defensive game is not a strength, but only the two players ranked ahead of him say they are as skilled.  

Four: Columbus Blue Jackets 

Once again, the Blue Jackets find themselves as one of the worst teams in the league. However, in a defenceman-heavy draft, with their two top prospects (Adam Jiricek and Denton Mateychuk) both defencemen and Zach Werenski locked up long-term, they find themselves in an interesting position.  

BPA: Cayden Lindstrom: 

While this draft has many strong options at D, it would be tough to envision a team letting Cayden Lindstrom fall past this point. After being out for half the season there is more uncertainty, but he is a tantalizing prospect who could end up as high as second overall.  

Lindstrom is a big dude, standing at over 6’4” and 215 pounds, but that is certainly not all he has to offer. Lindstrom offers a combination of excellent body positioning and control that allows him to dominate possession and attack off the rush, while also possessing small-area skill to score and distribute tight to the net. Lindstrom is the dream archetype for a top-six centre; physical, aggressive, skilled and poised. 

Five: Arizona Coyotes 

BPA: Zeev Buium:  

With the top forward options likely exhausted by this point, the Coyotes will likely be taking a defenceman with this slot. However, there is no more dynamic option than Zeev Buium.  

As another NCAA freshman, Buium was more than up to the challenge. His puck handling and elusiveness along the offensive blueline make him a constant threat. His top speed and mechanics aren’t spectacular, but Buium still makes the most of his skating abilities. He can shoot, he can pass, and he can even defend capably, even if it is a work in progress. Buium has one of the highest ceilings in the draft and can very likely become an impact, top-pair offensive catalyst. 

Six: Montreal Canadiens 

BPA: Sam Dickinson:  

This is a bit of a tough slot for the Habs. Especially after drafting David Reinbacher last summer, they’d love to walk away from the table with a high-end forward. While one of Demidov or Catton could still fall to them here, more likely than not they’re ending up with a defenceman, though Dickinson is a solid consolation prize. 

Dickinson isn’t a particularly flashy player but is solid and projectable in almost every area. Dickinson is a very effective defender, both in closing gaps off the rush and sticking with his man on in-zone coverage. He wins puck battles at a high rate and projects to be a top-four matchup defenceman with some offensive upside. 

Seven: Ottawa Senators 

BPA: Atryom Levshunov:  

There are a few directions the Sens could go with this pick, but almost all the paths lead to selecting a defenceman.  

Levshunov is one of the highest-ranked defenders in prospect circles and some have suggested he could go as high as second overall. He’s a big defenceman and the third NCAA freshman likely going in the top 10. Levshunov is a very mobile defenceman and puts that skillset to good use, frequently activating as the weak-side D and often leading the rush himself. He is also confident with the puck on his stick in-zone, playing through pressure and using his vision and shot to make plays.  

Though Levshunov is physically aggressive, his defensive game still has warts and he can get caught doing too much with the puck. Levshunov, as mentioned, has been highly talked about and likely won’t be available this late and has a good chance of surpassing Buium and Dickinson as the top defender in the draft. 

Eight: Calgary Flames 

BPA: Anton Silayev:  

While it’s difficult to see the Flames passing on Tij Iginla in this spot (son of Flames legend Jarome Iginla), Silayev is probably the top option available and is likely to go ahead of players like Catton and Buium due to his physical attributes. 

Standing at an imposing 6’7, Silayev grabbed the scouting community’s attention early in the season by posting strong scoring in Russia’s top league, even if the process hadn’t caught up with the numbers. He’s cooled significantly since then but still has a lot to offer.  

Silayev’s offensive ceiling is debatable. His decision-making is so-so, but he has shown flashes of poise playing in the second-best league in the world. He takes a lot of shots but could improve in this area. His best offensive asset is his mobility, which is particularly impressive for his size. This is also likely his best asset on defence. He is a very capable rush defenceman and can close gaps using his feet. Silayev also has a disruptive defensive stick to complement his skating, creating a well-rounded defensive game that still has room to grow. If Silayev can add more muscle and bring more consistency to his offensive game, he should end up as a high-end top-four defenceman.  

Nine: Seattle Kraken 

BPA: Zayne Parekh: Without any big game-breaking talents throughout their roster and several good-but-not-elite prospects in their system, Seattle may look to take a swing with this pick. There is a lot of risk attached, but if Parekh hits, a swing will be well worth it.  

Besides maybe Buium, Parekh has the highest offensive upside of any defenceman in this draft. Parekh can skate, shoot, handle and holds supreme confidence with the puck on his stick. He had a record-breaking year in the OHL as a result, finishing with 33 goals and 96 points. Parekh is active in joining the rush, skating with the puck, and creating shots for himself. He can suffer from tunnel vision and get himself and his teammates into difficult situations, but—as the numbers show—he’s an individual offensive force the likes of which we’ve rarely seen. Some have questioned if his style of play will translate to offence in the NHL, but the biggest qualm by far is his defending. 

Parekh is not a strong defender, and barring a serious change, doesn’t project to be. Parekh gives away the puck a lot, does not defend the rush well and has mediocre positioning in-zone.  

The risk with Parekh is twofold: first, will he be able to earn a coach’s trust at higher levels with his poor defending, and second, will the offence come at the next level at a high enough rate to justify this? That said, if he becomes as good as his OHL numbers, Parekh will almost certainly become a top-pair, potentially a number one defenceman, however much of a long-shot that may be.  

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While these are the best options for those teams already eliminated, there are still many prospects worth keeping your eye on. 

Tij Iginla: Iginla is no nepo-baby. He plays a very professional game and has improved in almost every facet over his WHL career, an improvement that has continued throughout an outlandish scoring run to start the playoffs. He is a high-end puck carrier with a tight, powerful stride that weaves him through the neutral zone and allows him to be a voracious forechecker. While he’s an underrated playmaker, his booming shot is his standout skill.  

Michael Brandsegg-Nygard: A Norwegian forward playing in second-tier Sweden, MBN is a fast, physical, 200-foot player who should have no trouble finding a way into an NHL lineup. He has a hard shot that can come off his stick in a variety of ways, though he doesn’t create many chances for himself except off the rush. He projects as a high-end complementary forward with goal-scoring upside.  

Liam Greentree: One of the top forwards in the OHL this season, Greentree has a well-balanced offensive game, though without high-end skating, may lack a degree of dynamism. Outside of the skating, Greentree does almost everything well. He has a hard shot, great puck handling, excellent positioning and wins a lot of puck battles.  

Konsta Helenius: Among the youngest players in Finland’s top league, Helenius has acclimated himself very well, even if he doesn’t have that jump-of-the-page offensive talent. He’s very smart and has a high motor, projecting to be a defensively responsible pivot with some offensive upside. 

Carter Yakemchuk: Like Parekh, as another offensively gifted defenceman with some serious warts, Yakemchuk is a bit of a risk. He is likely the best shooter among the defence cohort, paired with excellent and dynamic puck handling and supreme confidence. And like Parekh, he is a so-so skater with poor defensive habits across the board, but at 6’4” he has more upside in this area if he can iron some things out.  

Canada open IIHF Worlds with perfect start but fall against United States 

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The IIHF Women’s Worlds—one of the biggest annual tournaments in hockey—kicked off on April 3rd and the Canadian side has had as good of a start as they could hope for. Though still behind the United States based on goal differential in a tough Group A, the Canadians are one of three undefeated teams through the first three games. 

April 4th: CAN 4 – FIN 1 

Canada opened the tournament with a convincing win over the Finns, marking the 100th win for the program in the competition. Canada won silver in the 2023 edition of the championship while Finland finished fifth.  

Canada opened the scoring at 9:15 when Brianne Jenner, the captain of PWHL Ottawa deposited a bouncing puck into the Finland net. Jamie Lee Rattray got the play started when she corralled a puck in her feet at the top of the left circle and wound her way into the high slot before letting the shot go. Rattray’s attempt was deflected by Sarah Filler on the way to the net and Jenner collected the rebound to put Canada up 1-0.  

Canada dominated the first period shot totals, outshooting the Finns 17-7 but would leave the period only up one.  

Though Finland started to find there game more in the second period, Canada would still strike first.  

Defender Ella Shelton rimmed the puck down the offensive zone boards which was easily picked up by Natalie Spooner behind Finland’s goal. Spooner swung around the net and deftly backhanded the puck to Emma Maltais who, unguarded in the low slot, snapped the puck behind the Finnish goaltender to make it 2-0 Canada just under two minutes into the period.  

Showing more fight and closing the gap in shots, Finland brought themselves within one at 15:11 in the second.  

A slapshot from the point hit traffic on the way, creating chaos in front of the Canadian net. Michelle Karvinen jumped on the loose puck and curled behind the net before making a backhand pass in front to Petra Nieminen, who quickly tapped the puck into the yawning cage. 

After killing off two penalties, the Canadians scored with over 30 seconds to go, restoring their two goal second period lead.  

Kristin O’Neill repeatedly stickchecked the Finnish defender to get open near Finland’s goal line, receiving a pass from Danielle Serdachny. O’Neill then made a beautiful no-look backhand drop pass that found Julia Gosling all alone in front. Gosling made a quick move to her backhand and scored, getting her first goal for Team Canada in her first appearance.  

The score stayed at 3-1 for most of the rest of the game despite Finland’s best efforts.  

Eventually, on a late power play, Ella Shelton capitalized on a pile-up in front of the Finnish net and ripped a wrist shot off the post and in, giving Canada a late insurance marker. Shelton’s goal would stand as the game’s final goal, giving Canada the 4-1 win.  

April 5th: CAN 3 – SUI 0 

The Canadians suited up again the next day to edge the Swiss by a deceptively close 3-0 score.  

Canada got to work quickly as Maltais grabbed her second goal of the tournament just 1:10 into the first.  

Maltais’ goal came in very similar fashion to her first. Spooner picked up a chipped in puck near the offensive zone corner boards and made an aggressive move to cut to the front of the Swiss net. Spooner put a low shot off the far pad of Swiss goalie Andrea Braendli while Maltais tapped the rebound in for her second goal in as many days.  

The Spooner and Maltais’ line would strike again soon after, this time with the goal coming off the stick of Sarah Nurse.  

Spooner burst down the left wing and made another strong move to the front of the Swiss net before flinging the puck just over the crossbar on her initial chance. Switzerland picked up the puck but were prevented from exiting when Nurse poke-checked the Swiss captain Lara Stalder a few feet inside the blueline. Nurse then picked up the turnover off the right half-wall, drove into the faceoff dot and fired the puck in to put Canada up 2-0.  

Nurse’s goal was Canada’s last of the period though they easily could’ve scored another with a plethora of quality chances in tight to the Swiss goal, a pattern that continued in even more extreme fashion in the second period.  

Up 24-5 in shots, the Maltais-Nurse-Spooner line almost connected again but were shut down by Braendli. Coming in on a 3-on-2, Nurse manipulated the Swiss defender and had her snapshot deflected in tight, but Maltais couldn’t put in the rebound. 

Canada would outshoot Switzerland 23-4 in the period (up to 31-7 at that point in the game) but couldn’t add another tally.  

Braendli stood tall the rest of the contest, robbing Canada multiple times in the third period alone. Nevertheless, the Swiss couldn’t muster even one goal of their own. Fillier scored on Switzerland with their goalie pulled, handing Canada the 3-0 victory. Braendli made 43 saves in the loss.  

April 7th: CAN 5 – CZE 0 

The Czechs looked outclassed early in the Sunday evening tilt. 

 Off a faceoff two minutes into the first, Serdachny came from below the goal line, battled through the sticks of some Czechia defenders, found a loose puck in the crease and batted it home to put Canada up 1-0. 

Canada kept pouring on the offence from there as O’Neill scored nine minutes into the game. She would add another with two and a half minutes to go, receiving a royal road pass from Jocelyne Larocque and ripping a wrist shot on net in one motion. The initial shot was saved but bounced around in front of the Swiss crease before O’Neill tipped it past the Swiss goalie. Canada finished the dominant period up 18-2 in shots. 

Czechia had a stronger showing to open the second period, but it mattered little. Canada again led in shots with a 11-6 after Renata Fast sucked the life out of the Czechs with a long-distance goal four and a half minutes into the frame.  

Canada didn’t need to do much for the rest of the game. The Canadians again outshot the Czechs by a landslide, leading 13-5 in the third. Laura Stacey added the cherry one top, spinning off a check near the left half-wall and powering herself to the front of the net. Stacey showed expert patience, sliding all the way across the Czech crease before flipping the puck over the Czech goalie. Stacey’s goal was the final one of the contest, delivering the Canadians the 5-0 win.  

The Canadians played their last—and most consequential—game of the group stage on April 8th where they faced their rival United States to determine the top spot in Group A. 

The game was dead-even through regulation, with Canada and the States playing to a scoreless tie through 60 minutes. Unfortunately, the Americans would ultimately be the only team to break the ice, scoring the game winner over three and a half minutes into overtime.  

Brianne Jenner went down easily deep in the offensive zone, and with defender Larocque streaking hard to the American net, the turnover sprang a three-on-one the other way for the States. Kristen Simms received a drop pass off the rush and made no mistake, scoring to beat the Canadians 1-0.  

The Brock Press’ favourite tracks 

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After a truly amazing year of reporting on my favourite music, it is only appropriate to end the term reflecting on the rest of The Brock Press’ most-loved tracks.  

Haytham Nawaz – “To Here Knows When” by My Bloody Valentine 

“To Here Knows When” seems like the perfect choice for The Brock Press’ Editor-in-Chief Haytham Nawaz, an undercover “cool guy” music aficionado.  

Spacey and hypnotic, “To Here Knows When” is what some fans of My Bloody Valentine consider to be the perfect song. Radiating in shockwaves, “To Here Knows When” feels like the aftermath of a massive supernova. The twinkling lights and bright colours are accompanied by an understanding that in the end, there can be both perfect beauty and absolute destruction. And until you get there, you won’t know which one to expect.  

Christian Roethling – “God Only Knows” by the Beach Boys 

To me, the selection of “God Only Knows feels like the only choice for Christian Roethling. While the basis of this hunch is rather unexplainable, anyone who has met The Brock Press’ Managing Editor would likely say the same thing.   

In perfect Beach Boys fashion, “God Only Knows” is the perfect 60s ballad. Rich and warm, Paul McCartney called this track “the greatest song ever written,” a sentiment that is hard to argue with when “God Only Knows is just so beautiful. While very few of the Beach Boys played on the studio recording of this track, it is still listed as one of the band’s top-played songs, and for good reason. God only knows what we would do without this classic track.  

Andrew Hawlitzky – “Light Up the Night” by The Protomen 

“Light Up the Night” is not a surprising selection for Andrew Hawlitzky, The Brock Press’ Copy Editor, who was once a computer science major and is now studying English . This is a universally acknowledged truth, even though I cannot communicate how these two things are related. 

Gritty and hard-hitting, “Light Up the Night”, released in 2009, could easily be mistaken for a 1980s rock hit. With its raw electric guitar solos and operatic choral harmonies, “Light Up the Night” was well ahead of the 70s and 80s renaissance which is controlling much of the music scene right now. The perfect track for a fast-paced action sequence in a dystopian film set in a dark and grimy urban center (I am picturing the 1981 hit “Escape from New York” starring Kurt Russell), “Light Up the Night” is simply a track that cannot be skipped. 

Valentina Guerra – “Let The Light In” (feat. Father John Misty) by Lana del Rey  

“Let The Light In” is the perfect choice for our resident Lana Del Rey enthusiast, Valentina Guerra, our Editor-at-Large here at The Brock Press.  

Sultry yet sweet, Lana Del Rey’s gorgeous voice shines bright in “Let The Light In,” contrasted beautifully by the deeper contrasting vocals of Father John Misty. A waltzing ballad, “Let The Light In” stands elegantly against the backdrop of the rest of the tracks on Del Rey’s record Did you know there’s a tunnel under Ocean Blvd. Finding a niche on TikTok as a result of its grand, sweeping sound, it’s not hard to believe that “Let The Light In” is one of the top songs on Lana Del Rey’s most recent album.  

Cameron Sauder – “Change” by Djo 

“Change” is an interesting choice for Cameron Sauder, The Brock Press’ sole News Editor, who often gives off the impression that he has never listened to music in his life.  

A synth-driven alternative hit, “Change” is the perfect amalgamation of Djo’s current and previous work. Upbeat and psychedelic, the track’s rapidly moving body hides the artist’s fears about change beneath a blanket of auto-tune and synthesizer. Yet within the span of 2:58, Djo leaves his worries behind and steps out into the sunlight of a new world where change doesn’t have to be all that bad.  

Will Grant – Anything We Want by Fiona Apple 

“Anything We Want” is an on-brand choice for Will Grant, The Brock Press’ other arts & entertainment editor, who likely has no guilty pleasure songs and would share all his playlists openly because I guarantee he only listens to the coolest music out there.  

Rhythmic and deeply emotive, Fiona Apple’s “Anything We Want,” like most of Apple’s music, is a challenging work of art. While the song appears to be very personal to the singer lyrically, this jazzy track reflects the joy that comes along with the freedom of loving someone who loves you back. With its idiosyncratic percussion and the all-encompassing nature of Apple’s jagged and husky vocals, “Anything We Want” is the perfect example of the ways raw love translates into true art.  

Tomas Morgan – “Hey Driver” (feat. The War and Treaty) by Zach Bryan 

“Hey Driver” is a lovely choice from Tomas Morgan, one of The Brock Press’ Sports Editors. 

All of Zach Bryan’s work expertly toe the line between classic country and thumping folk and “Hey Driver” is no exception to this rule. Emotion-driven and raw, the song’s twinkling piano and scratchy acoustic guitar intermingle perfectly with the growling vocals of The War and Treaty’s Michael Trotter Jr. While Bryan is known for his consistent ability to make beautiful art, “Hey Driver” truly shines a light on his absolute talent.   

Lucas Costa – “Butterfly Effect” by Travis Scott 

“Butterfly Effect” is a hip and effortlessly cool choice from Lucas Costa, another Sports Editor at The Brock Press.  

Synth heavy and crisp, “Butterfly Effect” moves swiftly. Equipped with a great flow and a catchy rhythm, “Butterfly Effect” is simple yet addictive, drawing its listener in with its psychedelic nature. Like many of Travis Scott’s previous hits, this track was one of the songs of the summer in 2018.  

Luke Sweeney – “Bulletproof Soul” by Sade 

A slinking and rhythmic tune, “Bulletproof Soul” is an interesting choice for the last of The Brock Press’ Sports Editors.  

With a heavy emphasis on its rhythm section, “Bulletproof Soul” feels very closely connected to the jazz genre with its humming bass line and the whine of the saxophone. A perfect R&B/soul hit, “Bulletproof Soul” comes from Sade’s essential album Love Deluxe. While it might be easy to miss, living as track number 8 on a 9-track album, this song is not one to be skipped.  

Kevin Diep – “Master of Puppets” by Metallica 

“Master of Puppets” is an incredibly fascinating choice by Kevin Diep, The Brock Press’ Business Manager, who is still managing to surprise his colleagues to the very end.  

Gritty and hard-hitting, “Master of Puppets” is one of the hit band Metallica’s most popular tracks, and for good reason. Thought to have come from the band’s best album, “Master of Puppets” is recognized for its skilled guitar riffs and smashing drumbeat. The nearly 9-minute-long track never gets boring, moving through every phase with precision and flair.  

Maeve Ferrigan – “Glimmer” by Mako Road 

“Glimmer” is an ideal choice for Maeve Ferrigan, The Brock Press’ Advertisement Coordinator, whose laid-back and sunny personality lends itself to the groovy attitude of this song. 

Shimmering in the sun, “Glimmer” is the perfect track for hazy summer afternoons driving down back roads with your windows rolled down. Populated by sliding guitar swings and a thrumming bass line, “Glimmer” is one of Mako Road’s most popular songs.  

Nora Chan – “People Watching” by Conan Gray 

A classic pop hit for a classic girl, “People Watching” is an unsurprising choice for Nora 

Chan, The Brock Press’ Social Media Coordinator.  

Thought-provoking and swelling, “People Watching” is one of many hits from Conan Gray’s second studio album Superache. With the inclusion of twinkling piano and synth drumbeats, the song builds to new heights by introducing a body of choral voices that support Gray’s emotive lead vocals. Like many of Gray’s songs, “People Watching” is sonically sprawling, making it the perfect choice for this list.  

Charlie Martin – “A Boy Brushed Red Living in Black and White” by Underoath 

A wildly surprising choice for Charlie Martin, the quieter of the two Digital Media Coordinators at The Brock Press, “A Boy Brushed Red Living in Black and White” is a screaming hit.  

A perfect capsule of the 2000’s metal scene, “A Boy Brushed Red Living in Black and White” is populated by loud distorted guitar and dense bass with a crashing drumbeat. This rasping sound is furthered by the harsh screams of the lead singer, leading the track to an angsty and gritty ending, perfectly characteristic of this genre.  

Taylor Westbury – “Locals (Girls like us)” by underscores & gabby start 

An awesome choice from Taylor Westbury, the second Digital Media Coordinator at The Brock Press, “Locals (Girls like us)” fits this photographer’s bright and hilarious personality.  

Backed by a crazy beat that takes its listener on an electronic dance trip, “Locals (Girls like us)” is fun, groovy and full of sass. Growing with every verse, this track is the ideal track to keep the dance floor moving with vigour and energy at the end of a long night. The perfect collaboration, “Locals (Girls like us)” is undeniably entertaining and understandably one of underscores’ most popular tracks.  

The instrumentals that you need to add to your study playlist today 

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Like many students of English and History, I write a lot of papers. But whether it’s crafting that last thesis or studying for those final exams, it is crucial that I have a good instrumental playlist to keep me focused. Here are some instrumentals you should add to your playlist this finals season.  

“Love Story” – The Newton Brothers 

“Love Story,” written by The Newton Brothers for the hit television show The Haunting of Bly Manor is a gorgeous, swelling ballad. Listed as one of Apple Music’s “Horror Score Essentials,” “Love Story” has made a home amongst the best of the best. While “Love Story” is by far one of my favourites, anything from the sister scores written for The Haunting of Hill House or The Haunting of Bly Manor will be perfect on your studying playlist this year.  

“Dawn” – Jean-Yves Thibaudet 

Written for the 2005 version of Pride and Prejudice, “Dawn” is the perfect track to listen to when you are writing a paper on a classic novel or need to find a way to romanticize your life. Delicate and twinkling, “Dawn” waltzes through the headphones of its listener, awakening a sense of beauty and delight, something that is sorely needed in the lives of all university students at the end of a term.  

“Somewhere in Between” – August Wilhelmsson 

Hopeful and starry-eyed, “Somewhere in Between” was released in 2016. Perfect for when you need a little musical pick-me-up, this track, much like all of August Wilhelmsson’s work, is magnificent. Undeniably a fan favourite, “Somewhere in Between” is the composer’s top track on Apple Music, suggesting that it is likely to fit well into your paper writing playlist.  

“Enjoy Every Minute” – Trent Reznor & Atticus Ross 

From the wonderful 2020 Pixar film Soul, “Enjoy Every Minute” is relatively short yet still incredibly powerful. This track is an essential for those of us who need a musical pick-me-up during long and gruelling study sessions. Meaningful and thought-provoking, “Enjoy Every Minute” nudges you forward on your path to doing great things.  

“Burying the Dead”Kevin Kiner  

Icy and empty, the musical composition of “Burying the Dead” suits its name perfectly. Attached to the soundtrack of the final season of Star Wars: The Clone Wars, this track has made it onto many of my individualized study playlists due to its droning nature. Sonically, “Burying the Dead” feels like staring out into a vast empty plane and wondering where to go next. Sometimes, starting to write a paper can feel like that too, making it perfect for this time of year.  

“Jacob and the Stone”Emile Mosseri 

The perpetrator of many tears, “Jacob and the Stone” is best known for being attached to all of those TikTok slide carnivals full of horrifyingly depressing pieces of poetry. But if you are looking for something to push you towards producing the most profound piece of work you have ever written, this track, which I have listened to over 530 times, is the perfect song for you.  

“Nemo Egg (Main Title)”Thomas Newman 

A Pixar classic, Nemo and its beautiful soundtrack could not be avoided on this list. “Nemo Egg (Main Title)” is one of the most beautiful songs from a score I have ever encountered, and I listen to a lot of scores. On top of that, this track is a pretty blank slate: it is perfect for whatever you need it to be. Whether that be a quick break to cry between studying cue cards or locking in to write a killer essay, “Nemo Egg (Main Title)” has your back.  

“Opening Titles” – Michael Brook 

From the 2015 film Brooklyn, “Opening Titles” is romantic and sweeping, much like the movie it was written for. “Opening Titles”unlike some openings to scores – doesn’t stay in one place for long, evoking emotion while keeping the ear occupied. This song is perfect for someone hoping to stay away from “boring” soundtrack instrumentals while on their quest towards finishing the term on top. 

A good instrumental can be instrumental in making sure that essay gets written, or those cue cards get studied. But if movie and television soundtracks don’t do the trick, video game music is also an unlikely yet versatile study tool as well.  

Despite its recent defunding, OPIRG Brock promises to continue its activist work in the Niagara region 

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Community activism organization OPIRG Brock has experienced a significant budget cut but continues to work and fundraise in the community. 

Operating in the Niagara region for over 35 years, OPIRG (Ontario Public Interest Research Group) Brock is a non-profit organization that works to “situate students to activism and connect them by bridging the gap to what’s happening outside the University,” said Margret Taylor, the Community & Media Relations liaison at OPIRG Brock. 

Topics the organization advocates for include “abortion access, anti-racism work, Indigenous solidarity, resources for Queer and trans folks, workers’ rights, migrant justice, labour organizing [and] harm reduction,” said Taylor. 

The organization supports three local action groups: Niagara Reproductive Justice, Willow Arts Community and Justice for Workers Niagara. 

Taylor did not study at Brock but got involved with OPIRG after graduating and moving back to St. Catharines in 2020. Niagara Reproductive Justice was her entry into the organization, but she quickly engaged with other OPIRG projects eventually joining the organization’s board of directors in October 2021, a role she still holds today. 

OPIRG Brock runs several community programs, including the Niagara Free Store – which distributes free clothing, houseware and other items to people in need at no cost – and the Anti-Racism Sponsorship Fund, which funds people and groups doing anti-racism work in the region or at Brock. 

Recently, OPIRG Brock implemented and facilitated a harm reduction and naloxone training program for all first-year health science students at Brock, getting a whole year of students trained in naloxone use, what harm reduction means, how important it is to their work and what larger harm reduction work goes on in the community. 

On campus, OPIRG Brock works to “introduce students to these concepts of community and community building and mutual aid and activism that they might not otherwise be introduced to – or prioritize – at school,” said Taylor. 

OPIRG Brock was a club on campus until six years ago, entirely funded by a student levy: “In 2018, there was a campaign to remove that levy and it was successful, so essentially 100 per cent of our budget was removed at that point, a budget that we’d been receiving for 30 years prior, since our founding in 1988,” said Taylor. 

This original defunding led to OPIRG Brock’s partnership with CUPE 4207, the unionized organization of academic contract workers at Brock, in March 2020. 

According to a statement from OPIRG Brock, the 4207-OPIRG Assessment “entailed that each union member would contribute 0.25% of their wages to OPIRG Brock over the duration of their contract.” This funding did not substitute 100 per cent of OPIRG’s original funding, but it was a significant portion. 

“With that funding that we received, we’ve been able to establish a new era of projects and partnerships and expanding off campus and into Niagara,” said Taylor. 

Now, following a report from an Ad Hoc Committee of both CUPE and OPIRG members, which “did not identify any issues with the working relationship between CUPE 4207 members and OPIRG Brock,” according to the statement, that Assessment and its subsequent funding has been removed by a vote of 26 to 23. 

“We’re still not entirely sure why it happened,” said Taylor.  

“We were made aware of the outcome without much of an explanation, but we know that the vote wasn’t unanimous and so there was and continues to be a lot of support for OPIRG in terms of continuing a working relationship with CUPE 4207.” 

The cut will remove 27 per cent of the current annual budget, and 59 per cent of all subsequent annual budgets. 

“Having secure, long-term funding is important to the kind of work that we do that impacts people’s lives,” said Taylor.  

In a statement from CUPE 4207 regarding the cut, “the Executive Committee will continue to work with OPIRG-Brock. The working relationship is not ending, just changing, and we will be meeting with OPIRG-Brock in the coming weeks. The Local is still very committed to supporting social activism and advocacy initiatives in our community, and will do so on a project-by-project basis or as the need arises.” 

When inquired by The Brock Press about the removal of the Assessment, CUPE 4207 President Phil Wachel had no comment. 

Now, OPIRG Brock is adjusting to make up for the deficit: “All of this coordinating takes time and capacity, so with less funds we have to be a little bit more strategic about where our energy goes.”  

This will likely mean less money for the Anti-Racism Sponsorship Fund, fewer Free Stores and less money for programming in general. 

Luckily, as a smaller PIRG that’s been defunded in the past, “we’ve always had a diverse and varied funding strategy that reflects our priorities,” said Taylor, a strategy that has included applying for grants, self-publishing and hosting fundraiser markets. 

“We’re continuing to actively submit grant applications, but we also rely on folks who care about activism in Niagara to put that into action, whether that’s becoming an OPIRG member or a cash donation, volunteering or even sharing our work on social media, there are lots of ways that we want to mobilize the community to support us.” 

OPIRG Brock has experienced a heavy loss with the removal of the CUPE 4207-OPIRG Brock Assessment, but it will continue to hold community events. OPIRG’s website remains a useful resource with links to community groups, self-education tools and more.  

“These are the connections that hold our community together, and we want to make those connections available for people to utilize; show people that we need each other to take care of ourselves and that there are groups like OPIRG in Niagara doing that,” said Taylor.  

“We’re not closing; we’ll continue to keep supporting student and community activism.” 

Exactly how the organization will stay afloat is yet to be seen, but it will fight to do so. That much is certain. 

OPIRG Brock will be joining Justice for Workers in Niagara at a union tabling fair held on April 9 from 11 a.m to 2 p.m in the Market Hall at Brock. Here, students can talk to union reps and learn about local unionized jobs and the benefits of being in a union. 

Students can stay up to date with OPIRG Brock on their website and social media – @opirgbrock on both Instagram and Facebook. 

The best local flower shops in St. Catharines 

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Looking for the perfect florist this spring season? This list of beautifully curated flower shops is for you. 

Each shop in the following list is in or around St. Catharines, making them easily accessible for Brock students looking for something to brighten up their student home.  
 
Adam’s Flora: 

Located at 144 St. Paul Street in St. Catharines, Adam’s Flora is a gorgeous little hole in the wall that homes a diverse assortment of plants. While the store’s main export is flowers, Adam’s Flora also sells a variety of succulents, herbs, local artisan goods and magical supplies. Open six out of seven days of the week, the store operates from 11 a.m to 7 p.m Tuesday to Thursday, 11 a.m to 8 p.m on Friday and Saturday and 11 a.m to 5 p.m on Sunday. They are closed on Mondays. 

While you can pop in to buy a custom bouquet this spring, Adam’s Flora also supplies flowers for a variety of occasions. They can be purchased online for delivery via Uber Eats.  

More information about the store, their hours and the plants they have in stock can be found on their Instagram. 

Flower Crown: 

Located at 33 Lakeshore Road #23, Flower Crown is an eclectic, locally owned flower shop with a whole lot of heart. Specializing in flower arrangements and bouquets, Flower Crown is still finding its footing in the Niagara Region as it is a rather new business. Open six out of seven days aweek, the store operates from 9:30 a.m to 5 p.m on Monday and 9:30 a.m to 6 p.m Tuesday to Saturday. They are closed on Sundays. 

For a personally customized bouquet or floral arrangement, it is better to visit Flower Crown in person, although a more standardized version of both can be purchased online and delivered using Uber Eats.  

More information about their catalogue can be found on their website 

Vine Floral: 

Located at 387 Ontario Street, Vine Floral is a more traditional flower shop which claims to be “Niagara’s leader in fresh and artificial flowers since 1972.” Unlike the first two shops on this list, Vine Floral is now owned by a larger corporation, “Forest of Flowers,” which allows them to provide faster delivery times while maintaining the same attention to detail. Open six out of seven days of the week, Vine Floral operates from 9 a.m to 5 p.m Monday to Thursday, as well as Saturday and 11 a.m to 5 p.m on Friday.  

Vine Floral hosts both in-store and online shopping, providing for the various needs of different groups of people. Their website makes it easy to select the kinds of flowers you need for whatever occasion you need them for, boasting same-day delivery if the order is placed before a certain time.  

More information about their hours and their products can be found on their website.  

The Watering Can Flower Market: 

Located at 18 James Street, The Watering Can Flower Market is a smaller location that is tied to the bigger Watering Can Flower Market in Vineland. By far the most diverse shop on the list, this flower market provides walk-in customers with the most variety. Open six out of seven days of the week, The Watering Can Flower Market operates from 9 a.m to 5 p.m Monday to Saturday.  

The Watering Can Flower Market is one of Niagara’s many success stories. As a family-run business, this shop doesn’t sacrifice heart just to provide quick and effective service. Like Vine Floral, The Watering Can provides same-day delivery if orders are placed before a certain time. Furthermore, they are providing the option to place an online order via their website.  

More information about their hours and their vast variety of flowers and plants can be found on their website 

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During the dreadful time that is exam season, some bright and cheery flowers from a local floral establishment can be the best way to make your day a little bit better.  

Ranking the top ten Nintendo Switch exclusives: 2024 edition 

Despite the rumours of a successor on the horizon, the Nintendo Switch continued to excel throughout 2023 with several excellent new releases. The system’s catalogue has grown impressively large with tons of titles to enjoy, and the list will likely continue to grow over the next year. 

Last year, I ranked the top ten Nintendo Switch exclusives in 2023, but since so many great games were released in the meantime, I feel like this list is in need of an update. 

Like last year, this list will only feature first- and second-party titles, which means that they must be either developed internally within Nintendo or published in cooperation with the company. For example, even though Pokémon titles are developed by Game Freak, they’re still eligible to appear on the list (spoiler alert: they won’t). 

Something important to note is that anything featured on last year’s list is automatically disqualified from appearing on this one. It just keeps things more interesting! If you have a favourite game and it doesn’t appear on this list, consider checking out last year’s edition – there’s a good chance it was listed there. 

Now let’s get into it: here are my top ten Nintendo Switch exclusives! 

10) Mario Party Superstars 

As popular as it might be, the Mario Party franchise has been in a bit of a rut since NDcube took over development of the series starting with Mario Party 9. The series, which once brimmed with personality and charm, became another cookie-cutter Mario experience with flawed mechanics and a lack of interesting ideas. 

Even NDcube’s attempt to return to form with 2018’s Super Mario Party was lacklustre. It was a step in the right direction for the franchise but couldn’t live up to the heights of its predecessors. 

It was then that NDcube seemingly realized they didn’t have to fix what was never broken, and the best way to return the series to its former glory would be to remake the original experience for a new generation. That’s what Mario Party Superstars is: a “superstar” collection of some of the series’ original game boards remade in glorious high definition. 

If you’re hoping to scratch that old-school Mario Party itch, look no further. All of that excitement, laughter and infuriation is here, and it feels like the series has finally started to find its footing again. 

The only major concern with Mario Party Superstars isn’t in its quality; it’s the quantity that’s an issue. The game only contains five boards, which does not quite line up with the six to eight boards each game would get in the series’ heyday. The boards are replayable and each one has a lot to love, but it would have been nice to get another board or two to increase the amount of content in the package. 

If you can look past the limited amount of content, there’s still tons of fun to be had in the series’ best entry in years. Just be warned: your friendships need to be pretty strong to survive a round of Mario Party – just like the good old days. 

9) Kirby’s Return to Dream Land Deluxe 

Kirby’s Return to Dream Land Deluxe is a remake of the original 2011 Wii classic, and it’s just as good as ever. The original game was a return to form for the Kirby series after several years of spinoffs and side games, and it’s lauded as one of the best games in the series. 

After playing Deluxe, it’s not hard to see why. This is Kirby goodness in its fullest form: a bouncy, cheery, light adventure that brings out the best in the franchise and allows players to experience the world with four-person multiplayer. 

The level design here is fantastic, and there’s quite a bit more content than in Kirby’s previous 2D outing, Kirby Star Allies. There’s also a brand-new epilogue starring Magolor, an intergalactic traveller Kirby meets on his journey. It’s a short side story, but its unique gameplay complements the main game experience. 

Those who are interested in this game should be advised that, much like most Kirby titles, the game is on the easier side. It’s not hard to breeze through this journey, so those looking for a challenge should probably look elsewhere. Regardless of the difficulty, however, there’s a lot to love about this adventure, even if it’s not your first time returning to Dream Land. 

8) Ring Fit Adventure 

This spiritual successor to Wii Fit attempts to throw fitness gaming back into the spotlight, and while it might never recapture the same feeling as playing on the Wii Balance Board, it comes pretty darn close. 

The game’s equivalent to the Balance Board is the all-new Ring-Con, a large plastic ring that the player controls by squeezing and stretching. Unlike Wii Fit, which contains a series of independent minigames, Ring Fit Adventure has a story mode where the player defeats monsters using their Ring-Con. 

If it sounds easy, think again: the game provides a legitimate workout that will get you sweating even harder than Wii Fit. It’s a great experience that successfully integrates fitness into a fun story mode, and it’s worth trying for anyone who has fond memories of Wii Fit. 

As a fitness game, it’s definitely not for everyone – but if you’re hoping to get a good workout and have fun while doing it, maybe it’s time to put a Ring on it. 

7) Super Mario Bros. Wonder 

After several increasingly boring iterations of the “New Super Mario Bros.” series, Wonder is exactly the kind of re-invention that the series needed. The game creates all sorts of unique and unexpected moments for the player and the new art style allows characters to be much more expressive and interesting. 

The game embraces its weirdness, most notably through the new “Wonder Flower,” one of which appears in every level and creates a unique effect to alter the level. 

Upon touching a Wonder Flower, stars might rain down from the sky, pipes might come to life or Mario could even transform into a Goomba. There’s a near-limitless amount of creativity on display here, almost as though the developers knew they needed to bounce back after the monotonous days of New Super Mario Bros. 

Like Kirby, the game is a bit easy, although there are some challenges when going for 100% completion. It’s unfortunate, however, that the challenge isn’t a bit more consistent throughout the journey. 

Super Mario Bros. Wonder has a surprise around every corner, and the only consistent thing about the entire experience is its inconsistency. This might sound like a bad thing, but it’s exactly what the series needed, and it shows that the future of 2D Mario is more wonderful than ever. 

6) Metroid Dread 

Metroid Dread is the first original 2D Metroid game in almost 20 years, and the series really returned with a bang. The game sees the intergalactic bounty hunter Samus Aran trying to escape Planet ZDR, where she finds mysterious new threats and areas to explore. 

The game retains the series’ original Metroidvania gameplay, but thanks to the increased processing power of the Nintendo Switch, the areas are more eerie and atmospheric than ever. The sights and sounds of Planet ZDR create a moody, creepy feeling as you navigate this strange world, and there’s a constantly unsettling feeling as you try to escape to the planet’s surface. 

The best moments of the game are the areas where the Extraplanetary Multiform Mobile Identifier robots – or E.M.M.I.s – are present. In these contained areas, Samus must quietly navigate the E.M.M.I.’s territory as it hunts for unapproved lifeforms. E.M.M.I.s are terrifying technological beasts that can hear Samus when she’s nearby and will rapidly chase her if she is detected. Worst of all, if an E.M.M.I. captures Samus, it will instantly kill her regardless of her current health (unless the player manages to complete a perfectly timed button input, which is incredibly difficult to pull off). 

These areas are genuinely terrifying, and even when the E.M.M.I. is off-screen or in a different room, there’s an unnerving feeling knowing that it’s on the prowl, always hunting you down. The game is incredibly effective at making the player genuinely feel uncomfortable, and its ability to do so secures Metroid Dread as one of the best games on Nintendo Switch. 

5) Super Mario Maker 2 

I hesitated to include two 2D Mario games on the same list, but they’re both so good that it’d be wrong to exclude either of them. 

Super Mario Maker 2 is an evolution of its predecessor on Wii U, and it allows players to create their own 2D Mario levels using a variety of tools. These levels can then be uploaded online for others to enjoy, meaning there is essentially an infinite supply of Mario levels to enjoy in this package. 

Whether you love to create or you just like to play, there’s excellent value in this game. Since anyone can create a level, that means there are some really terribly designed ones out there, but there are just as many brilliant levels that make use of people’s creativity and love of the franchise. It’s a game that can basically go on forever, and while not every level is a winner, there’s no way to complain about the amount of great content on display here. 

4) Super Mario 3D World + Bowser’s Fury 

This is a port of the Wii U’s already fantastic Super Mario 3D World, but this version is better in just about every way.  

As the name implies, this is a 3D Mario adventure, but it’s not an open sandbox like Super Mario 64, Super Mario Sunshine or Super Mario Odyssey. The game is much more linear, but don’t be dismayed: there’s a lot of creativity and smart level design to enjoy here, and similar to Super Mario Bros. Wonder, there are tons of surprises to keep players on their toes. 

There are tons of levels to enjoy here with eight main worlds, four postgame worlds, and plenty of collectables in each stage. Anyone can start playing the game and have fun going through its levels, but you’ll have to be an expert if you want to beat the postgame, creating a very satisfying level of difficulty. 

As if that wasn’t enough, the game also comes with the all-new “Bowser’s Fury” side story, which is an open-world environment containing several islands and more collectables to find. It’s not the longest, but its mechanics do a fantastic job complementing the main game, and it’s a phenomenal addition to the Wii U classic. 

With four-player local and online multiplayer, there’s tons to enjoy here. It might not be the most famous Super Mario game, but it’d be a crime not to include it on this list anyway. 

3) Pikmin 4 

Here we have Pikmin 4, the undeniable pinnacle of the Pikmin franchise. 

For those unfamiliar with the franchise, Pikmin games see the protagonist explore an oversized planet with the help of tiny creatures called Pikmin, whom the player can command to lift large objects and break open passages. 

The game operates on a timer, meaning you must strategize to use your Pikmin efficiently during every in-game day and collect them before nightfall, when uncollected Pikmin will be lost to predators in the night. It is a wonderful experience that requires smart thinking in real-time, and it’s perfect for anyone who enjoys testing their mental skills with puzzles or strategy. 

Pikmin 4 comes with a slew of new features such as “Dandori challenges,” which really put your strategy skills to the test; and nighttime exploration, which flips the gameplay into something akin to a tower defence game. Every bit of the game’s design is brilliant, and it’s constantly engaging through the many hours of content available. 

Over the course of the game, you will become attached to your Pikmin, and it will pain you every time you lose one to the dangers of the mysterious planet, but that’s all part of the experience. This game requires quick thinking and smart strategizing, but for those who are up to the challenge, there are many hours of Dandori fun to be had here. 

2) Fire Emblem: Three Houses 

Last year, I wrote that 2023’s Fire Emblem Engage surprised me as one of the best games on Switch, and one year later I can firmly say that its predecessor, 2019’s Three Houses, is even better. 

Three Houses retains the classic Fire Emblem gameplay, which is as compelling and satisfying as ever. The game makes use of several complex systems and stats, but once you’ve mastered these aspects, you’ll feel like a genius as you command your units across the battlefield. 

Three Houses goes a step above Engage with its storytelling. The game has one of the smartest stories I’ve ever seen in a Nintendo game, and it will leave you wondering who to trust and whether you’ve made the right decisions along the way. 

Speaking of decisions, your choices are incredibly important here – more so than any other Nintendo game I’ve ever played. The game has a few moments in which you must make key choices to progress the story, and your decisions impact who you fight for and the ultimate outcome of the story. It’s a case where your choices hold legitimate weight, and as such, the game can be replayed several times to experience every story route and it’s just as engaging every time. 

The game can take anywhere from 30 to 50 hours to beat on an average playthrough, but that’s just to beat one story route. If you want to complete every path, you can expect to spend 150 to 200 hours exploring the land of Fódlan. 

Fire Emblem games can be intimidating, especially to newcomers, but those who devote themselves to understanding the game’s mechanics and story will have a wonderful time experiencing this massive journey. 

1) The Legend of Zelda: Tears of the Kingdom 

Here it is: the best game on Nintendo Switch. 

The Legend of Zelda: Tears of the Kingdom is an evolution of its predecessor, Breath of the Wild, which revolutionized open-world games through the freedom it allowed the player. That game took the first-place slot on last year’s list, and it’s unsurprising that its successor would end up doing the same. 

Tears of the Kingdom builds on its predecessor in every imaginable way, extending the explorable area high into the skies and deep underground. Link’s new abilities allow him to traverse the world more creatively than ever before, meaning the world of Hyrule truly becomes a massive playground for the imagination. 

The game’s central focus is Link’s new ability Ultrahand, which allows him to freely move objects at will and attach them together to create unique contraptions and machines. Many tools can be attached to machines such as wheels, fans and lasers, which ingeniously work together to create fully-fledged vehicles and machines based on the way the player attaches the objects. 

This is nothing less than an incredible feat in game design, and it encourages the player to be creative in a way no other Nintendo game has. Essentially, Tears of the Kingdom’s ethos is that the world is a giant sandbox filled with toys to play with, and it’s up to the player how they choose to experience it. 

Tears of the Kingdom might not be as revolutionary as Breath of the Wild once was, but it is undeniably a masterclass in game design that puts player freedom at the forefront of the experience. It is a must-play game, and I feel comfortable calling this not just the grandest Switch game ever released, but the grandest Nintendo game of all time. 

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Remember that this list is solely made up of my opinions, and mine alone. You might completely disagree with my rankings, but that’s the beauty of art: there’s nothing objective about it, but it can create wonderful discussions and celebrations when two people don’t see eye to eye. Regardless, I hope this list gives you some ideas of what to pick up next – even if a next-generation system is right around the corner. 

Pokémon Scarlet and Violet: The death of a franchise 

This is the final article in a five-part retrospective covering the downfall of the Pokémon mainline games. Click here to read the first part, which focuses on Pokémon Black and White. Click here to read the second part, which focuses on Pokémon X and Y. Click here to read the third part, which focuses on Pokémon Sun and Moon. Click here to read the fourth part, which focuses on Pokémon Sword and Shield. 

This article contains spoilers for Pokémon Scarlet and Violet. 

Pokémon Scarlet and Violet were intended to revolutionize the beloved Pokémon franchise by throwing players into a fully open world for the first time, but instead, they turned the series into a complete and utter laughingstock. 

By the time Scarlet and Violet launched in 2022 for Nintendo Switch, the series was already in a desolate state. The previous three generations were plagued with issues stemming from rushed deadlines and an apparent lack of passion from series developers Game Freak, and unfortunately, all these problems would culminate in the sloppy and irredeemably unfinished release of Scarlet and Violet

It’s a shame, too, considering some of the ideas behind Scarlet and Violet were the most ambitious the mainline games have seen in years, and if this project had been given the proper time, budget and attention to prosper, it could have been the re-invention the series needed. 

Let’s start with what worked. 

Firstly, the idea to throw Pokémon into an open-world environment felt long overdue, and it feels like a conceptual evolution for the franchise. This was a concept experimented with in Sword and Shield’s Wild Area and later Pokémon Legends: Arceus, but Scarlet and Violet fully embrace the concept of a completely open-world experience for the first time. 

With the addition of an open world comes more player freedom, and this extends to the main quests that players must complete to progress through the game. Somewhat similar to The Legend of Zelda: Breath of the Wild, most main quests can be completed in any order, meaning there’s no set path of Pokémon Gyms to face like most prior mainline titles. 

This added freedom complements the open environment and makes the Paldea region feel truly open rather than a narrow walkway like Sword and Shield’s Galar region. 

Scarlet and Violet’s set of new Pokémon species is also more creative and interesting than ever, and with 120 new monsters to find, the quantity is higher than any generation since 2011’s Pokémon Black and White

As usual, not every design is a winner, but what sets Paldea’s new Pokémon apart are the unique ways they expand on previous designs. Not only are regional forms back with Paldean Forms but there are also all-new convergent species, which are new monsters based on the real-life process of convergent evolution. This process occurs when two independent species experience a distinctly similar form of evolution to one another despite being otherwise unrelated. An example of this in-game would be the classic Pokémon Tentacool’s brand new convergent evolution, Toedscool. These additions make the games biologically educational and creates an interesting dynamic for fan-favourite species. 

The game also adds new regular evolutions to pre-existing Pokémon, as well as fascinating new “Paradox Pokémon,” which are time-travelling versions of other Pokémon species from the distant past or future. These new additions are an interesting glimpse into beloved species from other time periods, such as Volcarona’s ancient ancestor, Slither Wing

It’s perhaps worth mentioning that in this critic’s humble opinion, most of Violet’s future-themed Paradox Pokémon are boring since they’re all just robots, but it’s nice to have them anyway. 

Speaking of Paradox Pokémon, the game’s story is the most impressive since Black and White, and that’s a huge plus. 

Throughout the game, the player is tasked with completing three main overarching quests, which then weave into one another for a satisfying conclusion. There are some interesting story beats throughout the quests, but what I really want to talk about is Arven’s story, which becomes the most important by the end of the game. 

Upon meeting Arven for the first time, he is easily frustrated and doesn’t trust the player, but while you work with him throughout the Path of Legends storyline, you uncover the details of his tragic backstory and motivation. 

As a child, Arven was abandoned by his mother or his father (depending on whether you play Scarlet or Violet, respectively), who became obsessed with their research and left to pursue their studies in the dangerous Area Zero, located in the giant crater in the centre of Paldea. Arven’s loneliness led him to rely on his Pokémon, Mabosstiff, who is gravely injured upon the events of Scarlet and Violet. This leads Arven to ask the player for assistance hunting down the healing Herba Mystica plants across Paldea, which eventually helps Mabosstiff recover from its injuries. 

Once the main quests have been wrapped up, the player gets a request from the region’s professor – who happens to be Arven’s estranged parent – to venture down to Area Zero. Once the player reaches the bottom of the chasm, the professor tells them and Arven the truth about what has really transpired at the bottom of the crater. 

Arven and the player learn that the real professor died prior to the events of Scarlet and Violet after being attacked by an aggressive Paradox Pokémon. Over the years, the professor had become obsessed with learning about Paradox Pokémon, causing them to build a time machine that risked great ecological damage once Pokémon from other time periods began entering modern-day Paldea. The current “professor” is actually an AI recreation of Arven’s parent who disagrees with the real professor’s ambitions, and requests the player’s help in stopping the environmental crisis spurred by the professor. 

It’s a sad story in which a scientific genius’ ambitions caused them to forget about everyone they ever cared about and prioritize scientific growth over the well-being of the world’s inhabitants. Even though Arven never got to know his parent while they were alive, he is still tasked with putting a stop to their destructive plans and saving the world from their selfish actions. 

This is, by far, the best story that a Pokémon game has presented in years and is leagues better than the poorly conceived story from Pokémon Sword and Shield. The game has an interesting villain with thoughtful motivations, and the twist that Arven’s parent died years ago is the best one the franchise has ever seen. 

Unfortunately, that’s about where the positives end, and as usual, it’s all downhill from here. 

Let’s start with the elephant in the room; the main reason why Scarlet and Violet turned this once-respected franchise into a showcase of ineptitude: 

These games run poorly. Like, they run very poorly. 

Let’s try that again. These games run so embarrassingly, abysmally bad that it’s shocking they made it out of the beta stage of development. 

What we have here isn’t a conceptually unfinished game like Sword and Shield. What we have is a literally unfinished mess filled with jarring framerate drops, constant bugs in the lighting system, blurry textures and glitches galore. 

It cannot be understated how big of an embarrassment this release should be for Game Freak. This game is nothing less than a disgusting mess on a similar level to Goat Simulator – a game that prides itself on its glitches since they add to the intentional humour of that game’s experience. 

But when you’re paying full price for Pokémon Scarlet and Violet, a triple-A game from the largest-grossing media franchise in the world, things become a lot less funny. Instead, we have a game so bad that Nintendo outright apologized for it publicly – and those who are familiar with Nintendo’s usual level of quality should know that this is absolutely not normal. 

Pokémon Scarlet and Violet don’t just display the signs of a decaying franchise; they are definitive examples of a product that demonstrates that the higher-ups at Game Freak, Nintendo, The Pokémon Company or whoever else is behind this mess has completely lost any semblance of care they ever had for this franchise. There are certainly traces of passion here and there throughout the game’s core design, but it can never be truly appreciated because the games are presented in such a sloppy manner. It’s not that Game Freak’s development team isn’t capable of success, it’s that they’re not allowed to succeed because of presumably tight restrictions on budget and time. 

It’s a release emblematic of the companies’ new philosophy: it doesn’t matter if the game is good, it doesn’t matter if the game has passion behind it, it doesn’t matter if the game is finished – people will buy it anyway. 

But at this point, should this really come as a surprise? 

For a decade now, the higher-ups at Pokémon have been slowly implementing this philosophy.  

It doesn’t matter if the games abandon their beloved style to go further mainstream – people will buy it anyway. 

It doesn’t matter if the games treat the player like an idiot and cut out any semblance of difficulty – people will buy it anyway. 

It doesn’t matter if the games cut crucial features that made the franchise popular in the first place – people will buy it anyway. 

The truth is, it was only a matter of time before they completely gave up on this franchise. It was only a matter of time before they realized the franchise is nothing but an eternal cash cow that exists only to be milked for profit. It doesn’t matter how it’s treated; it doesn’t matter if it’s cared for; it doesn’t matter whether it’s allowed to reach its fullest potential. 

People will buy it anyway. 

There are other issues with Scarlet and Violet, but it’s hard to even acknowledge them when the game has such a glaring flaw that everything else takes a distant second. 

The world design isn’t great; too many areas are just empty; there’s a lack of side quests and meaningful extra content; the level scaling of Trainers and wild Pokémon makes it feel like some areas are discouraged against visiting early despite the promise of an open world; and the continual process of introducing and replacing generational battle mechanics returns with the introduction of Terastallization and the disappearance of Dynamaxing. 

But all that takes a backseat to the real issue here. 

It’s one thing to look at a franchise and observe the way things have changed over time. It’s okay to miss what you once had, or to wish game designers would realize what worked about their older projects and return to form. 

But that isn’t the case here. This isn’t a story about developers moving on to new ideas and concepts, or trying to fix what isn’t broken. 

This is a story about a franchise that lost its soul and accepted the existence of endless mediocre releases for the sole reason of churning out millions of dollars. It’s a story in which a beloved property became abused for profit; a story where greed wins over the desires of fans and the quality they deserve. 

But let’s be real – none of that really matters. 

We’re all just going to buy it anyway. 

NHL player Adam Ruzicka released from contract following inappropriate post on Instagram 

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Adam Ruzicka, a 24-year-old forward formerly of the Arizona Coyotes, has been released from his NHL contract after clearing waivers.  

The Coyotes placed Ruzicka on unconditional waivers for the purpose of contract termination on Feb. 24th after a video that Ruzicka posted on his Instagram story was made public.  

Ruzicka was drafted with the 109th overall pick of the 2017 NHL Entry Draft by the Calgary Flames. Ruzicka had signed a two-year, $1.525 million extension on his rookie contract in September of 2022 and found his way to the Coyotes after they claimed him off waivers in January of this year.  

The Instagram story in question is a video that shows a line of a white powder next to a credit card before the camera flips to show Ruzicka swallowing a liquid from a small vial.  

The Arizona Coyotes offered little in response when asked by a Sportsnet representative except to say: “We have placed forward Adam Ruzicka on unconditional waivers for purposes of terminating his contract. The club will have no further comment at this time.” 

The National Hockey League Players Association also declined to comment

Ruzicka’s actions are not dissimilar to those of Washington Capitals forward Evgeny Kuznetsov several years ago. In 2019, Kuznetsov was suspended for four years from international hockey competitions after testing positive for cocaine. The suspension came shortly after a video posted online that showed Kuznetsov next to a table with two lines of a white powder, supposedly cocaine. The NHL subsequently suspended Kuznetsov for “inappropriate conduct.” Kuznetsov entered the NHL’s player assistance program on Feb. 6th, 2024 to deal with mental health and substance abuse issues.  

While perhaps not the precedent, the Coyotes are likely within their rights to terminate Ruzicka’s contract. According to paragraph 14(a) of the NHL’s “Standard Player’s Contract” Exhibit in the Collective Bargaining Agreement, the club can terminate this agreement following a “material breach” of the club’s rules of conduct, of which use of a controlled substance certainly qualifies.  

The concern is less about the legality than the message it sends. Kuznetsov, a star player who was coming off two straight seasons of 70+ points and 20+ goals as Alex Ovechkin’s running mate, got off on a virtually identical incident with only a slap on the wrist, comparatively. Not to mention he actually failed a drug test while Ruzicka—at least publicly—hasn’t taken one. As Ruzicka’s contract has been terminated (and therefore no longer a member player of the player’s union) he will no longer have access to the Player Assistance Program’s support that Kuznetsov has been given. 

As well, in the wake of the Hockey Canada trials, none of the accused NHL player have been released from their contracts. All four players were put on indefinite leave by their NHL clubs. The Flyers cited “personal reasons” for Carter Hart’s leave, while the Calgary Flames deemed it appropriate to put Dillon Dube on leave for “mental health reasons.” While they haven’t yet been found guilty, releasing a player for conduct reasons—regardless of the legality of the player’s actions—is not without precedent. Corey Perry was released from his contract with the Chicago Blackhawks earlier this year while both Perry and the team assured the public that Perry had done nothing illegal. Brendan Leipsic had his contract terminated by the Capitals in 2020 after vulgar and sexist private messages were leaked.  

While there is little to deny Ruzicka’s actions, in the face of precedent and recent events, the Coyote’s actions are questionable.  

The NHL Player’s Association will have 60 days to file a grievance against the termination.   

Ex-Badger Logan Thompson named NHL Second Star of the Week 

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Former Brock Badgers goaltender Logan Thompson was selected as the National Hockey League’s (NHL) Second Star of the Week for the week ending on March 31st

The Vegas Golden Knights’ netminder posted a 3-0 record during the week, stopping 102 of the 105 shots he faced in three starts, registering a 0.98 goals against average and .971 save percentage. 

Thompson made 31 saves, including denying Pavel Buchnevich on a penalty shot in overtime against the St. Louis Blues on March 25th, in a 2-1 Golden Knights victory. 

The win marked Thompson’s second straight 20-win season after the 27-year-old won 21 games a season ago accounting for a 21-13-3 record. 

Thompson tied his season-high win total of 21 three nights later, making 39 high-quality stops, including stopping all 15 shots he faced in the third period, earning a 4-1 victory over the Winnipeg Jets.  

He ended his spectacular week with his third consecutive 30-save game and 13th 30-plus save performance of the season, making 32 saves in another 2-1 overtime victory against the Minnesota Wild on March 30th.  

The Calgary native’s stellar performances between the pipes helped extend the Golden Knights’ lead in the wild card standings to five points ahead of the St. Louis Blues for the final playoff spot in the Western Conference (as of games played on April 8th). 

Currently, Thompson has 23 wins, 2.76 goals against average, .907 save percentage and a shutout in 44 games played this season. 

Throughout his NHL career he has been sensational, earning 54 wins, 2.70 goals against average, .912 save percentage and four shutouts in 101 career games played. 

His success at the NHL level is something he credits the Brock hockey program and former Badgers’ head coach Marty Williamson. 

“Williamson has a lot of connections, and he was able to help me out,” said Thompson in an interview with Sportsnet in 2022.  

“Brock University had a good hockey program the year before and as a goalie, my biggest thing was that I wanted to play and wanted to go somewhere where I was going to play.” 

Thompson played for the Badgers during the 2018-19 season and had an astounding impact on their run to finishing second in the OUA West division. 

The former Brandon Wheat King of the WHL won 18 of the 24 games he played for the Badgers that season, registering 2.22 goals against average – third best in the OUA – and a .934 save percentage which ranked second-highest in the conference. 

Thompson’s success at the university level earned him opportunities in the ECHL with the Adirondack Thunder and South Carolina Stingrays, before finding his way into Vegas’ system. His outstanding goaltending play for the AHL’s Henderson Silver Knights earned him the opportunity to play in the NHL against the best hockey players in the world like Connor McDavid and Alexis Lafrenière. 

Lafrenière was named as the Third Star of the Week, leading the league with five goals during the week along with a pair of assists to help the New York Rangers be the first team to clinch a spot in the 2024 Stanley Cup Playoffs. 

McDavid was named as the First Star of the Week, bolstering eight points, three goals and five assists, leading the Edmonton Oilers to a perfect 3-0 week. 

For more information on Logan Thompson and the NHL, head to nhl.com. 

Mark your calendars, sports are taking over the summer of 2024 

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Summer 2024 is set to be one of the most exciting summers of all time with many highly anticipated and prolific sporting events occurring in the coming months.  

Olympics 

The Summer Olympic Games are back and are set to be bigger and better than ever.  

From July 26th to Aug. 11th, the best athletes in the world are heading to Paris looking to strike gold for their country. 

Four new sports will be making their Olympic debuts – breaking, sport climbing, skateboarding and surfing – as these will be must-watch events from start to finish. 

Canada’s Philip Kim (breaking) and Sanoa Dempfle-Olin (surfing) will be amongst the athletes competing in the inaugural Olympic events for their respective sports and were two of 12 Canadian teams and athletes who secured quota spots for Canada after strong performances at the 2023 Pan American Games. 

As well, the Canadian men’s basketball team has qualified for the Olympics for the first time in 24 years and are looking to repeat on the podium after last summer’s success at the 2023 FIBA World Cup of Basketball. The men’s team are grouped with Australia and two yet-to-be-determined opponents while Canada’s women’s basketball team faces hosts France, Australia and Nigeria (click here for Canada’s schedule and a complete list of all the groups). 

For a list of all Canadian teams and athletes that have qualified for the Olympics, visit the Team Canada Qualification Tracker. 

Paralympics 

After the Olympics, from Aug. 28th to Sept. 8th, the Summer Paralympic Games will be taking over Paris and festivities will be massive as the top athletes with physical disabilities will be competing for international supremacy in their respective sports and disciplines. 

One of Canada’s top Paralympians to watch this summer is Renee Foessel

Foessel is a discus thrower who has unfinished business after placing fourth at the Tokyo 2020 Paralympic Games.

Eager to avenge her fourth-place finish, Foessel earned a silver medal at last year’s World Para Athletics Championship – her third podium finish at worlds in that event (bronze in 2015 and 2019) – and her sixth podium finish at major games after earning a trio of medals at the 2015 Parapan Am Games in Toronto. 

In team sports, the men’s wheelchair rugby team should be exciting to watch as they nearly beat Australia, the second-ranked team in the world, losing by one try in the gold medal match of the Paralympic qualifying tournament three weeks ago. 

The 2024 squad will be looking to continue Canada’s dominant run in the Paralympics and win their fifth medal since the sport debuted at the Atlanta 1996 Games, winning a silver in 1996, 2004 and 2012, and a bronze in 2008. 

For a complete list of all Canadian teams and athletes that have qualified for the Paralympics, visit paralympics.ca. 

Euro Cup 

For soccer enthusiasts, the Euro Cup (apart from the World Cup) is the pinnacle of the soccer calendar. 

24 European nations will head to Germany from June 14th to July 14th looking to lift the Henri Delaunay Trophy as European Champions. 

Italy, the reigning champions after beating England in the finals three years ago, face tough competition in the group stage, facing Spain, Croatia and Albania with the hopes of advancing to the knockout stage – but it won’t be an easy task. 

Whereas France, one of the favourites to win the tournament, should have an easier time in the group stage as the 2022 World Cup Runners-Up will battle Netherlands (likely) for top spot in Group D, but Austria and Poland are looking to challenges Les Blues and advance to the round of 16 themselves. 

Georgia is the only team making their first Euro Cup appearance after defeating Greece in penalties in the qualifying playoffs and will be tested, taking on Türkiye and Czechia before a date with Portugal – the 2016 Euro Cup Champions – in the final group stage game. 

For more information on the tournament and a list of the top-five group stage matches, click here. 

Copa America 

The Copa America is back from June 20th to July 14th with a bang, as six CONCACAF nations – including Canada – join the 10 CONMEBOL teams (Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Paraguay, Peru, Venezuela and Uruguay) seeking regional soccer supremacy. 

After losing to Jamaica in November’s CONCACAF Nations League quarterfinal, the Canadian squad rebounded with a 2-0 win over Trinidad & Tobago in March to qualify for the tournament. 

However, the Canadians are in tough, opening their schedule against 2022 World Cup Champion Lionel Messi and Argentina on June 20th, before playing Peru on June 25th and Chile on June 29th

Tied with Argentina with 15 Copa America titles is Uruguay who are grouped with the United States, Panama and Bolivia, while powerhouse Brazil – nine-time Copa America champion and five-time World Cup winner – face Colombia, Paraguay and Costa Rica. The other group includes Mexico, Ecuador, Venezuela and Jamaica. Competing against these powerhouse nations should be perfect practice for Canada as they co-host the FIFA World Cup in two years’ time and are hoping to make a deep run in their home tournament. 

For a complete list of sporting events this summer, head to olympics.com. 

Niagara Region’s highly anticipated sports teams and events return this summer 

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Sport enthusiasts in the Niagara Region have an exciting summer to look forward to as Niagara’s summer sport teams are back and so is an international championship. 

Welland Jackfish 

The 2023 Intercounty Baseball League Champions return to The Pond looking to win back-to-back championships. 

The Jackfish kick off their 2024 title defence on May 17th in London before playing their home opener on the 18th against the Barrie Baycats, the same team they beat in last season’s final. 

The Fish not only led the league with 31 wins a season ago including 15 at home and a +127-run differential, but they also led the IBL in attendance, averaging over 1,500 fans a game. 

A big reason for that is due to the fun atmosphere at the ballpark on game days including the creative giveaways. 

This season, the Jackfish announced 14 giveaway days including championship seat cushions on May 18th, Bark in the Park doggie bags on June 1st and Jacques – the mascot – bobbleheads on Aug. 8th

There will also be Fireworks SuperShows after five games this season (May 18th, June 22nd, July 1st and 20th, and Aug. 17th), as well as autograph signings on the field after every game, making nights at The Pond a can’t-miss event. 

For more information on the Welland Jackfish, head to wellandjackfish.com. 

Niagara River Lions 

The Niagara River Lions make their return to the Meridian Centre on May 30th in the home opener against rival Brampton Honey Badgers.  

After finishing last CEBL season atop the Eastern Conference before losing in the semi-finals to the Scarborough Shooting Stars – the league champions – the River Lions have unfinished business looking to win their first CEBL title in franchise history. 

Leading the River Lions once again this season is guard Khalil Ahmad. The California native led the team with 18.9 points per game last season, which ranked 13th best in the league, while posting six assists per game – fourth highest – and shooting nearly 50 per cent from the field. He also won the 2023 CEBL Clutch Player of the Year and Defensive Play of the Year awards as well as being selected to the All-CEBL First-Team. 

Tickets to watch Ahmad and co. start at only $20 with community suite applications ongoing. 

For more information on the Niagara River Lions, head to riverlions.ca. 

World Rowing Championships 

The World Rowing Championships return to St. Catharines for the third time as the Royal Canadian Henley Rowing Course at Port Dalhousie will host the competition. From Aug. 18th to 25th, 2,500 of the world’s best rowers from over 80 countries will be looking to claim golden glory. 

There will be senior, under-23 and under-19 events taking place as there will be tons of excitement in the region, especially as Brock’s Connor Dodds is among the expected participants in the championship. 

Dodds won a bronze medal in last year’s U23 World Rowing Championships in Bulgaria and will be a favourite to place on the podium again in his home competition. 

But before Dodds and the other rowers race for gold, the Barenaked Ladies will be kicking off the festivities as the band headlines the Celebration Concert which will be taking over the Meridian Centre on April 25th.  

Tickets for the concert start at $55 with the proceeds supporting businesses in St. Catharines and the Niagara Region. 

For more information on the World Rowing Championships, head to worldrowing.com. 

Ivan Fedotov’s journey to the NHL unlike any other  

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Ivan Fedotov debuted for the Philadelphia Flyers over a week ago, but his journey to the NHL is unlike any we have ever seen.  

Drafted in the seventh round in 2015, Ivan Fedotov was a flyer pick late in the draft, with his most intriguing feature being his size at 6’8”. After being drafted, Fedotov played a season in the MHL – the KHL’s affiliated minor league – where he dominated with a record of 18-5-4, a 2.22 GAA and a .910 SV%.  

The following two seasons, he was the backup goalie for Ufa Salavat Yukayev in the KHL and played only four games in the two years. In the 2019 offseason, Fedotov joined Chelyabinsk Traktor as their starting goalie. He finished top 10 in SV% two years in a row and the Flyers started to notice that their late-round pick was making waves overseas.  

Following two seasons with Traktor, he joined the KHL powerhouse, CSKA Moscow, for the 2021-22 season. He won KHL goalie of the year and led Moskow to the KHL finals, where they beat Metallurg Magnitogorsk 4-3. He also won an Olympic silver medal with the Russian team in Beijing.  

In May 2022, Fedotov signed a one-year, $925,000 contract with the Flyers. However, just a few months earlier, on February 24th, 2022, Putin announced the beginning of a full-scale land, sea and air invasion of Ukraine. This led to sanctions on Russian men between the ages of 18 to 30 (instead of 18 and 27), who were forced to do one year of military service.  

So, when Fedotov tried to leave Russia for the United States to join the Philadelphia Flyers organization, he was arrested on suspicion of evading Russian military service. He was forcefully sent to a naval base in Siberia to begin his military service and was under investigation for trying to avoid the mandatory service, which in Russia is a two-year prison sentence.  

It was decided that Fedotov would not be sentenced to prison. When he finished his military training in July 2023, he signed a two-year contract with CSKA Moscow despite being obligated to play for the Flyers. It is speculated that this was part of Fedotov’s punishment as CSKA Moscow has ties to the Russian army.  

Fedotov played the 2023-24 season in the KHL, and once the season came to an end, CSKA terminated Fedotov’s contract, allowing him to play for the Philadelphia Flyers.  

Fedotov made his debut for the Flyers on April 1st against the New York Islanders after starting goaltender Samuel Ersson was pulled after allowing two goals on four shots. Fedotov had an impressive debut, stopping 19 of 21 shots, including a breakaway against the Islanders’ Matthew Barzal.  

Despite losing 4-3 in overtime, head coach John Tortorella had high praises for the goaltender, saying he was “totally impressed” and that “I put him in a hell of a spot, and he’s the only goddamn player that played in the second period.”  

Fedotov has all the tools to be a star in the NHL for years to come, and General Manager Danny Briere sees that as they have already started negotiation on a contract extension.  

Hopefully, Fedotov has found a new home in Philadelphia and can grow into the star goalie that he has the potential to be.  

Newfoundland Growlers terminated from ECHL 

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The Newfoundland Growlers membership has been terminated as of April 2, 2024, effective immediately.  

The decision was made by the ECHL Board of Directors after the Growlers ownership group failed to fulfil obligations under the ECHL bylaws.  

The owners of the Growlers, Deacon Sports and Entertainment were reportedly bankrupt and given a deadline of April 2nd to sell the team. Deacon managed to sell their majority stake in their other ECHL team, the Trois-Rivieres Lions, but were unable to find a buyer for the Growlers. The ECHL cut all ties with the Growlers, and all players have become free agents.  

The Growlers were founded in 2018 and became the ECHL affiliate to the NHLs Toronto Maple Leafs and AHLs Toronto Marlies. The Growlers won the Kelly Cup in their inaugural season and reached the Eastern Conference finals twice in 2021-22 and 2022-23.  

The Growlers were one of the first organizations to focus on using their team as a development team for the Toronto Maple Leafs. Up until the Growlers, the ECHL was known as a fighting league, and not many “skilled players” were in the league.  

Maple Leafs players Bobby McMann, Timothy Liljegren and Mikko Kokkonen all played for the Growlers at one point in their careers. Now, McMann and Liljegren are significantly impacting the Maple Leafs roster. Many other teams have started to value using the ECHL as a development for prospects in their system.  

So, with the termination of the membership, the Maple Leafs are left with no ECHL affiliate and may be forced to share a team like the Winnipeg Jets and Carolina Hurricanes.  

Newfoundland sports fans are also very upset with the termination of the team as they have now seen four teams come and go in the past two decades – St. John’s (AHL), Fog Devils (QMJHL), IceCaps (AHL) and now the Growlers (ECHL).  

On top of the impact on the Maple Leafs and local Newfoundland hockey fans, the loss of the Growlers will also affect local businesses, such as restaurants and bars that would host fans before and after games.  

But this is not the first time an ECHL team has had financial issues and ceased operations. Over the past two decades, 31 teams have had to do the same or similar reasons such as absorptions by other leagues.  

Teams such as the Bakersfield Condors, Colorado Eagles and Ontario Reign have been absorbed by the AHL; while teams such as Quad City Mallards and Brampton Beasts joined the CHL.  

For more information on the Newfoundland Growlers and all news on the ECHL, visit echl.com.  

“Cowboy Carter:” Beyoncé’s Odyssey of American Genre 

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Score: 4.5/5 

The long-standing titan of the music industry masterfully sculpts the American genre from the ground-up on her ambitious opus. 

Beyoncé, Queen Bey, Sasha Fierce, or whichever other title you choose to use does not change the momentous weight Beyoncé Knowles-Carter has on pop culture and contemporary music. Her name alone carries immense connotations to the scope of her cultural influence. 

And yet, despite her groundbreaking influence on the music industry, such as changing the international release date of records from Tuesday to Friday, Beyoncé continues to evolve artistically in unprecedented ways, shaking up the industry and beyond with every release. 

This phenomenon is on full display with the release of the country-inspired Cowboy Carter, her eighth studio album released on March 29. 

The album serves as “act II” of a three-act trilogy project, beginning with its predecessor Renaissance, which is loaded front to back with pounding dance music echoing the opulent underground vogue balls of the 1990s.  

While undoubtedly a flex of Beyoncé’s musical knowledge, collaborative efforts, vocal mastery and all-around swagger, the triumphant voice of Renaissance is best likened to a choir composed of the various Black and queer pioneers that gave life to house music and queer culture iconography. Its title alone makes clear its mission: to inspire a renaissance in queer culture and give flowers to those that inspired the music making up the album’s flesh and bones.  

Renaissance’s intentions are presented in its structural elements, but Cowboy Carter takes a more comprehensive approach to realizing its mission. Instead of framing Beyoncé as a vessel for queer and Black pioneers outside herself, she fully recognizes her identity within genres and uses it to reclaim her right as a storyteller. 

While it may not be as sonically cohesive as the nonstop throbbing house beats of Renaissance, Cowboy Carter is, for the most part, a thematically exacting album held together by an ambitious vision of reshaping genre in a way only an artist with her cultural significance could. 

With such deep roots in R&B, Beyoncé’s decision to venture into country on her ninth studio album Cowboy Carter is rather unexpected, but why?  

The ugly truth is the genre’s unfortunate ties to the American right wing and the discrimination that frequently comes with it. 

Born and raised as a Houston native, Beyoncé has often celebrated her Texas roots throughout her career. On her 2016 album Lemonade, she released the song “Daddy Lessons” which incorporated country and Louisiana Creole zydeco music. Her father, Mathew Knowles, has noted in interviews that country music played a significant role in her upbringing, where she grew up attending the Houston Rodeo and went on to make several appearances at the rodeo throughout the early 2000s. 

If one’s right to engage with country music is dependent on their regional upbringing, Beyoncé fits the bill perfectly, certainly better than Grammy-winning country artist Keith Urban, who was born and raised in Australia. The fact that this leaves no dent in Beyoncé’s perceived right to explore the genre proves that more sinister beliefs are at play. 

In 2016, Beyoncé performed “Daddy Lessons” at the Country Music Awards alongside the Chicks (formerly known as The Dixie Chicks). Despite widespread praise from fans and critics alike, she received criticism from country music fans over her attempt to integrate into the genre, as well as her left-leaning politics and activism against police brutality.  

 
It’s unsurprising that as a genre influenced by the American South, country music is heavily politicized by the right wing. In 2023, country artist Jason Aldean released the single “Try That in a Small Town” in response to progressive movements in urban areas across America, threateningly defending gun ownership and ridiculing protests against police brutality in the song.  

The track’s distasteful stench was picked up by other country artists, notably Sheryl Crow, who accused the song of promoting violence, going on to state that “even people in small towns are sick of violence.”  

Regardless of the widespread backlash Aldean received, the single still climbed to the number one spot on the US Billboard Top 100. 

The influence of right-wing politics in country music is undeniable, but the genre should not simply be reduced to those who use it as a masturbatory tool for their reactionary beliefs. 

Country music legend Dolly Parton has long been recognized for her proud support of LGBTQ+ rights, openly supporting gay marriage prior to its legalization and acknowledging the diversity of families in her 1991 song “Family.”  

Beyoncé synthesizes these current political conflicts within country music to lay the groundwork for the album, kicking it off with the anthemic “Ameriican Requiem,” a declaration of her position in the genre and American music at large. Over the track’s five-minute duration, she takes a confrontational stance against the politicization of country music. In the first lines she declares “Nothing really ends / For things to stay the same they have to change again,” referring to America’s long history of racism and its continuous threat despite the revolutionary efforts of generations before; an evil that persistently takes new forms. 

Beyoncé takes the meaning of a requiem – a ceremony for the dead – and recontextualizes it as a funeral for traditional American ideas once believed to be the ingredients to freedom. She buries these “big ideas” alongside the exclusionary conventions of country music, openly challenging herself, listeners and the industry to reevaluate their current understanding of country music’s American mythos. 

As Beyoncé stated prior to Cowboy Carter’s release, “this isn’t a country album, this is a Beyoncé album.” In a more literal sense, Beyoncé has made a country-adjacent album by taking inspiration from the American iconography and musical styles present in the genre. However, the crux of this statement is her refusal to conform to the standards of country music held up by the discriminatory right-wing politics of the powerful few, bending the genre to herself to create a melting pot of country, psychedelic rock, rap and R&B.  

 
The track serves a similar purpose to Renaissance’s opener “I’m That Girl” in its declarative nature. Both emphasize the mystique of Beyoncé as a musician and cultural figure, but where “I’m That Girl” places Beyoncé in possession of an abstract ideal of what it means to just be “that girl,” “Ameriican Requiem” grounds her in the American storytelling outside herself. 

The track concludes by returning to its opening melody, likening America to a “pretty house that we never settled in.” Behind its dazzling red, white and blue curtain, America has been and continues to be a place of civil unrest, this constant struggle becoming an unfortunate part of America’s identity. 

After a colossal opening, the album pulls back into a cover of The Beatles’ “Blackbird,” from their 1968 self-titled release. The track will likely be overshadowed by Beyoncé’s take on Parton’s “Jolene,” but her decision to cover “Blackbird” is perhaps one of the most poignant and encompassing of Cowboy Carter and the trilogy project overall. 

Paul McCartney, the song’s original writer and performer, has noted that he took inspiration from the resilience of black women during the civil rights movement. Beyoncé’s version utilizes the identical guitar melody from the original but adds backing vocals Black country artists from Tanner Adell, Britney Spencer and Tiera Kennedy, adding a refreshing take on the original that feels timely and applicable to the album’s mission. 

 
The cover transitions into the third track, “16 Carriages,” which served as a single alongside the widely popular “Texas Hold Em’.” Whereas the latter adopts the stereotypical kitschy twang of country music, “16 Carriages” emphasizes the genre’s storytelling capabilities as Beyoncé speaks about the impact starting her career early had on her coming-of-age journey. 

In a broad sense, the song speaks of a turning point in one’s life where they recognize the growing distance of youth. While it goes without question that Beyoncé’s circumstances were different from the average person, her vulnerable acknowledgement of innocence lost feels entirely earnest. The analogy of sixteen carriages represents those sixteen years of youth before her life began to permanently shift directions. The juxtaposition between a steady acoustic guitar in the verses and the swelling, expansive synths in the chorus feels like a parallel to standing on a precipice at the end of youth. Such a change may feel freeing and confining all at once, and the song’s lyrics and production reflect this conflict of emotions exquisitely. 

While she expresses gratitude for overcoming her childhood fears, there is a sombre hesitancy to the lyrics; an echo of “what if?” If you ask anyone what their childhood dream was, the answer will likely be a stark deviation from the current path they’ve set themselves on. At some point, there comes a fearful realization that it is too late to achieve those dreams – that ultimately, they require more work than was initially believed when looked at through the hopeful eyes of a child. The grief that follows this realization is frequently a long, slow burn. 

Throughout Cowboy Carter’s nearly 90-minute runtime Beyoncé embarks on an odyssey of the American genre; to limit this album to the title of one genre would be a disservice to several other tracks that starkly deviate from conventions. After the near pastiche sound of “Texas Hold Em’,” she delves into a slick ‘70s classic rock sound on the immediately catchy “Bodyguard.” Shortly after she moves into a darker, melancholy sound on “Daughter,” ending the track with a passage from the Italian opera song “Caro Mio Ben.” 

If this rapid cycling of musical styles wasn’t enough, Beyoncé moves into rap on “Spaghettii” after country legend Linda Martell introduces the concept of breaking genres. Martell returns to introduce the track “Ya Ya,” a theatrical, almost campy display of American live music where Beyoncé interpolates Nancy Sinatra’s “These Boots Were Made for Walking” and The Beach Boys’ “Good Vibrations.”  

While the album’s extensive runtime mostly feels justified, there are a few tracks that could be cut without impacting the overall mission of Cowboy Carter. “II Most Wanted” featuring Miley Cyrus is bound to become an anthem for crying in the club and a prime contender for duo awards at the Grammys, but its lyrics and Cyrus’ presence break the flow of Cowboy Carter’s fitting Beyoncé-centrism. The following track, “Levii’s Jeans” featuring Post Malone, is arguably the album’s weakest cut and certainly one of the most forgettable, having little selling points other than the novelty of Post being featured on a Queen Bey track. Ideally, the song would be complete with a “skip-advertisement” button, as it certainly feels like one. 

Cowboy Carter’s final act is considerably strong, kicking off with the repetitive but nonetheless catchy “Riiverdance.” The twangy guitar, thumping bass drum and Beyoncé repeatedly saying “bounce on that shit (no hands)” between her silky vocal runs on the verses creates a momentum that makes the transition into “II Hands II Heaven” feel even more seamless.  

After an album full of acoustic guitar, “II Hands II Heaven” showcases Beyoncé’s well-established ability to coast over electronic R&B beats. Standing at five minutes and 41 seconds, it’s the longest track on the album and demands more patience than the album’s catchier cuts. The reward is some of the album’s most delicately intricate production, superb vocals and tender subject matter as Beyoncé sings to the love of her life before rocketing into the energetic trap-sound of the following track, “Tyrant.” 

The penultimate track, “Sweet / Honey / Buckiin’,” serves as a satisfying conclusion to the album’s cocktail of genres, acting as an unhinged three-in-one track of country, blues and hip-hop. At this point in the album, it feels impossible to categorize “Sweet / Honey / Buckiin’” as any genre but, well, Beyoncé herself. 

Following a stellar run of tracks, the album concludes with the bittersweet, triumphant “Amen,” a reprise of “Ameriican Requiem.” Here she makes several lyrical alterations to the opening track. In the latter’s line “Them big ideas (yeah) are buried here (yeah),” Beyonce swaps “big” with “old,” recontextualizing the line’s meaning to indicate a passage of time. In acknowledging the traditional “big” American ideas as now “old,” she has situated Cowboy Carter as a timely declaration of lasting change; a reclamation of Black narrative in music.  

Perhaps at the end of the day, when the crowd leaves the rodeo, Cowboy Carter is not so different from Renaissance in the role its title plays in its mission. Apart from coincidentally sharing a name with the singer’s married name Carter, the title is a reference to The Carter Family, an American music group in the early 1900s that became known as “the first family of country music.”  

While Beyoncé is not seeking to stomp her (cowboy) boots over the legacy of The Carter Family, she has positioned herself in the genre as a catalyst for change; a new beginning. Through all the backlash, she stands alongside the ambitious opus that is Cowboy Carter as proof that the musical confines of American genres are as malleable as the social constructs walling them in. She’s crafted a legacy that is no one’s but her own and is inviting others to do the same. 

Best sports moments presented by The Brock Press  

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Sports have existed for centuries, with millions of people playing, watching and experiencing the many emotions they evoke. Here at The Brock Press, I asked the staff about their favourite sports moment of all time. Here’s what they had to say. 

Andrew Hawlitzky:  

“The Buttfumble is by far my favourite sports moment. Also, it was the only sports moment I know of outside Space Jam or the Mighty Ducks.” 

For context, the butt fumble was the result of a play in an NFL game where the quarterback was sat on by one of his linemen, resulting in him fumbling the ball – definitely a top 10 sports blooper of all time.  

Lucas Costa:  

“There are too many to choose from. But if I had to pick one, I would probably pick Portugal winning the Euro Cup in 2016 because it was the first trophy that Portugal—my family’s home country—has ever won in soccer. I remember the police in Toronto having to close some streets in Little Portugal so we could celebrate. Also, I watched the game with my entire family. And I love Ronaldo.” 

Winning the 2016 Euro Cup was a monumental moment in Ronaldo’s career. Personally, I was able to experience that Euro Cup from France and Italy, which will forever live in my memory because of my passion for soccer overseas in Europe.  

Lucas also mentioned his honourable mentions, which included the Raptors 2019 championship, Jose Bautista bat flip and the Maple Leafs drafting Auston Matthews first overall.  

Nora Chan:  

“Swimming is one of the few sports I watch, so I’d have to say Summer McIntosh is my favourite athlete. She’s currently ranked as one of the best swimmers in the world, holding multiple world records and titles. It’s incredibly satisfying to watch her dominate every meet she’s in, and it’s exciting to see a Canadian athlete excel to this extent in the sport.” 

Summer McIntosh is still very young at 17 years old and has a long career ahead of her. Between her and Penny Oleksiak, Canada swimming has never been in a better place.  

Cameron Sauder:  

“The Jose Bautista bat flip will always be legendary. Either that or maybe Vladdy winning the 2023 Home Run Derby? I watched that one with my brothers, and it was a good time.”  

Undeniably two great Blue Jays moments over the past 7-8 years. The Jose Bautista bat flip, in my eyes, is the greatest moment in Blue Jays history since Joe Carter’s walk-off homerun in 1993. 

Luke Sweeney:  

“When the Leafs won the draft lottery in 2016. First time I had hope for the team in my entire life, and Matthews was somehow better than we expected.” 

For all Maple Leafs fans, this is sadly one of the greatest moments in recent history. Drafting a generational talent and having him pan out in Toronto is something the fan base has needed for a long time. Matthews is already one of the greatest Maple Leafs of all time at 26 years old. If he were to win a cup in Toronto, he would solidify himself as the greatest Maple Leaf of all time.  

Will Grant: 

“My favourite sports moment has always been Tessa Virtue and Scott Moir’s Olympic ice dancing. Apart from being national icons in Canadian culture, the technical perfection in their performances was always a treat to watch. The chemistry between them is simply unparalleled in other athletic events that I’ve seen. Ice dancing and figure skating have always been among my favourite sports to watch for the combination of theatrics and raw athleticism.” 

Tessa and Scott are two of the best to ever do it. In 2010, they became the first North American duo to win a gold medal at the Olympics in ice dance. They proceeded to win four more medals at the Olympics over the next eight years. They are the Olympics most decorated figure skating duo in history and on top of that, have won an additional four world championships. An underrated sports duo to say the least.  

Haytham Nawaz: 

“I don’t really watch sports, but I was a boxer growing up and so my fondest sports-watching memories come from professional boxing fights. I think Pacquiao v. Mayweather takes it for me. Even though the fight wasn’t necessarily a tense back-and-forth, the tension leading up to it was enormous and the fight itself showed that Mayweather’s defensive genius is simply impregnable.” 

Pacquiao and Mayweather are arguably both top 10 boxers of all time when you consider what they both brought to the sport. Aside from Mike Tyson, Mohammad Ali and Sugar Ray Robinson, Mayweather brought so many eyes to the sport of boxing and finished his professional career 50-0. While Pacquiao is one of the most technically sound boxers of all time. He was not going to KO every opponent but watching him dominate the ring was a treat and is why he deserves to be considered a top 10 boxer of all time.  

Editorial: The Brock Press wins throughout our 59th production year 

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As the 59th production year at The Brock Press wraps up, I recount the many victories for our newspaper this academic year. 

In the summer of 2023, The Brock Press Board of Directors voted in favour of a special resolution to change the organization’s structure to a worker cooperative, where one-member one-vote was extended to the entire staff. This was a huge shift from what was essentially a managerial patronage system going back to our company’s incorporation in 2009.  

The shift to a co-op meant a change from a hierarchical workplace to one where hierarchy is balanced out with accountability and where the majority’s will is the strongest force in the company. The now mandatory worker-representative majority bloc on our board means that management is outgunned on votes and must consider the entire working staff in every decision they make.  

Early into the new year, YouTube phenom and former Yale Professor of Economics, Richard D. Wolff, spoke with us to impart his vast knowledge on worker cooperatives as well as to give his congratulations for the bold shift we made towards workplace democracy.  

In early January, The Brock Press had its first work-wide election of directors, where the four board seats making up the worker-rep. majority bloc were filled by four candidates who have served the company with all their being since, and who will take a leading role in hiring next year’s staff. 

Though we in management received different forms of pushback to becoming a workplace democracy this year from the powers that be, our commitment to principles of fairness and equality allowed us to persevere and protect what we spent nearly a year building.  

Although, our successes this year didn’t stop at internal changes.  

In late February of this year, The Brock Press launched a brand-new website with a far more professional design, faster loading times and a video section.  

With the new site, The Brock Press is giving CBC and The New York Times a run for their money.  

The new site was entirely setup and designed by a special committee consisting of two Brock Press employees, demonstrating that another perk of democratizing our workplace is that far less work — and therefore student money — is outsourced to non-student companies with exorbitant costs reflecting the need to make a profit.   

The new site also features advertisements for local and student businesses at no cost; just another way The Brock Press continues to support the St. Catharines and Brock communities beyond our reporting. 

Additionally, The Brock Press’ media-coordinator team turned up our presence on campus several notches this year, with editor-highlight booths and other activities, some interactive and some with prizes, held on campus. 

In terms of story highlights for the year, it’s hard to pick after a year of such high-quality coverage.  

However, some standouts from my perspective include: our exposé of the Chabad at Brock controversy on campus; our forays into gaming journalism with The Game Boys series; the revival of an April Fools edition of the paper called The Brock Crass; our coverage of UFC 297 held in Toronto which some of our writers and photographers got to attend as UFC-recognized media personnel; and an extraordinarily well-written and in-depth feature by Andrew Hawlitzky on the Province’s stimulus and tuition freeze of post-secondary institutions considered alongside Brock’s debt crisis.  

All in all, serving as editor-in-chief for such a prolific and transformative year at The Brock Press has made this the most meaningful year of my life. This was only made possible by the 14 staff members who brought the best out of myself and the paper as a whole for the last 12 months.  

To my staff, truly thank you. 

And to our readers, thank you and stay tuned.  

The UN Security Council advances a temporary ceasefire resolution. No, it won’t lead to long-term peace in the Gaza Strip 

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It wouldn’t be misguided to assume that most have lost track of the number of failed UN Security Council resolutions calling for a ceasefire in Gaza. Time and time again, the five permanent (P5) members of the UNSC have vetoed one resolution after the other. 

On March 25, the Security Council was able to adopt Resolution 2728 with 14 votes in favour and one abstention from the United States. The resolution calls for an immediate, yet temporary ceasefire in light of the month of Ramadan, one that the council hopes will eventually translate into lasting peace and a permanent ceasefire. Likewise, the resolution demands the immediate release of hostages and calls for greater flows of humanitarian aid across the Gaza Strip.  

Though it is commendable that Resolution 2728 did not fall victim to the P5 veto powers, it is unlikely that the watered-down request for a temporary ceasefire lasting until April 9 will bring permanent peace to those in Palestine.  

Notably, Resolution 2728 follows a failed U.S.-led draft resolution, vetoed by Russia and China, and critiqued by others in the UNSC, seen through the abstention of Guyana. Ambassador Carolyn Rodrigues-Birkett, the Permanent Representative for Guyana to the UN, drew several critiques to the U.S. draft resolution, especially as a lack of condemnation for the humanitarian crisis in Gaza prevailed in the proposed resolution. 

“If one were to read this resolution without background knowledge, it would be difficult to ascertain which party in this conflict is committing the atrocities in Gaza… In a resolution of 41 paragraphs, 2036 words, the occupying power is mentioned once in the penultimate paragraph,” said Ambassador Rodrigues-Birkett at the UNSC.  

Though the U.S. draft resolution failed to pass, the U.S. stance on a ceasefire in Gaza and Israel relations seems to have partially shifted, noted through their abstention, rather than veto usage, in the passing of UNSC Resolution 2728. Not long ago being Israel’s most eager advocate, vetoing three draft UNSC ceasefire resolutions, the U.S. has most recently softened its approach to ceasefire negotiations. The abstention vote delivered by U.S. Ambassador Linda Thomas-Greenfield shows commitment to “some of the critical objectives in this nonbinding resolution.”  

The U.S. Ambassador’s comment on the voting decision, while remaining concerned with the condemnation of Hamas and with the conditional release of hostages, also raised criticism for dismissing Resolution 2728 as “nonbinding”. This comment has come despite the language used within Resolution 2728 demanding a ceasefire, entailing a level of bindingness in the text.  

The question of whether the resolution is binding is mainly relevant for compliance purposes and the steps to be pursued if a ceasefire is not achieved. A binding resolution in the Security Council provides different avenues of response. Under Article 41 of the UN Charter, the UNSC can respond through disruption of economic relations or severance of diplomatic relations with the member state violating the resolution. In the case Article 41 is deemed inadequate, Article 42 gives room for the use of force through air, sea or land.  

Seeing as Israel has a track record of disregarding the binding nature of UNSC resolutions discussing its occupation of Palestinian territory without facing significant repercussions for it, the binding nature of UNSC 2728 is doubtful.  

Other contraventions of international law, as seen through Israel’s violation of the International Court of Justice’s (ICJ) ruling on the occupation of the West Bank and East Jerusalem, indicate that UNSC 2728, as commendable of an effort as it was, will likely fall short in securing temporary or long-term peace for Palestinians.  

Connor Ungar wins Brock’s male athlete of the year 

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The 2023-24 season officially wrapped up on March 27th with the Brock Badgers Awards Gala, celebrating another fantastic season for Brock’s athletics program. At the ceremony, Connor Ungar of the men’s hockey team was handed one of the night’s most prestigious awards: Male Athlete of the Year. 

Many of Brock’s teams found great success this year. 

The Badgers had 15 national championship appearances along with 26 provincial playoff appearances and were able to make good on several of these opportunities, winning two national titles and four provincial titles.  

This success, of course, would not have been possible without some standout performances from individual Badgers.  

Brock athletes walked away from the 2023-24 season with 17 major awards, 26 All Canadian selections and 81 provincial All Star selections.  

In recognition of all their accomplishments, the last individual award given out was the Male Athlete of the Year. 

Though there were four other worthy contenders, Connor Ungar, the rookie sensation goalie for Brock’s men’s hockey team, was ultimately crowned the winner for this year. 

“I’d really like to thank Brock University and the hockey program for a first-class experience, but more specifically my coaches for giving me every opportunity to accomplish these individual accolades,” said Ungar in his acceptance speech.  

“But with that said, the only thing better than accomplishing something on your own, is accomplishing something as a team, and this year we accomplished so much as a hockey team and made so many great memories that will last a lifetime.” 

In one season and only 33 regular season and playoff games, Ungar has already entrenched himself as one of the top athletes to come through Brock’s hockey program.  

Ungar made his first start as a Badger on Sept. 16th , 2023, shutting-out the Ohio University Bobcats in a 7-0 rout of the American team. After that game, Ungar was given the reigns to Brock’s starting job and never let go.  

Ungar followed up his first appearance with a second consecutive shutout in front of a packed Meridian Centre as the Badgers beat the Guelph Gryphons in the 2023 Steel Blade Classic. Working off some of their early-season rust, the Badgers threatened to lose their one-goal hold on the game in the second period. However, thanks to Ungar shutting the door on some bad turnovers and transition opportunities, the Badgers held on to win 3-0, setting the tone for the rest of Ungar’s time with the program and giving him a stellar introduction to the sold-out Badger crowd.  

Throughout the rest of the season, Ungar only saw his save percentage drop below .900 seven times, adding three more shutouts after the Steel Blade Classic. While Ungar’s great play continued into the playoffs, Brock was unfortunately left empty-handed. Ungar was one of the few bright spots in the Badgers final game of the season where, despite surrendering three goals, Ungar still made 41 saves, sporting a .935 save percentage.  

Brock’s Male Athlete of the Year adds to a long list of awards that Ungar has secured in his short time at Brock. Ungar was named the OUA goaltender and the rookie of the year for both the OUA and all of U Sports. Ungar was one of the top goalies in the entire country, ending up with 767 saves, a .932 save percentage and a 2.15 goals-against average, good for third, fifth and ninth respectively.  

Ungar also set a new program record for wins with 20, upsetting the record previously held by Logan Thompson, a current goaltender for the NHL’s Vegas Golden Knights who was nominated for the NHL’s Calder Trophy last season. 

This will unfortunately be Ungar’s one and only season with the Badgers, as on March 18th, he signed an NHL contract with the Edmonton Oilers. 

While Ungar certainly earned this recognition, four other Badgers also had strong cases.  

Garette Saunders of the wrestling team also had a dominant year by all measures. Saunders won gold medals at both the provincial and U Sports championships and was consequently named both and OUA First Team All Star and a First Team All Canadian. Saunders was one of the key players in Brock’s wrestling team winning their eighth consecutive provincial title and ninth consecutive national title.  

Most impressive of all, Saunders finished second at the 2023 Canadian Olympic Trials, earning a spot on Team Canada’s roster as an alternate. 

In his second consecutive Athlete of the Year nomination, Michael Ivanov netted the Badgers a bronze medal at the national championships. Ivanov also followed up his 2022-23 OUA Rookie of the Year season with a first placefirst-place finish at the OUA championships.  

Connor Dodds of the rowing team was Brock’s fourth nominee after winning gold at both the provincial and national levels. Dodds won gold in both the lightweight men’s eight and the open men’s single at the OUA championships and added another at the CURC in the lightweight men’s four. Dodds earned All Star selections at both championships. 

Capping off a banner year, Dodds also finished third in the lightweight men’s quadruple sculls at the 2023 U23 Rowing Championships.  

Steven Commerford of the men’s rugby team rounded out the nominees. The centre was a focal point of the 5-0-1 Badgers, leading to being named the OUA Player of the Year and a First Team All-Star selection.  

Sara Rohr wins Brock’s Female Athlete of the Year 

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On March 27th, Brock held their annual Brock Badgers Awards Gala at the Americana Conference Resort Spa & Waterpark in Niagara Falls.  

After another successful season for the whole Badgers athletics program, the headline of the event was the awards for Brock’s Athlete of the Year.  

On the women’s side, emerging out of a stacked class of nominees was Sara Rohr, the setter for Brock’s women’s volleyball team.  

“I wanted to say a huge thank you to my teammates,” said Rohr in her acceptance speech. “You all are my best friends and this award wouldn’t be possible without you guys. You guys all make me look really good,” she joked. 

Leading the Badgers to their third consecutive Quigley Cup victory and one of the program’s highest National rankings, Rohr set a new standard—both for the team and for herself—in terms of play and leadership.  

Finishing her fifth year with Brock, Rohr has been a staple for the Badgers since her debut.  

“For any athletes that are debating coming back for their final year of eligibility, it’s totally worth it,” said Rohr. 

Rohr checked into her first OUA game with Brock on Oct. 24th, 2018, recording six assists while only playing a single set in a 3-1 loss to TMU (formerly Ryerson). Only three days later, she played all four sets against the University of Toronto, leading both teams with 24 assists in only her second OUA regular season game.  

Ever since then, Rohr has been on a meteoric rise.  

In 2021-22, Rohr elevated to establish herself as one of the best players in the OUA, finishing second in the league in assists and assists-per-set, leading to an OUA First Team All-Star selection. The following year, Rohr was able to improve, this time leading the OUA with 9.80 assists-per-set in 2022-23, bringing her another First Team selection.  

This season, Rohr was even better.  

Rohr led the OUA again with 643 assists and 10.90 assists per set, almost 2.2 more than second place (which was more than the difference between second and 12th).  

While the Badgers fell short in the National Championship, Rohr still received plenty of recognition. Unsurprisingly, Rohr was again an OUA First Team selection, in addition to a U Sports First Team selection and 2024’s OUA Player of the Year. Rohr leaves the Badgers with a program record of 2475 career assists.  

This was a well-deserved win from one of Brock’s best.  

As mentioned, Rohr faced some steep competition to come away with this year’s award.  

Captain of the women’s soccer team, junior centre back Grace Tawil was another one of the nominees. In 2023, the Badgers made the playoffs for the second year in a row under Tawil’s stewardship, an accomplishment she played no small part in. 

Tawil contributed stellar, solidifying defence throughout 1143 minutes this season, reaching 90 minutes in all but two of her 13 matches. Tawil was named to the OUA’s Second All-Star Team.  

Next, Brock rowing’s twin-sister duo of Isabella and Zoe Durcak were co-nominated for their impressive seasons at both the provincial and national stage.  

The Durcaks were instrumental in Brock’s OUA bronze medal, finishing first in the women’s lightweight double and second in the lightweight four, delivering them both OUA All-Star selections.  

At the Canadian University Rowing Championships, the Durcaks continued their dominance, winning the women’s lightweight double and again being named All-Stars of the competition.  

However, likely the two biggest challengers for Rohr’s award were Brianna Fraser of the wrestling team and Madalyn Weinert of the basketball team.  

Fraser’s efforts this season were nothing short of heroic.  

Not only did Fraser win every match of the season, she won every decision in the first round. As such, Fraser won her second consecutive OUA and U Sports gold medals, was named a First Team All-Star at both the OUA and U Sports championships, and even placed third in the 2023 Canadian Olympic Trials in the 76-kilogram weight class. 

Since she joined the Badgers in 2021, Weinert has played a key role for the Badgers in every facet of the game.  

Weinert was an OUA Second Team All Star in 2022-23 (and a nominee for Brock’s Female Athlete of the Year) after finishing third in the OUA in points-per-game (17.6), fifth in rebounds (9.2) and blocks (1.4), tenth in assists (3.2) and 24th in steals (1.5). 

As 2023-24’s OUA Player of the Year and a U Sports First Team All-Canadian, Weinert was able to flesh out every area of her already diverse skillset, remaining the team’s focal point on both offence and defence. Weinert led not only the OUA but all of U Sports in points-per-game (22.5) and blocks (2). She was also fifth in the OUA in field goal percentage while taking over 100 more shots than any other player in the top five. Weinert was also fifth in rebounds per game with 9.6, fifth in steals per game with 2.5, second in assists per game with 4.5 and held a 1.6 assist-to-turnover ratio.  

After such an amazing year for Badgers sport, it was great to see many of our athletes get recognized, leaving us all waiting for what 2024-25’s future stars have in store.  

NFL introduces new kickoff format 

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The NFL off-season is well underway, and with the NFL draft just around the corner, the league has announced a new kickoff format.  

The NFL last made a change to the kickoff in 2018 when they made any ball that landed in the endzone an automatic touchback to the 25-yard line.  

Five seasons later, the owners decided on a much bigger change. Kickoffs will now be performed in a completely new way.  

The new rule copies another professional football league, the XFL

The rule changes the formation before kickoff as the kicking team is lined up on the receiving team’s 40-yard line. The ten players lined up cannot move until the ball is caught or hits the ground.  

The receiving team will have at least nine players lined up in what the NFL is calling “the setup zone”, which is located in between the 30- and 35-yard lines. At least seven of the players must have their foot on the 35-yard line, and they cannot move until the ball is caught or hits the ground.  

Two receiving team players can line up in the “landing zone” between the endzone and the 20-yard line. These players are free to roam in this zone as they please.  

A ball that is kicked in the landing zone is a “live ball” and the defensive players can recover the ball.  

Kicks that land short of the landing zone are deemed to be out of bounds and will follow the same rules as an “out of bounds” kick. The ball will be placed at their own 40-yard line for the offence if this occurs.  

Another change to the rule is about how touchbacks are ruled. If the ball lands in the endzone, it can be deemed a touchback and the ball will now come out to the 30-yard line. But if the ball lands in the landing zone and rolls into the endzone for a touchback it will only come out to the 20-yard line.  

This incentivizes players to play the ball when it lands in the landing zone.  

A final change to the rules is that only the location of the kick would change in a situation where there is a penalty on the kickoff, not the setup zone or landing zone.  

With the change to kickoff also comes a near abolishment of the onside kick.  

Teams are only allowed to attempt an onside kick once per game if they are trailing in the fourth quarter. They must announce their intentions to the other team before attempting the kick. All other rules still apply to onside kicks.  

These changes to the kickoff will be on a trial period for the 2024 season and will be reevaluated after the season. Many speculate they were made to avoid high-speed collisions during kickoff that led to many concussions and other injuries.   

For official rules of the new NFL kickoff, visit operations.nfl.com

Badgers’ wrestling teams win big at awards gala 

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The Badgers’ men’s and women’s wrestling teams were among the winners at Brock Sports’ annual awards gala. 

After one of the most successful seasons in Badgers’ history recently concluded, with 17 Badgers winning major awards, eight coaches receiving Coach of the Year honours, 26 Brock athletes being named All-Canadians and 81 earning provincial all-star selections, it was time to honour these amazingly talented teams and athletes at the awards gala. 

Hosted at the Americana Conference Resort Spa and Waterpark in Niagara Falls, 650 student-athletes, coaches and staff attended the event, with increased anticipation on which teams would be the recipients of both the Male and Female Team of the Year awards. 

While all Brock’s teams had extraordinary seasons in their own regard, the Badgers’ men’s and women’s wrestling teams were crowned the Male and Female Team of the Year for the second consecutive season in a row. 

As the pinnacle of university wrestling in the country, both the men’s and women’s squads captured provincial and national titles, the only Brock teams to strike gold on the national stage this season. 

The men’s team won their ninth straight U SPORTS championship and 22nd overall, now sitting with 14 more than Concordia, who has the second-most national titles. They also tallied their 25th provincial banner, winning their eighth OUA Championships in a row, to add to the ever-growing Badgers’ wrestling trophy case. 

On the women’s side, coach Dave Collie – who won the Coach of the Year award at the gala alongside TJ Manastersky – guided his team to their 11th national championship and their ninth straight provincial title, making it 22 OUA banners overall. 

Individually, the Badgers won eight gold medals, six silvers and two bronzes at the U SPORTS national championships in Guelph, while capturing 13 golds, five silvers and two bronzes at the OUA Championships in Sault Ste. Marie. 

Winning the gold medals at nationals were Francesca Lo Greco (50 kg), Mia Friesen (56 kg), Brianna Fraser (83 kg), Garette Saunders (61 kg), Nicolae Gandrabura (65 kg), Bobby Narwal (72 kg), Callum Knox (100 kg) and Roger Li (125 kg). 

Lo Greco won the U SPORTS Female Rookie of the Year award after defeating Abby Wolff, the Canada West Rookie of the Year, 10-2 to place first, as she wasn’t the only Brock wrestler to achieve national honours. 

Fraser joined Lo Greco as a U SPORTS honouree, being selected as a U SPORTS First-Team All-Canadian after she beat Saskatchewan’s Myah Phillips by fall over. 

Saunders also earned a U SPORTS First-Team All-Canadian selection after his win over Toronto’s Francesco Fortino. The Community Recreation major will also serve as an alternate on Canada’s wrestling team at this summer’s Paris 2024 Summer Olympics, becoming the seventh Olympian who competed in the Badgers’ men’s wrestling program and the first since Brock alum Saeed Azarbayjani featured for Canada at the 2008 Beijing Olympics. 

Both the men’s and women’s wrestling teams will look to continue their historic success and win more titles in 2025 and beyond. 

The entire 2023-24 men’s team includes: Gabriel Blanchette, Johannes Budgey, Rahaman Dawson, Yazdan Farokhizad, Nicolae Gandrabura, Zubin Gatta, Ethan Graves, Alamin Ibrahim, Callum Knox, Ryan Lane, LeVar Lashington-Francis, Roger Li, Bryn Loewen, Mason Mastroianni, Bobby Narwal, Luisonleonardo Preci, Garette Saunders, Gabriel Sementilli, Cho Sherpa and Steven Taras. 

The entire 2023-24 women’s team includes: Samantha Adams, Brooklyn Brown, Cassie Corbett, Kirztyn De Torres, Brianna Fraser, Mia Friesen, Rachel Hall, Ella Jakobi, Vanessa Keefe, Kennedy LaBute, Claudia Landry, Francesca Lo Greco, Bronwyn MacGregor, Michaela Rankin, Apinayaa Sivapalan and Jessica Tillmanns. 

For more information on the Badgers’ wrestling team, head to gobadgers.ca.